Looking for an elegant font to class up the place? Maybe you have some wedding invitations that you've been putting off for a month. Belmont is an elegant, modern script font that is perfect for contemporary occasions.

Smitta Bali is an amazing hand lettering, looking attractive and natural! Every single letter has been carefully crafted to make your text look beautiful. This font is suitable for invitation, branding, advertising, classic design, poster design etc.

Z-Rex looks like the copies I was getting from a lousy copier before I threw it out. You might think it has been eaten by a T-Rex, or maybe it looks like swiss cheese blech.

Digital Kauno is a soft geometric script type. It is recommended for headlines and display use. Digital Kauno was originally designed in 2002 and it has now been redesigned with full character set and more distinctive letters.

Resiliency2 has been designed for use in sports,and fitness themes to elevate design work in those genres. The fonts work great with esports themes, in particularly. .The font family contains 6 fonts;3 weights, 2 styles

Kusukusu means 'chuckle' or 'giggle' in Japanese. It is a feminine, hand written font with a happy feel to it. Kusukusu comes in different styles, has all the diacritics you need and has been kerned by hand.

Public Safety JNL was inspired by a 1940s-era health poster issued through the WPA (Works Progress Administration). The font’s bold, blockish sans lettering commands attention and has been made available in both regular and oblique versions.

Petrarka may be described as a Condensed, Sans-Serif, Semi-Fatface Roman. Huh? Bear with me on this. The Fatface is a name given to the popular nineteenth-century romans that where characterized by an extremity of contrast between the thick and thin stroke. The earliest example that is generally familiar is Thorowgood, believed to have been designed by Robert Thorne and released by Thorowgood Foundry in 1820 as "Five-line Pica No. 5." Copied by many foundries, it became one of the more popular advertising types of the day. Later, in the period from about 1890 to 1950, you find a number of typeface designs with the thin stroke beefed up a bit, not quite so extreme. What you might call Semi-Fatfaced Romans begin to replace the extreme Fatfaces. Serifed designs like Bauer’s Bernard Roman Extra Bold and ATF’s Bold Antique appear. In addition, we see the development of semi-fatface lineals or Sans-Serif Semi-Fatfaces. Examples include Britannic (Stephenson Blake), Chambord Bold (Olive), Koloss (Ludwig & Mayer), Matthews (ATF) and Radiant Heavy (Ludlow). Petrarka has much in common with this latter group, but is distinguished by two salient features: it is condensed and it shows a strong blackletter influence, as seen in the ‘H’ particularly. Petrark was released about 1900 by the German foundry of Schelter & Giesecke of Leipzig and is one of the designs of the period that attempts to reconcile roman and blackletter traditions. Making a cameo appearance in this Multi-Lingual font is the Anglo-Saxon letter yogh (#729), which, along with the thorn and the eth, is always useful for preparing flyers in Old English. There are still pockets of resistance to the Norman French influence that washed up on England’s shores in 1066. This font stands with King Canute, seeking to hold back the tide (ignoring the fact that Canute was a Dane). Support the fight to preserve Anglo-Saxon culture. Buy Petrarka ML today. Petrarka Initials brings together the Petrarka upper case letters with a very sympatico Art Nouveau rendering of a female face.

A large assortment of stencil lettering guides made in the 1940's, 1950's and 1960's have been a treasure trove of wonderful "lost" stencil type designs. Schoolmarm JNL continues this series by font designer Jeff Levine.

Munc is the uncial version of Magma. It has been designed with the same stroke weights and cap heights. Characters from the two families can be mixed. Uncial letterforms are ancient, but familiar. Their history remains somewhat mysterious.

Viva Maria could have been used for that famous, hilarious movie by Louis Malle staring Brigitte Bardot and Jeanne Moreau. Maybe in a remake someone will use this very lively script in the credits and advertising material. Olé!

Batchelder Elements contains 26 images from legendary Pasadena tilemaker Ernest Batchelder's design books of the 1920s. From cats to ducks to flowers -- even a bear and a couple of rabbits -- there's a design for everyone and every purpose.

Rit Graph has been revived from old style font template often used by architects or engineers. The design of Rit Graph is casual yet sophisticate with a slanted proportion and little details of rough edges from writing tools.

Linoset was created from cut and printed linoleum. The lettering is based on Helvetica Neue Condensed Bold – it has been cut, printed and re-drawn to take on a completely new life – it's rough, tough and downright nasty!

Veltro was originally designed in 1931 for Nebiolo in Torino. The typeface has been redesigned, digitized, completed and expanded as OpenType Pro in the profonts studio. Both styles cover the complete character set for Western and Eastern Europe.

With all the features of its wider relative, Rehn Condensed has been specifically designed for those situations where space is a premium. Rehn and Rehn Condensed together offer a complete package suitable for a wide range typographic applications.

Cintra font family has been designed for Graviton Font Foundry by Pablo Balcells in 2014. It is a sans serif, bold, geometric typeface with subtle rounded angles, which provides a soft, pleasent appearence. Cintra consists of 8 styles.

Tschicholina is inspired by a project by Jan Tschichold dating back to 1929. It is a unicase "universal" font which has always been considered to have very little future; this is why we have it in our catalogue.

Introducing Lecory Font! Lecory is modern serif font, every single letters have been carefully crafted. This font including beautiful alternate glyph. You can access the alternate glyph via Font Book (Mac user) or Windows Character Map (Windows user).

Talloween is a bizarre typeface in which the letters have a fraktur form, but look as if they had been made of wax that has partially melted. It comes in four styles, regular, oblique, shadow, and oblique shadow.

Looking for sharp-looking characters in ferocious action? Then look no further than this font, originally designed by Senior Comicraftsman John Roshell for GHOST RIDER 2099. Adamantium has also been featured in WOLVERINE and THE UNCANNY X-MEN.

Poison Ivy is a messy, scrawled font. It looks like the glyphs have been etched by an unsteady hand. Poison Ivy is ideal for use in books, albums and posters. Comes with a witches' kettle full of diacritics.

Economica Pro is a font specially developed for printing complex situations. It has been tested successfully in very small sizes without losing legibility. It's ink traps ensure its smooth operation even in low quality papers. Ideal for newspapers.

These four typefaces, Berlinette NB, Lyonette NB, Marseillette NB and Parisette NB, were designed from the same basic shape, a fanciful geometric form that avoids strict horizontals and uses more offbeat triangular shapes. Berlinette is the medieval Gutenbergian version of the four. It’s like a weird black letter font from the 1930s. It would work well advertising an obscure brand of German beer on the side of a Zeppelin as it circles the soccer stadium during the last match. In a William Burroughs novel.

RealBlues is a useful collection of two hand lettering fonts designed for expressive graphic designs. This family include OpenType features: ligatures, swash letters, contextual and stylistic alternates. All of this will give your designs extra flair and uniqueness, giving the impression of totally believable handwork. RealBlues fonts has an extended character set to support Central and Eastern European as well as Western European languages. RealBlues may be perfect for logos, brands, children's books, restaurants, catering, cafes, packaging, magazines, weddings, beer labels, film and clothing.

Local Brewery is a vintage inspired font collection that includes six script styles and two sans serif styles. Script styles include a ripple edged, smooth or rough version. The sans serif styles include a ripple edged or rough version. Local Brewery Script comes with lower case y, g and tail alternates. These alternates will give your designs an extra flair and uniqueness. The script and sans serif fonts work exceptionally well together. Use Local Brewery for packaging, magazines, marketing, weddings, beer labels, film and clothing.

English Monarchs is a unique font collection with accurate digital replicas of 84 signatures of English and British monarchs from Richard II through Elizabeth II, including many of the royal consorts. Also included in this font are the Stuart pretenders and Mary Queen of Scots and her consort. A must-have for autograph collectors, desktop publishers, history buffs, fans, or anyone who has ever dreamed of sending a letter, card, or e-mail "signed" as if by one of these famous nobles. This font behaves exactly like any other font. Each signature is mapped to a regular character on your keyboard. Open any Windows application, select the installed font, and type a letter, and the signature will appear at that point on the page. Painstaking craftsmanship and an incredible collection of hard-to-find signatures go into this one-of-a-kind font. Comes with a character map. This font includes signatures from the following noble figures: Richard II, Henry IV, Henry V, Henry VI, Margaret of Anjou, Edward IV, Elizabeth Woodville, Edward V, Richard III, Henry VII, Elizabeth of York, Henry VIII, Catherine of Aragon, Anne Boleyn, Jane Seymour, Anne of Cleves, Catherine Howard, Catherine Parr, Edward VI, Lady Jane Grey, Mary I Tudor, Elizabeth I, James I, Charles I, Henrietta Maria of France, Oliver Cromwell, Richard Cromwell, Charles II, Catherine of Braganza, James II, William III, Mary II, Anne, Prince George of Denmark, George I, George II, George III, George IV, William IV, Victoria, Prince Albert, Edward VII, George V, Edward VIII, Wallis Warfield Simpson, George VI, Elizabeth II, Prince Philip, Prince Charles, Princess Diana, Camilla Duchess of Cornwall, Prince James Edward Stuart, Prince Charles Edward Stuart, Mary Queen of Scots, Henry Stuart Darnley, Francis II of France.

Circe Rounded is an extension for a popular Circe typeface, with rounded terminals. Bold and ExtraBold faces have two variants with different radius of the roundings. Circe Rounded is even more friendly than the original Circe. The typeface is designed by Alexandra Korolkova and Alexander Lubovenko and released by ParaType in 2015. It is known that the Circe typeface is distinguished by mild and humanist nature being formally a geometric sans-serif. However, as an experiment we decided to make it even softer: Circe now has a version with rounded terminals — Circe Rounded. Rounding is generally regarded as a mechanical operation, but in this case a lot of manual adjustment was needed because of the humanist nature and peculiarities of type design. Moreover, the two bold styles now have two options: a basic one is slightly rounded and an alternate one is fully rounded. In Circe Rounded we decided to dismiss characters with swashes that are rather inappropriate in such a rounded font, but the stylistic sets and alternate characters are remaining. Rounded terminals make an open and friendly typeface even more childish. For example, in quite large point sizes (because the x-height is still not big) it can be used as a body type in infant books. Circe Rounded, similar to Circe, has alternative forms of lowercase characters, which are called “infant” and are used in publications for children’s reading. However, a humanist basis is preserved alongside with its softness and it does not allow it to be as “plasticine” as many other rounded fonts. Two of the most obvious areas of possible application of Circe Rounded are everything for children and everything edible, especially all that is sweet and puff. However, we believe that there are other options.

Zushboy is a ragged verion of my own tagging style (even though it has been years and years since I did a thing like that!). The font is spaced tight in order to copycat a real homeboy's handwriting! Yo!

Totem Forms is based on a series of aluminum and rubber wall constructions currently showing in Europe and the United States. Mirek's work has been shown internationally for many years and this is his first foray into type development.

Antidote is a grungy 3-D font. It is hand drawn and has been given a 'cracked' look. Looks great in headlines, titles and on packaging, but I wouldn't set a text in it as it is quite heavy.

Despite the racially demeaning 1906 sheet music for "The Ghost of the Banjo Coon", the title's lettering provided an interesting hand-lettered sans serif that has been re-drawn digitally as Showmanship JNL in both regular and oblique versions.

Moderna is a sans serif family inspired in simplicity of Modernism. Its contruction neutral and clean has been especially designed for short texts, headlines, logos and branding. With sixteen variants includes unicase version, some alternate characters, arrows and labels.

Based on Schumann's original Typoart font 'Stentor', Tyton Pro has been carefully redrawn and redesigned. Unlike the simplified forms of former photo-setting versions, Tyton Pro preserves the tender upstrokes and downstrokes which underline the typical brush-written letters.

Designing SoftTimes has been easy on my nerves after the strain of HardTimes. The harder the Times are the more do we need some soft typefaces, this one is the soft counterpart for HardTimes. -Your softspoken typedesigner, Gert Wiescher

Initially created as a less quirky alternative to GillSans Schoolbook, Fiendstar has been developed into a family of widths, weights and styles. High legibility makes it suitable for signs and school books, especially for readers with poor reading ability.

Torges is the newest typeface with a marker style. The entire typography has been designed to work on large sizes. This font ideal for designing merchandise, social media, marketing posts, product packaging & branding projects. Torges supports uppercase, lowercase, numerals and punctuation.

It is an extension or variant of the "Ghostly Forest" typeface that has been adapted to include the Greek alphabet and also incorporates many alternatives, such as Swash glyphs, for a more fun design suitable for casual or Halloween-related concepts.

Hoxie JNL is based on an example found in an old sign painter's design book from the early 1900s and has been translated to digital form by Jeff Levine. All of the quirks and charm of hand lettering have remained.

Yue Han is a font created as a form of gratitude for all the feelings and love that has been given, this font symbolizes the willingness to let go of someone we love and move on to a better place.