Peppercorn seems to have been thickly painted on a rough surface. Comes in regular and a spattered Black version. Based on the font Hubbub, which compliments it well.

Shipping stencils cut on an antique machine with its somewhat crude slab serif type design inspired Container Stencil JNL, and is available in both regular and oblique versions.

Wood Line JNL is based on a printed example of a vintage handmade wood type. This sans serif digital font is available in both regular and oblique versions.

Abudabi is a connected script typeface that includes 3 font styles: • REGULAR for signs and basic text • BOLD for titles and highlights • STONE for single words or backgrounds

The hand lettering on a World War I recruitment poster for the French Air Service inspired French Nouveau JNL, which is available in both regular and oblique versions.

The hand lettering found throughout the movie trailer for 1942's "Mr. and Mrs. North" inspired Criminal Intent JNL, which is available in both regular and oblique versions.

Auto-scanning an example of a vintage typewriter font created the design which is now the digital typeface Bitmap Typewriter JNL, available in both regular and oblique versions.

Kids Activities JNL is based on the hand lettering found on the covers of some 1955 Cub Scouts activity books. It's available in both regular and oblique versions.

KARN is a display typeface inspired by psychedelics. Regular, bold, outline, and summer dingbats are available. Perfect for projects that require fun and creativity. Punctuation, Multilingual & PUA Encode

Syndication JNL was derived from Outline Sans JNL. By removing the outer letters, a thinner character set remained. This typeface is available in both regular and oblique versions.

Macro is a hand-drawn display font available in a regular and a bold version. Both versions come with double upper cases. Prepare to make a monstrous statement!

Quirky Fashion Quirky Fashion offers beautiful typographic with 2 style : Regular & Italic, harmony for a diversity of design projects, including logos & branding, social media posts, advertisements & product designs.

Simplicity JNL is a lightface monoline sans design for titling and short text that is clean and effective without being bland. Available in both regular and oblique versions.

Cirflex was inspired by a 1930s shop sign, and makes an ideal typeface for Streamline Era and Art Deco design. Cirflex is offered in regular and bold weights.

A font family in continuation of the bb-book A , also kicking up weight, width and contrast, but upside down. 4 styles: condensed, regular, expanded and ultra-expanded.

Looking for nice handwriting fonts? Easy Hand from Okaycat comes in 2 weights, Regular and Semibold. You can achieve written by marker look by these easy going fonts!

MONZO is Contemporary Fat Font comes with 2 styles ( Regular & Outline ) with corresponding italics. Perfect for Logotype, Head text, Displayed text, and many more). Support for 75+ Language.

The thin, condensed serif lettering found in a 1937 magazine ad for Chris Craft boats inspired Formal Invite JNL, which is available in both regular and oblique versions.

An oval-brush-script with some opentype discretionary ligatures along with other ligatures and fractions. Palazzo Solo is the same as Palazzo Regular but is an unconnected version.

It was the original work of fifteenth century designer Nicolas Jenson that formed the basis for this roman serif style developed by Ernst Detterer in 1923. Similar in spirit to other early twentieth century revivals such as Centaur, Cloister Old Style, and Italian Old Style, Nicolas Jenson is distinguished by its pristine and delicate nature. A gifted young apprentice to Detterer, Robert Hunter Middleton, greatly expanded the family. And by 1929, bold, italic, and open were part of the Ludlow Foundry’s beautiful Nicolas Jenson Series. It was reintroduced under a new name, Eusebius, in 1941. This digital version includes a new medium and extrabold weight with intermediate small caps and swash alternates throughout the family. There is also a regular expert version with a variety of currency symbols plus a regular petite caps (regular x-height small caps) and old style figures version. Nicolas Jenson is now available in the OpenType Std format. Small caps, old style figures, and swash alternates have all been combined into one style for ease of use. You will also find an additional regular petite caps version included with the regular style. Some new characters have been added as stylistic alternates and historical forms. These advanced features work in current versions of Adobe Creative Suite InDesign, Creative Suite Illustrator, and Quark XPress. Check for OpenType advanced feature support in other applications as it gradually becomes available with upgrades.

The Typorium presents a new optimized and enriched version of ITC Ellipse which first appeared in 1996 in the International Typeface Corporation typeface library. ITC Ellipse Script is a complementary typeface to ITC Ellipse Neo, designed a very legible handwriting style. ITC Ellipse Script is both modern and classic. Modern in the unusual shape based on the geometric ellipse form. And classic in the structure of some letters like the lower cases c, e, g, o, s. These letters alone could come from a traditional typeface, but they fit perfectly with the atypical rest of the alphabet giving it a present-day and traditional mix. Furthermore, the ellipse shape fits naturally in the italic styles, giving the font an organic and fluid feeling. ITC Ellipse Script offers OpenType features such as alternate characters for upper and lower case, and an extended accented character set to support many languages. Five weights have been created for each style to offer a wide range of graphic possibilities in a tidy digital footprint. Designer: Jean-Renaud Cuaz Publisher: Typorium MyFonts debut: Nov 1, 2020 Le Typorium présente une nouvelle version optimisée et enrichie d'ITC Ellipse qui est apparue pour la première fois en 1996 dans la bibliothèque de caractères de l'International Typeface Corporation. ITC Ellipse Script est une police complémentaire à ITC Ellipse Neo, conçue dans un style d'écriture très lisible. ITC Ellipse Script est à la fois moderne et classique. Moderne dans le dessin inhabituel basé sur la forme géométrique de l’ellipse. Et classique dans la structure de certaines lettres comme les minuscules c, e, g, o, s. Ces lettres pourraient provenir d'une police de caractères traditionnelle, mais elles s'intègrent parfaitement avec le reste de l'alphabet plus insolite en lui donnant un mélange de modernité et de tradition. De plus, la forme de l'ellipse s'intègre naturellement dans les styles italiques, donnant à la police une sensation organique et fluide. ITC Ellipse Script offre des fonctionnalités OpenType telles que des caractères alternatifs pour les capitales et les bas de casse, et un jeu de caractères accentués étendu pour prendre en charge de nombreuses langues. Cinq graisses ont été créés pour chaque style afin d'offrir un large éventail de possibilités graphiques pour une empreinte numérique rigoureuse.

Introducing Telidon—the typeface that brings the nostalgic charm of old dot matrix printers to life. It’s a typeface that’s full of character, inspired by the clunky, mechanical printers of the 1980s that used to hum, buzz and chug away, as they churned out reams of perforated pages. Telidon’s unique dot-matrix appearance isn’t just a throwback to a bygone era, it’s a design element that can help your words stand out from the crowd. With its quick and simple flavor, Telidon will add a jolt of energy to your text, making it perfect for headlines, titles, and logos. This versatile typeface comes in three widths, three weights, and italics, giving you the freedom to create dynamic layouts and add emphasis where needed. Whether you’re designing a retro-inspired poster, a tech-forward website, or anything in between, Telidon is the font that can take your project to the next level. But wait, there’s more! Telidon also has a grungy companion—Telidon Ink—that can give your design a rough-and-tumble edge. So why not add a little dot-matrix magic to your designs and give Telidon a try? You won’t be disappointed! Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

P22 Wood Type is a set of four fonts based on 19th Century American wooden printing types. Wood Type Regular is a condensed Tuscan styled font with a lower case and international character set. Wood Type Small Caps is a variation of the regular with small caps in place of the lower case. Wood Type Extras One & Two feature over 150 borders, stars, pointers, combination dashes, manicules & other decorative embellishments. Perfect for evoking 19th Century printing & Americana at its most genuine.

Fintbar is a bold display typeface with fun and playful looks. Available in two types, regular version and extrude. This type of font perfectly made to be applied especially in fun or child theme which is need a standout font, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : Regular and Extrude numbers and punctuation multilingual ligatures PUA encoded

The Peacher perfectly represents crafted stuff of vintage script. This project was inspired by beautiful old labels. The product includes 4 styles (regular, rounded, rough and textured). This matches applies in some designs such as the logotype, poster, label, badge, packaging, branding, quotes and more custom design. Peacher includes : 4 style typefaces (regular, rounded, rough and textured) Uppercase, lowercase, numeral, punctuation and symbol 7 sets of alternates and swashes 25 ligatures Multilingual PUA Encoded Thank you for your support and choosing us.

Microsoft Sans Serif™ Regular is a very legible User Interface (UI) font. It was designed to be metrically compatible with the MS Sans bitmap font that shipped in early versions of Microsoft Windows. The original MS Sans was in the inflexible .fon bitmap format and could not be scaled. Microsoft Sans Serif Regular is much more flexible and legible as it font antialiasing and scalable user interfaces. Character Set: Latin-1, WGL Pan-European (Eastern Europe, Cyrillic, Greek and Turkish).

The Poster Sans display fonts have the enduring functionality of vintage condensed grotesques. They are loosely based on Ludlow 6-EC, and perfect for signs and posters. The Basic Package includes the Regular and Bold weights, and also a useful Outline version. Poster Sans Extreme may hold the record for the slimmest usable font available. The latest versions of the Regular, Bold and Extreme weights offer improved outlines and now include a full compliment of Latin Extended-A European accented characters.

Deroma - is an editorial serif font (regular and italic) It beautifully combines a vintage look with a modern flair. Deroma will be perfect for many projects: logo, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, invitation, or whatever project you’re working on. WHAT’S INCLUDED? Deroma Regular (uppercase & lowercase) Deroma Italic (uppercase & lowercase) Numbers & punctuation Ligature & Huge Stylistic alternate Multilingual support. Still got a question? Send me a message and I’ll be happy to answer! qura.yahya@gmail.com

The font is called "Rustic Printed", it is sans serif display with vintage themes. The font comes with 2 style typefaces (regular and stamp). This font include different width of alternates glyphs. The Rustic Printed matches applies in some designs such as the logotype, poster, label, badge, packaging, branding, and more custom design. Rustic Printed includes : 2 style typefaces (regular and stamp) Uppercase, lowercase, numeral, symbol and punctuation Alternates Multilingual PUA Encoded Thank you for your support and choosing us.

As the most classic and traditional style pack of the Fonts Café, the Ottanio family take a place of honor in the list of the Fonts Café handmade Vintage style fonts. Clearly born for being noticed, the boldness and the almost imperceptible, but present to the eyes of subconscious mind, irregularities of the Ottanio Family has been well balanced to create a set of handmade Serif fonts that can be used as “jack of all trades” where traditions, origins and a touch of Vintage style are required. From the integrity of the Ottanio Regular, the stronger style of the Shaded version and the scraped look of the Stamp option, the whole Ottanio Pack will be the perpetual solution always useful to have on hand!

Film Noir JNL is a classic Art Deco Alphabet from the brush of the late master sign painter Alf R. Becker, and appeared in Signs of the Times Magazine. Thanks to Tod Swormstedt of ST Media and the American Sign Museum for providing the reference material to make this font.

Yard Goods JNL is another typeface derived from a sign making outfit consisting of a series of stencils manufactured by the Display Material Company of St. Paul Minnesota. This clean and casual sans design embodies the hand-lettering of 1920s and 30s era show cards, price tickets and display signs.

This display decorative slab-serif typeface, contain reverse contrast which remind the old western style, there are also stencil version available (Invertida St). Invertida font family contain Latin and Cyrillic encoding characters and italic versions are also available too. Open type features can provide more options (stylistic alternates, ligatures, swash, figures).

Inspired by the early days of video games where the graphics were made of squares (pixels), Wahyu Wibowo comes up with pixel based typeface design, Jogan, but instead of having medium width, he decided to make it narrow which is rarely exist in pixel style font. The style were expanding in the development process, so the family have 4 subfamilies: Jogan (regular, bold and monospace) Jogan Soft (regular, bold and monospace) Jogan Round (regular and monospace) Jogan Slab (regular and bold) Each Jogan font style contains 280+ glyphs which covers Western Europe languages: Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Catalan, Chiga, Cornish, Danish, Dutch, English, Filipino, French, Friulian, Galician, German, Gusii, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kinyarwanda, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Manx, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Quechua, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Uzbek (Latin), Volapük, Vunjo, Zulu. Retro, retro-futuristic, futuristic, modern, techno theme projects fit perfectly with this typeface, any works from logo, poster, video, headlines, titles, and more!

Claymore is an ultra-condensed variable display typeface mainly created for expressive and decorative purposes. Enriched with a wide list of alternates and ligatures which cover a huge range of letter combinations, Claymore can become a powerful weapon to those, who want to make their typographic accents in design bright and unique. Two types of font files are presented to your attention. Check the font names. 1. Basic. Claymore Regular, Oblique, Regular Hollow, Oblique Hollow, Variable, Variable Hollow. Uppercase glyphs only 338 Glyphs including 60 alternates Latin, Latin Extended, and Cyrillic alphabets Two variable fonts to customize height and slant. 2. Basic + Ligatures. Claymore Ligatures Regular, Ligatures Oblique, Ligatures Regular Hollow, Ligatures Oblique Hollow, Variable Ligatures, Variable Ligatures Hollow. Uppercase glyphs only 338 Glyphs including 60 alternates 1054 Ligatures total value (527 unique as they are doubled to be uppercase and lowercase). Latin, Latin Extended, and Cyrillic alphabets Two variable fonts to customize height and slant. Advice on ligatures usage. Ligatures work properly only with uppercase or lowercase typing like UTU or utu. Combination of uppercase and lowercase letters like uTu or UtU will not be considered as ligature. Enjoy using!

ITC Gema is the work of Brazilian graphic designer Claudio Rocha. It was first written in a small size to keep the surface irregularity of a non-coated paper when enlarged for use as a display font," says Rocha. Many strokes do not quite join, giving Gema the visual effect of a stencil typeface, the distinguishing characteristic of the font. "Some characters have my own handwriting gestures," says Rocha, like elongated endings and angular shapes. Gema comes complete with an unusual variety of ligatures and alternate characters."