Justone! A handwritten signature textured font, all caps. Justone font is suitable for branding, whether in the form of logo text, text on social media posts, text on offline and digital advertising, apparel, product packaging, editorial features, signature logo, etc. Whats Include? Opentype support Multilingual support PUA encoded Features: Uppercase, lowercase, numerals, punctuations, alternates, and ligatures Accessible in the Adobe Illustrator Glyphs panel, or under Stylistic Alternates in the Adobe Photoshop OpenType menu, Adobe InDesign, Corel Draw, even work on Microsoft Word Please message me if you're unsure of any language support. Thanks for looking, and I hope you enjoy it! Please don't hesitate to drop me a message if you have any issues or queries.

On October 12th 1976 a new basilica was inaugurated in honor and in gratitude to the Patron Saint, the Virgin of Guadalupe, loved by the Mexican people. This basilica was designed by the Mexican architect Pedro Ramírez Vázquez (died on April 16th 2012). It stands out by its hug spacious interior, generously decorated with bronze elements. The aesthetic value of these items even includes many signs and text inscriptions in a particular typeface and style, of which this font is a reinterpretation. The purpose of this project is to revival this eclesiastical written letter forms in bronze and taking them to digital format. I was inspired to this on my last trip to Mexico in September of 2012.

Tiblisi is a font designed to emulate the feel of modern Georgian Script, which is called Mkhedruli. In earlier periods of her history, the Georgian language had several other alphabets, notably the Asomtavruli alphabet and the Nuskha-khucuri alphabet. The first printed material in the Georgian language, in the Mkhedruli alphabet, was published in 1669. Since then the alphabet has changed very little, though a few letters were added in the 18th century, and 5 letters were dropped in the 1860s. The font was named Tiblisi in honor of the nation's captial city. Tiblisi comes with full punctuation, a complete character set for most Western European languages that are based on the Latin Alphabet, and full kerning.

grande font is a collections of a modern, feminine, beauty and classy characters, give you unique looks for any branding or logo design needs. grande font is mix of beauty and classy feels, which has a wide range of uses but was mainly intended for logos, perfumes, fashion magazines, invitations, or book covers. Not only you'll find many decorative characters, but also amount of unique alternate characters will make you really adore this font. grande is also included full set of: uppercase and lowercase letters alternates and ligatures multilingual characters numerals punctuations Wish you enjoy our font and if you have a question, don't hesitate to drop message & I'm happy to help :)

DETAILS Tropical Thunder! A monoline script font with 2 styles, clean and stamped. Tropical Thunder font is perfect for branding, logotype, apparel, T-shirt, Hoodie, product packaging, quotes, flyer, poster, etc. Whats Include? 1. Uppercase and lowercase characters 2. Supports international languages 3. Numerals, punctuations, titling, stylistic alternates, and ligarures 4. Accessible in the Adobe Illustrator Glyphs panel, or under Stylistic Alternates in the Adobe Photoshop OpenType menu, Adobe InDesign, Corel Draw, even work on Microsoft Word. Please message me if you're unsure of any language support. Thanks for looking, and I hope you enjoy it! Please don't hesitate to drop me a message if you have any issues or queries. Omotu

Based on our experience as a graphic designer who works for a lot of companies, we often are requested to design a logo in a unique style but with an elegant shape. So, we try to brainstorming and create this font to make the idea is going out. This is perfect for BRANDING and LOGO DESIGN. You will get classy, elegant, and certainly unique logos with this font. (Update v.2) Added 10+ ligatures for your needs. :) angle is also included full set of: uppercase and lowercase letters multilingual characters numerals punctuation Wish you enjoy our font and if you have a question, don't hesitate to drop message & I'm happy to help :)

Able Lead is a Modern elegant serif typeface with Unique alternative , multilingual support with perfect kerning. This typeface is perfect for an elegant & luxury logo , classy editorial design, women's magazine, fashion brand , cosmetic brand, fashion promotion , modern advertising design, invitation card, art quote, home decoration , book/cover titles, special events, Tote bag, T-shirt, Advertising and much more. Able Lead Features: · Uppercase And Lowercase · Alternates · Numerals & Punctuation · Accented characters · Multilingual Support · Unicode PUA Encoded While using this product, if you encounter any problem or spot something we may have missed, please don't hesitate to drop us a message. We'd love to hear your feedbacks in order to further fine-tune our products. Thanks and have a wonderful day .

Oranges Marmalaide is consisting of a fashionable handwritten-style script make looks classy and stylish. This font was created to look as close to a natural handwritten script as possible by including 12 standard ligatures. Oranges Marmalaide is perfect for branding projects, logo, wedding designs, social media posts,and anything that you want. Here is that you get: With +230 Glyphs 12 Standard Ligatures Works on PC Windows & Mac Simple installations Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. PUA Encoded Characters – Fully accessible without additional design software. Drop me message if you have any questions. Or you can mail me at damarkurung8@gmail.com Hope you enjoy it Thanks

Introducing Granite Falls, a captivating modern font that effortlessly blends elegance with contemporary style. With its sleek lines and refined letterforms, this font brings a touch of sophistication to any project. The carefully crafted characters maintain a perfect balance between simplicity and uniqueness, making it ideal for a wide range of design applications. Whether it's branding, logos, headlines, or social media graphics, Granite Falls adds a modern and trendy flair. What will you get: Granite Falls SVG file I really hope you enjoy it – please do let me know what you think, comments & likes are always hugely welcomed and appreciated. More importantly, please don’t hesitate to drop me a message if you have any issues or queries. Thank you

Vulpa is a charming serif family in regular, italic and bold, informed by the proportions of a personal favorite, Plantin. The quirky foxtail terminals (inspired in part by my script font, Gelato Script) can be seen across all three styles. These little details make the typeface very expressive at display sizes, but practically disappear at text sizes, making for a very versatile face. Across the three styles there are a number of useful OpenType features which make Vulpa capable of demanding typographic work, even though there are only three styles. Regular, italic and bold are all you really need anyway! The regular and bold weights both include small caps, and the italic features swash capitals for most letters. The italic also features quaint discretionary ligatures, and all styles include standard ligatures, automatic fractions, proportional and tabular, lining and oldstyle figures. If this isn't enough, the Vulpa family also includes Ornaments and Drop-Cap fonts. There is an ornament for A to B, a to b and 0 to 9. These have been carefully designed to match the feel of the text fonts, and many are influenced by ornaments and fleurons from the ATF 1912 Type Specimen book. The drop-caps have an engraved look, and two color versions can be made by overlaying upper and lower case. Despite the lack of weights compared to ‘workhorse’ faces, the charm and versatility of Vulpa make it a really useful typeface, that I hope you'll enjoy using as much as I enjoyed making.

Hype lives up to its name. An energetic attempt to blow past previous sans’ descriptive words of massive, large, extensive, super and others. Hype transcends the everyday marketing terms and rests solely atop them all with a jaw-dropping current offering of 432 fonts that spans 18 widths and 12 weights. Insert a long pause and mic drop here, because nothing compares. Hype Volume 2 includes 6 of the 18 subfamilies that comprise the full Hype Collection. Each of these subfamilies represent 1 of the 18 available widths and each width contains 12 weights and matching italics. Volume 2 contains 144 fonts. Families included in Volume 2: Hype 0200, Hype 0500, Hype 0800, Hype 1100, Hype 1400, and Hype 1700. If you would like to complete your collection be sure to view and purchase Hype vol 1 and Hype vol 3. Hype’s bombastic approach meant supplying everything it could within each typeface: including small caps, yes small caps, a full numeral set that includes inferiors and superiors, super- and subscripts, full fraction support, case-sensitive forms, stylistic alternate letterforms, and more while touting a full Western, Central and South Eastern European character support. Embracing a Univers-esque bravado and a willingness to push the envelope, Hype leaves even more room to grow. No corners were cut, no shortcuts taken with a focus on sensible, efficient letter construction and functional reliability that ignores any one classification and instead looks to form an amalgam of classic sans styles influenced by wood type, movie showcards, and urban industrial letterforms.

Hype lives up to its name. An energetic attempt to blow past previous sans’ descriptive words of massive, large, extensive, super and others. Hype transcends the everyday marketing terms and rests solely atop them all with a jaw-dropping current offering of 432 fonts that spans 18 widths and 12 weights. Insert a long pause and mic drop here, because nothing compares. Hype Volume 3 includes 6 of the 18 subfamilies that comprise the full Hype Collection. Each of these subfamilies represent 1 of the 18 available widths and each width contains 12 weights and matching italics. Volume 3 contains 144 fonts. Families included in Volume 3: Hype 0300, Hype 0600, Hype 0900, Hype 1200, Hype 1500, and Hype 1800. If you would like to complete your collection be sure to view and purchase Hype vol 1 and Hype vol 2. Hype’s bombastic approach meant supplying everything it could within each typeface: including small caps, yes small caps, a full numeral set that includes inferiors and superiors, super- and subscripts, full fraction support, case-sensitive forms, stylistic alternate letterforms, and more while touting a full Western, Central and South Eastern European character support. Embracing a Univers-esque bravado and a willingness to push the envelope, Hype leaves even more room to grow. No corners were cut, no shortcuts taken with a focus on sensible, efficient letter construction and functional reliability that ignores any one classification and instead looks to form an amalgam of classic sans styles influenced by wood type, movie showcards, and urban industrial letterforms.

Hype lives up to its name. An energetic attempt to blow past previous sans’ descriptive words of massive, large, extensive, super and others. Hype transcends the everyday marketing terms and rests solely atop them all with a jaw-dropping current offering of 432 fonts that spans 18 widths and 12 weights. Insert a long pause and mic drop here, because nothing compares. Hype Volume 1 includes 6 of the 18 subfamilies that comprise the full Hype Collection. Each of these subfamilies represent 1 of the 18 available widths and each width contains 12 weights and matching italics. Volume 1 contains 144 fonts. Families included in Volume 1: Hype 0100, Hype 0400, Hype 0700, Hype 1000, Hype 1300, and Hype 1600. If you would like to complete your collection be sure to view and purchase Hype vol 2 and Hype vol 3. Hype’s bombastic approach meant supplying everything it could within each typeface: including small caps, yes small caps, a full numeral set that includes inferiors and superiors, super- and subscripts, full fraction support, case-sensitive forms, stylistic alternate letterforms, and more while touting a full Western, Central and South Eastern European character support. Embracing a Univers-esque bravado and a willingness to push the envelope, Hype leaves even more room to grow. No corners were cut, no shortcuts taken with a focus on sensible, efficient letter construction and functional reliability that ignores any one classification and instead looks to form an amalgam of classic sans styles influenced by wood type, movie showcards, and urban industrial letterforms.

Wonderstory is an organic brush script. The brush texture gives the natural feel that make it looks like a hand writting. They work perfect for you who needs a typeface for headline, logotype, apparel, invitation, branding, packaging, advertising etc. This typeface is comes in uppercase, lowercase, punctuation, symbols, numerals, stylistic set alternate, ligatures, and broad multilingual support.

This font was created with math teachers in mind. It is hard to represent fractions in a way that can print easily in black and white on worksheets or tests. The extra outlines on these shapes are created just for that purpose- so your student can easily identify how many parts are shaded in the image. Blanks are also included so students can color in parts of a whole.

Whether or not you still use snail mail, there's something about folding a piece of card or paper and putting it inside a pristine white envelope. A sense of nostalgia or the tactile pleasure of mailing a card to someone you care for. The Font "Envelope" reminds us of the often overlooked innocent and fine wrapping. Envelope is an excellent display uppercase-only font for use on larger font display purposes.

SK Clarke is a font designed in memory of the famous inventor and science fiction writer Arthur C. Clarke. Clarke is a geometric sans serif font family. It offers full support for the Latin, Greek and Cyrillic alphabets and supports many different languages. This font family includes a total of 20 fonts and 17,820 glyphs, so it contains all the typographic materials you will need in your designs.

Scratch was designed by Andrew Smith in 1995. It looks as thought many fine lines were drawn next to and over each other with a felt-tipped pen. Small bits of white peek out among the strokes and give the font its dynamic character. Flexible and sketchy, the forms are based on those of a classic sans serif cursive typeface. Scratch is meant exclusively as a headline or display font.

Printing Press Elements JNL contains an eclectic assortment of printer's elements. From a set of dice (in both black and white faces) to cartoon embellishments to border and decorative elements there's something to fit numerous uses. Also included is an extendable bracket. The left-facing elements are on the (greater than) keys. The right-facing elements are on the [ (left bracket), \ (backslash) and ] (right bracket) keys.

Linotype Dot is part of the Take Type Library, featuring the winners of Linotype’s International Digital Type Design Contest. Designed by Lucy Davies, the figures are composed of a combination of white and black dots and the contrast makes the font look like points of light and darkness. The general impression of Dot lies somewhere between ornamental and technical. It combines well with sans serif and calligraphy fonts.

Linotype Gavotte was designed by Rudo Spemann in 1940. His style was unmistakable, marked by original ideas and completely new forms. His tendency toward the unusual and adventurous resulted in unique, decorative characters. When he wrote, the tip of his pen flew across the page, leaving behind rows of letters which displayed an almost unbelievable regularity of form and flow. Gavotte is a perfect example of the best of Spemann’s calligraphy.

I designed this font because it didn't exist - it’s based on hand rendered type created for black and white line marker scamps used in the advertising industry. I use it that way and it’s saved me a LOT of hand-rendering time over the years. Of course, Scamps works as an informal marker script in its own right too. I’ll be interested to see what you do with it.

Retroguard is a typeface that was inspired by classic movies and frequently makes people nostalgic for the height of cinema. This typeface is distinguished by its strong, dramatic letterforms, which frequently evoke the early 20th-century Art Deco and Art Nouveau movements. Images that enhance boldness and drama, including black-and-white photos, antique movie posters, or pictures of film reels, are frequently used in conjunction with this font.

A very legible Renaissance Antiqua This typeface is based on the desire to create an Antiqua like those which might have existed at the beginning of the »printing age« — the basic form oriented on the classical Roman and early Middle Ages models, the ductus defined completely by writing with a wide pen and much individual expression in detail. In the spring of 2005 I had the opportunity to closely examine a few pages in the famous book »Hypnerotomachia Poliphili« from 1499. The script used here from Aldus Manutius is exemplary. Most of the book, however, is not very carefully printed. The characters do not stay on the line; the print is at times too strong and at times much too weak. And on these imperfect pages the true character of the letters is recognizable; that is, that they are cut with lively detail which is a result of the patterns provided by full-time writers. After all, around 1499 script was written as a rule and the printed type was oriented on this pattern. I prefer the typeface on the lightly printed pages. The characters are not placed neatly on the line, but the distinct and emerging lively ductus of the individual characters automatically presents harmonious word formations in the eye of the beholder, with the non-perfect line stepping into the background. Also in Charpentier Renaissance, the strokes of the wide pen are still noticeable. The font has very defined softly bent serifs. The forms are powerful and stand solidly on the baseline. Charpentier Renaissance is very legible and yields a solid and yet still lively line formation. The accompanying italic, like its historical models, has almost no inclination. The lower case characters of Charpentier Renaissance Oblique have such idiosyncratic figures that they can also form a font of their own. Please visit www.ingofonts.com

Aspen is a refreshing and resilient typeface for text of any kind. Functional but not faceless, Aspen derives a very distinctive character from an unusual pedigree. It is loosely influenced by early American and European grotesques, but with more warmth and improved legibility. And where these historical models were rigid and bulky, Aspen’s curves have a gentle sway that makes for very comfortable reading. Relatively generous ascenders and descenders allow the typeface to feel spacious even when set with tight leading. These amiable qualities are matched with a lively italic based on cursive writing. The family consists of nine weights, and is intended for both text and display usage. Visit this minisite to see Aspen in action.

Andron 2 ABC is a product developed especially for children’s literature. It is an ideal choice for primers and other books for the age when children are learning to read. The typeface has the same peak typographic quality as any other font of the praised Andron series—the very best is just good enough for our kids, is it not? As a difference from the normal glyph set (as in Andron 1 Latin or Andron Mega), the letters a, g and y have those simpler single-story shapes that resemble the forms usually taught in writing, which are sometimes called infant letterforms. Now, Andron 2 ABC is available in a full four-font family set.

Modeled on the writings chiseled in stone in the second century B.C., Syntax™ Lapidar is an energetic, spirited typeface designed by Hans Eduard Meier in 2000. Linotype Syntax Lapidar Text and Linotype Syntax Lapidar Serif Text have five weights each, with both cap and lowercase letterforms. Lapidar Display and Lapidar Serif Display also have five weights each, with mostly all cap letterforms and many alternates. It's a terrifically fun and inventive family, and if you look closely, you can see the resemblance to the more modern and restrained Syntax™ relatives. Great for menus, artist books, travelogues, or advertising - and if used very sparingly, it could add just the right element of lapidary significance to corporate documents.

German type designer Siegfried Rückel created this display and sans FontFont in 2002. The family has 6 weights, ranging from Light to Bold (including italics) and is ideally suited for advertising and packaging, logo, branding and creative industries, poster and billboards as well as sports. FF Alega provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. As well as Latin-based languages, the typeface family also supports the Greek writing system. This FontFont is a member of the FF Alega super family, which also includes FF Alega Serif.

Hello Introducing, Waltrach - Authentic Serif Font is an elegant and unique font that uses ligatures to smoothly link letters. Perfect for adding a unique twist to word-mark logos, monograms, or pull quotes.Waltrach has 28 Alternates and 3 ligatures as well making it super fantastic. Ligature can be turned off if required standard writing needs. What's Included : Standard glyphs Ligatures Alternates Web Font International Accent Works on PC & Mac Simple installations Accessible in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. PUA Encoded Characters - Fully accessible without additional design software. Fonts include multilingual support Image used: All photographs/pictures/vectors used in the preview are not included, they are intended for illustration purposes only.

Meet the new slick calligraphy font - Selestyna. This gorgeous script is for those who need some elegance and style for their designs and is perfect for wedding invitations, saving date cards, feminine branding, and other necessities. This font is modern with a love style, but still authentic. Selestyna includes the complete set of Basic Uppercase and Lowercase Characters, Numbers, and Punctuation. It also contains binders and many stylistic alternatives to perfectly recreate natural calligraphy (check the preview to see all of them). If you have any questions regarding my products, feel free to write a message or contact me via email Cooldesignlab@gmail.com. Thank you very much for visiting my shop! ~ Cooldesignlab

Introducing Taylor Johnson Display Font is a handmade font style dance and then traces of life to have a Grungy brush and unique calligraphic shape, the writing style is very natural and simple. This font is good for logo design, Social media, Movie Titles, Books Titles, short text even long text letters, and good for your secondary text font with sans or serif. Featured: Standard Uppercase & Lowercase Numeral & Punctuation Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ Alternate & Ligature PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw. so you can use all the variations of the glyphs. Hope you enjoy our fonts!

About the Product Anstally is an script font based on authentic hand writing with natural signature style. This type of font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : uppercase & lowercase numbers and punctuation multilingual alternates and ligatures swashes PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. How to access opentype feature : letterhend.com/tutorials/using-opentype-feature-in-any-software/

German type designer Yanone created this sans FontFont in 2010. The family has 14 weights, ranging from Thin to Black (including italics) and is ideally suited for advertising and packaging, logo, branding and creative industries as well as poster and billboards. FF Amman Sans provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. As well as Latin-based languages, the typeface family also supports the Arabic writing system. This FontFont is a member of the FF Amman super family, which also includes FF Amman Serif.

Rusticana is a part of the 1990 program Type before Gutenberg, which included the work of twelve contemporary font designers and represented styles from across the ages. Linotype offers a package including all these fonts on its web page, www.fonts.de. Rusticana was designed by Adrian Frutiger and appeared with Linotype in 1993. Its historical roots go back to the Roman Capitalis, the all caps engraved writing of ancient Rome which reached its peak in the first century. From this style evolved other Roman forms, and one, Rustica, proved particularly good for text on bronze, as opposed to in stone. The Rusticana of Frutiger has open, seemingly irregular forms which lend a distinctive rhythm to text.

Proudly Presenting, Han Le Tours a Rough Brush Font that will give you an a natural writing and badass impression! This font came with much extra for your need. Stylistic-Alternates, Swash, Underline Styles, and Multi-Lingual Support in one file. We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. Han Le Tours is perfect for any tittles, logo, product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank You!

Myteri is an expressive tattoo script font. Drawn and created by Mans Greback in 2021, this lettering has a wild rock'n'roll style and a tough personality, with graffiti-inspired calligraphy and vivid movements. To make swashes, use [ ] { } _ anywhere in a word. Example: Tatt_oos Write multiple [ ] { } to make swashes of different lengths. Example: Super[[[star (Download required) The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all European Latin-based languages. It contains all characters and symbols you'll ever need, including all punctuation and numbers.