Newon is an Unique Neon Light Font with Floating shape make your design look unique and modern A new Display Font that we created special for Headline, Title and more stand out typography needs, with extra ligature that will add your variations. It's so perfect to add your style and headline overview. And specially for this font, we crafted for unique style and modern feels so enjoy to create any project that will show your main idea out. Newon Neon Light Font ready with: Any options to get creative variations (combination of Ligature Characters) Preview as a inspirations that you can do with this font Ready with Uppercase & Lowercase characters Wish you enjoy our font. :)

Art Galleria is a Modern Display Sans Serif A new Modern Display Sans serif that we created special for branding needs, with extra ligature in unique shape add value of your brand. It so nice to leverage designer or product owner that need solutions to make their design look more unique and modern. And specially for Art Galleria font, We prepared any ligatures, and any alternate characters to help you create unlimited variations for your creative needs. Art Galleria Modern Display font ready with: Any options to get creative variations (combination of Alternate and Ligatures) Preview as a inspirations that you can do with Art Galleria font Ready with All Uppercase characters Wish you enjoy our font. :)

Solution is a Modern Fashion Sans Serif Font with Sharp shape make your design look classy and elegant A new San Serif Font that we created special for Headline, Title and more stand out typography needs, with beauty characters that will add your variations. It's so perfect to add your style and headline overview. And specially for Fashion font, we crafted for unique style and modern feels so enjoy to create any project that will show your main idea out. Solution Modern Fashion Sans Serif Font ready with: Any options to get creative variations Preview as a inspirations that you can do with Solution font Ready with All characters Wish you enjoy our font. :)

Hortensia, designed around 1900 by Emil Gursch for his own Berlin foundry, is a typeface most expressive of the post-Victorian aesthetic that was all the rage in both Europe and America during the second half of the 19th century and up until the Great War. It is a reduced aesthetic of sharp points and natural curves that almost want to apologize for their own elegance, but clearly embody the simple excitement about the blossoming of industry and crafts during the period. This deco script trend would get a re-run for about a decade on either side of the second World War — especially in the entertainment and financial industries — before giving way to art nouveau and big brush faces. Hortensia was Gursch's most popular typeface, used extensively and prominently in many beautiful type catalogs, and a commonly seen design element in Germany for quite a while after its release. This digital version brings plenty of fixes and additions to the original metal Hortensia design, including many alternates sprinkled throughout the character set, and support for a wide range of Latin-based languages (including Central European, Baltic, Turkish and Welsh).

Martin Wilke’s underrated yet influential deco classic from 1932 has both feet firmly planted in the high traditions of Western European calligraphy while carefully and subtly introducing some traits from the sweeping geometric/minimalist vision of the time. In a way, it was one of the representatives of the European anti-type typefaces of that era, when print media was searching for the elusive aesthetic balance between humanism and geometry. This typeface enjoyed some popularity in Germany for a few years, and went on to influence further type designs in Holland and Italy. After the second World War, the black hole that swallowed a big chunk of Europe’s print culture, new influences and technologies overtook the scene, and selective historical emphasis ensued, highlighting some of the era’s designs and overlooking others. Further selective picking in the digital era all but buried Wilke’s body of work - unfairly so, because he was just as important in German type history as Bernhard, Post, Schneidler, Tiemann and Trump. The original metal Wilke Kursiv came in one weight. This digital version goes a long way in expanding on that original offering. Now Wilke’s masterpiece comes in three weights, and with a full Pro treatment including swash caps, small capitals, five types of figures, automatic fractions, and plenty of other OpenType niceties. Each of the Wilke Kursiv Pro fonts comes with over 700 characters, and contains support for most Latin-based languages. Also available are three non-Pro fonts in each weight.

Adelphi is a geometric sans, redefined for the northern side of the English Channel. Typographic modernism was a late arrival in Britain — due partly to the Second World War and to the strong local type tradition. This delay provided for fruitful divergence, thus modernism was not adored in quite the same way as it had been in Germany and central Europe. It was instead rethought and repurposed against the backdrop of the bleak British weather and postwar social reform – a continental fashion statement reshaped into a more humanist variant. Likewise, when crafting Adelphi, Nick Job reimagined the constraints that defined the geometric sans as a genre. Whereas other typefaces seem overly bound by the rules, Adelphi feels relaxed and approachable. Elementary square and circular shapes are merely implied. A keen observer may notice that the uncomplicated letterforms occasionally reveal a subtle naïveté associated with early Grotesques. Brunel’s bridges and Harry Beck’s tube map spring to mind alongside the Bauhaus and Futura. But Adelphi is by no means nostalgic! It is a contemporary, comprehensive, and durable system with a pragmatic set of features. These include a wide array of weights, ‘uniwidth italics’, and variable extenders that go from tall and flat in Adelphi Text to short and sharp in Adelphi Display, with default Adelphi standing midway between these two extremes. You can set the extenders to your preference in the all-inclusive variable font or use one of the three static fonts that come packed together, priced as a single font. The pan-European support for Latin, Cyrillic and Greek scripts already makes for a vast character set, but Adelphi takes things a step further by including alternate glyphs to satisfy the DIN1450 legibility norm, a range of ordinals that can be used to create specialist compositions in all three scripts and two kinds of fractions and arrows. Play with the alternates or use it as-is. Either way, this understated beauty will carry you through.

Mother of Mitra, Crom’s Devils and other Savage WORDS! The only thing better than one dead Pict is TWO! Or THREE! Or FOUR! And what better than this SAVAGE font to sound the sword strokes of a BARBARIAN BORN?! Hack! Slice! Cut your fiendish foes into pieces with Comicraft’s SAVAGE SWORD and tell your SAVAGE TALES to all and sundry and even those you’ve sundered! BE AWARE! Handle with care and keep some neosporin or other antibacterial cream at hand -- being Savage and filled with Berserker Rage may result in unintended wounds to yourself and your kinsmen. Savage Sword features two sets of automatically alternating uppercase characters, plus support for Western & Central Europe and Vietnamese.

Get ready to transcend to a world of magic, laughter, and butterflies. Your projects will spark delight and engage everyone who sees it! Wait no more, we will give you the best choice. Retro Vibes-A Script Font Retro Vibes is a bubble-styled, handcrafted font inspired by designs and illustrations from the 1960s. It's a fine-looking font, bought to life by a splendidly scratchy halftone gradient that aims to bring out a retro vibes. This font comes in regular and italic versions. Retro Vibes includes Multilingual Support to make your branding reach a global audience. Features: Ligatures Stylistic Set Swashes PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Din Studio

The display typeface is a modern take on a classic style. While paying homage to old-style type sensibilities, Sangect Display takes the characteristics of serif type and leans into drama and boldness with strong contrast in stroke width, and soft edges. Sangect Display appearance emphasizes elegance and elegance; ideal for loud and proud headlines. Which is included in the file Capital letters Lowercase Number Ligatures Alternative Symbol Multilingual Accents (Uppercase and Lowercase) The download includes the Sangect Display font in an (Open Type Font) file, and as a (True Type Font) file. If you have any questions, or are experiencing technical difficulties with a downloaded file, please send a message and I will be happy to help you!

“The rounded shapes are like Chantilly cream or Italian meringue over a lemon pie,” says designer Xavier Dupré of his FF Sanuk Round typeface. Designed to work alongside the existing members of the FF Sanuk family, this sprightly sans serif offers a more mischievous personality than its counterparts. Angular shapes have been gently softened, to create a playful design that really comes into its own at larger sizes. Set this one on posters and packaging, or anywhere you need to be punchy yet approachable. The FF Sanuk Round family is based on the original FF Sanuk family and offers 5 weights plus from Ultra Light to Black plus italics. It offers OpenType features including stylistic alternates and ligatures.

Get ready to transcend to a world of magic, laughter, and butterflies. Your projects will spark delight and engage everyone who sees it! Wait no more, we will give you the best choice. Vintage Bridge-A Monoline Script Font Vintage Bridge is a handcrafted font, made to bring out a slice of retro vibes. Every hand-drawn stroke and curve will delight and add brightness and fun to wherever it’s placed. Ideal to create amazing headings, logos, menus, and social media graphics. Vintage Bridges includes Multilingual Support to make your branding reach a global audience. Features: Alternates Ligatures Stylistic Set Bonus Ornament PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Nathatype

By the 1990s, the availability of font creation software opened the door to an explosion of creativity, experimentation and exploration into the world of digital typography by amateur and professional alike. The undisputed king of the freeware fonts was Ray Larabie through his Larabie Fonts website. It seemed at the time that Ray’s output was endless, and he amassed dozens upon dozens of fonts that ranged from the ridiculous to the sublime. In fact, Ray was the driving force of encouragement and a behind-the-scenes “mentor” who helped Jeff Levine Fonts get underway in January of 2006. As Larabie’s focus changed to higher-quality commercial type design with the launch of Typodermic, Inc., many of his “less than perfect” font experiments were withdrawn and shelved. Ray eventually turned those lost (and sometimes questionable) typefaces into a bundled zip archive released into the public domain through Creative Commons. One particular design “Boron” (circa 1996) featured computer-oriented lettering as if etched onto a circuit board. Running with this idea, and with Ray's approval, the electronic elements were stripped away, the characters cleaned up and modified, and the font reworked in Retro Checkbook JNL, which is available in both regular and oblique versions.

Nature Boy was born in a fantasy world of old, where you can find magic, elegance, dreams and fun all together... just like nature in its purest form with its leafy curves and shapes that make it peacefully enjoyable. Soft and simple yet fairly ornamental, attributes that create an enchanting atmosphere but keep the texts legible at the same time when combined. Nature Boy can bring life and magic to every design, from editorial to posters, brands and packagings. Just picture this font on any product intended to move your soul and take you on a journey into a different and most beautiful place and time and let the adventure begin. This font family is made up of optically corrected regular, italic and bold types. All of them contain functional ligatures with alternative glyphs for texts and words to be dynamical and fluently graphed.

The quest for an identity in the 1980s world of personal computers is the best way to describe Technerd JNL, a retro-style monoline font with clinically mechanical letter structure and a personality only a dot matrix could love. Picture if you will columned reports, interoffice memos and other paper ephemera of the day with this perfect form-and-function typeface, simply reeking of early 80s know-how!

Organic Respect is my monospaced and organic slab serif font. Although the font is monospaced - which may not lead your mind to something organic - I did my best to make the letters appear vibrant and lively in an organic way. I've added 6 slightly different letters for you to choose from, and they automatically cycle as you type, or you can manually select them from the glyph menu.

Drunken Tower may look like a bit like my a Drunken Hour and Drunken Shower fonts. But there are a lot differences! This font is way more distorted and rugged than its brothers! The font has got Ligatures for double upper- and lowercase and numbers as well. Plus, an alternate version for each letter - again, both upper- and lowercase! You will need to use OpenType supporting applications to use the autoligatures.

You can’t reinvent the wheel When it comes to designing a sans serif, many designers stick closely to existing models. How boring! Others try to demonstrate self-reliance by special stylistic elements – at the cost of readability or aesthetics, or both. I did chose a different way: My Font should just look pretty and friendly, being the good buddy for all days. This is how the name is explained.

If you are into the vintage feel, you will love this one. This is as vintage as it probably gets. There are probably only a handful of places in the world where schools still use blackboards and chalk – they’ve given way to their white board and marker counterparts for decades now. White boards are definitely more practical and less messy when compared to chalk, but then if you are creatively inclined you will agree that a little bit of mess is worth it if you are going to get the effects that you desired! Well, we can give you the effects minus the mess with our chalk hand lettering fonts! As the name suggests, this font gives you that distinctly unique chalk on slate feel, and if you are wondering what’s distinct about it; writing on slate or blackboard was a slow process which required deliberated and concentrated efforts resulting in a handwriting which was usually quite different to a person’s handwriting on paper. Typography of chalk on slate was an everyday event in the classrooms of yesterday, and today we hardly ever get to see one of these if it all. Writing on a black board with chalk was quite an interesting achievement in its own right, if you ended up with anything legible and if your writing remained focused and ‘in-line’! But of course like everything else, his took time to master and when you did get it right, chalk hand lettering was quite an enjoyable experience! For semi-permanent designs, say for example an eventful day at school; students of the day would create beautiful typography on the boards, and add a solidarity to it sometimes by shading one side of the lettering – usual y the right side towards which the lettering leaned. This is the effect our chalk hands lettering shaded variation gives you. You could get this font individually, but we strongly advise you check out the “chalk hand lettering pack” font. It includes the simple “chalk hand lettering” (minus the shading effect) and also a “chalk hand elements” bag of tricks. The elements is a collection of graphic art which resemble shapes and designs that used to be added to chalk art, to beautify the typography. If you enjoyed seeing the effects of our Chalk Hands font, and the shaded variant – you are simply going to go gaga over Chalk Hand Elements! The chalk hand font of course enables you to make typographic art similar to the effect of chalks on slates and black boards. This was quite the art form in the days gone by! The shaded variation added a bit of solidarity and the technique was commonly used to make semi-permanent designs say for example a welcome note when somebody important was to visit. Classic chalk hand designs, especially the semi permanent ones often had little pieces of art to help beautify the creation as a whole. It could simply be symmetrical graphics appearing before and after the title and headings, maybe just an interesting shape to fill in an empty area on the board, and such…our Chalk Hand Elements offers you a ton of such graphics. The two chalk hand variations and the elements are all included in the Chalk Hand Family, and this is strongly recommended if you want to make designs that are truly reminiscent of the days of chalk on slate.

A tribute to Jan Tschichold. His hot-metal font Saskia was released in 1931 by Schelter & Giesecke. This elegant italic font was finally redrawn, extended and digitized for present-day use.

Dumm DUM. Dumm DUM. Duh dum duh dum duh dum DUMMMM... Just when you thought it was safe to get back in the water, this font surfaces to take one last bite out of your summer vacation skinnydip! Scream and scream again — it won’t do you any good, SHARKSNACK is rough and ready to EAT YOU ALIVE! It’s too late to close the beaches, Chief Brody, this particular set of saw tooth letters has already consumed Dracula, the Werewolf, the Frankenstein Monster and any number of 70s comic book characters foolish enough to dip a toe in its maw!

Flawless Flygirl is a quirky sans-serif font inspired by the titling sequence from the 1964 film, "The World of Henry Orient". Fun and full of personality, it is one of those lettering styles that was a joy to flesh out and make into a typeface filled with double letter ligature alternates to keep the typesetting weird and wonderful. With a pseudo unicase character set, and offbeat letter weighting, Flawless Flygirl is fun to typeset, with ligature combinations that are pleasant surprises. You’ll find this Flawless Flygirl is ready to dance to the beat of your designs.

Koziupa and Paul are just as good in the kitchen as they are on the drawing board. Cooked is their choice offering of stir-fried and juicy alphabet ready to complement any visual stew you can put together. This meaty course, with even meatier OpenType programming, was designed to crank up the volume on the viewer's senses of smell and taste, and induce drooling at a mere glance. Cooked is just as suitable in packaging as it is on posters, books or music stressing the wild, adventurous and extremely pleasurable side of life. Lot of alternates of each letter are included. Enjoy!

Are you ready for the 1MB processing powerful performance? Step into the future with my wanna-be retro 8-bit powerful performance digital grafitti inspired computer font from the future...or rather...the past! I was inspired by old posters and commercials for old 8-bit computers from the late 70-ies and 80-ies. Despite the lack of powers (compared to computers and phones today) they seemed to be able to both rule the world and ease your everyday jobs. Well, the thought of all that, combined with my love for grafitti and comic text, inspired me to do this font!

Disco lives on in the alphabet stylings of Reardon AOE. From its uber-fat letterforms to its hole punched counters, Reardon AOE started as a digitization of a film typeface called Joyce Black by LetterGraphics. This flashback typestyle was taken from its limited A-Z and numerals set and fleshed out to include an expanded language glyph set. Reardon AOE finds itself thrown into a late 70’s-early 80’s flashback frame of mind, appealing to all of the disco and video game typography of that time, ready to throw down the vibe for your designs.

BillieBob was made by cramping straight shapes into squares. Somewhat reminds me of pre cold-war Russian type.

A Dancing Fool is not always meant as a positive thing - but in this case it is 100 percent positive and innocent. It's just about someone who is dancing in a foolish way. A good way to describe this font, because it is silly looking, but not in any offensive way!

Bongo drums at the ready! Freeman Craw's archetypal beatnik typeface Ad Lib provided the inspiration for this indubitably eccentric excursion in coolsville typography. Both versions of the font include complete Latin 1252, Central European 1250 and Turkish 1524 character sets, with localization for Moldovan, Romanian and Turkish.

Blotchy Bitter – Playful Typeface is made with a regular version and a polka-dot textured version ready to perfect the design in your project. Blotchy Bitter is perfect for design, logos, social media, branding, advertising, product design, handwritten quotes, product packaging, headers, posters, merchandise, and other designs.

Inspired in the machine aesthetics and in the human conflict with them, Discord is a flexible family of sixteen fonts designed to be used in a wide range of work. Ready for multilingual support and with advanced OpenType features such as Small Caps and Old Style Numbers.

Kanakira is a modern sans typeface that is heavy on a geometric take of the neo-grotesque model, with a special ink-trap feature. Available in 9 weights from thin to heavy, Kanakira is ready to be your “go-to” font for any kind of project.

Hello, friend! 'Coaction' font is coming; a playful retro font with a stylish script typeface. Inspired by the 70's roller skates era, Coaction is ready to rollin' on your artwork. Coaction is perfect for branding, logo, invitation, funky vibes, fashion, headlines, event, title, and more.

Flapstick is a straight forward and fun sans-serif font. It's 100% handmade and is ready for your "get well soon" cards, children's books, posters of all kinds and anything that needs an authentic handmade look! Multilingual support and alternate versions of a, g and y!

This font is made based on memories from the past. Where is writing in a diary that tells about everyday stories. Are you ready to write a story with this font? or did you want to make a crafty item, this font will do it too.

Introducing Walahard, Walahard is a sweet, soft handwritten font. Get inspired by its authentic feel and use it to create gorgeous wedding invitations, beautiful stationary art, eye-catching social media posts, and cute greeting cards. Ready to use for projects, texts, letters, or whatever you want!

Black Mouse is a display font. It is a font ready to rock every design you want to create. It is perfect for logos, quotes, posters, clothing, and so much more! Add it to any of your creative projects, and be amazed by the generated outcome!

Are you ready to delve into the rich depths of history? Are you ready to make your branding bold? Are you looking for a statement font that exudes prominence, style, and adventure? Introducing Fenway - A Clean Script Font. This clean script font can be used for a host of different content needs and projects. Use it to make your headings stand out, enhance your logos, style up your business cards, elevate your website and social media, and bring class, style, and history across all your channels. Get ready to captivate, engage, and inspire your audience and clients with Fenway. What you’ll get: - Multilingual & Ligature Support - Full sets of Punctuation and Numerals Compatible with: - Adobe Suite - Microsoft Office - KeyNote - Pages Software Requirements: The fonts that you’ll receive in the pack are widely supported by most software. In order to get the full functionality of the selection of standard ligatures (custom created letters) in the script font, any software that can read OpenType fonts will work. We hope you enjoy this font and that it makes your branding sparkle! Feel free to reach out to us if you’d like more information or if you have any concerns.