Dangereous can on E, sharp grass on C, strong tree on O, drop of water on N and hand shovel on S = ECONS, set of 52 ecological symbols made after spending one day fishing on the river in my municipality and seeing so miscellaneous garbages in the water.

A family of soft, rounded, yet bold display faces which can successfully be used in conjunction with one another. Due to the modular nature of this design there may be a very slight lack of smoothness to the curves at extremely large point sizes (around 200 pt and above).

Say hello to Giecella Kids font. Made with love and joy. Comic look, so it will make your design more beautiful, cute, fun, and colorful Includes: Giecella Kids (OTF, TTF, WOFF) Bonus (Cute Background) Features: Character Set Numerals and Punctuation (OpenType Standard) I hope you can enjoy the font :)

GROOVY HAPPY FONT A hand-drawn, bubbly font with a groovy look! There are three fonts included : Regular Outline Extrude. GROOVY HAPPY is perfect for: shirts, retro designs, procreate, stickers, logos, branding, greeting cards, Cricut projects, posters, magazines, social media, prints and more! Have a great day, Haksen

Emphasis is the work of lettering artist Martin Wait. Its eye-catching double line effect highlights any display in an authoritative, contemporary style. Emphasis is an all caps alphabet which offers an alternative to conventional brush lettering styles, giving a casual yet robust look wherever it is used.

"Balissha" is a natural and elegant handwritten font with butterfly and flower decoration on the alternate letters. This font is perfect for mothers day, autumn, valentine, wedding, engagement, christmas, stickers and more. Equipped with uppercase letters, lowercase letters, numerals, punctuations, swash, titling, uppercase alternates, ligatures and multilingual support.

Croz Script is a raw and organic script typeface. Its cool appereance is carefully handcrafted to straight away grab the attention of the viewers. the shapes give this font a modern, chic, fun, funky vibe. Suitable if use for logos, posters, craft project, portfolio, headlines, brandings, apparel, etc.

Neues Bauen is a Bauhaus inspired font with some interesting glyphs. It is slightly rounded in places, but sharp in others and it will most certainly make your designs stand out. Neues Bauen in other words, like the style that emerged in pre-war Germany, is a statement.

Say hello to Komica Brought font. Made with love and joy. Comic look, so it will make your design more beautiful, cute, fun, and colorful. Features: Uppercase and Lowercase Numerals and Punctuation (OpenType Standard) Accents (Multilingual characters) PUA Encode I hope you can enjoy the font :) Regards Figuree Studio

Delicately swirled BabyDoll includes eight assorted dingbats, and like all Burghal Design fonts, includes upper and lower case letters, as well as numbers, symbols, punctuation, and accented foreign characters. BabyDoll is so cute and sweet, you just may get a cavity. Please remember to brush and floss regularly.

This typeface was inspired by Gering and Remboldt's work during the late 1490s. Their printing concern, the Soleil d'or in Paris, was one of the printing business to engage in the use of blackletter printing, when the rest of the Parisian printers where using humanist influenced roman typefaces. This peculiar backwards trend was really one of the original examples of "retro", taking advantage of the desires of the more conservative northern Europe that had not yet embraced the newer roman types.

Goudy Modern/Open was designed by Frederic Goudy, who was inspired by the caption of a French engraving. It is Goudy's first attempt at a "modern" face, but with less contrast and rigidity normally found in Bodoni style Modern faces. Goudy Modern was designed later in 1918 after viewing a proof of Goudy Open with the line filled in. Not a true modern face, but still a Goudy classic. The Pro versions include ligatures, varieties of numerals and Central European character sets.

The Artful Dodger is a character in Charles Dickens' Oliver Twist. Dickens wrote his books in the Victorian Era, which also gave birth to a beautiful and extensively used typeface called Clarendon. The typeface was developed by Robert Besley and first published in 1845. Artful Dodger was modeled on the glyphs found in a 1865 book, which was typeset in Clarendon. Artful Dodger has not been 'cleaned', so the glyphs look rough and worn, just like the book I found them in.

Goudy Modern/Open was designed by Frederic Goudy, who was inspired by the caption of a French engraving. It is Goudy's first attempt at a "modern" face, but with less contrast and rigidity normally found in Bodoni style Modern faces. Goudy Modern was designed later in 1918 after viewing a proof of Goudy Open with the line filled in. Not a true modern face, but still a Goudy classic. The Pro versions include ligatures, varieties of numerals and Central European character sets.

Die Brücke was a group of German expressionists which formed in Dresden in 1905. Members of the group include Erich Heckel, Fritz Bleyl, Ernst Ludwig Kirchner and Karl Schmidt-Rottluff. Much of the group's work was influenced by primitivism and medieval woodblock printing. Die Bruecke font was based on a printed invitation for an art exhibition from 1906. Although the font is all caps, upper and lower case glyphs differ and can be interchanged. Of course Die Bruecke comes with extensive language support.

This humanistic sans serif design was inspired by a conversation that David Quay had with renowned type designer Hans Meyer, during ATypI in Paris, 1989. Meyer revealed that Sabon, designed by Jan Tschichold, was the inspiration behind his Syntax font. This approach formed the basis for the design development of The Foundry's very first sans serif typeface family; the inspiration for Foundry Sans comes from Stempel Garamond. Foundry Sans was the second typeface to be released for The Foundry typeface library in 1990.

Zagolovochnaya was based on the letterforms of Zagolovochnaya gazetnaya (Newspaper Display) type family of Polygraphmash in 1962 by Iraida Chepil et al. The face was a revival of Cyrillic version of Caslon designed in the late 1930s. The artworks of Zagolovochnaya gazetnaya were redrawn by Isay Slutsker (1924-2002) in the late 1990s. In spite of its name the font is useful both for display and text matter. The digital version was developed for ParaType in 2002 by Manvel Shmavonyan.

Bernhard Modern was designed by Lucian Bernhard and was first cut by American Type Founders. Bernhard Modern is an unusual face with small lowercase but very tall ascenders and short descenders. Bernhard Modern was intended to hold its color and contrast without depending on the spread of ink of the letterpress method. It has an attractive pen drawn quality which has made it a popular choice for invitations and greetings cards. The Bernhard Modern font is useful for advertising and display work.

I was listening to an Opeth album called Blackwater Park. By the time I had decided that this font needed some swirls, the band was playing a song called The Drapery Falls - which has the word ‘spiraling’ in it (see poster 2) - and the name was born. Spiraling down is a surprisingly elegant font (given its roughness). I probably wouldn’t set a whole text in it, but it will really stand out as a titling font for packaging or book covers.

I am a firm believer in the fact that breakfast is the most important meal of the day. So, for the last 10 years (ever since I became a father), I have been serving my family a healthy breakfast. I live in The Netherlands, so the main portion of breakfast is bread, but I try to serve something ‘nice’ every day. Like strawberries, yoghurt with banana and brown sugar (not too much sugar!), oatmeal porridge or granola. I myself like Indonesian fried rice (nasi goreng) for breakfast, but I am afraid my kids won’t eat that in the morning… Power Breakfast is a handmade display font. Yes, it is wobbly, yes, it is uneven, but that’s what’s so darn good about it!

New Millennium is one of three font families that share a common name, a common design philosophy, a common x-height, and basic character shapes. (The others are New Millennium Sans and New Millennium Linear; all three work well together.) New Millennium is a serif face of what some might describe as a "modern style." But although it has flat serifs, it differs markedly from, say, Bodoni or Didot -- especially in the italic, which is a radical departure from tradition. (The bold styles are in fact sans-serif, identical to those of New Millennium Sans.) There's also a nice, dark Headline style for display text. New Millennium is a distinctive, legible, accessible text face that might be well suited to, say, scientific documentation.

Palm Sunday - Quirky Easter Day Theme Font is a unique typeface designed to capture the playful spirit of Easter and Palm Sunday. This font is characterized by its quirky, chaotic, and variable thick-thin letterforms, which add an element of fun and intrigue to your designs. It can be used effectively either on its own or in combination with its ten charming variations. With ten distinctive variations inspired by Easter day, including eggs, bunnies, carrots, bunny ears, and flowers, Palm Sunday is the ideal choice for projects related to Easter, Pascha, and the joyous celebrations associated with the holiday. It perfectly suits children's themes, crafting projects, and any design that seeks to evoke a sense of fun, playfulness, and a vibrant, colorful aesthetic.

Koerier means 'Courier' in Dutch and is a reference to the classic font it was modeled on. Each glyph was hand drawn, giving the font a unique look and feel, making it an ideal typeface for ads, posters and packaging. Comes with a full range of diacritics.

No telling how old this font is, because it came from Hamilton, a firm that was late in the wood type business, but was the repository of many older patterns from earlier wood type makers. Great circus look to it. Some missing characters drawn at Solotype.

This font was specifically created for my husband. He teaches 5th grade and wanted a font that was legible enough for students to read but still playful enough to add a touch of whimsy to his classroom. Legible enough for body text but fun enough for titles.

Eyebel was an attempt to form letters as simply as possible using only straight lines but still have them legible. The family is low contrast and has a boxy look. Eyebel-Ruff was formed by randomly moving control points. None of these faces have any curves.

Toronto Gothic was developed from a headline in a 1920s issue of the Toronto Star. In a previous life, it was probably Condensed Titling Gothic #11, but in this form its rounded corners and irregular lines are meant to make it look worn from years of use.

This was a favorite of job printers in late Victorian times. They used it on cards and stationery, as well as small handbills. It was made in a range of sizes from 10 point to 36 point. Good for places where you really don't want to shout.

The Pacific Standard Bold was originally designed as a - capital only - poster typeface for a poster for the 30th International Film Festival Rotterdam in 2001 in the Netherlands. Theme of the festival was 'ports'. The design is inspired by the unpretentious typography often seen in ports.

The Pacific Standard Bold was originally designed as a - capital only - poster typeface for a poster for the 30th International Film Festival Rotterdam in 2001 in the Netherlands. Theme of the festival was 'ports'. The design is inspired by the unpretentious typography often seen in ports.

PeterPierre is a stiff, awkward sans serif face. It has little variation in stroke width and the vertical and horizontal elements are connected with short, sharp curves. The condensed style was developed first and then, in a quest for legibility, it was widened into the regular style.

Clearface Gothic was designed by Morris Fuller Benton for American Typefounders. The design was released between 1907 and 1910 for text and display use. Since then, many variations have been released. An interesting typeface, Clearface Gothic is useful in advertising for display and small quantities of text.

Visual Fantasy is a great, all caps display font. It was based on an old font of mine called Plakkaat, which was made using a flat brush and acrylic paint. Visual Fantasy is great for poster work, book covers and product packaging. Comes with extensive language support.

Spiral is a digital transcription of a design by Joseph Blumenthal (1897-1990) which was hand-cut by Louis Hoell and cast by the Bauer foundry in 1930. The design with an italic added was later cut for Monotype and issued in 1936 as Emerson 320.

Stencil Sheet JNL was modeled from an antique brass stencil sign that was custom hand punched for the customer. Sets of punch dies were available for years that allowed rubber stamp shops and similar trades to make custom stencils out of sheets of zinc or brass.