Introducing of our new product Sleepless is a hand drawn Horror Brush font and dramatic movement. This font is great for your next creative project such as logos, printed quotes, invitations, cards, product packaging, headers, Logotype, Letterhead, Poster, Label, and etc. Best for project that need horror vibes , horror poster, childrenbook, cartoon, comic . You can activate Ligature OpenType panel design more interesting.

Neat feminine handwriting drawn with a marker.

This font looks like the best effort of small children (when they are trying to be very neat). It is cute.

Battur is the perfect handwritten font for logos, posters, watermarks, and more! This is best used for logos, wedding stationery, social media, and quotes. Test in the box above to see how your next project will be! Battur Signature handwritten font comes with alternative characters (OpenType features). Sharing end ending swashes With multilingual support, this font is also suitable to be combined with san-serif fonts to get amazing results for your design project. Features: Begining & ending swashes ligature Multilingual Alternate Character Uppercase and Lowercase Encode PUA

A modular geometric font based on double diagonals and a rational set of repeated elements, Pact evokes futuristic branding, new technology with an almost tribal twist, or even an alien language. Best used in single words and short headlines.

modern rebel, modern futuristic display font with cyberpunk era inspiration. Unique diagonal ornament in the typeface design maximize the effect. Best usage as a title, large size display, logotype, wordmark and many others. Modern rebel also supports multi language.

Piccata is a hand-drawn font family consisting of 2 weights with 4 styles each. Piccata has been built up from straight brush strokes arranged in a geometric grid. It is intended to work best in small and medium sized texts, but will also make a perfect logo for your next beer label, coffee packaging or shirt design. Combine the 8 styles to create interesting contrasts and rhythms. Piccata will spice up your artworks and is a new fresh approach to the handmade look in type design.

Azebra is an elegant connected letter cursive script arriving with a family of detailed & artistic styles. Azebra features diagonal hatched texture, in extruded & shadow variations. Azebra is extended, containing West European diacritics & ligatures, making it suitable for multilingual environments & publications.

Rapier, designed by Martin Wait for ITC in 1989, is an impulsive, energetic script font with strong ties to the brush and advertisement typefaces of hte 1940s. The zestful capitals contrast with small, narrow lower case letters, lending the font its dynamism and liveliness. Desinger Wait reached the energetic, almost aggressive feel of Rapier with snappy base forms and especially with ascending strokes. For an optimal look it is advisable to set Rapier's forms near to one another, so that the ends of the strokes of one figure touch the beginning of the next. Rapier is best used for headlines and short texts.

GoodBadUgly is a new sans serif type with a Wild West flair. This font family will be the best solution for posters, signage, magazine, product branding, corporate branding, logos and titles.

Aqua Life is a pictogram font from the Monotype Design Studio. It contains 26 vibrantly drawn images of fish and other wildlife you might find at the seashore or in your aquarium. Some of the fish look out at you rather inquisitively! Don't miss the shark, the giant squid, the octopus, the happy slug, the diving seal, or even the old-fashioned deep-sea diver and coy mermaid! Each of these symbols is best used in a very large point size. Perhaps one of them will illustrate you next newsletter or classroom poster?

Nosegrind is a bit of a departure from our usual more traditional font offerings. It's based on skate-culture graffiti gleaned from various samples of similar style found on walls in Austin and online. The font includes two character sets, one which is plain and one which is enhanced with outlines. In normal usage the characters should nest, with slight overlap from one character to the next as shown in the sample to the right, but the lower case characters in the font are spaced evenly but not pre-nested, leaving the degree of overlap up to the user - nesting is easily adjusted with the tracking option in programs like Photoshop, Quark or InDesign. Ultimately Nosegrind will be added to our Modern Fonts collection, where it ought to fit in nicely.

A neater version of my font Complete in Him, a hand-drawn marker font. Hand drawn with a brush marker, this font is neat but still has enough twists to make it fun. Perfect for painted or brushed looks.

Boxcase is inspired by pixel fonts from the 20th century. Instead of having sharp corners, which was a limitation back then, Boxcase comes with soft touchable corners. Diagonally chopped pixels/boxes, merges smoothly with the rest of the shape, giving a slide like feel to the letterforms.

Talking Five is a hand-drawn sans serif font family. Friendly and soft impression. Best for school activity, text-book for kids, poster and toys.

TOTEM is simple and geometric, strong and modern. Previously it was designed for our logo and next we made the rest of the alphabet, including multi-language coverage and numbers. Totem has a nice set of ornaments too.

Poster Brush is a hand drawn font pair with lots of character. Poster Brush is packed with OpenType features - Contextual Alternates changes prevents identical double letters from being next to each other. With Stylistic Alternates you can manually change the letters. When you turn on Discretionary Ligatures you’ll get interlocking ligatures when typing with caps. Poster Brush Script is equipped with Standard Ligatures and Contextual Alternates to keep the flow smooth. It also has Swash alternates for certain letters. Poster Brush & Poster Brush Script work great together or as themselves. For the best price purchase the whole family.

This bouncy beauty was inspired by Walnetto Casual, designed by Dave West for Photo-Lettering, Inc. in the 1970s, and takes its name from a mythical West Texas beastie. This version has been thoughtfully designed to use Contextual Alternates to avoid unsightly serif collisions for best possible visual effect. Both versions of this font include the complete Latin 1252 and Central European 1250 character sets.

Tappatarap font. 559 glyph, 80+ Languages Set. Multilingual support: Latin basic, Latin Extended, Cyrillic, Central Europe, Turkish, Baltic, Romanian, Euro, West European diacritics Please test your alphabet. If you have any issues, please let me know through email turalalisoy@gmail.com.

Modern Times font has been updated. To use the new version, go here. Modern Times font. 996 glyph, 100+ Languages Set. Multilingual support: Latin basic, Latin Extended, Cyrillic, Greek, Georgian, Central Europe, Turkish, Baltic, Romanian, Euro, West European diacritics Please test your alphabet

Ulissia is a hand-drawn slab serif typeface with a strong character. It reminds me of the 50s, 60s and the film noir period or of old Wild West movies.

Azola Cursive is an elegant connected letter cursive script arriving with a family of detailed & artistic styles. Azola Cursive features diagonal hatched texture, outline & solid variations. Azola Cursive is extended, containing West European diacritics & ligatures, making it suitable for multilingual environments & publications. This new font family pairs well with the existing Azola (noncursive) family.

Re-drawn from examples of vintage wood type, Primitive Tuscan JNL captures the essence of early letterpress printing of the 1800s; the styles of which were most closely associated with the Old West.

Unblessed is Horror And Scary Typeface Font with ligature and Multilanguage support dramatic movement. Best for halloween poster, horror poster, childrenbook, cartoon,comic.This font is great for your next creative project such as logos, printed quotes, invitations, cards, product packaging, headers, Logotype, Letterhead, Poster, Label, and etc.

Splinters JNL is a fun, hand-drawn font emulating letters formed from pieces of wood. Use at larger point sizes for best results. Please note: There is no kerning and a limited character set.

One Stroke Script is the work of British designer Paul Clarke, a highly legible, casual typeface that looks as though it were drawn with a brush. Upper- and lowercase letters should be spaced closely together for the best effect. One Stroke Script is good for a variety of applications: anywhere a cheerful, spontaneous look is desired. Featured in: Best Fonts for Logos

Japoneh is a dynamic font set in all bold heavy brushed characters. It practically jumps off the page with the action of these fluid strokes! Take your design to the next level with Japoneh. Japoneh is extended, containing West European diacritics & ligatures, making it suitable for multilingual environments & publications.

Lakester is a layered type family. It comes with 4 font systems that can be layered to create different effect (regular,shadow,inline,inline 2) . Inspired by vintage american west poster, it's loaded with 300 glyphs. This family works best for logotype, gig poster, letterhead, dropcap, titles, and any artworks.

Circus Poster Shadow was created by Tom Rickner as a tribute to the classic Tuscan Egyptian forms used in many wood types of the 1890s. It captures the spirit of the wild west, amusement parks and ciruses. The details of Circus Poster Shadow are best reproduced at larger, display sizes.

Hand drawn, sketchy antiqua that come in two font variants: Regular, Small caps with old style figures. Æterna was revised 2012 and now hold a full character set of basic english/latin letters and west european diacritics!

In 1905 the Parisian typefounders Peignot & Cie. issued their Série 16. This clear roman with a large x-height and an italics soon enjoyed a great popularity. Coen Hofmann’s drawings made for the Seizième follow the original Peignot Série 16 as close as possible. The regular font has the original small caps, while all members of the family are enhanced, next to the ranging ones, with old style figures. Also superior and inferior figures are available. The original series did not have a bold version. This was, however, carefully drawn for this digital rendition. The Série 16 and its versions for the composing machines were much used for the type setting of scientific publications. That is why a comprehensive set of mathematical and sundry characters are added to the Seizième fonts. Next to the accented characters for the several West and East European languages the Seizième was also enhanced with a Cyrillic, also available in regular, italic and bold versions.