BRIGNELL SUNDAY is an eight font family designed by Ian Brignell. A relaxed, easy-reading companion for any day of the week. A clean, modern, friendly sans serif characterized by an open style with occasionally rounded corners, occasional curved junctures on diagonals and a slightly sloped lower case A. Brignell Sunday was born in 2006 and was inspired by corporate custom font ideas Ian designed for an LG Electronics sub-brand called Best Shop. Extended Latin set.

Energetics is a symbol font that includes 98 different pictograms, each showing figures engaged in athletic pursuit. The characters are drawn with a strong black & white drawing style, which helps stress the dynamic quality of the images. The details in Energetics' symbols come out best when they are used big.

Konecya Featuring Display totality and elegance. One of my most recent first releases, naturally drawn with pinpoint accuracy. Konecya has the perfect amount of simplicity and subtlety for your next project. It perfectly represents the retro and vintage aesthetic. I recommend this font for your next logo, invitation, and home decor project that needs a succinct alternative combination touch! Include Formats: Konecya appears with strong characters available: Get inspired by the image above and feel free to share with me what you get by using this font.

Comic book font dedicated for fantasy characters like dragons, elves, angels, trolls, orks etc.

Henry VII draws it's inspiration from an inscription in Westminster Abbey dedicated to the memory of His Late Majesty of the same appellation. However, it is also in large part in the best tradition of 19th and 20th century Tudor revival. The inscription consisted wholly and completely of Capital Letter forms and we have 'imagined' all the rest in similar style, so Henry VII is very much a Mock Tudor work. Never the less, we feel it is great fun and ideal for lending an aire of 'Olde England' to any piece of design. Best used with 'Greensleeves' playing ever so softly in the background!

Sundae is a brush script drawn with a naïve hand-made twist. The flow of curves, contrast in stroke and variations in letter heights add a human touch while the consistency in design allows for semi-extended setting. Sundae is best suited for large, confident headings where a personal impact is desired.

Vast and untamed, the American West once stretched as free and wild as imagination itself. Still beautiful, the Wild West of long ago and the new West of today is now to be found in insigne’s new face, Plathorn. That’s right, folks. When the West called, Jeremy Dooley reached up like Pecos Bill, grabbed it by the reins and pulled it in, then using its wide, roaming elements to design this functional font that still has an unbroken spirit burning deep inside. This down right, no-nonsense, orthodox face leaves off any of that extra fancy stuff that doesn't belong on a ride. Plathorn comes with a family of cowhands as wide as the Rockies, bringing specifically tailored condensed and extended sub-families along with it too. By design, it’s not very obtrusive like its unorthodox reversed tension brethren. Leave those for the next font rodeo. This mount features barely a hint of a serif that hearkens back a hundred years or so to sign painters and package lettering artists of early twentieth century. They're sure to put the sharpness, gumption and grit you need into your copy. So grab a tall glass of Plathorn and drink in the deep taste of America’s big country. Put it in your next magazine. Put it in your brand. This typeface’s offbeat appeal is bound to bring a bit of wild U.S. to your free-spirited work.

I come from a family of educators- my mom, husband, stepmom, brother-in-law, and sister are all currently teaching and I have taught in the past. This font was created after speaking to several elementary school teachers who were struggling to find just the right font to use on worksheets and projects in their classroom. They liked many features of other fonts, but needed small things altered in order to make a "perfect fit" for their class. Hand-drawn by me, this font hopefully addresses several of those issues. As penmanship styles vary across the globe, I am sure this font will not work in every classroom. But hopefully this style will work for many teachers to give their early readers a highly legible, neat, accurate font. It is best used with kerning turned on to allow for accurate letter spacing.

Brilliant Sambo Featuring Slab Serif totality and elegance. One of my most recent first releases, naturally drawn with pinpoint accuracy. Sambo Brilliant has the perfect amount of simplicity and subtlety for your next project. It perfectly represents the retro and vintage aesthetic. I recommend this font for your next logo, invitation, and home decor project that needs a succinct alternative combination touch! Sambo Brilliant appears with strong characters available: Get inspired by the image above and feel free to share with me what you get by using this font.

Crima Font Black Serif totality and elegance. One of the newest releases that can only be done now, naturally drawn with pinpoint accuracy. Crima has the perfect signature and subtlety for your next project. It perfectly represents the retro and vintage aesthetic. I recommend this font for your next logo, invitation, and home decor project that needs a succinct alternative combination touch! The Criman font comes with available strong characters: Get inspired by the image above and feel free to share with me what you get by using this font.

The inspiration for this typeface family came from my childhood experiences at West Monkton, amidst an historic part of the South West of England. Studies of the original incised capitals of the Trajan column in Rome were analysed and polished for this modern version. The lower case letterforms and numerals were then created in sympathy, taking their proportions from the incised letters of local gravestones. Its name honours not only the area where the original alphabet was conceived and drawn, but also the people responsible for fostering my initial interest in letters.

Someday, a long time from now, in a galaxy not so very far away, you'll find yourself Suddenly transported to the nether-realms of Elsewhere, bathed in the light of the mystic moons of Meanwhile... While you're waiting for that day, check out this font by John "JG" Roshell. It may not provide you with the same transcendental experience, but JG assures us that it really is the next best thing.

Big Brush is the result of me seeing Brush Script everywhere around me. Toronto signage is full of Brush Script. My last two trips to the West Coast showed me mostly Brush Script. Brush Script must be the most widely overused North American script font of all time. Don't we all know at least one restaurant or bar with its sign made in Brush Script? And aren't you just sick of the weird F, Q and T of Brush Script? Well, out with the old and in with the new. Big Brush was made as a replacement for Brush Script, and then some. While Brush Script has only the single familiar letters we all know, Big Brush comes in two fonts, so you can keep the design fresh the neat and keep them guessing at the same time. The next time you want to design something that calls for strong, fast brush calligraphy, do the world's bored eyes a favor and use Big Brush instead.

Doodle Pen is a whimsical hand-drawn typeface. Characters are based on ballpoint pen multi-line drawings creating a scribbled texture and soft edges. This typeface will work well for headings, short paragraphs and scrap-book style designs. Doodle Pen is extended, containing West European diacritics making it suitable for multilingual environments and publications.

Old Earthy is a hand drawn font inspired by the mid 19th-century art movement with William Morris and the Pre-Raphaelite Brotherhood in the front line. The art and the patterns from that time is reflected in Old Earthy. It comes with a set of basic English/Latin letters and some west European diacritics.

Anzeigen Grotesk is a heavy, condensed sans serif face drawn in the style of typefaces popular during the early 20th Century. It was originally intended for use in advertising design, a field for which it is still well suited. Anzeigen Grotesk (which means “advertising sans serif” in German) is best used in larger point sizes.

Invite all your weird and wonderful friends to your next party! Fontazia Y3K is a unique typeface featuring 72 hand-drawn futuristic creatures! Whether you're looking for humanoids, alienoids, androids or simple robots, these unusual characters are sure to bring all your designs to life (...even your postcards, photos, or whatever - we think special guests should always be welcome!).

Transmogrified started out as a special project for a client. It's a lovely sans serif font, casual, with sweet swirls over here and there. It is based on Transmogrifier , from which uppercase glyphs were selected. Next, new lowercase glyphs were drawn and a bold cut was also developed for added flexibility. Let your messages be transmogrified!

Brumers is a fun sans serif font. Inspired by the curves of a bear. The basic concept is actually hand-drawn. Then, I developed and improved it in the next process. It comes in six styles, which makes it easy to choose according to the project you are working on. Brumers is perfect for headlines, branding, and many more.

Alaska Script is a fully cursive retro style, hand drawn script. It has contextual alternates for smooth connection of o-r, b-s etc. For best result please make sure you are using this font with softwares that supports open type features and you have these features turned on: * Contextual alternates and * Standard ligatures. Poster image credit: Patrik Banas

This is a funky hand lettered font that just begs to be used for coffeehouse promo. It is best when used in sizes above 16 points and is even better when used for posters where it can be printed in giant sizes. It was hand drawn in Fractal Designs Painter with lots of little Doo-Dads.

Hi, introducing an Amber Taste Pro font. It's a vintage typeface with classic shape. Seven weights variations from thin to bold is available. Actually this font set is a remastered version of my best selling font Amber Taste with lots of improvements. Pro version has much more characters, including multilingual west european support. All the contours was cleaned up and several glyphs has a new more organic shape. Thank you and have a nice day!

Lend a little Jazz Age elegance to your next project with this tasty typeface, a faithful rendering of Eduard Ege's eponymous Ege Schrift, released by the Genzsch and Heyse foundry of Hamburg in 1921. For best results at large sizes, choose the TrueType version, rendered at a full 2,048 UPM. Both versions include the complete Latin 1252, Central European 1250 and Turkish 1254 character sets, as well as localization for Moldovan and Romanian.

Bhekof is typography with strong characteristics. Explore several other eras of art and combine them into a strong Bhekof characteristic. A great typeface for your next design project. Looking for a typestyle that has strong characteristics? Look no further than Bhekof! This awesome typeface has a vintage look that will make your designs stand out from the rest. With strong characteristics like this, it’s no wonder it makes your design very popular.

"Hi there, thank you for passing by. Colllab Studio is here. We crafted best collection of typefaces in a variety of styles to keep you covered for any project that comes your way! Introducing Marsmila, a luxury beauty calligraphy font inspired by the Victorian era and the Grace of the Roman letterforms as well as modern calligraphic aesthetics. Its graceful, curving lines and elegant swirls are a delight to behold. Marsmila comes with massive number of glyphs and stylistic alternates, including extra beginning and ending swashes. Perfect for your next calligraphy project, or when you want to make your text look fancy! Make your next design projects look like you took them to an expensive calligrapher to be done for hundreds of dollars, but you didn't! You can use it in any design and any way you want. Marsmila typeface works best for logos, posters, styling purposes such as invitations, greeting cards or any design projects which have some elegant vibe to them. A Million Thanks Colllab Studio www.colllabstudio.com

Organika is a hand drawn type family of six fonts. It includes upright and italic brush script, sans and serif fonts. Because of the uneven edges, loose forms and bouncing letters Organika has an organic, friendly and casual feeling. The script has lots of alternates that gives you possibility to build your text almost like handwriting with all the charming imperfections and variations that a real handwriting has. If you enable Discretionary Ligatures OpenType feature (dlig) it replaces automatically lower case letters with an alternate when the letter is repeated. So there are never two letters next to each other that are just the same. The script also has a few neat underlines to choose from to give your design the final touch. With the Organika sans and serif fonts you can add some variety and contrast to your design with the matching casual hand written feeling.

The island of Fuerteventura is more known for its white sand beaches and windsurf-friendly constant winds than for its typographic marvels. Still, it's on the walls of a ballroom next to its white-sand beaches that Debora Manetti found the hand-painted letterforms that she took as inspiration for her typeface Sala de Fiestas. The resulting font was a condensed sans serif full of curious details and a jumpy latino vibe that many years after still keeps its freshness and vernacular charme. Francesco Canovaro took the original typeface as a starting point for a grand tour into sign-painter aesthetics, developing a reboot of the original into a new type family: Salad. While being faithful to the original proportions and feeling, Salad provides extreme versatility through its five-weights range, its extended charset and its set of Open Type features including stylistic sets, alternates, positional numerals, small capitals and case sensitive forms. While the roman family with its italic counterpart provide a good workhorse tool for informal branding, packaging and editorial projects, the interlocking and the inline weights add additional possibilities for display purposes. This is enriched by the inclusion in the typeface of a set hand-drawn decorative dingbats that further complement the sign painting vibe of the family. All Zetafonts expertise in handmade lettering, typographic design and water sports has been put to test to assure Salad is the best typographical alternative to a a trip to Canary Islands!

A child-like font perfect for conveying a fun and young atmosphere. This font is perfect for schools, teachers, announcements for children, social media posts for events made for kids, and more! Child's Playground is meant to emulate crayon-drawn writing that captures people's eyes with the immediate familiarity of a child's penmanship.

ITC Verkehr was designed by Mott Jordan, who based its forms on those of narrow sans serif typefaces but also chose a departure from the tradition to set the font apart from the rest. The upper half of each character is heavier than the lower half, although this is usually the other way around. Diagonal strokes, like the horizontal of the lower case e, relax the otherwise regular, bar-like look of the font. ITC Verkehr is suited exclusively for use in headlines and display in larger point sizes.

Evening Wear JNL, drawn from the elegant monoline lettering used as titling on the sheet music for "Smoke Gets In Your Eyes", conjures up images of 1930s New York at its apex. Fine restaurants, elegant night clubs and couples decked out in their best evening apparel were of a time long past when "doing the town" meant really dressing up for the occasion.

3D Blocky is a hand-drawn 3-D font. Composed of friendly & fun letters, this font is sure to become a favorite for you. There is a sprinkling of dingbats scattered around the alternates, just there to make this font extra fun and useful . Check it out! 3D Blocky is extended, containing West European diacritics & ligatures, making it suitable for multilingual environments & publications.

Sean’s Other Hand is a hand-drawn font and was created as an alternative to the popular Hand Of Sean font, by the same designer. It has a looser, more natural feel and is best suited to applications where a more organic, hand-written style is needed. Great for annotating sketches, notebooks and wireframes. Great for use on natural product packaging.

Mona hand lettered font is a hand drawn brush font. It has contrasting thin and bold lines. This is a decorative font, so it works best for short descriptions, logos, identities, packaging design. Also looks great on diferent invitations and posters. The typeface has two styles - regular and bouncy. Boucny is ideal for designs where you need just a little bit more playfulness.