Designed for ATF in 1913, Morris Fuller Benton’s version of Nicholas Jenson’s roman, the best of the Venetians and a model for regularity in color and fit.

Okaycat presents "Hiew". Hiew is a connected font with serif, some bold personality making your message clear. Includes European accents and extra characters to meet publication needs.

There is an addiction to symmetry. When I draw, when I write, when I take pictures, when I design. So in this font. Best use in Headlines.

Pia is a new typeface named in honor of one of the most fun people we know, Sophia Williams aka Pia. Extended Character set for multilanguage support.

Jaunty, irreverent, whimsical and rebellious — Wynona brings the attitude of Mae West, the wit of Dorothy Parker, and the disconcerting exuberance of a child running with scissors.

CrosswordBill was created by scanning a finished crossword puzzle, done with a failing ballpoint. A complete character set with numbers and most (but not all) special signs.

Hello! Presenting a calligraphic font with natural scratched texture effect. It's a script with connected letters, lots of characters including West European languages support and few ligatures.

Based on the 36-point design of the Amsterdam Nobel Inline capitals (1931), Sans Serif Inline™ is designed specially to meet the requirements of today's technology.

Wolfsburg is a classic blackletter stencil typeface. It is reminiscent of the days before computers when the best way to reproduce letters quickly was to stencil them.

Univers and Helvetica Compressed are most often used for movie posters, but they lack variants. Therefore I made a compressed family with seven weights for more versatility.

The Gill Sans® Nova typeface, by Monotype Studio designer George Ryan, expands the much-loved Gill Sans family from 18 to 43 fonts and features a coordinated range of roman and condensed designs. Several new display fonts are available, including a suite of six inline weights, shadowed outline fonts that were never digitized and Gill Sans Nova Deco that was previously withdrawn from the Monotype library. A variety of OpenType® features are supported that make it possible to include experimental characters from different points in Gill Sans’s long history, including pointed diagonals on ‘A’, ‘V’ and ‘W’ and alternatives for ‘b’, ‘d’, ‘p’ and ‘q.’ Proportional figures are also available as an alternative to the tabular designs. The Gill Sans Nova family has a large character set that supports Latin, Greek and Cyrillic languages. The display weights support Latin only. “Gill Sans was fast to strike a chord with people after its initial 1928 release and quickly became popular,” explains Ryan. “It’s been adapted for every publishing technology, from mechanical typesetting to digital imaging – always receiving the best treatment from Monotype in each iteration. This is especially true with all that we’ve added to the new series, while still retaining the familiarity of Gill Sans. My goal was to ensure clarity across digital environments, add missing weights, and bring more personality to the family with new display fonts, as well as Gill-inspired alternate characters.” The Gill Sans Nova typeface family is part of the new Eric Gill Series, drawing on Monotype's heritage to remaster and expand and revitalize Eric Gill’s body of work, with more weights, more characters and more languages to meet a wide range of design requirements. The Series also brings to life new elements inspired by some of Gill’s unreleased work, recently discovered in Monotype’s archive of original typeface drawings, designer correspondence and documents from the last century.

Introducing Ethnocentric, the typeface of the future. With its sleek, ultramodern design, Ethnocentric is perfect for those looking to inject a high-tech feel into their projects. The outstretched pod forms of this accelerated font suggest rapid horizontal movement, making it the ideal choice for anything from tech blogs to cutting-edge product labels. But what sets Ethnocentric apart from other typefaces is its non-traditional, scientific sensibility. Sharp diagonal cuts and anomalistic gaps inject your words with a sense of experimentation and innovation, perfect for companies on the cutting edge of technology. If you prefer a more rounded style, be sure to check out Ethnocentric’s sister typeface, Quadrillion. But if you’re looking for something with a bit more edge, Ethnocentric is the perfect choice. With six weights and italics available, you’ll have all the versatility you need to make your project stand out from the crowd. Don’t settle for anything less than the best. Choose Ethnocentric, and take your designs to the next level. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Drawzing is a font designed by Ethan Dunham that mimics the looks of either chalk or crayon. The font is well balanced and is not overly childish.

Drawn with marker pens by Rachel Yallop, Clanton is imbued with a sense of simple, casual friendliness, and was created as to evoke handwriting. This solid, naturalistic font is available as a family of light, regular and bold weights, each with subtle natural differences thanks to being hand drawn for each variant.

Nosegrind is a bit of a departure from our usual more traditional font offerings. It's based on skate-culture graffiti gleaned from various samples of similar style found on walls in Austin and online. The font includes two character sets, one which is plain and one which is enhanced with outlines. In normal usage the characters should nest, with slight overlap from one character to the next as shown in the sample to the right, but the lower case characters in the font are spaced evenly but not pre-nested, leaving the degree of overlap up to the user - nesting is easily adjusted with the tracking option in programs like Photoshop, Quark or InDesign. Ultimately Nosegrind will be added to our Modern Fonts collection, where it ought to fit in nicely.

Hand-drawn cute arrows in a variety of styles from dashed to chunky to funky.

A dingbat collection of various border and flourish like elements drawn with a calligraphic touch.

Ballpoint Signature is made with natural hand-drawn inspired by beautiful handwriting, and includes alternates.

Jasper is a script face drawn with a broad nib suitable for a handwriting impression.

The most watched and celebrated sports are A-Z, with the lower case showing the same sports flopped. The numbers 1-0 are an assortment of Olympic sports.

Elegant and classy display font with matching italic and tons of ligatures. This versatile font is best for branding, webdesign project, logo, fashion related concept, and much more.

Aargh is a deconstructed, twisted mess of what maybe used to be Courier or Typewriter that is maybe a little tight for the genre, but it is effective.

Hi! Introducing calligraphic font named "Megawatt". It's a script with connected letters, lots of characters including West European languages support and few ligatures. Thank you and have fun!

Madison is a classic slab serif stencil typeface. It is reminiscent of the days before computers when the best way to reproduce letters quickly was to stencil them.

Introducing Spooky Bluest by Forberas, yet playful but still serious. You can use this as decorative material for your upcoming project. Your review and response are most welcome.

Fun bunting style lettering. Best when used with multiple layers to create a stacked, dimensional look. Use () {} [] to create end pieces and _ (underscore) to connect the end pieces.

What about some spooky type? Nd Harquied is great for Halloween, Comics, Monsters, or maybe something that you came up with melting cheese! How creative can you be?

Shift Comic is the usual alternative to many similar typefaces. It’s based on my handwriting. I decided to make a thinner variety than most available on the market.

One of the many Solotype experiments in developing fonts with an ethnic flavor, this one is a bit less obvious than most. The lowercase seems to work well.

Southern colonialist is a new slab typeface from Intellecta, based on ancient advertisements from the Wild West of America Good for titling and display usage; in many styles.

This contrast grotesque works well in text sizes and in large ones. Here are two sub-families: contrast and most contrast Display. Ideal companion for Osnova type family.

Curlz is designed to look like bent, twisted metal. The Curlz font is best used for impudent, carefree titles. Curlz is appropriate for menus, signage and greetings cards.

Austin Plain is derived from the union between Melts Script and Deftone Stylus, the result is a friendly typeface that mixes old American styles with modern design concepts.

Duffle Bag JNL continues Jeff Levine's series of stencil fonts. Most are from authentic, vintage sources; this one is an original... and with a sports theme to boot!

Abaddon has been one of our most popular fonts since it was first released in the mid-90s. It's based on lettering by Alphons Mucha with some modernization.

Experimental typography meets Art deco retro style. Odd contrast gives your work a curious impression.By using 'liga' and 'dlig' feature of OpenType format, you can access advanced typography.

Gift Wrap JNL takes a classic wood type display font and cuts it into diagonal striped lines to emulate package wrapping paper. An interesting side effect of the lettering is that at first glance you might perceive the style as being an oblique, but the letters are actually vertical. This typeface is perfect for holidays, birthdays and special events featuring a festive theme.

Inspired by futuristic vehicle print designs like seen in Star Trek, Blade Runner, Altered Carbon and the Alien franchise. The goal was a clean, abstract design where horizontal, vertical and diagonal 45 degree lines are the primary guidelines. Features : uppercase and lowercase numbers and punctuation multilingual Ideal for: Logo design Movie promotion Book & magazine print Package design Vehicle print designs Game design

Pen & Ink is a quirky hand-drawn font. Inspired by notetaking and classroom doodles, this font has a friendly and approachable feel that perfectly compliments artwork and social media. Mix and match uppercase and lowercase letters throughout each word to get a truly hand-drawn feel. There are also 33 swash and icon extras.

Samerang is built manually by hands, and reform into a clean Typeface. It can be used for just Title or even writing. Inspired by Alt Retro-futuristic, bringing back the '70s-'80s poster feels into modern time. In this font, you will get: Over 303 Glyphs Contains 31 ligatures in 3 OpenType features Some Alternates Letters Get Samerang now! It will best use for any design requirement, many fonts will coming with a unique concept. Thank you! Best Regards, FM-STCO.