Calligraphic Griffo comes from my personal interpretation of Francesco Griffo works. He was one Italian's type founder, punch cutter and type designer and the first who drawn and realize the typographical's punch of the italics around the 1500. His dedication to works and incredible perfection make me fall in love with his typefaces. Here my font: a readable and classical Serif with well-proportioned letterforms, a lot of ligatures combination and initial Swash Letters. Hope you like it, enjoy!

The Chairman is a flowing handwritten font, described by an elegant touch, perfect for your favorite projects. It looks stunning on wedding invitations, thank you cards, quotes, greeting cards, logos, business cards, magazine, marketing materials and every other design which needs a handwritten touch. Fall in love with its incredibly distinct and timeless style and use it to create spectacular designs! The Chairman Features : Uppercase and Lowercase Numerical and Punctuation Ligatures PUA Encoded Multilingual Language Easy To Use

Hailea Honey is a beautiful script perfect for branding, wedding invitations, and other romantic projects. This love centered look makes it perfect for use in all your design projects be it logos, labels, packaging designs, blog titles, posters, wedding designs, social media posts, Instagram designs, etc. Contains full set: -Uppercase -Lowercase -Alternative -Ligatures -Punctuation -Number -Multilingual support. I hope you enjoy this font. If you have any questions, feel free to message me :) Thank you for your purchase!

Shining Holiday is a calligraphic script font that comes with a lovely alternative character. mix of copper calligraphy in a handlettering style. Designed to convey an elegant style. Shocking Script is attractive because it is smooth, clean, feminine, sensual, glamorous, simple and very legible. Its classic style is very suitable to be applied to all types of formal items such as invitations, labels, menus, logos, fashion, make up, stationery, letterpresses, romantic novels, magazines, books, greeting / wedding cards, packaging, labels.

Marlina is a modern handwritten font suitable for wedding invitations, branding, store names, and more. You will love to use it because there are 250 glyphs and swashes that add to make your designs more elegant. Features : -Uppercase & lowercase -Numbers and punctuation -Multilingual support -Ligatures -Swashes We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Fun City Life is a smooth and bold display font. Its casual style makes it appear wonderfully down-to-earth, readable, and, ultimately, incredibly versatile. Whether you’re using it for crafting, digital designing, posters, movie headlines, or apparel, it’s lovely. So what’s included: Fun City Life in OTF format. Basic Latin A-Z, a-z, numbers, symbols, and punctuations Multi-Languages support: from Afrikaans Albanian Catalan Danish to Dutch English Spanish Swedish Zulu. Accented Characters : ÀÁÂÃÄÅÆÇÈÉÊËÌÍÎÏÑÒÓÔÕÖØŒŠÙÚÛÜŸÝŽàáâãäåæçèéêëìíîïñòóôõöøœšùúûüýÿžß Thank you

The Ayes have it! The 1909 specimen catalog from the H. C. Hansen Type Foundry of Boston contained a lovely decorative face named Congress, which is the pattern for this font. It's a winning choice for distinctive headlines, and the uppercase letters are also suitable by themselves for use as decorative initials. The PC Postscript, Truetype and Opentype versions contain the complete Latin language character set (Unicode 1252) plus Central European (Unicode 1250) languages as well.

Vedacity is a sophisticated glamorous script font, with modern calligraphy style that you'll hard to resist like the nowadays trend. Inspired from the society behaviour who always craving for the trends but still want to show something different yet special from it. Yes, that's why it came with a bunch of Stylistic Alternates of each letters because everybody loves a choices, in a pack. And also the Ligatures for every double letters to get the seamlessly handwritten looks.

Pilar and Ferran based Arlette on the fast stroke of one letter from a Roger Excoffon family, but along the way they abandoned that starting point in favour of experimentation. Many sans serifs are like a svelte black dress: functional, beautiful, and the unfussy outfit for a nice evening get together. The Arlette family isn’t like this. It’s a stunner — an incandescent reimagining of what defines a sans and how it can look. Arlette explores the boundaries of the sans serif landscape and returns with forms developed from gestural vigour. Thinking of it as “painterly” may at first seem to fit, but it underestimates Arlette’s ability to master an unseen world of countless emotions and physical applications: magazines, branding, editorial, teen and young adult works, book covers, and a host of products and packaging whose content will be amplified with Arlette’s voice. Not only does Arlette use its eight weights plus italics to speak in Latin-based scripts, it is also fluent in Thai and has six weights (hairline through bold) with which it meets that challenge, whether in text or display. Arlette Thai’s modern nature is seen in two features for the script. One is the decorative Thai characters that are based on original palm leaf manuscripts. Another is a version of the Latin numerals adapted to the height of the script due to their wide use in Thailand. Arlette Thai has been meticulously developed, including contextual kerning to avoid mark clashes. Arlette’s OpenType capabilities include mathematic and scientific figures, positional forms, pointers, arrows, and oldstyle, lining, and tabular lining numerals. In addition to all this, it’s packed with swashes and swash ligatures in both scripts for enthusiastic typesetting. Because it pushes experimentation without compromising readability, both Arlette Thai and Latin are surprisingly legible in small sizes and arrestingly beautiful when their details can be seen.

Impact As its name suggests, Impact, a bold sans serif, is designed to make an impression on the reader. Obviously a display font, Impact makes use of its thick strokes and blocked style, to catch and hold the eye. Because Impact is so striking, it is best placed in plenty of white space so that it does not overwhelm any accompanying text.

Nouvelle is an elegant sans serif family of six fonts (light, regular, semibold and italics). This modular typeface works just as well as display typeface as it does in body text. Because of the high x-hight it stays readable in very small sizes. It has 1884 characters: oldstyle numerals, ligatures and extra characters that support almost all European languages.

''Sometimes, you fall in love with someone, and, sometimes, you fall in love with something. I fell in love with the work of Harald Geisler. Harald and I met through our work on a couple of Kickstarter projects (Typographic Wall Calendar and The Montserrat Typeface). We sympathised immediately with each other, and that lead us to start a new project. The electricity we felt was captured in Electric Cable (that’s what we named it), a typeface designed in our own image and likeness. Electric cable is connected, and that power leads it to write unexpected things. It’s a letter for the flâneur: it carries within itself a high voltage that makes it lively. It has energy and spark. That’s exactly what we would like in a person. It is a display typeface, current and contemporary. It is based on the connection of two friends who felt the need to create a common language even without speaking the same language. In editorials use, your words will become strikingly beautiful. Electric Cable features geometric, humanistic qualities,and also some script, but ,above all, it has a sense of humor.’’ Julieta Ulanovsky (Usage tip: Use the “

The smooth curves and big wondrous eyes of the Tango dancer in all her charm. Domingo expresses the sensual mysteries of South America like no other typeface ever could. Fragile yet firm, loving yet proud, Domingo conveys an eternal sense of care and beauty, depth and poetry.

Sweet Nancy is a monoline connected script typeface with a nostalgic, yet modern feel. Elegant cues inspired by Art Deco combine with a modern lettering style for lovely invitations, announcements, logos, book jackets and menus. Enjoy Sweet Nancy’s flowing lines in whimsical, romantic or fantastical designs.

Eyebel was an attempt to form letters as simply as possible using only straight lines but still have them legible. The family is low contrast and has a boxy look. Eyebel-Ruff was formed by randomly moving control points. None of these faces have any curves.

Thud is a family of seven weights with roman and true italics. Weights are done with parabolic formula by Luc(as) de Groot for each weight to be optically in between the next weight. Made for headlines, but kerned well enough for larger amounts of text.

Mistral is a loose running script based directly on the handwriting of its designer, Roger Excoffon. His goal was to create a typeface with a true handwritten style, but in this case, the writing looks as though it were done with a brush or heavy felt tip.

Larou was created to be original and fun, imperfect and quirky. Letters are not uniformly sized... they are created such that the final product is unexpected and interesting. Larou includes alternates and ligatures - to assist with readability and letter flow. Try it, you will fall in love!

Morsan is a psychedelic-inspired typeface that exudes retro charm, boldness, and playful vibes. Perfect for adding a dose of groovy excitement to any creative endeavor! Standard alphabet and punctuation Works on PC & Mac Simple installations PUA Encoded Characters - Fully accessible without additional design software. Multilingual Support

Rub Gum is thick, chunky and heavy as heck! In the progress of making Rub Gum, I got inspiration from the grafitti- and comic universe! Use Rub Gum for something that needs a heavy dose of grafitti and cartoon! Comes with a good handful of ligatures!

A 1940s sheet music edition of an early 1900s song entitled "You Taught Me How to Love You, Now Teach Me to Forget" was set in a popular metal type slab serif face. It is presented digitally as Elite Resort JNL, in both regular and oblique versions.

Roselina Script is a modern calligraphy, with a vintage feel. moving baseline and elegant touch. Can be used for various purposes.such as headings, signature, logos, wedding invitation, t-shirt, letterhead, signage, lable, news, posters, badges etc. Including initial and terminal letters, alternates, ligatures and multiple language support.

After four long months of work, Arcano Type has finally been released. It was completely designed by hand, letter by letter, using Chinese ink on Japanese calligraphy paper. Arcano is inspired by nature, symbols, icons, jewels, hand-drawn designs and much more... Modern Love Slanted-Turquoise-Nautica

Designed by Peter Behrens, well known graphic artist and architect in Germany in the late 19th and early 20th century. This "Antiqua" was done for Rudhard's Typefoundry in Offenbach A. M. around 1902, and has been used in modern times for museum retrospectives of the designer's work.

Trafalgar Stencil JNL gets its inspiration from a set of lettering stencils manufactured by Reese and Sons in Great Britain during the 1950s as does its counterpart, British Stencil JNL.

Inspired by a series of handwritten menus produced in 1980, La Carte is a stylish but legible script that sets as well in body copy as it does in headlines.

A charming font inspired by the Brazilian beloved album for children by Vinicius de Moraes, author of the bossa nova classic 'Garota de Ipanema' (Girl from Ipanema) with his partner Tom Jobim. The font has a cheerful cutout look, as does the original album cover designed by Elifas Andreato in 1980. Arca font is loaded with alternates for a nice natural look and has yet quite cool interlocks. Its complementary font brings handsome graphic elements to add some bossa here and there. Now let's dance!

Smudger, from designer Andrew Smith, is oriented toward a young generation who does not want to mind the rules. The font invites unconventional and playful use. The figures seem to be almost coincidentally shaped. Letters alternate between thin and thick strokes alternate and give the font the smudged look that inspired its name and gives the font its unmistakable character. Smudger is a font that just cannot settle down. It is best used for headlines and short texts in point sizes of 12 or larger.

ATTENTION COSTUMERS! A new version of this font was released in 2019. Take a look: Breathe Neue Reaching a total of more than 1000 glyphs, Breathe Pro is Maximiliano R. Sproviero’s gift of the year. The aim of the designer was once more to give the user the chance to play and travel from very formal and conservative letterforms to the amazing world of swashes and flourishes. Possibilities of alternating and ligating characters in this font are absolutely fantastic. After his last creation, Parfait Script, Lián wanted to make a more universal font. Delighted by typographic works of Didot and his followers of the beginnings of 1800, Maximiliano R. Sproviero started what became another obsessive project, which is now named Breathe, “cuando las letras respiran...” what could be translated as “when letters breathe”, due to the feeling that you are reading letters that are alive. Breathe comes in two styles which have a significant difference as regards to the quantity of glyphs available inside. If you want to get the most complete style, with over 1000 glyphs, (including contextual alternates, stylistic alternates, swashes, terminal forms, titling alternates, historical forms, stylistic sets, standard ligatures, stylistic ligatures, decorative ligatures and frames) then your choice should be Breathe Pro. On the other hand, if you are interested in having a less decorative font with the nice touch of Lián’s style, then your choice should be Breathe Standard, a more limited version of Breathe, including terminal forms (leaves) and frames. With Breathe Pro you will surely have fun at the same time you are designing and that is not an unimportant thing. The world of type-designers is growing each year, and the features of Open-Type are letting them think their creations as if they were truly pieces of art. At least, Breathe Pro is inspired in the Art of our predecessors, those who with a pen loaded of ink would decorate each letter, each page in such a lovely way. Yes, -lovely- is the word. We would not have the amazing lettering artists, calligraphers, typographers of nowadays if that -love for letters- had not traveled from generation to generation. Breathe Pro is an example of this love. An example of what Maximiliano R. Sproviero feels about typography and letters. Pssst... Look for more images and the User’s Guide at the gallery section to see it in use! http://origin.myfonts.com/s/aw/original/89/0/46067.pdf

Grand Slam is based on an old cardwriting style known as Poster Gothic. This dynamic letterstyle was used in the heyday of the Hollywood movie poster because of its powerful and snappy appeal. The face is of uniform thickness and made as wide as possible without interfering with legibility. Its vertical strokes seem to be thickened slightly where normal serifs would be. It is interesting to note that another group of tiny little serifs populate the entire design. Grand Slam comes with a complete set of alternates including small caps and small figures. A lowercase has been added for greater versatility. Grand Slam is now available in the OpenType format. In addition to small caps, lining figures, oldstyle figures, petite lining figures, and swashes, this expanded OpenType version contains some new stylistic alternates. These advanced features work in current versions of Adobe Creative Suite InDesign, Creative Suite Illustrator, and Quark XPress. Check for OpenType advanced feature support in other applications as it gradually becomes available with upgrades.

As a beautiful yet eccentric unconnected script, Milroy Upright SG Regular can be a refreshing alternative to the formal upright scripts seen on so many anniversary and wedding announcements today. This nineteenth century classic was designed by Max Rosenow and Julius Schmol for Barnhart Brothers & Spindler in 1895. Milroy Upright was originally known as Oliphant. It was later renamed Advertisers Upright Script in 1925. This new version, Milroy Upright, contains many new alternative characters including a modified cap X and cap Z, a two-story lowercase g, and a matching set of oldstyle figures. Milroy Upright SG Regular is now available in the OpenType format. Some new characters have been added to this OpenType version including stylistic alternates, discretionary ligatures, and oldstye figures. Advanced features currently work in Adobe Creative Suite InDesign, Creative Suite Illustrator, and Quark XPress. Check for OpenType advanced feature support in other applications as it gradually becomes available with upgrades.

Known to many eastern artists as the California Poster Letter because it originated in the West, this old 1930s style has reappeared in digital form. Carl Holmes, in his wonderful book on old lettering styles, pays tribute to this uniquely American design. Faintly reminiscent of the lettering of Fred G. Cooper, California Poster Bold is at times wildly exaggerated and boisterous. Letters appear to be inflated and loopy. The design might aptly be described as a kind of rollicking Cooper Black (Oswald Bruce Cooper). An extensive range of alternates and figures has been provided for your convenience. California Poster Bold is now available in the OpenType Std format. Some new characters have been added to this OpenType version as stylistic alternates and historical forms. These advanced features work in current versions of Adobe Creative Suite InDesign, Creative Suite Illustrator, and Quark XPress. Check for OpenType advanced feature support in other applications as it gradually becomes available with upgrades.

Lakony Regular, italic and display serif lacony are combined into one into a modern serif, lacony pays attention to high readability and a soft font model so that readers feel comfortable. lakony font also has unique alternates, making it easier for you to design as unique a text as possible. However, this does not leave behind the function of the font itself, namely readability, so this font is suitable for titles, posters, branding, invitation cards and much more. Lakony Regular Lakony Italic Lakony Display Uppercase Lowercase 75+ Language Alternates Font

Pritchard is the work of British designer Martin Wait, a capital, condensed sans serif font inspired by the geometric styles of the 1920s Soviet Constructivist movement. Despite unusual letterforms, Pritchard remains legible and effective in large display sizes. Two fonts make up the Pritchard family: Pritchard Regular and Pritchard Line Out. Pritchard Regular is a caps-only font, but Pritchard Line -- a bold, open font suitable for a wide variety of headline applications -- does include lowercase letters. A similar font from Linotype is Linotype Reducta. Unlike Pritchard Regular, Linotype Reducta's character set contains lowercase letters."

IMPERFECTION Is a hand-written san-serif font inspired by human imperfections (mistakes). This is the first font created by LIGHTDESIGNS. It has no consistency in it's design which made the font looks like a lot of mistakes has been made. But this is done with purpose. With these characteristics, the font is given the name "IMPERFECTION', With surprising font and glyph designs, the intent of this font design is to pass a message that says, "SUCCESS IS NOT THE ACHIEVEMENT OF PERFECTION, BUT THE ACCOMMODATION OF IMPERFECTION™ This font design will be a fit in every design project it is utilised like logos, posters, flyers, magazine, card designs e.t.c. This font can be nicely pairs with script fonts & San serif font.

Coastine Chic Modern Font is Sans-Serif Font with upper and lowercase is complemented by some of the same alternatives made with love. Access your OpenType features to access the large selection of alternate letters and ligatures, select the letters you like from the large variety to get the display font you like. Perfect for editorial projects, Logo design, Clothing Branding, product packaging, magazine headers, or simply as a stylish text overlay to any background image. Features : Uppercase and Lowercase Stylistic Alternates & Ligatures Numerals & Punctuation Multilanguange PUA Encoded Web Font Included Thank you for visiting my shop! Contact me with an inbox message If you have any question. Happy Creating

Enjoy this sophisticated serif font. Modern trends finally meet timeless classics here. This typeface, wherever it's used, will give a sense of refinement in detail, and at the same time, a touch of relaxed elegance. If you are looking for a trendy font that could give you these feelings of modern grace and classic elegance, you've already found it. This font is quite versatile and can be used in both classic and modern designs. Whether it's a sensuous Jane Austen-inspired love letter or a trendy acid-jazz concert poster, this font will give your design a finished look and a touch of sophistication.

I present my funny font with "Hocus Pocus"cutouts This is a playful font in the style of a cut-out "all capital letters". Lowercase letters are filled with letters (A, O, B, etc.), and uppercase keys have ordinary black letters. :) Great for sweet greeting cards and invitations, for playful branding and quotes, for unusual packaging and much more! This font is unique and simple:) Font Features • character set A-Z, A-Z; • 1 languages (English); • numbers It is recommended to use it in Adobe Illustrator or Adobe Photoshop Made with love ♡ Thank you for stopping by, and I wish you a creative day!