I really don’t like candy. In fact, I even hate the smell of candy! But… You can wake me up for caramel in any form or shape! When I was a kid, we used to get a tin of wrapped English ‘quality’ toffees for Christmas. My favourites were the big, flat chewy caramels in a bright purple wrapper! Chewy Caramel is a happy handmade font, ideal for book covers, candy wrappers and labels. Comes with double-letter ligatures for the lower case.

Introducing our new "Southern Margarita" font, an elegant modern script font with delicate hand letters inspired by wedding calligraphy thematics. With the "Southern Margarita" script you get a full set of uppercase and lowercase letters, numbers, punctuation, and some double-letter ligatures for a natural lettering effect. Moreover, each lowercase letter has one gorgeous and absolutely unique swash. "Southern Margarita" is perfect for wedding stationery, websites, elegant logos, upscale packaging, and any other projects that call for a handwritten and refined touch.

For some reason I had to think of Moby Dick (the classic book by Herman Melville) when I was busy working on this font. No, I don’t live near the sea, nor do I have a pet whale. It’s just one of those things… Whalebone (named after Captain Ahab’s prosthetic leg) is a handmade, all caps brush font. It wasn’t actually made with a brush; I used a broken satay skewer and Chinese ink. Whalebone comes with discretionary ligatures for double letter combinations.

The main difference between Accord Alt and Accord is in the way curved strokes join with vertical stems in letters such as “bpn”. The Italics are designed at an italic angle of 10 degrees. All the letter forms have been kept similar while designing italic instead changing the form e.g. 'a' remains same double story in italic also instead changing it to single story. The intention is to keep it simple and neutral which helps communicate the corporate sense of professionalism.

Alt-Gotisch Verzierte is a typeface of decorative initials that is Victorian in style and bears a close family resemblance to the many ornamental tuscans cut throughout the nineteenth century by British foundries. Instead of the bifurcated terminals of the archetypical tuscan (see Figgins Tuscan by HiH or Stereopticon by Dan X. Solo), these letters display what Nicolete Gray might call a “wedge and bite” design -- as if they started with the wedge serif of a latin form and someone came along and took a perfectly round bite out of the wedge. We need not dwell on the lack of teeth marks. The calligraphic curls and flourishes are often graceful, sometimes a bit contrived, but always complex. There is a busyness that marks the style of the period. If you ever see an old photograph of a well-appointed Victorian parlor, you will recognize that same quality of busyness. Overdone is a word that frequently comes to mind. Alt-Gotisch Verzierte means “adorned or decorated old gothic.” The typeface is attributed by Alexander Nesbitt to an unidentified German foundry of the nineteenth century (Decorative Alphabets and Initials, Dover, New York 1987, plate 92). The designer is unknown. Our font is supplied with a lower case that is similar to the upper case, but is 15% shorter and is simplified by the omission of the decorative vines. For the lower case, alternate letters A, E, & T; and ligatures LE, OT & LY have been supplied. In addition, a few small decorative vines were planted here and there for optional use. An accented upper case is not part of the original design and is not here supplied. This design is also seen under the name “Sentinel” -- as always, it is worthwhile to compare the completeness of the character set and the faithfulness of the rendering. We believe you will agree that we provide a balance of quality and value that is unmatched in the contemporary marketplace. Alt-Gotisch Einfach is a simplified version of Alt-Gotisch Verzierte. The vine-less lower case of the Verzierte font is the upper case in Einfach. For a lower case for Einfach, the letters were further simplified by stripping away the three-dimensional outline, down to the bare bones and bites, as it were. Einfach, in fact, means “simple” or “plain.” It is interesting to note that this bare bones & bite lower case bears (I have a special license to use two homonyms in the same sentence) a striking resemblance to the 15th & 16th century ornamental letters from Westminster Abbey shown in Plate 47 of Alexander Nesbitt’s Decorative Alphabets and Initials (Dover, New York 1987).

Sink your teeth into the heavy-hitter Sistine Family consisting of Regular to Extra Black weights along with an extra black stencil style. They are a tough and industrious set of typefaces suited perfectly for headlines and poster design, and so much more. The Opentype ligatures feature swaps in special THE & AND (by typing a space before and after THE or AND in all capitals), as well as a double cap L option. Stylistic Alternates include a variant Q and R for all styles.

An ad in the April 19, 1919 edition of Motion Picture News for the (now lost) silent drama "Josselyn's Wife" featured some wonderfully stylized Art Nouveau hand lettering. Primarily a condensed character set with rounded serifs, there are a number of letters that take liberties in both width and character shape. Adding to this, [mostly vertical] parallel lines are cut through the characters to create a "striped' type of "double engraved' effect. Silent Drama JNL is available in both regular and oblique versions. **Uppercase

Brandon Printed is based on the famous Brandon Grotesque typeface. It has an eroded, printed look with variations of every letter by using different styles. With several different styles like a shadowed version, an inline version and a double printed version you can create a lot of lovely combinations. The Brandon Printed package also contains a set with 95 Extras like arrows, catchwords, stars, emblems numbers & lines. Brandon Printed has a high level of detail, so it may process more slowly in some applications.

It’s big. It’s very big. Spade is a double whammy of pure slab footprint, sharp and soft, cowboy and cowgirl, country and western, shot and chaser, settlement and new frontier. It’s also quite modern in many aspects, not the least of which are the many curvy alternates included, and the smooth flow of the biform shapes when used with the main caps. Clocking in at over 670 characters per font, Spade comes loaded with very comprehensive Latin-based language support and OpenType features up to the hilt.

Dubbel Zout in Dutch means ‘Double Salt’. I admit, it sounds better in Dutch… Dubbel Zout is a kind of licorice which we (in Holland) love! Not many people actually like it, but I know of one addict in Denmark, who eats it by the bagful. Dubbel Zout is a ‘crayon-ish’ font - all caps, different upper and lower glyphs that you can mix and a royal assortment of diacritics. It may be an acquired taste, but once you get used to it, you’re hooked!

Much Ado is a quirky-yet-practical all-caps handwritten font family with just enough subtle variation between uppercase and lowercase letters to keep things interesting. It's pretty great on: Informative infographics Clever indie comics K-Pop cover band posters (and other types of posters) Invitations to cool parties for cool people Eye-catching Instagram posts Sliced bread ...or anything that needs a pinch of fun and a double dose of legibility. Whimsical but supremely readable, Much Ado is imperfectly perfect for both body and headers.

In English folklore (in particular that of Yorkshire and Lancashire), Grindylow is a creature that dwells in rivers and lakes and is said to grab children who come too close to the water’s edge and drown them. It is thought the name Grindylow may be connected to the monster Grendel. Grindylow font does not grab children; it is a rather messy handmade brush font. I used a cheap brush and Chinese ink to create the glyphs. Comes with discretionary double letter ligatures for the lower case.

JUST Sans is a highly versatile sans serif typeface with endearing, modernist warmth, geometric legibility, and a distinctive friendly bite. Designed as a professional modern geometric sans serif, JUST Sans is both serious and friendly, neutral but warmly expressive, technical but not overt, and familiar but unique enough to stand on its own. With open-airy characters and a generous width, JUST Sans has an elegant contemporary feel, with sharp angled terminals that give it grip and make it so expressively endearing. With a clean, simple, and minimal aesthetic, JUST Sans is a functional workhorse with 7 weights, complete Latin extended language support, precise hand-adjusted kerning, and a variable version for maximum versatility. JUST Sans includes hand-hinted web fonts optimized for clear, legible text on screens making JUST Sans perfect for the web as well as logos, branding, headlines, paragraph text, UI, signage, packaging, posters, and industries rooted in technology, new media, architecture, fashion & design. With its universal functionality & characteristic bite, the JUST Sans family is an essential addition to your type arsenal, even if just for those beautiful stylistic numbers. For lovers of modern sans serif fonts who are looking for something a tad more warm, open & expressive, JUST Sans is for you.

Castor is a woodtype and letterpress hybrid based on grotesque letterforms. It’s a vintage decorative bold distressed display with 3 options for each letter; Uppercase, lowercase, and alternates. Castor comes complete with 4 styles plus catchwords, unique ‘catchword dividers’ (horizontal rules), ornaments, as well as a free set of extras! (grunge, dividers and bullets) The catchwords, ornaments, and dividers are designed to compliment the font family giving it a ton of diversity, and the designer unlimited creative options. Opentype features include alternate letters and numbers, double letter ligatures for realism, subscript numbers,and superscript numbers.

The term starboard derives from the Old English steorbord, meaning the side on which the ship is steered. Before the steering wheel, boats were steered by an oar at the stern of the ship. Since most sailors were right handed, this is where you would find your steering oar! Starboard font is a rough, handmade, brushy kinda font. It was, of coarse, made with my favourite cheep brush and Chinese ink - resulting in a slightly eroded looking font. Starboard comes with all the trimmings, including double letter ligatures for the lower case.

Rollanda is a textured signature font. This is stylish signature font with a modern touch. With swift strokes and authentic dry textures, it's an irresistibly charismatic & confident font choice for a range of design projects. Rollanda is perfect for branding projects, homeware designs, product packaging, Signature, Clothing - or simply as a stylish text overlay to any background image. Ligatures are also available for several lowercase characters (double-letters which flow more naturally). These are only accessible via software with opentype capability or a glyphs panel, e.g. Photoshop/Illustrator.

The sheet music for the 1939 tune "Chico's Love Song (Ma-La-Ja Fa-La Pas-Ka Lah-Ta) [Cuban Double Talk]" may have had an odd title, but the main portion of it was hand lettered in an interesting style. Condensed letters with rounded corners complemented by sharp lines and angles give the characters an almost futuristic look, despite the fact that they were designed during the Art Deco era. This became the basis for Song Composer JNL, which is available in both regular and oblique versions.

No: Jethro Bodine didn't design this typeface although, to look at it, you might be tempted to think so. Rather, the pattern was a product of the fertile imagination of famed lettering artist Alf Becker. The lowercase letters are the same as the uppercase, but angled differently so, if you want a randomized appearance, you can activate Contextual Alternates and the font will do the shift-key double-clutching needed. Both versions include the complete Unicode Latin 1252, Central European 1250 and Turkish 1254 character sets, with localization for Moldovan and Romanian.

Reklame Script is a brush typefamily consisting of four weights. It was designed by Hannes von Döhren in 2010. This family is influenced by the handlettering of printed advertisements of the 1940s and 1950s. You can combine the four weights to gain a better emphasis – perfect for headlines, posters, and other display uses. Reklame Script is equipped for professional typography. The OpenType fonts have an extended character set to support Central and Eastern European as well as Western European languages. The fonts also contain double-letter ligatures to prevent repetition.

Chunkie is a simple serif experiment going for minimal width and maximum height. I made it into my display version of OpenType Pro, but mainly it was a vehicle for me to try out some more extreme serif ideas and glyph shapes. The solutions for the lowercase a and e are unique, for example. The double g ligature is a fun solution. I like the solution for the @, but I’m not sure how it will be received. That being said, it turned into a useful dark display face with a small x-height.

Introducing Holla Script Brush Font, a semi-connected, hand-lettered brush font. With its brush-textured charm, Holla is perfect for stationery, branding projects, editorial features, product packaging, and more. Holla includes more than 400 glyphs. It includes multi-language support (for English as well as Western and Central European languages), a full numeral and punctuation set, additional useful symbols, and standard and discretionary ligatures. Includes double letter ligatures for all 26 lowercase letters to add a little interest and contrast in your font and to improve the flow of the letters.

Elowen is my new awesome font family with a handmade calligraphy style, which includes two typefaces: • Elowen - a bold script font with a dancing baseline and some double letter ligatures for a natural look. • Elowen Caps - an excellent companion for Elowen script in cases where a headline needed. Each font from the family supports the following languages: English, French, Italian, Spanish, Portuguese, German, Swedish, Norwegian, Danish, Dutch, Turkish, Polish, Finnish, Romanian, Hungarian, Estonian, Russian (and other languages with cyrillic alphabet) and more. Hope you enjoy the font family, thanks for purchasing and have fun!

Gold Night Is A Natural Brush font. This is stylish brush font with a modern touch. With swift strokes and authentic dry textures, it's an irresistibly charismatic & confident font choice for a range of design projects. Gold Night is perfect for branding projects, homeware designs, product packaging, Signature, Clothing - or simply as a stylish text overlay to any background image. Ligatures are also available for several lowercase characters (double-letters which flow more naturally). These are only accessible via software with opentype capability or a glyphs panel, e.g. Photoshop/Illustrator.

My 9-year old son Sam asks a lot (a LOT!) of questions. Like: ‘what killed the dinosaurs?’ (probably an asteroid), ‘what is the distance to Pluto’ (about 7.5 billion km), ‘how big is space’ (93 billion lightyears - give or take). I am pretty sure he asked me about gravity as well. Gravitational Pull is a messy pencil script font. It comes with a whole bunch of double-letter ligatures and some really wonky glyphs. And no, in its virtual form, this font is not subject to the Earth’s gravitational pull.

Corso is a clean condensed sans serif font family. It comes in upright, slanted and italic, in six weights each. It includes useful typographic features such as fractions, ligatures and case sensitive forms. Also included are double- or single-storey versions of a and g, you can switch via stylistic OpenType sets. Other letters with alternative forms accessible the same way are ß and ampersand. Corso works especially great for larger size uses such as signage, headlines or posters. But that doesn’t mean that it isn’t also useable for short texts.

Letterpress type, crafted by H. Th. Wijdeveld, founding editor and chief designer of the legendary Dutch art and architecture magazine Wendingen, provided the inspiration for this typeface. The original design graced a 1925 issue examining the work of Frank Lloyd Wright, and Wijdeveld created his typeface by assembling bits of standard brass rules. This version features several of the meanders typical of Wijdeveld’s graphic design in the dagger, double dagger, ASCII tilde and ASCII circumflex positions. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

Adelaila is a simple handwritten script font that comes in two styles, brush and monoline. With the Contextual Alternate (OpenType) feature, if you type a word with double letters, as in 'sweet' 'mono' or 'creative', the next duplicate lowercase character will be automatically replaced by an alternate character. This will make the handwritten font appear more natural. Other features: Standard Ligatures Stylistic Set - Ending (ss01) Tabular Figure Discretionary Ligatures to access swash glyphs with combination symbols You will need OpenType-savvy programs such as Illustrator, InDesign, Publisher, Designer, CorelDraw etc. to access OpenType features.

A Tompouce (also know as Tompoes) is a typical Dutch pastry. It consists of a thick layer of pastry cream, sandwiched between two layers of puff pastry. It usually comes with pink icing, except on the king’s birthday, when the icing is orange. Tompouce is also a very nice connected script, with a lot of curly letters, some double letter ligatures and all the diacritics you can throw a pastry at. If it is an elegant, yet fun connected script you’re looking for, well… Tompouce may just be what you need!

A concertina is a kind of musical instrument, not unlike an accordeon. I just liked the name; I have to admit I’m not a particular fan of accordeon music… Concertina is a beautiful handmade script font. A little rough, but elegant as well. It was made with a small Japanese brush pen on coarse paper. Concertina comes with double letter ligatures and end-letter alternates. To access the end-letter alternates, type the letter you want + space (and make sure to tick the ‘ligatures’ box in your OT environment).

Cat Burglar is another off-kilter sans-serif font by Pink Broccoli, this time inspired by the titling of a 1961 Looney Tunes cartoon called "The Pied Piper of Guadalupe". As with some of my previous type designs, it is a typographic drunken stumble, wonderfully and awkwardly stumbling across designs, surprising with each letter typed. With an extensive character set, and offbeat letter weighting, Cat Burglar is fun to typeset with, with a collection of double letter ligatures, as well as discretionary ligature combinations that add to the quirky playfulness.

Stars contains 174 characters; a variety of solid and dimensional star designs with from three to twelve points, pentagrams, sheriff stars, stars of david, outline stars, burst stars and airforce stars. Stars Two contains 174 characters; a variety of five pointed outline stars with centers, star designs composed from various geometric shapes with from three to eight points, jagged stars, quilt stars, outline stars, starfish, arrow stars, burst stars, drop shadow stars, ragged starbursts, double stars and air force stars. Stars Three is a collection of 174 star designs.

Fini. Done. You've just discovered an infinitely useful font that polishes things with youthful and stylish vigor. Fini provides playfulness with double letter ligatures with a twist of friendly sophistication. Fini Things, also designed by illustrator and font designer, Amy Dietrich, is a decorative collection of 26 loopy, spotty repeating border designs and kid oriented icons (like a pea coat, owl hat, hoodie, rubber duckie etc, plus a coffee cup - for mom and dad). Fini Things coordinates with Fini font, and in fact, works very nicely with Merci, and other Atlantic Fonts.

BachelorScript is the preliminary design for GraduateScript, released in june 2013. You can clearly see the resemblance between the two, but while Bachelor is frisky and authentic, Graduate is more polished and staged. GraduateOrnaments was originally designed to complement GraduateScript, but it can be used just as well in combination with BachelorScript. BachelorScript has a casual look and feel and comes in two weights: regular and bold. It offers multiple language support, five numeral styles, real fractions and ligatures for double letters. Various glyphs to mark, underline, circle or cross-out words are also included.

Talbot Type Klamp 105 is an elegant and streamlined, geometric sans-serif. A legible text font, its narrow proportions mean it’s economical with space; while at larger sizes it makes a confident, modern display face. Klamp 105 is available in a comprehensive family of seven weights, featuring an extended character set to include old style numerals, as well as accented characters for Central European languages. It is also available with some character variations as Klamp 205, most notably featuring a traditional, double-storey lower case a and g.

Inspired from the letterpress achieve and printed media from the 19th century. We talk about headlines, labels, playing cards, postcards, book covers, signs, and many more. That's where the DECKPRESS has risen. An old vibes all-caps fonts, armored with the robust yet decorative ornamental slab-serif style. Double up the majestic, it comes with the layered style to give an amplification back to the vintage era. It is an inevitable partner for your classical heritage touch of visuals such as signage, logotype, sign painting, label, header, ornamental typographic design, you name it, old sports.

Vegetability: “The quality or state of being vegetable”. Yes, I know: it’s kinda weird, but I quite like the name of this font! I am trying to become a vegetarian (I am a ‘flexitarian’ right now) and I was trying to find a good veggie recipe for dinner, when this name crossed my mind. Vegetability is a handwritten font with a dash of roughness, a splash of attitude and a pinch of class. Comes with a whole bunch of diacritics and double letter ligatures for the lower case letters.

Ah, so you've noticed a typo! Mayonnaise - the sauce, is written with double 'n'! I know. This font was named after a Smashing Pumpkins song that I like very much. Mayonaise is a bit of an ugly duckling. It is strange, open and messy, and might not be love at first sight. BUT, when you spend some time with Mayonaise and get to know her, you might actually fall in love. Just like that song I mentioned earlier. Go on then, give it a try! At this price, you can't go wrong!

Jus Hangin was inspired by the lettering on the cover of the 1999 Counting Crows album, “This Desert Life”. It was one of those child-like lettering styles that was just begging to be fleshed out and made into a typeface that was as wild and carefree as the lettering inspiration. With an open spacing format, and an exuberant baseline bounce, Jus Hangin is fun to typeset with, while alternates and double letter ligatures keep things from getting repetitive. You’ll find Jus Hangin is ready and waiting to announce your festivities.

Gold Spur is a spurred version of the FontMesa Gold Rush set of fonts. Each version includes many extended characters for Western, Central and Eastern European countries. The Gold Spur Trail OpenType version has alternate double letter pairs included in the font and will automatically be substituted when used in Adobe CS products or other software that takes advantage of OpenType features. The $20.67 price of each font reflects the price of an ounce of gold in 1865 which was the year that the original Gold Rush font was created.

HERENGRACHT (Patricians' Canal or Lord’s Canal) is the first of the three major canals in the city centre of Amsterdam. The canal is named after the heren regeerders who governed the city in the 16th and 17th century. The most fashionable part is called the Golden Bend, with many double wide mansions, inner gardens and coach houses on Keizersgracht. Former bureau of André Toet (SO)Design was situated there for over 32 years, it was about time to name one of our fonts to: HERENGRACHT. Concept/Art Direction/Design: André Toet © 2017