Nanomaton is a thin modern minimalist sans serif display font, with a lot of geometric shape and a bit of futuristic scifi flair. This typeface is versatile enough to be applied to multi-purpose projects. Nanomaton emphasize on clean, clarity and minimalism.

Flabioga may look like your every day stencil font - but it's not. It contains two sets of letters, one for uppercase and one for lowercase + ligatures for double letters and numbers! You will need to use OpenType supporting applications to use the autoligatures.

A late nineteenth-century type specimen catalog from Farmer, Little & Co. yielded this droll little typeface, originally called "Arbor". The distinctive decorations of the face suggested a fool's cap, and thus the font got its current name. And don't call me Surely.

Slightly erratic straight up brush tip handwriting script that was written with an ‘intoxicated’ hand, with a lot of very unique characters as a result. The overall font looks wild yet very readable. It includes all eastern European, Baltic, Scandinavian and Turkish characters.

Ever wanted to be embraced by garlic? Probably not! But this font could surely embrace your designs that need an authentic brush look! Comes with 7 contextual alternates that automatically cycles as you type! Also, Garlic Embrace is FULL of accented letters! :)

Kato is a handwritten mostly-joining script with long, but not overly long ascenders and descenders, that make it a very elegant font. Scanned and finished carefully by hand on screen, with that little bit of extra effort to keep the "rough" touch.

Whitbury is a modern calligraphy script font with thin upstrokes and super heavy downstrokes. It has lots of fun ligatures! It's fun to use for quotes and headlines, and logos and branding projects. It's casual, playful, and full of eye grabbing attitude.

A reasonably accurate rendering of an old favorite font from Victorian times. Quite readable in lowercase, and very eye-catching in all-caps. We got the proof for this in London many years ago, but neglected to learn the name. Zorro sounds good.

Designed in 2011 by Olivier Gourvat, this font family has generous proportions with a range of weights make it a versatile family for print, text, signage, branding and web design work. Kyrial Sans Pro offers lots of OpenType goodness and broad language support.

Never let it be said that a good pun and a good font name can't work well together. The vintage sheet music for a 1920s-era song called "King Tut" (not to be confused with the novelty tune by comedian Steve Martin) presented an oddly-interesting block font which is now available in digital form as Type Uncommon JNL. The pun derives from the font's name of "Type Uncommon", which is similar in sound to King Tut's full name (which is Tutankhaten).

A new font in the style of a dot matrix/needle-printer. I have used some slightly smaller dots when designing the diacritics - this makes them easier to separate from the main letters. I have also used variable letter widths (and kerning), as opposed to the technology's original monospaced design - this to make the text more readable. Matrise Text Pro features a more "oldstyle" look with spurs and notches, while Matrise Pro has a more modern/streamlined design. ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

A new font in the style of a dot matrix/needle-printer. I have used some slightly smaller dots when designing the diacritics - this makes them easier to separate from the main letters. I have also used variable letter widths (and kerning), as opposed to the technology's original monospaced design - this to make the text more readable. Matrise Pro has a more modern/streamlined design, while Matrise Text Pro features a more "oldstyle" look with spurs and notches... ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

Lamiran is a Distorted Wavy Font . You're not going to write a novel with this font, I will tell you that but... if you want something seriously psychedelic thats part art and part font, then this is the font for you. Using it sparingly to mix and match with a clean sans serif or go all out for a good time. Thanks, Have a wonderful Day. Ragamkata

This pretty font is called hello Valentine. This font is very easy to use, and to bring out a pretty tail is not difficult because there are guides included. This font is perfect for expressing your happiness with your partner. This font is very beautiful and elegant that can be used for Valentine's Day, weddings, capturing romantic stories, quotes, branding, logos, banners, and more.

S.A.M (Super Active Matrix) combines the big, bright and bold with the microscopic and mathematically precise. Inspired by old science fiction films and new technologies, S.A.M merges the rigid constraints of display mechanics with the free-flowing curves of neon signs. This font is great for a classic sci-fi look – perfect for headlines/logotype. S.A.M also works for blocks of text, unlike some other display fonts. The matrix exists to bring order to an idea – it tames the free-flowing curves of neon signage into a repeatable structure while maintaining a retro aesthetic. Each character, glyph or symbol is drawn on a bitmap grid, merged with a dot matrix to round off the edges.

An innovative combination between Persian Nastaliq calligraphy and Bannai script. Beshkasteh is designed so that the letters are attached to each other while going up the baseline. In result it creates an experience of typing a Kufic Bannai script like it is a Nastaliq or Tahriri calligraphic font. This inventive approach to Persian And Arabic calligraphy scripts is what a creative designer wants for his artistic projects. Shahab Siavash, the designer has done more than 30 fonts and got featured on Behance, Microsoft, McGill University research website, Hackernoon, Fontself, FontsInUse,... Astaneh text and headline font which is one of his latest designs, already got professional typographers, lay-out and book designers' attention as well as some of the most recognizable publications in Arabic/Persian communities.

Usually fonts that are related to computers, space, future are not handmade, but rather digital made. Autoray is 100% handmade, and I am not sure which category it fits in. It has this futuristic and intergalactic look, but at the same time the handmade details are pointing in a more grafitti and comic way. I will let you decide where to go with Autoray! I have added 5 different versions of each letter, and they automatically changes as you type - and of course, there's multilingual support - and even intergalactic gravity! :)

Twirrewyn is Frisian for ‘Whirlwind’. I have always liked the Frisian language; it’s like a crossover between English and Dutch. When I studied journalism in Zwolle (a city close to Fryslân) there were a lot of Frisian students and I did pick up a few words! Twirrewyn is a handmade font family: the fat version was made using a brush and ink; the light version was made using that same ink, but with a broken satay skewer instead of a brush. And yes, you have guessed right, we eat a lot of Satay! ;-)

Spekulatus is a made up name, and that was what I needed for a font like this. I am not sure which category it fits in: grunge, square, handmade, rough or maybe even graffiti? Well, let's just say that it fits in all 5 - or perhaps even more? All letters are handdrawn, and messed up a bit with a thin fine white liner, leaving a gentle grungy and worn effect. I've added 5 different versions of each letter, which is quite nice - not having the same letters repeating all the time!

So y'think youse gonna whack me, huh? Y'think that font o' yours is packin' enough heat to finish me off? Huh? Is that what youse is thinkin'? Well go ahead, but if y'whack me then every two bit hood in Alphabet City is gonna hunt youse down and kern youse like the rat you are! So go ahead, show them you're the Big Boss, the Kingpin of Crime, the Godfather... but you won't see me beggin' for my life, 'cause I got pride, see? I got --RATATATATATATTATATATATTATAT... Ahhh... fuggedaboutit!!

Nvma is based on Roman letterforms which appeared during the period from the earliest extant examples in the sixth or seventh century BC until the end of the third century BC. For Nvma the J, U and W had to be fantasies as they did not exist until much later, similar to the G, numerals and other non-alphabetic signs in the font. Thus not all of the archaic forms are represented in Nvma. Nvma was designed to work with Magma, as it matches the weights and heights for Magma Thin and Magma Titling Thin.

ZIGZAG is a funny font family whose letters have four varieties each in order to multiply expressions and attract the eye by breaking the rhythm of reading. There are two styles available Rounded and Not Rounded. The variations oscillate between a hand-drawn design and a geometric or imaginative drawing. Opentype’s function lets you choose between different variations of each glyph and contextual variables allow to mix the styles. Benoît Bodhuin designed ZIGZAG Rounded in 2011/12 for the theatre Vivat. In 2013 ZIGZAG Rounded was supplemented by ZIGZAG Not Rounded.

Mackenzie is an elegant new font, made especially for those of you who need a touch of elegance to design your next project with perfect and amazing results. Mackenzie is equipped with lines that are perfect for use for various purposes. Such as titles, signatures, logos, correspondence, wedding invitations, letterhead, sign boards, labels, bulletins, posters, badges, Branding, Greeting Cards, etc. So beautiful on invitations like greeting cards, and more !! Mackenzie includes alternative glyphs and stirs beautifully in fonts including set styles, ligatures etc. The OpenType feature can be accessed by using OpenType savvy programs such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7 and Microsoft Word. And this font has provided a unicode PUA (special code font). so all alternative characters can be easily accessed in full by craftsmen or designers. If you do not have a program that supports OpenType features such as Adobe Illustrator and CorelDraw X Version, you can access all alternative glyphs using Font Book (Mac) or Character Map (Windows). If you have questions, don't hesitate to contact me via Cooldesignlab@gmail.com Thank you and love to design :-)

The Quarantinus font was created during the 2020 covid 19 lock-down. Tranquility being all around, the JOEBOB graphics studio almost felt like a monastery, and as a result my style of writing and my choice of pen had to fit. All this writing was turned into an authentic handwritten script font with over 150 ligatures, which make it look very credible and spontaneous. The font is especially suitable for personalized 'handwritten' notes, cards and messages. It can be used on T-shirts and on shop-windows. It has an 'instant logo' quality, it can be used for tattoo-designs and it screams home-made everything. And in case you are a writer you now have an option to print your work in a way that seems as if you wrote it yourself. Please note that even though the font comes with a complete set of Western characters, accents and special signs, the Cyrillic and Greek characters that are in the font do not make a complete set.

Designed at Polygraphmash type design bureau in 1951-52 by Vera Chiminova, Isay Slutsker, et al. Based on Candida of Ludwig&Mayer, 1936, by Jakob Erbar. This typeface has the characteristics of slab-serif, but serifs are much thinner. The capitals are of generous width, x-height is large. Good legibility in small sizes makes this typeface useful in newspaper and magazine typography, while strong character shapes provide for pleasant display lines. The digital version in 3 weights was designed at Polygraphmash by Alexander Tarbeev in 1988. Small capitals, additional Bold, Extra Bold, and Extra Condensed styles were developed by Manvel Shmavonyan and released by ParaType in 2008.

Revival 565 is the Bitstream version of type Berling. The face was created by Karl-Erik Forsberg for the Swedish Berling foundry in 1951, with other weights added in 1958. The design is an old style roman, particularly useful for books, journals, and other text applications. Despite the fact that it has higher contrast than most old style typefaces, Berling has the classic features of old style romans with its small x-height, and ascenders that exceed the height of the capital letters. Berling is good for text settings as well as display work. Cyrillic version was developed for ParaType by Manvel Shmavonyan in 2008.

»XPress-Rounded« is my new addition to »XPress«, my Sans-Serif that impresses – especially in small sizes – with its outstanding readability. »XPress-Rounded« looks very different, almost like a completely new font. But the rounded version has the same seven precisely calibrated weights from »Thin« to »Heavy« and its corresponding italics make this font-family universally usable. The »XPress« fonts got their bearings from the fabulous American »Gothic« fonts of the twenties of last century. Modern, present day elements, high lowercase letters and infinitesimal elegant slight curves in start- and end strokes make the font family not only great for body copy, but also very useful in advertising. Enjoy! »XPress-Rounded« ist meine neue Erweiterung zur »XPress« Familie, die durch aussergewöhnliche Lesbarkeit auffällt. »XPress-Rounded« sieht jedoch vollkommen anders aus als sein älterer Bruder. »XPress-Rounded« hat jedoch die selben sieben präzise aufeinander abgestimmten Schnitte von »Thin« bis »Heavy« und die dazu passenden Kursiven. Das macht die Schriftfamilie vielseitig einsatzfähig. Die »XPress« Schriften basieren auf der Formensprache der grossen amerikanischen Groteskschriften der zwanziger Jahre des letzten Jahrhunderts. Durch moderne Formelemente, große Mittellängen und unendlich leichte, elegante An- und Abstriche ist die Schrift jedoch nicht nur als Textschrift, sondern auch im gesamten Bereich der Werbung vielseitig einsetzbar. Viel Erfolg!

Webdings™ is a symbol font designed in 1997 as a response to the need of Web designers for a fast and easy method of incorporating graphics in their pages. Webdings contains a wide variety of Web-related images of the kind found in common use across the Web, as well as some more unusual drawings. User Interface icons suitable for creating page navigation elements are also included. Webdings is ideal for enriching the appearance of a Web page. Because it is a font, it can be installed on the user's system, (or embedded in the document itself) is fully scaleable and quick to render. It's a perfect way of including graphics on your site without making users wait for lots of graphic files to download. Each Webding has been fine-tuned to ensure high quality and clarity on the screen, regardless of the complexity of the individual symbol. Character Set: Picture/Symbol This version of Webdings is the licensable equivalent to the font versions coming preinstalled with Microsoft Windows® since version 8. It is identical regarding font name, language coverage and other font behaviour and is perfect for document exchange with machines that are not running the Windows® operating system.

Gresic is a modern sans serif font, which is very bold, and contrasting, a font with this style is being sought after on the planet for modern design needs such as logo design, application design, website, social media, and others. Why not try Gresic Modern Font today? It comes in uppercase, lowercase, punctuation, and numbers; no more worrying about anything else.

Introducing the Bornia Sans Serif Modern Minimal Font Family – a typeface that exudes sophistication and simplicity. This is a font that exudes a contemporary feel and minimalist look that is sure to captivate your audience. With a variety of bold, Light-to-black variants, this font provides a lot of flexibility in use, giving your designs extra charm and appeal.

Introducing Balpoine! a wonderful Handwritten, monoline font display. made with a unique and high curve style that makes it look different Balpoine is an eye-catching, and clean handwritten font. balpoine comes with an accent language and ligatures. This font is suitable for handwriting logos, Wedding invitation cards, T-shirts, merchandise, quotes, social media posts, advertising, and a lot more!

Royal Blossom belongs to my extended family of blackletter fonts that are derived from the famous Royal Bavarian Fraktur. Ayres Royal and Monkeytails also belong to this elaborate set of blackletter fonts; that's why I now offer the lot for an exceptional price. All fonts can be mixed and used together. Your type designer with a crunch for history, Gert Wiescher.

A Little of Love is a handwritten font duo that includes lots of cute dingbats to decorate quotes, social media posts, greeting cards, etc. Make combinations between the uppercase sans and the script and design beautiful projects! Includes - A Little of Love Font: a combination of a sans and a script font - A Little of Love Dingbats: 80 cute illustrations

Hello! Introducing a Slab Serif font family named Practish. It's a typefaces set that includes 7 weight variations from Bold to Thin. This font has a strict classic shape and diverce characters thickness makes it useful in lots of cases at any sizes, from visit card to billboard. Practish font family has also a multilingual support of west european languages and 13 ligatures.

TS Kirt - variable sans-serif typeface with narrowed proportions. The font is suitable for titles, packaging, printing, websites, infographics, and advertising. The TS Kirt font family consists of 6 faces and as well as a variable version. The advantage of the font - the same width character in any style. When switching the face, the length of the line will not change.

I first wanted to call this family Crowbone, after Olaf Tryggvason, the legendary Viking king from Norway. Somehow I changed my mind and went for Crowfeather, because this is not a Viking font and the name ‘felt’ better. Crowfeather is a family of two distinct fonts: a classic Serif and an old school script font. They work really well together!

This font took a long time to create, because we spent a lot of time thinking about how to produce an original and real-looking signature font. As a result, we created Masculin! This real signature font is a clean script and has unique character! It's perfect for logos, name cards, magazine layouts, invitations, headers, or even large-scale artwork.

Valentine Moon is a unique and beautiful font. This font is decorated with natural letters and is very unique. Not only that, the decorations on the letters are also specially designed so that they are very easy to use. This font is perfect for Valentine's, weddings, invitations, birthdays, promotions, promotions on social media, product promotion, beauty, logos, branding, banners, posters, typography.

Hakan is an modern display font with an Arabian look. This font particularly for those not native to Arabic languages. Hakan try to bring back the Baghdad and Alladin memories to your design or typography. The font suits creative titling on both web and print, perfect for scroll text. Well balanced letters make for readable blocks of copy or headings.

More information about this Font Introducing “Brick 3D esport Font” This font can be used for any variety purpose, such as: Logo, Esport Logo, Band Logo, Championship Logo, Military Logo and Clothing FEATURES : uppercase lowercase symbol & number All images on the demo is just for preview purpose only, not included on the file! FILES INCLUDE : TTF OTF Hope you love it Thank you!