Welcome to the world of Divulge—a modern grotesque that echoes the refined beauty of nineteenth and early twentieth-century sans-serif metal type. With its austere and nuanced voice, Divulge exudes an old-fashioned charm that feels both familiar and fresh. In a world of cookie-cutter fonts, Divulge is a standout. Its idiosyncrasies are generously peppered throughout, giving your message a unique and memorable character. But fear not—these quirks are not distracting. Rather, they add just the right touch of personality without overwhelming your reader. Divulge comes in three weights—light, regular, and bold—and two widths, allowing you to choose the perfect style for your message. And if you really want to make a statement, the elegant italics add a touch of class and sophistication. So whether you’re crafting a classic, old-fashioned design or looking to add warmth and personality to a modern project, Divulge has you covered. Try it out today and see how it elevates your message to new heights. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

In a world full of conventional typefaces, Tussilago stands out with its sturdy and extended sans-serif design that defies standard geometric models. This mid-twentieth-century typeface exudes a distinct personality that speaks volumes through its wide letterforms and unique details. Tussilago’s robust letterforms offer a cool-headed but unabashed voice of power that can elevate any message. Whether you’re designing a poster, a logo, or a website, Tussilago’s seven weights and italics will provide you with the perfect blend of sophistication and modernity. But that’s not all. Tussilago’s versatility is evident in its offering of two numeral options—lowercase (old-style) or lining—for each weight and style. This feature makes Tussilago an excellent choice for any project where numbers play a crucial role. With Tussilago, you’re not just choosing a typeface; you’re choosing a design that speaks to your audience with an erudite voice. So, whether you want to make a bold statement or convey a subtle message, Tussilago is the perfect choice for designers who want to stand out from the crowd. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Carbon, the brutalist unicase typeface, boasts a refined modularity that is perfect for creating bold headlines. Its capsule forms make for a unique design element that will draw attention to any layout. Since the year 2000, graphic designers have been relying on Carbon to bring a strong visual impact to their work. This typeface is not just visually stunning, but it’s also highly versatile. Carbon comes in seven different weights, making it easy to adapt to any design need. It even includes italics for added variety. But what truly sets Carbon apart are the two special effect styles that allow designers to create truly distinctive designs. Carbon is not just a typeface, but a tool that designers can use to create memorable designs. Whether you’re designing for print or digital media, Carbon is the perfect choice for bringing your vision to life. With its unique features and versatility, it’s no wonder that Carbon has been a mainstay in graphic designers’ toolboxes for decades. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Get ready to burn rubber with Heavy Heap—the ultimate typeface for fans of hot-rod culture and high-speed thrills! This groovy psychedelic typeface is on fire, with a scorching look that’s sure to turn heads. With three sizzling weights to choose from, you can customize your typography to match your project’s intensity level. And with blistering mathematical symbols, torrid OpenType fractions, and a range of searing hot currency symbols, Heavy Heap is ready to take on any design challenge. But this headliner is more than just a pretty face—it’s a powerhouse of design options. It looks outstanding when used with warp and envelope effects, allowing you to create dynamic, eye-catching layouts that really pop. And with its bold, energetic style, Heavy Heap is perfect for any project that needs a little extra heat. From posters to flyers, from logos to website headers, this font is the ultimate choice for anyone who wants to make a brave statement. So rev up your engines and get ready to hit the road—with Heavy Heap, you’ll be riding in style! Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Marianas is a typeface that demands attention. With its militaristic, industrial-looking Art Deco design, it’s a force to be reckoned with. It’s the typeface you choose when you want to convey strength and power. But it’s not just its aesthetics that make Marianas stand out. This font has a history, a purpose. It was first recruited for a video game about the Pacific Air War, where it proved to be the perfect choice for conveying the bold, fearless attitude of the game’s characters. Marianas is a hybrid of two distinct styles—the suave elegance of the 1920s and the serious, mechanical precision of the 1940s. So if you want to make a statement, if you want to stand out from the crowd, choose Marianas. It’s a typeface that’s not for the faint of heart, but for those who are bold enough to embrace the power of design. Most Latin-based European, and some Cyrillic-based writing systems are supported, including the following languages. A Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Bulgarian, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Komi-Permyak, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Macedonian, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Russian, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Hey guys, I'm really excited to introduce The Wayfaring Font Duo! A hand-painted set of fonts designed to add a rustic and whimsical charm to your design projects. It's rough around the edges and not without imperfections - but aren't we all? With distinctive bold & playful brush strokes, The Wayfaring Font Duo is ideal for your logo designs, product packaging, wedding designs, book covers, social media posts, merchandise & more. The awesome thing about this typeface duo is that it's so easy to mix up the various font styles and create totally unique, hand-made looking words each time. Not only are there 2 sets of upper & lowercase characters, there is also a unique 'all-caps' version - which not only looks great as a supporting font, but can also be combined with the regular Wayfaring font to give you even more layout options. I'm serious! Just throw a small-caps character in the middle of a word, it's really fun to play around with.

A classical 20-th century's (1900s to 1980s) typewriter font for both text and large display usage, titles, signage... A new thicker version of Selectric (2016), as if typed using not a thin carbon ribbon but a coarse fabric one. Both are available on a different models of Selectrics. Made after rare enough samples of the same style used during 1980s in the USSR. Based on the actual letter proportions of the original typewriter Selectric (2016) (Cyrillic ball). This time not monospaced as before, but proportional. The single known so far previous typewriter vector typeface with this 'ink blotting' effect (similarly expanded serifs) as in Dodo (2008) is ITC American Typewriter (1974; by Joel Kaden and Tony Stan) and all its hand drawn analogs from 1980s (and perhaps before). Which, in turn, is resembling ATF Bulletin Typewriter's (1925, 1933; by Morris Fuller Benton) overall proportions, geometry, and even had some natural ink expands in its paper sample (but not by design, as I see it).

You need traditional christmas symbols to illustrate your text? How about using these historic designs that had been used in good old typography. xmas is not too far and always comes in winter time. Happy Xmas.

Say hello to my multi-layered handmade sans font - not as frisky as the name, but frisky enough for most designs that needs that extra twist! Mix the 3 layers as you wish for great results!

Sveva Versal is a light swinging art nouveau caps only headliner, with swash like alternates and lots of special combinations. It's well suited to set a short and fancy block or line of text. PDF Specimen

This font is not a historical one. Although to make it was quite time-consuming (each glyph was hand-drawn separately, except for the ligatures), this cartoon or comics style font is just made for fun.

The sight refracted through glass is mysterious. The san serif font was designed to look like it is visible through glass. Try using beautiful fonts. I put a lot of effort into each and every letter.

This display typeface is a little bit of scary and a whole lot of fun. Each character represents a little hairy monster of its own. It's sure to be a welcomed member to your font collection.

Hard core street scrawl, for tough graffiti urban hood, laid back and tough, lots of attitude and tons of muscle, for automotive, motorcycles, urban settings and back alleys. Gives your designs some serious five o'clock shadow.

High-quality type design. Originally designed for headline / logo use. A lot of high-quality glyphs designs in this one so be sure to view the specimen PDF as well as the glyph page. Enjoy. - Kostelansky

Plowright is a new font based on hand lettering from the 1880s. It's a great example of the style we often associate with signmaking in the old west, with a lot of quirks and original character.

M Marker is a humanistic script design characterised by its italic, modern, box marker pen-like style. M Marker incorporates features of carton box marker pen, its strokes beginning and ending are rough, parallel without flare. Contrast of strokes is high. Its extra bold stems (豎) make it suitable for large display text to catch attention. Crossbars (橫) and stems (豎) are straight but slanted while angles (折) are smooth and well rounded. Dots (點), ticks (剔), hooks (勾) and downstrokes (撇、捺) are irregular, smooth and long to create softness, liveliness. It is best suited for casual and lively display, illustrations, set upright (naturally slanted), non-condensed.

Pexico is a pixel typeface that uses 10 by 14 grid (capital letter) in 8 styles: 4 basic styles for text setting — Regular, Bold, Narrow, and Mono and 4 stylistic variations of the Regular style for display setting — Outline, Dots, Round, and Inverse. It fits the display's pixel grid when used at 20pt size or its multiples. Pexico supports Latin, Cyrillic, and Greek Monotonic scripts, all with thoroughly designed diacritics. Moreover, Pexico makes use of advanced OpenType features, just as any other modern text typeface. Each style also has 9 sets of numbers, small capitals and is properly kerned. For more information go to Urtd.

The concept of M Elle comes from M Hei and M Yuen, with a sense of contemporary graphic design, aims to accomplish a refreshing, harmonious balance of softness and toughness. The combination of regular crossbars (橫) and stems (豎), rounded hooks (勾) and angles (折), as well as dots (點), ticks (剔) and downstrokes (撇、捺) that are ended sharply, makes it a classy but contemporary, clean and affectionate typeface. The font family consists of 3 essential weights to cater for different needs. Xbold appears elegant and magnificent, Medium weight is practical and affectionate, while the Light style is especially clear, legible and flexible in use.

Introducing, Pearlone (Read : Pearl One), a stylish stencil serif! Pearlone is a stylish and modern stencil serif that will make your project more elegant and appeal. This font called Pearl-one, because the dot in some characters inspired by the beautiful pearl. This font comes with regular and bold style that have a contrast look. You don't one to use the pearl version? Don't worry, it comes also in regular form. You can access the regular form with uppercase, and the special one from lowercase. You can use this font for any purposes, such as a branding logo, poster, or even editorial! This font also support multi language. Happy Designing!

Like its feline namesake from Kipling’s “Jungle Book”, Baghira has an elegant, smooth appearance and an impressive set of large, sharp teeth. With smoothly drawn curves, precisely placed corners, and rectangular dots, Baghira is a design rooted in the here and now. Its true italics gently allude to calligraphic roots, but overall, Baghira doesn’t follow any historical model. This cool cat sets his own standards. Designed by Christian Gruber & Moritz Kleinsorge, the Baghira font family consists of 8 fonts, with 4 weights ranging from Regular to Bold. Its character set contains 800 characters per style and is suited to quality typography in editorial design, corporate design and advertising.

Superba Pro is a condensed Egyptian font family with short ascenders and descenders. The dots on the lowercase ‘i’ and the German umlaut-vowels are square. Haas Type Foundry created the original Superba in 1928-1930. Steve Jackaman (ITF) designed and produced a digital version of the bold weight in 1992. In 2017, Jackaman completely redrew the bold weight, added an accompanying wide weight, and expanded the glyph set to support Central and Eastern European languages. Like other slab serif faces, Superba excels at display sizes and is comfortable at subhead sizes. ­ It is robust, and has “superb” legibility, allowing it to dominate attention in any project it is utilized in.

Jali is a humanist sans serif typeface particularly suited for wayfinding. Jali comes in versions that support Arabic, Greek, and Latin. The name ‘Jali’ means clear in the Arabic language. The design of Jali reflects the ethos of its name. The combination of low-contrast strokes, ample counters, dots, and distinguishable marks make Jali a versatile typeface. With its humanistic voice and clear letterforms, Jali aims at offering a warm and efficient reading experience. Similar to other wayfinding type families, Jali is also well suited for demanding typographic environments. Jali has received two renowned awards: TDC Certificate in Typographic Excellence and Granshan’s 1st Prize, Arabic & Latin Category in 2019.

M Marker is a humanistic script design characterised by its italic, modern, box marker pen-like style. M Marker incorporates features of carton box marker pen, its strokes beginning and ending are rough, parallel without flare. Contrast of strokes is high. Its extra bold stems (豎) make it suitable for large display text to catch attention. Crossbars (橫) and stems (豎) are straight but slanted while angles (折) are smooth and well rounded. Dots (點), ticks (剔), hooks (勾) and downstrokes (撇、捺) are irregular, smooth and long to create softness, liveliness. It is best suited for casual and lively display, illustrations, set upright (naturally slanted), non-condensed.

We have transformed the “99 names of ALLAH” into a font. That means each key on your keyboard represents 1 of the 99 names of ALLAH Aaza Wajal. The fonts work with both the English and Arabic Keyboards. We call this Calligraphy "Spiral" because of the spiral like design. The first "Alef" has a "hamzit wasel", this indicates that you can pronounce the names both ways, "AR-RAHMAAN" or "R-RAHMAN". (in the zip file you will find a pdf file explaining the differences in the "harakat", pronunciation and spelling according to the Holy Quran). The "Ye" doesn't have 2 dots at the end of a name, instead we chose to include a small "ye" on the letter "ye". Also, we used the traditional "soukoun" instead of the Quranic "soukoun". Decorative letters used in this calligraphy: "Mim, Aain, Sin, HHe, He, Kaf, Alef & Ye". Purpose & use: - Writers: Highlight the names in your texts in beautiful Islamic calligraphy. - Editors: Use with kinetic typography templates (AE) & editing software. - Designers: The very small details in the names does not affect the quality. Rest assured it is flawless. The MOST IMPORTANT THING about this list is that all the names are 100% ERROR FREE, and you can USE THEM WITH YOUR EYES CLOSED. All the “Tachkilat” are 100% ERROR FREE, all the "Spelling" is 100% ERROR FREE, and they all have been written in accordance with the Holy Quran. No names are missing and no names are duplicated. The list is complete "99 names +1". The +1 is the name “ALLAH” 'Aza wajal. Another important thing is how we use the decorative letters. In every font you will see small decorative letters, these letters are used only in accordance with their respective letters to indicate pronunciation & we don't include them randomly. That means "mim" on top or below the letter "mim", "sin" on top or below the letter "sin", and so on and so forth. Included: Pdf file telling you which key is associated with which name. In that same file we have included the transliteration and explication of all 99 names. Pdf file explaining the differences in the harakat and pronunciation according to the Holy Quran. --------------------------------------------------------------------------------------------------------------------------- Here is a link to all the extra files you will need: https://drive.google.com/drive/folders/1Xj2Q8hhmfKD7stY6RILhKPiPfePpI9U4?usp=sharing ---------------------------------------------------------------------------------------------------------------------------

3 robbers is not a typeface family, only a collective name for three typefaces with the looks of handtexted characters: Kasper, Jesper and Jonatan. There are some common traits between them, but they are three individuals. As the three terrible" robbers in the Swedish writer Lennart Hellsing's Kamomillastad - the ones who borrowed their names to the typefaces - are three individuals. They always appear in the same order: first Kasper, then Jesper and last Jonatan. Swedish children love to sing about them and are not at all scared of them. All three robbers were released in 1995.

Harlan is from another place and time. But not just one specific place or time– with its barely-there, knife's-edge serifs, and its smooth curves and flourishes, Harlan feels both vintage and modern; both feminine and masculine. Inspired by the Baltimore bar "WC Harlan", which in turn was inspired by the old candle-lit bars of France, the tucked-away osterias of Italy, and the antique books and journals one might find in a patron's hand. It's a font you'll reach for when you're looking for something refined and elegant, but not too stylized or stuffy.

Mixed designs of Futura and Bodoni (Fudonis) are quite popular. Apart from being contemporary, such fonts provide excellent readability. However, most of the existing 'mixtures' were not good enough in terms of balance for P. Kraft. He was finally inspired by a noticeable 'mixture' in a Japanese fashion magazine. His intention was not to combine two existing fonts but to design a completely new typeface: Bohemian - named after the well-known Japanese fashion style in Shibuya/Tokyo - the Bohemian Style.Bohemian and Parametra can be mixed perfectly since their proportions and dimensions are the same.Bohemian was designed for the URW++ FontForum.

After Yaddasht handwriting fonts, which provided a child-like, fantasy and simple Persian/Arabic handwritten style, now it is the time for the big brother! Yadgar [means Monument] also supports Persian, Arabic and basic Latin. This font brings a full diacritics set with itself. A young smooth handwriting typeface. Shahab Siavash, the designer has done more than 30 fonts and got featured on Behance, Microsoft, McGill University research website, Hackernoon, Fontself, FontsInUse,... Astaneh, Hezareh, Yaddasht,... text, headline, handwrting fonts, already got professional typographers, lay-out and book designers' attention as well as some of the most recognizable publications in Arabic/Persian communities.

Originally I called this font YearInYearOutYoureInUrine, but I was told that that name was too long and maybe not in good taste. I settled for WaterCloset when it was first released, but then renamed it with a more appropriate title. It is caps only but the letters on the lower-case keys differ from those on the upper-case keys. It comes with a large assortment of accented letters to support most European languages. Although you certainly would not want to use it for formal invitations, when bad taste is called for, it might be ideal.

Born into a world of serif fonts, where beautiful styling and script-like italics abound, Alexandar has neither. His appearance is, dare we say it, Spartan. Alexandar’s styling is minimal, it is stark—with uniform strokes and a high x-height. Alexandar’s goal is to conquer the world of legibility—to be readable in even 4 point text. We think he has succeeded and we are prepared to proclaim him The World’s Most Legible Serif Font. Of course, you may not want your clients to be able to read the small print—in that case, Alexandar is not for you!

3 robbers is not a typeface family, only a collective name for three typefaces with the looks of handtexted characters: Kasper, Jesper and Jonatan. There are some common traits between them, but they are three individuals. As the three terrible" robbers in the Swedish writer Lennart Hellsing's Kamomillastad - the ones who borrowed their names to the typefaces - are three individuals. They always appear in the same order: first Kasper, then Jesper and last Jonatan. Swedish children love to sing about them and are not at all scared of them. All three robbers were released in 1995.

Introducing Felek - hand-drawn sans serif font with a lot of character. Playful, bouncy & cute. Perfect for creating logos, greeting cards, posters, packaging and so much more! Suitable also for longer paragraphs, for example in children's books. Its charming and warm character will help you give your project a truly unique feel. Designed and kerned with care and love to make using it a breeze. What you will get - a hand-drawn font with lots of stylistic alternates and ligatures - a dingbat font with 53 illustrations and icons - multilingual support with accented characters for international designers Happy creating!

Aurisha - Handwritten Font is an brush script font based on the expression of real handwriting, lets you transform type into an exciting and beautiful piece of work. Hand-lettered look adds a real human touch to things and comes along with a lot of loving details. Aurisha- Handwritten Font has lots of alternates that gives you possibility to build your text almost like handwriting with all the charming imperfections and variations that a real handwriting has. Aurisha will work perfectly for fashion, e-commerce brands, trend blogs, wedding boutiques or any business that wants to appear upscale