Chick Chack is a Playful Craft font that will make your designs look unique and fun. It’s perfect for labels, quotes, posters, DIY projects, branding, packaging, greeting cards, websites, photos, photography overlays, signs, window art, scrapbooking, tags and so much more!

Navine is a rectangular sans serif typeface with 3 widths, each with 9 uprights, and the corresponding italics. Navine is crafted with powerful OpenType features, alternate glyphs, kerning pairs, superiors, inferiors, and much more. Navine blends beautifully into your creative designs.

Swansbury, Inc. provides handwriting instruction to all ages, accompanied by two exemplar fonts, Barchowsky Fluent Hand.otf and Barchowsky Dot.otf. The basis for the design of the characters is the italic of the Renaissance. With the advantage of contextual alternates, Barchowsky Fluent Hand automatically joins lowercase letters so it can be used in any venue where a clean and elegant appearance of handwriting is desired. The fonts allow maximum instructional flexibility. Aside from their use in lesson plans, educators can customize pages for specific student interests, studies and needs. Included are all math symbols that one typically encounters in school curricula. Nan Jay Barchowsky, designer of this font, believes that children should hone their handwriting skills as they learn all subjects, reading, math, history and foreign languages. Both fonts support all Western European languages and Turkish. Barchowsky Dot is for young children or others who need remediation. The letterforms are identical to those in Barchowsky Fluent Hand. Used at a large point size open dots appear within the lines that form the characters indicating where one should start each stroke in a letter or number. Once formations are learned Barchowsky Fluent Hand can be used with the contextual alternates turned off until students are ready to write in the joined-up manner of a true cursive. Specifications: The technology for fonts that automatically join letters, or allow them to be unjoined is relatively new. At present, both fonts work on Windows XP with Service Pack 1 or later (or Vista), using AbiWord, a free word processor (go to abisource.com). They also work well with InDesign 2. Currently there is an unknown factor in later versions of InDesign for Windows that disallows joining. Macs completely support the fonts using InDesign 2 and later, PhotoshopCS and IllustratorCS. If you do not have these applications, there is an inexpensive word processor for Macs.

Fetrina is inspired by 90s trends which are made to still look modern, Fetrina uses contrasting circles to emphasize flexibility and flexibility in designing, Fetrina is suitable for brand headlines, marketing materials and other design needs.

Jeff Levine's collection of stencil fonts based on original source material has grown by one with the addition of Term Paper JNL, a bold sans serif based on a stencil lettering guide from the 1950's.

Browser Sans is a companion to Browser Sans, sharing similar forms and metrics. The four styles (Regular, Italic, Bold and Bold Italic) make it simple to use in desktop applications and easy to implement on websites.

The X-story font represents shattered fragile material. It was inspired by my love to grunge elements. Best usage is to complete other grunge composition. Font is really detailed and can be enlarged to humongous size.

Quinton is a beautiful collection of hand-lettered modern calligraphy fonts. It's made by decorative characters and a dancing baseline, and is so beautiful on invitations, greeting cards, branding materials, business cards, quotes, posters, and more.

Browser Sans is a companion to Browser Serif, sharing similar forms and metrics. The four styles (Regular, Italic, Bold and Bold Italic) make it simple to use in desktop applications and easy to implement on websites.

A retro seventies idea of the Futuristic typeface, Automatic is a reflection on the simple and innocent ideas of the future from our past. To reach to moon, to colonize other planets, feed and clothe the earth, and spread peace throughout the universe and our own planet. Those ideals of the future are now changed forever by genetics, and the progression towards automation, amongst others. Will the future still be an innocent place for our children, or something out of a Terminator or Matrix like film...? Put the retro techno edge into your designs, and bring the dreams of yesteryears future back into our future!

“Hi! I’m Hyptis – the script font based on brush handwriting. I was drawn with a soft, wet brush and digitally cleaned with care, but some of my characters keep their natural texture. If you are looking for a font for logos, postcards, product packaging, quotes, text overlays – or anything else – I am a good choice!” Hyptis has two types of embedded auto-replacement: lowercase letters without connecting strokes (for a case of the last character of the word), and ligatures (for a case of two letters that do not pair well together). These features work well in many apps (even simple ones like Notepad/TextEdit), and if you need to customize their application – you could use programs that support OpenType features (for example, Adobe apps or CorelDraw). All these additional glyphs are PUA-encoded, so if your software does not support OpenType — you could access them through Character Map (Windows) or Font Book (Mac). Hyptis also has wide multilingual support: Western-, Central- and Eastern-European, Baltic, Turkish, Latin-type Africans, and Asian (94 languages in total). And finally, Hyptis comes with a bonus font, Hyptis Swashes, that includes a set of 26 swashes – linear, round or oval. To type it you could simply use small letters from ‘a’ to ’z’.

Introducing Promenade – a calligraphic serif that started on paper with a flat nib pen (see the 6th image), and blossomed into a full serif with italics. At its core, this font is just... beautiful. It's elegant, it's crisp, it's delicate, but can still hold its own. As I was creating the graphics, I just couldn't get over the flow of the letters – especially the italic. It's got class, but also isn't afraid to rock a pair of Doc Marten's. Funny enough, Jen from Tonic (they make beautiful websites) saw a preview of this font and said, "I'd take that font to prom." Which of course spurred a conversation about how this font would take a Mercedes G-Series instead of a limo, and wear Doc Marten's instead of heels, but still wear the most gorgeous dress, and that is 100% Promenade (and inspo for the name – thanks, Jen!). I've also been loving combining the regular and italic, especially for logos (see the "Friendfolk" logo) One thing to note about Promenade is the letter spacing. It was spaced for clean reading and intentional balance, so I recommend setting the spacing a little tighter if you want to create the display look found in many of the logo mockups(around -20 to -40 should do!).

Drone is a deliberately misproportioned typeface, inspired by hand-drawn lettering found in Spanish/Hispanic Catholic churches in the Philippines and Los Angeles. These naive letterforms appeared to be ‘copies of copies’ – and in aiming to recreate the beauty of the Vatican and the Sistine Chapel they instead created something unique with its own charm and beauty. As a curious aside, the forms are reminiscent of those found in 16th century English calligraphy too. Drone is available in two styles: No.666 and No.90210.

Ghoust is a graffiti style handwritten font. It includes three variations to give you the ultimate package. You can mix these three styles to create an authentic graffiti look. Please see this tutorial: https://youtu.be/vLS1BDq3rTQ The Solid version has revised kerning to be used as single layer text, working well for crafting designs. If you use the Outline version you have to set glyph tracking. We make tutorial for this setting: Adobe Illustrator: https://youtu.be/-CeXXEEXaaA Word: https://youtu.be/dMcHIaNE-Vw This makes a great addition to your collection of handwriting and display fonts. You can use it for posters, celebration, fun events and cute crafts.

Koya Sans is a contemporary, humanist sans with a friendly yet clear and distinct personality. It is designed for excellent legibility, particularly for long continuous reading. The sharp terminals add liveliness and variety to the carefully crafted letterforms. Koya Sans, a highly versatile type family consisting 12 styles that are designed to work equally well on paper and on screen. The family ranges from Thin to Black variations, with complimenting italics. Inspired by a trip to the Buddhist temple of Kōyasan south of Osaka, Japan, this carefully crafted sans serif typeface with its sharp terminals loosely emulating the sharp corners of the temple’s pagoda roof.

Here comes a New font, Introducing ROCKA It's Bad Hand Drawn Font is a Natural Brush Style and Authentic classy style, this font is great for your creative projects such as watermark on photography, and perfect for logos & branding, invitation,advertisements,product designs, stationery, wedding designs,label ,product packaging, special events or anything that need handwritting taste. ROCKA is a natural Hand Drawn feel. It is perfect for any design project as Invitation,logo, book cover, craft or any design purposes,photos, photography overlays, signs, window art, scrapbooking, tags and so much more! It is perfect for any design project as Invitation,logo, book cover, craft or any design purposes.

Winter Soda - is Modern Hand Written font with a natural feel. This handmade font will make your design has a beautiful natural touch for each details. It is perfect for any design project as Invitation,logo, book cover, craft or any design purposes. This font is PUA encoded which means you can access all of the magical glyphs with ease! It also features a wealth of special features including ligatures glyphs . Inspired by Food Logo style and combination with Cute Craft style. that will fulfill your design needs for quotes,sporty theme, logotype, wordmark, etc. This has many opentype features and support multi language.

Here comes a New font,Introducing Fast Lane - Dynamic Handwritten Font with a natural style and dramatic movement. Crafted manually with love and passion, This font is great for your next creative project such as logos, printed quotes, invitations, cards, product packaging, headers, Logotype, Letterhead, Poster, Label, and etc. This handmade font will make your design has a beautiful natural touch for each details. It is perfect for any design project as Invitation,logo, book cover, craft or any design purposes,photos, photography overlays, signs, window art, scrapbooking, tags and so much more! This font is PUA encoded which means you can access all of ligatures glypsh.

Proudly present ARKA typeface, created by ikiiko. A beautiful heritage feel & look with a touch of craftmanship typeface. ARKA was crafted by hand with love to traditional heritage to get elegant font with beautiful ligatures. All characters have an perfect shape design. It easily cooperating together and perfect for crafting the traditional style logos, labels, package design, lettering, patterns and others. What's Included? Uppercase & Lowercase, Numbers, Punctuation Complete Stylist & Ligatures Multilingual support Format File : TTF & OTF Works on PC & Mac Get also a good offer & FREEBIE at our site : www.ikiiko.com Enjoy our font and if you have any questions, you can contact us by email : ikiikowrk@gmail.com

Syracuse is a font inspired by the typefaces of the "Arts & Crafts" designers of the early 20th Century. As such, it has a distinct "hand" look. In "Syracuse" you will find hints of Dard Hunter's work at the Roycrofters in East Aurora, New York, a little of the Art Nouveau style of 1900 Vienna, even a touch of Charles Rennie Mackintosh's design ideas in Glasgow, Scotland. The font was named for the city in New York where Gustav Stickley produced his Craftsman furniture. Syracuse owes a debt to all of these sources yet is original and different from any other "Arts & Crafts" font available.

DIRTY NUMBERS LTD At $1 US dollar each: Dirty Numbers - Provides (9) individual sets of unique numerals [0 thru 9] and nothing else. That is all. Very limited character sets integrated into one font by Coniglio Type -and- a very inexpensive set of marketing numerals. They are revivals from type crafted images and they are monospaced, easy to use and to kern the way you wish. You will have to review your glyphs to locate them and they were pasted in the most logical and accessible places and made economical to you for your special design and crafts needs. Dirty Numbers by Joseph Coniglio, Coniglio Type 2021.

Hello Everyone, introduce our new product Nora Notes is All Caps Display Font with a natural feel. This handmade font will make your design has a beautiful natural touch for each details. It is perfect for any design project as Invitation,logo, book cover, craft or any design purposes. Nora Notes is Inspired by Food Logo style and combination with Unique Craft style. that will fulfill your design needs for quotes,sporty theme, logotype, wordmark, etc. This has many opentype features and support multi language. This font is PUA encoded which means you can access all of the magical glyphs with ease! You can activate Alternates glyphs OpenType panel.

Al Seg 33 is a moderately dense alphanumeric display. The 33 segments are made up of eight outer segments, and twenty-four inside segments, and a center dot. It has five diagonals in each corner.

Sebastian Bobby is an authentic & organic hand-drawn script font, crafted using a real fountain pen. This font has been carefully designed to re-create natural handwritten text, and includes 78 custom ligatures to achieve those free flowing pen strokes. Sebastian Bobby lends itself perfectly to handwritten quotes, signature-style logos, stylish branding projects, and hand-crafted product & stationery designs. This product includes 4 fonts; Sebastian Bobby • A handwritten script font containing upper & lowercase characters, numerals, and a large range of punctuation. Sebastian Bobby Alt • This is a second version of Sebastian Bobby, with a completely new set of both upper and lowercase characters. If you wanted to avoid letters looking the same each time to recreate a custom-made style, or try a different word shape, simply switch to this font for an additional layout option. Regular & Alt Slanted Versions • These can be used for a more italicised, fast-hand flow to your text. FAQs; Accessing Ligatures • Ligatures are supported by most desktop graphics & text software (not just the fancy ones!), including Photoshop, Illustrator, InDesign, Word, Pages & Keynote. Many programs will automatically have this feature switched on for you. Language Support • Sebastian Bobby supports the following languages; English, French, Italian, Spanish, Portuguese, German, Swedish, Norwegian, Danish, Dutch, Finnish, Indonesian, Malay, Hungarian, Polish, Croatian, Turkish, Romanian, Czech, Latvian, Lithuanian, Slovak, Slovenian

Lumina combines a fluid, informal look with an upright, fairly formal character structure. The font is reminiscent of leaded or stained glass, suggesting a trying to-be-solid outline with flowing inner spaces. Characters are softened by the use of staggered heights and slightly irregular widths, creating the impression of hand-crafted, ink-drawn shapes. Lumina is unusual in that it gives a medieval treatment to a modern character outline. The outline has been given an irregular, slightly hand-crafted look that is at variance with its modern character and hints at both the informality of a grunge font and the carefully hand-drawn quality of medieval illuminated scripts (hence its name). It is one of the few informal, compressed fonts that retains a high degree of legibility. Use it when you want your text to be both relaxed and readable, and yet take up very little space on the page. Lumina Regular is not an outline font in the usual sense, since it contains one or more rounded hollows or lacunae within its outline. Use Lumina for: —Ecclesiastical book headings and illustrations —Church posters —Book covers —Greeting card design —Advertisements —The "fine print" The font contains a full 256 character set (upper and lower case, punctuation, diacritical characters, special symbols and numerals), in which all characters have been fully kerned and letter-spaced.

Open, outline or inline faces became very popular in the 1940's. By removing the usual weight, a clear-cut letterform is achieved. In Caslon Open Face, the right-hand strokes are accentuated, providing a slightly three-dimensional effect. The ascenders of Caslon Open Face are large and the overall design of this version does not relate to Caslon 3 Roman. This Caslon Open Face font is good for personal stationery, or sentences where a decorative but distinguished result is sought.

When you don't want to speak softly, Squeeze can shout above the crowd. Say it loudly and proudly, this face does not have a weight problem. The Dez Squeeze Pro Family is also now available from Dezcom in seven widths. http://www.myfonts.com/fonts/dezcom/dez-squeeze-pro/ Dez Squeeze has 483 glyphs with uppercase, lowercase, proportional lining figures, unicase, stylistic sets, alternates, ordinals, and case specific punctuation. It has a full range of diacritics and covers all European languages using the Latin script.

Since I designed Mommie you can see a lot of script typefaces with big contrast for big sizes. With Narziss I created a roman interpretation with the very expressive Swirls version. Glenda is again an italic script like Mommie. In the Regular the characters join and it looks like a neatly written sprencerian handwriting. But like Narziss it has got a Swirls version too. Every glyph and swirl is carefully designed to work in every connection. Use Glenda at only very large sizes.

Ishtar was the Babylonian goddess of war, fertility, love and sex - all in all a lethal combination. She wasn't the sweetheart her lovers had hoped for; I guess the 'war' part in her resume is a dead give-away. Ishtar font is no sweetheart either: it doesn't have a real baseline and its spooky character might not be everyone's cup of tea. It does have a certain charm, however, and befitting a Babylonian goddess, it comes with Babylonian language support!

Aubgane is a classy display script inspired by the romantic era. It's unique and pairs perfectly with most of our typography. A sweet compliment to a serif or sans serif, whether bold or more subtle. It also supports multilingual. Multilingual SupportFuture updates for free — Our typography works best in design software. Please note that while our fonts work well in Canva, Canva itself does not support advanced open type features such as special characters. For support please email me at pistamova02@gmail.com.

Whichit contains typefaces designed with a hexagonal motif. The opposite sides of the hexagon are parallel but two of them are longer than the other four. It does not have reflective symmetry so flipping it over a vertical line returns a different appearance. One of these appearances is the basis for WhichIt and the other for WhichItTwo. Each has three weights and each weight has an italic style. The result is a quirky sans-serif family of a dozen faces.

I've had mixed feelings about Kabel; It is a brilliant headline font with a lot of character, but it's the characters I have problems with. The versions of all big foundries have the same flaws (in my opinion), especially lowecase a and s. So I finally went ahead and made an all new version. It is not Kabel, but very much like it. It has unique x-height, weight and width, and many individual characters are also different from the original.

Open, outline or inline faces became very popular in the 1940's. By removing the usual weight, a clear-cut letterform is achieved. In Caslon Open Face, the right-hand strokes are accentuated, providing a slightly three-dimensional effect. The ascenders of Caslon Open Face are large and the overall design of this version does not relate to Caslon 3 Roman. This Caslon Open Face font is good for personal stationery, or sentences where a decorative but distinguished result is sought.

Arab Brushstroke is a graceful, upright German calligraphic script. At first glance, Arab Brushstroke does not seem to have much in common with Arabic calligraphy. Yet the gracefulness of its letterforms remind the viewer that calligraphy is a global passion, one that can be seen in the Arab world as well. Perhaps that feeling was the inspiration behind this typeface's name? In any case, Arab Brushstroke is a good choice for use in headlines, as well as other display applications.

I have a lot of pencils, but when I need one, they seem to have grown legs and have disappeared! When I decided I wanted to create a pencil font, it took me a long time to find the right pencil for the job! Wandering Pencil is a nice, handmade font. It is a bit shaky, a bit rough, but it does have class and will look nice on your designs! Comes with diacritics and double letter ligatures for the lower case.

Lewis F. Day, in his Alphabets Old and New, presented these letters as examples of rustic Roman lettering of the first through third centuries, AD. An uppercase-only typeface, most of the lowercase positions are occupied by letterform variants. It should be noted that the name does not refer to a savory dish made from a nocturnal American marsupial; it’s Latin for “I can dance”. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

Arab Brushstroke is a graceful, upright German calligraphic script. At first glance, Arab Brushstroke does not seem to have much in common with Arabic calligraphy. Yet the gracefulness of its letterforms remind the viewer that calligraphy is a global passion, one that can be seen in the Arab world as well. Perhaps that feeling was the inspiration behind this typeface’s name? In any case, Arab Brushstroke is a good choice for use in headlines, as well as other display applications.