Rexma is protean convivial mono lineal typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 220+ glyphs including punctuation and numerical.

Zagke is a natty effervescent handwritten typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 200+ glyphs including punctuation and numerical.

Sworze is a benevolent luscious handwritten typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 220+ glyphs including punctuation and numerical.

Print Oddities JNL gathers various cartoons, embellishments, spot illustrations, border elements and arrows into one nostalgic collection; all re-drawn from vintage source material.

Stencil Extras JNL contains twenty-six stencil borders, frames, arrows, pointing hands, plants, wildlife and decorative embellishments all re-drawn from vintage source material.

Ornubs is facultative aspirant mono lineal typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 220+ glyphs including punctuation and numerical.

Sortasnaky is a gleeful axiological handwritten typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 200+ glyphs including punctuation and numerical.

Vakgok is a plenteous leonine unicase typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 220+ glyphs including punctuation and numerical.

Bacboc is an overflowing coequal handwritten typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 200+ glyphs including punctuation and numerical.

Geopa is a fractional conversant tech sans apt for headline, editorial, branding, packaging, printed materials and typographic applications. 200+ glyphs with ligatures and fractions.

Freggo is a beauteous kooky handwritten typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 200+ glyphs including punctuation and numerical.

Maesgo is a bodacious joculatory linear sans apt for headline, editorial, branding, packaging, printed materials and typographic applications. 200+ glyphs including punctuation and numerical.

The Swing Bill font was designed as a display face for sport material or pop music posters, but has also been seen on TV.

Weggio is a brimming mucho handwritten typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 200+ glyphs including punctuation and numerical.

Gosbry is a serene gregarious handwritten typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 220+ glyphs including punctuation and numerical.

Jumpy is dinkum heuristic mono lineal typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 220+ glyphs including punctuation and numerical.

A funny looking font with circular shapes and cutouts - both hippie and futuristic at the same time. I have completely redrawn all the glyphs, and introduced a lot of alternate and new letterforms to make a little more variety between upper- and lowercase (the original layout with all the "old" letterforms can easily be accessed by using the OpenType menus "stylistic Alternates" or "Stylistic Set SS01"). All diacritics and accents are totally new, and made large - in the style of the original dotted i. ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

Typefaces, like most other works of art, provide a small window into the personalities and sensibilities of the artists who create them. ITC Panache not only provides this window, it is also aptly named. Mr. Edward Benguiat the dreator of ITC Panache, has all the dash, verve (and panache) hinted at in the design, Creative, capable and prolific, Ed Benguiat has drawn hundreds of exciting and popular typeface designs. Benguiat's design goal was to create a sans serif typestyle that is versatile, utilitarian - and distinctive. We think he has succeeded admirably. ITC Panache's three weights mix exceptionally well to complement each other or provide emphasis where necessary. Extensive testing at text sizes and design fine-tuning has produced a typeface family which is remarkably homogenous and consistent in color. Text set in ITC Panache is inviting without dissapointment. It is exceptionally easy to read, even in long text blocks of copy or small point sizes. When set in larger sizes or used for headlines, ITC Panache's character traits becomes more apparent and pronounced to the reader. They help to create graphics with distinction and style. Big or small. a little or a lot. it's hard not to use ITC Panache well. If you could pigeonhole ITC Panache, it would probably be classified as a stressed sans", but this would not completely describe, or do justiceto, the design. There is a slight contrast in stroke weight, which becomes more pronounced as the familiy weight increases; but there is a more to distinguish ITC Panache from ather sans serifs. Perhaps most obvious is its high waist and correspondingly slight condensation of the top half of the "round" capitals. Both of these traits link ITC Panache with the sensuous forms of art nouveau creations. In contrast are the typicall old style "e" found in designs like Cloister and ITC Berkeley Old Style, and the two storied "g" common to the early 20th century sans serif designs. The capital "A" even has the cupped top found in Caslon designs. Part of the beauty of ITC Panache is that all of these seemingly unrelated desig traits are melded into a design of exceptional continuity."

Patent Reclame manages to be light-hearted, while clearly showing its blackletter roots both in the shape of the individual letters and the rhythm of text on a page. The designer is unknown. Schriftgeisserei Flinsch of Frankfurt a.M. cast the face around 1895. Nicolete Gray shows a quite similar face called “Graphic,” from Stephenson Blake in 1896. Personally, I don't think that Patent Reclame looks like an English design, but I do not have any proof one way or the other. The numbers are proportional, intended for posters, not spreadsheets. Two ornaments are included, an art nouveau rose at #172 and a lilypad with long tendril at #177. Great for invitations, posters and flyers announcing fun events. Do not use for obituaries. Quite readable in smaller sizes for short blocks of text. I really like the buoyant quality -- a nice combination of discipline and enthusiasm.

Glamour Shine is a handwritten serif mixed-case/unicase font to give your products that handwritten, spunky feel. It's perfect for greeting cards, fun branding, and crafting files.

Karisa House is a fun display font featuring the perfect amount of trendiness. Whether you’re using it for crafting, digital designing, presentations or greeting cards making, it’s perfect!

Ghost Flames is a bold and spooky decorative font. Add it to your Halloween crafts, horror movie posters, t-shirts and anything else that requires a spectacular look.

Sarten is a modern all caps font with blocky shapes for display purpose. This font perfect for display purpose such as title. book cover, advertisement purposes, craft etc.

Rogue - A Display Font : Rogue is a carefully crafted display font. It has Extended Latin and Cyrillic characters. It created for poster, web, brand and social media designs.

Introducing Cartoon Mood - a cute handwritten font by Elysart This font is perfect for children's books, logos, greeting cards, animation designs, clothes, posters, krafting, stickers, toys, and more!

The thin, condensed serif lettering found in a 1937 magazine ad for Chris Craft boats inspired Formal Invite JNL, which is available in both regular and oblique versions.

Zone 52 is a carefully crafted, slightly rounded, futuristic font that excels at large point sizes. Comes fully kerned, hinted, and with a large supply of discretionary ligatures.

Introducing “RABOKA Font” – Where Playful Typography Takes the Lead. RABOKA Font is a celebration of playful design. With its whimsical theme, this font infuses a delightful and lighthearted touch into your creative projects. Whether you’re crafting invitations, posters, or branding materials, RABOKA Font effortlessly grabs attention and brings a sense of fun to your designs. Created with meticulous craftsmanship, RABOKA Font radiates the joy and creativity of playful typography, instantly captivating your audience. Its versatility knows no bounds, making it a perfect fit for a wide range of applications, from children’s book illustrations to party invitations. RABOKA Font enhances both readability and style with its quirky, eye-catching characters, providing a unique and engaging look to your text. Plus, it supports various languages, ensuring it resonates with a diverse audience. Elevate your creative projects with the exuberance of RABOKA Font. Explore this exceptional typeface today and let your designs dance with the spirit of playful typography. – PUA Encoded Characters – Fully accessible without additional design software.

Keyugah is a classic serif font that exudes elegance and sophistication. Its timeless design makes it perfect for any project that requires a touch of refinement, from wedding invitations to high-end branding materials. With its clean lines and understated serifs, Keyugah is easy to read and works well in both print and digital media. Its versatility is further enhanced by its multilingual support, which allows you to use it in a wide variety of projects for a global audience. Whether you’re creating a logo for a luxury brand, designing a book cover, or crafting an elegant website, Keyugah is a reliable choice that will elevate your project to the next level. What’s Included : - All glyphs Iso Latin 1 - We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw, so you can see and access all Glyph variations. - PUA Encoded Characters – Fully accessible without additional design software. - Fonts include Multilingual support

Marie Clarie - Monoline Script Font is a stunning font with a script style characterized by thin monoline strokes. Its vintage retro charm and classic script lettering make it a perfect choice for various design applications. Whether you're creating logos, lettering, branding materials, coffee-related designs, food and beverage branding, invitations, or cards, this font will add a touch of elegance and sophistication to your projects. The monoline script style of Marie Clarie features thin and consistent strokes, giving it a sleek and modern look. Its vintage retro undertones bring a sense of nostalgia and timelessness to your designs. The classic script lettering adds an elegant and sophisticated touch, making it ideal for creating a refined and stylish visual impression. Whether you're designing a logo for a boutique coffee shop, creating elegant lettering for a special invitation, or crafting a vintage-inspired food and beverage brand, Marie Clarie - Monoline Script Font offers versatility and charm that will elevate your designs to the next level.

Vidage - Elegant Serif Typeface Font is a sophisticated font that combines the qualities of a display font with an elegant serif style. Its modern and bold design, along with alternative characters, make it a versatile choice for various design applications. Whether you're creating logos, branding materials, product packaging, wedding stationery, invitations, titles, or headlines, this font will add a touch of elegance and visual impact to your projects. The elegant serif style of Vidage exudes a sense of refinement and class. Its clean and modern lines give it a contemporary look while maintaining a timeless appeal. The bold nature of this font ensures that your designs will stand out and make a statement. The inclusion of alternative characters allows for creative exploration and customization, giving you the freedom to find the perfect aesthetic for your project. Whether you're designing a luxurious logo, creating stylish packaging, or crafting elegant wedding invitations, Vidage - Elegant Serif Typeface Font offers the versatility and elegance needed to make your designs shine.

Introducing Sweet Couple - A Calligraphy Font Sweet, lovely and most beautifully crafted Sweet Couple font that can be used on different projects and promotions. Go ahead and use it on your website, for your social media branding, Pinterest banners, printed materials, and more! Inspire and give love to your audience, clients, or guests with this stylish Calligraphy font. What you’ll get: Multilingual & Ligature Support Full sets of Punctuation and Numerals Compatible with: Adobe Suite Microsoft Office KeyNote Pages Software Requirements: The fonts that you’ll receive in the pack are widely supported by most software. In order to get the full functionality of the selection of standard ligatures (custom created letters) in the script font, any software that can read OpenType fonts will work. We hope you enjoy this font and that it makes your branding sparkle! Feel free to reach out to us if you’d like more information or if you have any concerns.

Step into the artful world of Akashii, a Japanese brush font that embodies the beauty of traditional calligraphy with a contemporary flair. Crafted with precision and inspired by the elegance of brush strokes, Akashii is a visual symphony that captures the spirit of Japan's rich artistic heritage. The strokes of Akashii tell a story, conveying both strength and grace. Whether you're designing invitations, branding materials, or adding a touch of Eastern charm to your artistic creations, Akashii elevates your work with its unique cultural character. Dive into the world of Akashii and let your designs resonate with the poetic elegance of Japanese calligraphy. This brush font is more than a typeface; it's a brushstroke of cultural authenticity, inviting you to infuse your projects with the artistry of Japan. FONT FEATURES Additional Accents 68 Languages Ligatures Swashes SOFTWARE RECOMMENDATION Adobe Photoshop CC 2020 or the latest Adobe Illustrator CC 2020 or the latest

Quars is a text and display typeface family designed to work on magazines. However, it is also suitable for books and other editorial material. It has a strong personality with elegant, sharp and contemporary features. This typeface comes from several subtle influences, from the contrast of the Scotch Romans to the sharpness of contemporary Dutch designers. Quars is a crystal clear and neat typeface full of small details, its structure is bursting with curves and accurate features which gives it its firm personality. Its italic experiments with the boundaries of italics themselves; with just 1 degree of slant Quars Italic accomplishes its purpose of highlighting pieces of text within its Roman. This carefully thought out inclination protects the uppercase from the usual distortion which Italic caps suffer. It offers a generous glyph set with many ligatures specially crafted for titling and ornaments based on anonymous metal types found in the drawers of an old printing workshop in a coast town near Barcelona.

Isonorm was created in 1980 by the International Standards Organization (ISO). The font's design is simple, clean, and geometric, with strokes that all have rounded ends. Isonorm is a font whose forms are very legible by both the human eye and machine readers. The font is also a good choice for drafting and architectural purposes, as well as for technical charts and graphics.

A compact sans serif with a technical origin. Each character was drafted out from a grid template and then refined through the application of subtle curved detailing. The result is a precise, contemporary typeface best suited to identity, mobile and video game development. Details include 9 weights with italics, 500 characters, 5 variations of numerals, stylistic alternatives, manually edited kerning and Opentype features.

Introducing Containment, the ultimate font system that will elevate your design game to new heights. With its multilayered features, Containment is the perfect tool for creating headlines with a unique edge. Whether you want to add some fizz, gravel, snow, sand, or any other gritty effect, this font system has got you covered. Containing four fonts, namely the plain layer, shadow layer, crunchy-little-dots layer, and a combination of the three, Containment is designed to give you the creative freedom you need to craft stunning designs that stand out. The best part? This powerful font system is based on the renowned Tandelle typeface, known for its clean, sleek lines. As an advertising professional, you understand the importance of capturing your audience’s attention from the get-go. With Containment, you can create headlines that pop and grab your audience’s attention. Experiment with colors and add different layers to your headlines to create a unique look that will set your brand apart from the competition. In the fast-paced world of advertising, innovation is key, and Containment is the perfect tool for breaking the mold and taking your designs to the next level. Order Containment today and experience the power of a font system that combines style, creativity, and functionality like never before. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Loosely based on a hand lettered title found on vintage sheet music for the song "Hong Kong", the design for Kwun Tong JNL emulates the letters and numbers formed from pieces of bamboo stalk. Kwun Tong JNL is named for a locality in Hong Kong although (according to Wikipedia) "the Hong Kong Government is unitary and does not define cities and towns as subsidiary administrative units."

One of the most friendly Slab Serifs just got even more friendly. Museo Slab Rounded is the latest addition to the Museo font family. It has updated letterforms, spacing and kerning. It can perfectly be combined with Museo Sans Rounded. It comes in six weights with italics, that are not just slanted regulars. Key characters have been changed to give the italics more flow.

Rudolph Ruzicka designed his font Fairfield as a legible text font. His philosophy: The reader expects optical assistance with reading. He does not want to be distracted while interpreting and understanding the ideas of a text." Fairfield font is based on the forms of Venecian Old Face fonts as well as on the designs and details of Art Deco, giving the font a distinctive appearance"