Introducing Arshila Typeface the Modern Serif Bykineks, designed by Dede Kurniawan, the newest typeface family with 54 font styles! With over 700 glyph options and a multilingual, Cyrillic, Greek writing system, this typeface offers a complete typography. easily adaptable to designs in the fashion industry such as magazines, logotypes, wedding invitations, label tags, posters, and many more. gives you a modern, professional and unique style. with various features such as ligatures, alternative characters, numerator, and denominator. You can create a completely unique design that is sure to stand out from the rest. Get creative with arshila typeface, and bring your designs to life!

Surpassing traditional Antiqua, our new collaborative font family Audela emerges after overcoming time, national borders, language differences, cultural gaps, and professional challenges. Starting off as an exercise project of our very first intern Léa Bruneau in 2018, Audela slowly shaped into a full-fledged elegant serif typeface of 14 styles under the watchful eye of Plamen Motev, Fontfabric’s Type Director. Three years later, Audela is internally regarded as a breaker of limits earning its name from the French “au-delà,” meaning “beyond.” This new rising star features sharp serifs, flowing letterforms, advanced OpenType features, Extended Latin and Cyrillic support, to name a few.

The long-awaited Rust Bundle addition to our Panton type family has arrived, featuring the headliner Panton Rust and its trusted partner Panton Script Rust. Start your engines and get ready for 72 fonts, grouped into five weights ranging from SemiBold to Heavy, and including multiple Base combinations with different Shadows and Grunge Textures. All of the above is also a part of the accompanying Panton Rust Script, whose natural flow is further emphasized with specifically adjusted Contextual Alternates. The list of OpenType features wouldn’t be complete without localizations, figures, fractions, superiors and inferiors, numerators and denominators, as well as tabular numerals for Panton Rust. The Rust Bundle includes Extended Latin and Cyrillic coverage, providing support for more than 130 languages. This handcrafted package was created to bring about authentic and original vintage type, making it especially suitable for any design that speaks of craftsmanship, a sublime human touch, and a mature signature with undeniable flavor. In Rust we trust! Features: • Textures, Shadows and Inline versions of the fonts which can be combined for a multicolor effects • 72 styles in total, including 42 fonts for Panton Rust and 30 fonts for Panton Script Rust; • 5 weights from SemiBold to Heavy; • Extended Latin and Cyrillic coverage with support for more than 130 languages; • A broad set of contextual alternates and ligatures for Panton Script Rust

Rubiesque is the sans serif version of Rubis, these two families share the same skeleton and weights. Rubiesque is a sans combining humanist and grotesk references which give this typeface an interesting & unique personnality. The regular and medium weights are perfect for text while the italic give an interesting texture to the text. The range of style give a good flexibility to this family. It’s a perfect family for editorial use. Rubiesque consists in a 10 styles family, from Light to Black with their corresponding italics. Each font includes OpenType Features such as Small Caps, Proportional Figure, Tabular Figures, Numerators, Superscript, Denominators, Scientific Inferiors, Subscript, Ordinals, Fractions and ligatures. Rubiesque family supports Latin and Cyrillic, all these languages are covered: Latin language support: Afar, Afrikaans, Albanian, Asturian, Azeri, Basque, Bosnian, Breton, Bulgarian, Catalan, Cornish, Corsican, Croatian, Czech, Danish, Dutch, English, Esperanto, Estonian, Faroese, Filipino, Finnish, Flemish, French, Frisian, Friulian, Gaelic, Galician, German, Greenlandic, Hungarian, Icelandic, Indonesian, Irish, Italian, Kurdish, Latin, Latvian, Lithuanian, Luxembourgish, Malagasy, Malay, Maltese, Maori, Moldavian, Norwegian, Occitan, Polish, Portuguese, Provençal, Romanian, Romansch, Saami, Samoan, Scots, Scottish, Serbian, Slovak, Slovenian, Spanish, Swahili, Swedish, Tagalog, Turkish, Walloon, Welsh, Wolof Cyrillic language support: Adyghe, Avar, Belarusian, Bulgarian, Buryat, Chechen, Erzya, Ingush, Kabardian, Kalmyk, Karachay-Balkar, Karakalpak, Kazakh, Komi, Kyrgyz, Lak, Macedonian, Moldovan, Mongol, Permyak, Russian, Rusyn, Serbian, Tatar, Tofa, Tuvan, Ukrainian, Uzbek

The Obla font family is a modern serif typeface accompanied by appropriate italic in seven weights. Sketches of letters were drawn manually, using thick marker for creating shape and pencil for finishing details. Calligraphic origin of shapes is revealed beneath strained curves drawn on computer. All of the weights were carefully adjusted to each other. Obla is equipped with some basic OpenType features and supports Cyrillic and Latin script. Using Obla in small sizes is very convenient, because of its large x-height, and Obla is a very readable typeface. It seduces the reader with its vivacious character. The typeface is also suitable for usage in large sizes. The best choice for headlines is using the heaviest (Black) and the lightest (Thin) weight. There are two smaller family packages in offer: Obla Basic Set contains Regular, Italic, Bold and Bold Italic, while Obla Light Set contains Light, Light Italic, SemiBold and SemiBold Italic. These two sets are the most appropriate for working with small text. Other weights can be bought separately, or within the whole family. Obla is an awarded typeface. It got Special Mention in Cyrillic Typefaces category in Granshan 2016 competition and it was chosen as a Merit Winner in Print’s Typography and Lettering Awards competition. At that time, before publishing, the typeface was named Petra.

- Unique Modernist Look - 590+ characters per font - Standard & Discretionary Ligatures - Multiple Stylistic Sets - Old Style Figures - Case-Sensitive Punctuation - Multilingual - Cyrillic Included - Uppercase + Lowercase Porte is an elegant sans serif font inspired by stone carving and modernist typefaces of early 20th century. While at its core Porte is a display font, it can also be used for larger bodies of text and in a variety of projects. Thanks to its unique proportions and feel Porte is reminiscent of early 20th century type, wherein aesthetic qualities often overweighed matters of practicality and applicability. Porte is at once delicate and sturdy, subtle and unyielding. Porte is very OpenType friendly, boasting an awesome selection of useful OpenType features, precise and exhaustive kerning (around 1000 pairs) and lots of discretionary ligatures to make your designs look amazing. A selection of wider and narrower alternate glyphs allow the designer to modify the rhythm of the typeface, extending its application and impact. With 590+ characters on board, Porte supports all major Latin based languages as well as a number of Cyrillic languages. Porte received its first major update in fall 2022. Not only was the character set expanded considerably, but also some glyphs were re-drawn to fix visual inconsistencies, and a large number of stylistic alternates was added. The kerning, too, was re-done to accommodate new letterforms. Trials available upon request.

Kadigan: (noun) A placeholder word. A kadigan can be used to substitute for any other noun: persons (John Doe, Acme Company), places (Anytown, 123 Main Street) or things (whatchamacallit, thingamajig). Just like kadigans can be used in nearly any situation, the members of the Kadigan font family can be used in nearly any design! These sans-serif beauties are clear and easy to use, but they also have a little bit of wiggle in their strokes and weights, for a fun hand-lettered look! The three members of the family: - Kadigan Light: An all-purpose lightweight stroke, with sharp corners. - Kadigan: A nice mid-weight stroke, with slightly rounded corners. - Kadigan Heavy: A thick, chonky stroke with pillowy rounded corners. And each member of the family is packed with features, including: - All of the basic stuff you expect from every font; - 340+ extended Latin characters; - Cyrillic character set; - Greek character set; - Those character sets? Support over 110 languages! - 52 double-letter ligatures for variety (That's right, EVERY letter. I'm looking at you, savvy revved trekkers!); - A full set of small caps (including Cyrillic & Greek); - And more! (Seriously, it was hard to stop.) So whether your work is in English, Español, български, ελληνικά, Türkçe, or over a hundred other languages, this cute and fun sans-serif may be just what you've been looking for!

Entendre Rough defies the conventions of most distressed typefaces, as it is an actual text typeface family. Sure, you can use it for your big display type, but you can also use it for body text. Entendre Rough is a stately, commanding and handsome distressed sans serif typeface family that pulls reference from Trajan capitals, the history of English calligraphy, and a variety of other sources to summon a sense of warmth, consideration, trust and authority. Entendre Rough spans 22 weights and styles including Regular and Condensed versions. The large x-height and refined characteristics of the family lend the family a sober and sophisticated appearance that is suitable for both print design and on-screen use. Entendre Rough includes Central and Eastern European language support as well as Western European language support, including Greek and Cyrillic. Entendre Rough’s generous x-height and medium-length ascenders and descenders offer pronounced readability, making the family useful for text typesetting both in print and on screen. Within, humanist elements are tempered with monumental construction, making the heavier weights go-tos for display design work. All of the Entendre Rough family of typefaces feature Western, Eastern and Central European language support alongside nuanced Greek and Cyrillic. Entendre Rough pairs well with our non-distressed Entendre family and our rounded sans serif family Elpy, sharing similar proportions and spacing.

For several years I have been thinking about the design of a type family that explores, on the one hand, the modernist aesthetic that we know, from the Alphabet "a.r." designed by Władysław Strzemiński, and on the other, to the multiscript pre-war Warsaw. This is how the idea of creating the Polin Sans typeface was born. After researching on geometric variants of the Cyrillic alphabet, I was inspired by the text "Towards an open layout: A letter to Volodya Yefimov". I was intrigued by the fact that circular forms, which we are mostly familiar with in the Bulgarian Cyrillic, can be implemented in the classical version, without disrupting the reading process. At the same time, while working on typoteka.pl, I was fascinated by the Hebrew typeface jaffa, published by the Idźkowski & Sk-a foundry, which at some points looks like the Hebrew equivalent of the Alphabet "a.r.". Ben Nathan from Israel joined the project and was responsible for creating his native script. The idea of creating a multiscript family expanded to include Greek and Vietnamese. As a result, Polin Sans is a historical journey through the nooks and crannies of Polish modernism, which was created by people with diverse cultural backgrounds. The Polin Sans family was designed by Mateusz Machalski and Ben Nathan with the support of Michał Gorczyca and Małgorzata Bartosik.

Picture this: You’re sitting at your desk, staring at the same old boring font on your screen, and you can feel your eyes glaze over as you read yet another tedious document. Enter Squirty, the typeface that injects a much-needed dose of life into your words. Inspired by the vibrant promotional visuals of Japanese nightclubs from back in the day, Squirty is like a breath of fresh air in a stale room. Its hand-painted letterforms are quirky and playful, with a personality all their own. And don’t worry about being too rigid—Squirty’s unconventional style gives you permission to let your hair down and loosen up a bit. But that’s not all. If you’re lucky enough to have access to OpenType ligatures, Squirty takes things to the next level. Letter and numeral variations shuffle around automatically, so your words flow more naturally, like a conversation with an old friend. No more stuffy, robotic language—Squirty lets you be yourself. So why settle for boring when you can have brave? Give your words a personality all their own with Squirty—your new wingman in the design world. Most Latin-based European, Vietnamese, Greek, and most Cyrillic-based writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Azerbaijani, Bashkir, Bashkir (Latin), Basque, Belarusian, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Bulgarian, Buryat, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dungan, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Gikuyu, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Igbo, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaingang, Khalkha, Kalmyk, Kanuri, Kaqchikel, Karakalpak (Latin), Kashubian, Kazakh, Kikongo, Kinyarwanda, Kirundi, Komi-Permyak, Kurdish, Kurdish (Latin), Kyrgyz, Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Macedonian, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Nahuatl, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Russian, Rusyn, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tajik, Tatar, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Ukrainian, Uzbek, Uzbek (Latin), Venda, Venetian, Vepsian, Vietnamese, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xavante, Xhosa, Yapese, Zapotec, Zarma, Zazaki, Zulu and Zuni.

The original sketch of Joker was drawn by Viktor Kharyk in 1978 as experiment on creation type by a method of subtraction. In 2000 the font was digitized, modified and Hebrew, Greek, Georgian, Armenian and Arabi? alphabets and outline style were added. As a display face, Joker allows the creation of decorative compositions, easily combining a vertical and horizontal arrangement of words. Its characters are easy for filling with images. In line the face creates ornamental effect very appropriate for logotype design. The font is good to set small expressive advertising texts also. Joker type family received the third prize at TypeArt 2001 Cyrillic type design competition in Moscow.

Journeyman is an all caps layered display typeface in the sign painter tradition. It has normal width caps in lowercase position and a wider caps in uppercase position. Letters in lowercase position are slightly more rounded than those in uppercase position thus providing two styles. Journeyman supports languages with latin characters and ligatures as well as Greek and Cyrillic. The normal front layer is Line while Silhouette is usually put at the back for a three dimensional effect. Other layer arrangements are possible. The type works well for shop displays, poster work, menus, signage and other purposes where you want the type to have impact.

Font mavens of the world unite! Constructivist recreates the bold graphic design of early Soviet Era Russian Artists such as Rodchenko and Popova. The Constructivist family contains 5 fonts plus a set of decorative extras. Constructivist Pro is an Opentype adaptation of the P22 Constructivist Set font system which combines the 5 font styles and adds Opentype features such as alternate Latin and Cyrillic letterforms, full Central European Language support and changes in line spacing and optical sizing of some characters for improved harmony. In all over 1200 Glyphs for maximum flexibility and design choices. Seize control of the means of desktop production with this revolutionary font collective!

Homenko was the only Ukrainian typeface for metal type casting developed in the last century. It has already become a 'classic'. Vasyl Homenko worked on it from 1964 to 1967. The typeface successfully combines the qualities of lineal humanist typefaces with the Ukrainian tradition of asymmetrical slab serif. The works on its digitization and further development has been in progress since 2000. The present version contains Latin Extended characters, Cyrillic with stressed alternates and several ornaments based on Vasyl Homenko's works. It works perfectly for books for children and is ideal for publications related to culture, history, literature and traditional art of Ukraine and other nations of Eastern Europe.

English HU Dear Molly is a headline font for the title, and it is a cute typeface that is close to a round circle. Coolly stretched strokes create an interesting sense of rhythm. There is 1 weight of HU Dear Molly : Regular Greek Το HU Dear Molly είναι μια επικεφαλίδα γραμματοσειρά για τον τίτλο και είναι μια χαριτωμένη γραμματοσειρά που βρίσκεται κοντά σε έναν στρογγυλό κύκλο. Οι δροσερές πινελιές δημιουργούν μια ενδιαφέρουσα αίσθηση ρυθμού. Υπάρχουν 1 βάρη του HU Dear Molly: Regular Cyrillic HU Dear Molly - это шрифт заголовка для заголовка, симпатичный шрифт, расположенный рядом с круглым кругом. Крутые штрихи создают интересное чувство ритма. HU Dear Molly имеет 1 толщины : Regular

This font set, created for the Philadelphia Museum of Art, celebrates the work of influential French artist Paul Cézanne. P22’s Cezanne font allows you to beautify your documents with a faithful rendition of the artist’s handwriting, while Cezanne Sketches recreates a variety of imagery from the artist’s work. Cezanne Pro includes full western and central European character sets and Cyrillic for typesetting in dozens of languages. It features several types of numerals, ligatures, snap-on swashes, and word glyphs. The Pro version includes over 1,200 glyphs and “smart features” that will automatically substitute letter combination's to create an even more natural handwriting effect than was possible with Cezanne Regular.

Neometric is a contemporary sans serif that is built from a geometric foundation but with a more natural approach to the heavier weights creating an enhanced visual approach throughout. The standard version features sharp apex tops on the N & M characters creating a unique and powerful look that would be the perfect font for branding, digital or offline treatments. Neometric features extensive European language support as well as basic Cyrillic to add to the flexibility and useability for big brands and small companies alike. The font is made up of 36 styles, including two subtle design variations each featuring 9 weights plus matching italics.

Simpatico is a clean and fresh looking font, with a … nice character! (Simpatico in Italian language is a nice and funny behavior). Designed in two ways: standard and italic; each of which is divided into four weights: light, regular, semi-bold and bold. Simpatico is a versatile font! It has 595 glyphs including: letters that have been drawn with different accents for particular languages; ligatures between characters (eg fl, fi etc …); mathematical symbols and signs; differentiation between capital “i” and lowercase “l”; alternatives for characters like “a”; and much more. Simpatico is a multi-ethnic font! In addition to the glyphs commonly used, Simpatico is also in Greek and Cyrillic.

BOnuts is a modern rounded sans built in 8 styles and crafted for you by BOtype. It's clean and minimal and modern rounded design gives you a wide array of uses such as branding, editorial & print, and also makes it perfect for UI & digital applications. We designed Bonuts to have the most legibility to give you a very versatile font family you use for any use you want. It includes Alternate Characters, Ligatures, Tabular Figures, Fractions, Numerators, Denominators, Superiors and Inferiors. It supports Central and Eastern European languages, basic Cyrillic and Greek. The type family consists of 8 weights (Thin, Light, Normal, Regular, Medium, Bold, Black and Heavy).

Accia Moderato is a contemporary serif typeface with moderate contrast and large x-height. It will become a great choice for primary body copy. The font family contains 8 weights from Thin to Extra Bold, with matching true italics. It supports extensive language support including Cyrillic, as well as numerous OpenType features such as small caps, ligatures, several sets of figures, case-sensitive punctuation, ordinals. Accia Moderato is a member of Accia Type System. It encompasses five typefaces ranging from sans-serif to expressive serif, giving you the possibility to create sophisticated cohesive designs. Accia Type system consists of Accia Sans, Accia Flare, Accia Piano, Accia Moderato, and Accia Forte.

Sylfaen was designed for Microsoft in 1998 by John Hudson and W. Ross Mills of Tiro Typeworks, and Geraldine Wade of Monotype Typography. Sylfaen is a Welsh word meaning foundation"; an apt name since the font stemmed from research into the typographic requirements of many different scripts and languages. This version of Sylfaen supports the WGL4.0 character set, for Pan-European language coverage. In addition to Latin, Greek and Cyrillic letterforms, the font contains the characters necessary for support of the Armenian and Georgian languages. Font Designer: John Hudson, W. Ross Mills, Geraldine Wade. The Sylfaen font contains 729 glyphs including Latin 1, WGL Pan-European, Armenian and Georgian."

Mozzart Sketch is a decorative version of Mozzart Sans, slightly rounded, Neo-Grotesque corporate font, created for MOZZART D.O.O. company from Belgrade, Serbia. Mozzart Sketch is a decorative hand-sketched font for headlines and short texts, and also very readable in small weights. All glyphs were carefully hand drawn, with marker as a tool, then traced and digitized. The family contains: 5 Weights, 3 Condensed and 1 Oblique versions of the font, complementing each other perfectly. All versions contains completely MacOS Roman and MacOS Cyrillic code pages, tabular figures, small caps... perfect for profesional designers and very useful for artistic things, catalogues, music... and many other sensual and beautiful things. Enjoy!

Pexico is a pixel typeface that uses 10 by 14 grid (capital letter) in 8 styles: 4 basic styles for text setting — Regular, Bold, Narrow, and Mono and 4 stylistic variations of the Regular style for display setting — Outline, Dots, Round, and Inverse. It fits the display's pixel grid when used at 20pt size or its multiples. Pexico supports Latin, Cyrillic, and Greek Monotonic scripts, all with thoroughly designed diacritics. Moreover, Pexico makes use of advanced OpenType features, just as any other modern text typeface. Each style also has 9 sets of numbers, small capitals and is properly kerned. For more information go to Urtd.

As the name, Clarina Sans is sans serif type family with two weight plus matching italics. Clarina Sans was desinged in 2018/19, influenced by geometrics typeface from handbook and newspapers in 80's during studying that have a good legibility. Clarina sans with medium to high x-heigh and geometric correction and smoothed corner has more elegant visibility, readable, and save space altogether. Its perfect for book, newspaper, web, logos, magazines, posters, and most other design. Equiped with more than 700 glyphs for eachs cut (latin plus, greek, cyrillic), ligatures, kerning, case sensitive for diacritical mark modifier, Clarina Sans has wide range languages coverage.

My Tara is a handwritten script typeface with a casual, but rough look and sketched woody texture. Because of the fluidity, there are plenty of Standard Ligatures to avoid frequent repetition of letters. There are ligatures created for Cyrillic too. If you want floral initials, first or last letter in a word, you can use My Tara Ornaments font with sketched and inky texture. If you need drawings for your artwork, you can choose My Tara Dingbats, with more than 300 crocky drawings of flora and fauna, authentic for National Park Tara. My Tara is the perfect choice for all natural and authentically beautiful things.

RyuGothic Family is a humanistic interpretation of the Hangul Gothic style. It delivers messages in a soft, calm tone that does not overpower. The narrow counter design of consonants in Hangul and the narrow counter of the Latin lowercase letters are connected to create a sense of structural unity between the two sets of characters. This enables you to read long lines and works well in a variety of media and situations. Each font includes: 2,350 Hangul syllables, the smallest unit for expressing modern Korean; Latin Basic; punctuation; symbols for Korean codepage. Cyrillic, Greek, and Kana alphabets were excluded. The punctuation is designed in the preferred location for Korean typesetting.

Segaon Family is a humanist sans-serif typeface that is clean, simple and highly readable. The spaces between individual letter forms are precisely adjusted to create the perfect typesetting. Segaon is versatile type family of 18 fonts. Segaon family consists of 9 weights (Thin, ExtraLight, Light, Regular, Medium, Bold, ExtraBold, Heavy & Black) with their corresponding italics. The Open Type fonts contain complete Latin 1252, Cyrillic, Central European 1250, Turkish 1254 character sets. Each font includes old-style figures, proportional figures, tabular figures, numerators, denominators, superscript, scientific inferiors, subscript, fractions and case features. We highly recommend it for use in books, web pages, screen displays, and so on.

Exo Soft. Technology meets humanity. The geometric design got organic with carefully crafted smoothed edges. Exo Soft is a contemporary sans-serif font with a warm and humane feeling. It has an extended language support (both in Latin and Cyrillic) and an handful set of Opentype features. The 9 weights plus correspondent italics give Exo Soft a huge versatility. Because aesthetics are not everything Exo Soft was fine tuned in order to perform well both in screen and in print. The large x-height and open counters makes it function well even on small font sizes but the full potential of Exo Soft will be seen on headlines, branding and advertising.

Abrade is a geometric sans serif with rational design choices for contemporary functionality. The family is designed with a medium x-height to provided great legibility in both display and text sizes. The forms are refined to work well in print and on screen. The italics maintain the rational forms, with only the essential structural changes. With 12 weights, the family is ideal for publications, digital media, corporate systems, branding, as well as your band’s gig poster. Abrade is equipped with extended language support, including Extended Latin, Greek, and Cyrillic. Features include: stylistic alternates, small caps, figure sets, and lots of OpenType features to keep designers happy.

Project Sans is a structured and versatile geometric sans serif which includes 10 weights and matching, playful italics that offer a unique feel for multiple applications. The fonts versatility creates a plethora of uses from branding and advertising to digital applications such as websites and apps. Project Sans has support for Central and Eastern European languages as well as Cyrillic. The font has a slight retro poster feel mixed with a uniform structure that, mixed with its substantial weight options and warm italics, creates a suite of fonts that can be used for anything your Project requires. Have fun with it and bring life to your Project.

Use Reminder to add a homey and personal touch to your notes and messages. Whether it is a note to your loved ones or a colleague at the office, this is the typeface to use. But don't take our word for it. The applications of this typeface are endless. Since its first release back in 2003, we have seen it being used for anything from banking to automobiles. And now, with this "Pro" version you can communicate with a big part of this world in a way you always wanted. PF Reminder Pro comes loaded with 555 glyphs which support all European languages including Greek and Cyrillic.

Describe the 21st century politician. Left or right? Fat or thin? War or peace? Straight or gay? Hard or soft? Male or female? Pro or con? Young or old? East or west? Now look at the Politica super-family and see which font they may be. The overused sans serif faces don’t cut it anymore. This day and age requires a sturdy, modern and straight-to-the-point sans to cover the issues. The Politica family also come in OpenType variations which extend the character set to include Cyrillic, Greek, Baltic, Turkish and Central European languages. You have no excuse: the globe is yours with Politica.

Dudu is a font which I made mainly for my own purposes. A lot of times in many projects I was looking for elegant vertical and modular typeface. There is a lot of fonts that overall look good but if You take a closer look, You can clearly see they have mistakes. That's why I made Dudu. Dudu is a font designed with a highest attention to the detail. Each Dudu glyph has the same modular construction. Dudu Font contains over 400 glyphs ready to use in various languages. I'm also working on a cyrillic version of a Dudu Font which soon is going to be published.

Gwen is a variable type system in 7 weights. The complete font family consists of two subfamilies: the highly characteristic Display Serif family which shows its full potential and beauty in big sizes and a more subtle Text variation appropriate for smaller sizes. The variable font combines the best of both worlds and provides unique flexibility to switch between all of the font weights and the text and display style at the same time. The font supports Extended Latin and Cyrillic scripts and its main purpose is to be used in editorials, although it may find good implications in headlines, impactful landing pages, posters, and packaging.

Nadirii Pro Greek Cyrillic Font is a fun display typeface with a nostalgic touch. In fact, this typeface supports over 30 languages and it can be a perfect match for all your food packaging projects. Of course, you can use it for organic handcrafted products branding. Also, it can be an ideal tool for storytellers, too! In other words, the crafty feeling of this font is pairing perfectly with illustrations, book covers and handmade social media content. In addition, Nadirii Pro Font supports extended Greek diacritics or Polytonic Greek. Therefore, this feature is perfect for writing Byzantine, Katharevousa and Greek-Orthodox texts, with a modern twist.

There are a lot of narrow passages... like the Straits of Gibraltar, Hormuz, of Malacca, of Thermopylae, the Dardanelles, the Dervenakion, Magellan, Rentina of Naruto, Kerch etc. I tried to pass into mine closely with the name «Artios Pro". Walking on the same considerations as the previous series (Khamai/Aeolus/Corset) I tried to give some sense of diversity for narrow passages of the letters. These twelve style are the result. And here, the "Rail" engage with "Semi Bold" in the same way as the previous series. This series is composed and includes 12 fonts with 625 glyphs each, with true italics and supports Latin, Greek and Cyrillic.

Teaspoon was originally designed by Haley Fiege as a project-specific font in 2007, then completed and produced by Canada Type for commercial viability in 2008. With a personality that can only be described as “ironic cute”, it serves as a much needed alternative for the old overused poster faces, such as Cooper Black and Gill Sans Extra Bold. Words that look good set in Teaspoon include puppies, rainbows, salmonella poisoning and Tom Cruise. Teaspoon is available in all popular formats, comes with plenty of alternate characters, and supports a wider than normal range of Latin-based languages, as well as Cyrillic and Greek.

SK Femme Fatale is a decorative typeface inspired by strong women and their contributions to culture and design. The typeface is built with great attention to detail, its curves are thought out to the smallest detail, which gives the symbols a unique sophisticated character. The symbolic composition is rich not only visually, but also in typesetting: the typeface supports many languages, including extended Cyrillic alphabet and Latin alphabet. For better visual communication, ligatures have been added to the typeface. They enhance the interaction of the character form. A wide range of additional characters, numbers, arrows, etc., expand the possibilities of using the typeface in various areas of design.

Osbourne is a display typeface with titles based on a refresh, a revival of Salem, originally designed by Keystone Type Foundry. A font with elevated x-height and condense proportions. Visibly “sharp.” In addition to the default version, it has two other versions: one that is sharper and another with wide alternatives to the circular characters. Between these and its five weights, Osbourne has a range of personalities to fit a designer’s needs. Think titles, branding, short texts, whatever you want to make look good. Yet another font in the Latinotype arsenal that covers more than 200 languages within the Latin alphabet and basic Cyrillic.

Lucida Grande is a humanist sans serif font with a large x-height, clear letterforms, and space-saving economy. Its easy reading qualities make it legible for printing and screen displays even down to small sizes. Lucida Grande is part of the Lucida superfamily of fonts from Bigelow & Holmes. Lucida is highly regarded for legibility and its extensive range of type styles. The Lucida Grande family has eight fonts with weights from Thin to Black with matching italics. Each font has 674 glyphs and supports the W1G character set. This includes Latin, Greek and Cyrillic alphabets to support many languages in Europe, the Americas, and worldwide.