Hello! Presenting a vintage dark font "Chimera Tail". It's a wide textured typeface with automatically replaceable initial and final extended characters. Also a clean version without texture is included.

This robust, roly-poly typeface is patterned after a 1974 release from the Ludwig & Mayer foundry of Frankfurt am Main named Big Band, and designed by Karlgeorg Hoefer. The type color is even darker than the original, and the result is a delightful face that will definitely attract attention. The PC Postscript, Truetype and Opentype versions contain the complete Latin language character set (Unicode 1252) plus Central European (Unicode 1250) languages as well.

Sorvettero is a sans, layered and unicase typeface inspired by some wood signs at Descansópolis, a neighborhood on Campos do Jordão, a city of Brazil. A fun and cute display project with different use purposes, like packaging, logos, signs, and whatever your creativity brings on. Designed by Diego Maldonado, with contribution of Tony de Marco on the Diamond style.

Batman & Robin! Thelma & Louise! Butch Cassidy & The Sundance Kid! Hip Flask & Farrell! Frodo & Sam! Sonny & Cher! Calvin & Hobbes! Bert & Ernie! Dynamic Duos exist in all forms of literature & entertainment, and now Comicraft is proud to introduce its latest alliterative offering, DYNAMIC DUO! A buddy movie in font form, Dynamic Duo is a team-up of Solid and Open weights who can’t decide who is the lead and who is the sidekick! In the fine tradition of all two-in-ones and company-wide comic crossovers, first they fight and then they team up — to take your design on the biggest, loudest, most intense adventure of All Time. Dynamic Duo features comic-book style hook caps and alternate uppercase letters which automatically cycle for a more natural, hand-drawn appearance. Solid and Open weights can be layered to create chromatic effects, and matching variable fonts allow near-infinite control of weight and slant. Each weight contains 478 glyphs and supports 220 languages. Comicraft fonts are created BY comic book letterers FOR lettering comic books. Accept no substitutes! Artwork by Axel Medellin from Elephantmen #73

The design of Futura seems to be timeless. This typeface family which had been developed in 1926 by Paul Renner for the Bauer Type Foundry in the style of constructivism and as part of the Bauhaus movement, experienced, however, in the course of the past 90 years, repeated time-appropriate revivals which guaranteed its on-going popularity. The version of the Futura EF Pro contains the original character constructions which Dennis Megaw described as the “first designs of Futura” in 1938 in “20th century sans serif types, Typography no. 7” (See: Dr. Christopher Burke: Paul Renner, Princeton Architectural Press, New York 1998). What makes it exceptional is the extension into three weights: “Text”, “Headline” and “Index” which came about as part of a degree dissertation at the Hochschule für Bildende Künste (HFBK) in Hamburg. In this context, the accompanying documentation “Die Kritik der reinen Futura” (“The Critique of the Pure Futura”) by Katharina Strauer was published by the Materialverlag, Hamburg, in 2003. Some copies are still available at Elsner+Flake.

The design of Futura seems to be timeless. This typeface family which had been developed in 1926 by Paul Renner for the Bauer Type Foundry in the style of constructivism and as part of the Bauhaus movement, experienced, however, in the course of the past 90 years, repeated time-appropriate revivals which guaranteed its on-going popularity. The version of the Futura EF Pro contains the original character constructions which Dennis Megaw described as the “first designs of Futura” in 1938 in “20th century sans serif types, Typography no. 7” (See: Dr. Christopher Burke: Paul Renner, Princeton Architectural Press, New York 1998). What makes it exceptional is the extension into three weights: “Text”, “Headline” and “Index” which came about as part of a degree dissertation at the Hochschule für Bildende Künste (HFBK) in Hamburg. In this context, the accompanying documentation “Die Kritik der reinen Futura” (“The Critique of the Pure Futura”) by Katharina Strauer was published by the Materialverlag, Hamburg, in 2003. Some copies are still available at Elsner+Flake.

Nyctophobia - a pathological fear of the dark. Hopefully no fear for this font, as it will add that bit of horror to your projects. Comes with kerning and the most used accents.

My kids had been playing with crayons, so I stole a nice dark one to make a fonts with. Meet Crayon Works - a rounded, handmade childlike font made with my kids’ crayons!

Hand-lettered stencil lettering on the movie poster for Alfred Hitchcock's 1955 dark comedy-thriller "The Trouble with Harry" inspired Hitchcock Stencil JNL; named in honor of the great master of suspense cinema.

Bucanera Antiqued is the black ship of Bucanera's family, sure you will use it in any dark or dirty project. Try the Open Type version to reach its numerous swashes, flourished and alternate characters.

YES! Seemingly insoluble lettering challenges can now be resolved by Comicraft’s uneFXpected and eFXceptional new font, FXMACHINA! Generate Enormous Threatening Sound Effects or Sinister Spikey Logos and Titanic Title Lettering with this Nefarious Machination designed by John Roshell. Crossover Events between Parallel Universes will instantly become Darker and more Secretive with the application of this Apocalyptic Omega/Alphabet. It’s like a Celestial Intervention! FXMachina features upper and lowercase characters, Western & Central European accents, and “Spike Mode” in Opentype Stylistic Alternates.

Pax is clearly a didone, using Vox classification. The contrast between the thin lines and the thicker ones is noticeable, as you would expect from a didone. The basic form is relatively narrow, therefore I designed another Pax, slightly wider and darker, and called it Pax #2. Otherwise they are more or less identical. Pax is Latin for peace, on everyone's want list in 1995 - as well as every single year before and after that. Pax was released in 1995.

Made from a simple font incantation, the Invocation typeface was born. Inspired by an old Atari game called Necromancer where trees uprooted and came after the wizard, or something like that. The end result, a thematic typeface spawning roots. On darkened night, the moon eclipsed, a cryptic verse does pass my lips, from ancient parchment, edges worn, this Invoctation font is born... Sometimes we need an evil look for our designs, so why not summon this typeface into your hands today!

Pax is clearly a didone, using Vox classification. The contrast between the thin lines and the thicker ones is noticeable, as you would expect from a didone. The basic form is relatively narrow, therefore I designed another Pax, slightly wider and darker, and called it Pax #2. Otherwise they are more or less identical. Pax is Latin for peace, on everyone's want list in 1995 - as well as every single year before and after that. Pax was released in 1995.

Reanimatic, a futuristic scifi font. This typeface is a modern display sans serif packed with a reimagination of a dark future technology. This font is perfect for a big size display or title and even logo.

✒️Belong Faith✒️is a font inspired by the Blackletter typeface, made with a modern impression but still looks strong and unique. Supported by alternative options such as swash, ligature and alternative characters, making the Belong Faith font very easy to create designs with strong or dark themes. In addition, the Belong Faith font is also supported with multilingual characters that can be used in several international languages. The Belong Faith font is very suitable for use in making music album cover designs, tattoo logos, wishkey labels, packaging pomades and so on which are made with dark and strong concepts.

✒️⬛Belligoes⬛✒️ Font is a font inspired by the Blackletter typeface, made with a modern impression but still looks strong and unique. Supported by alternative options such as swash, ligature and alternative characters, making the Belligoes font very easy to create designs with strong or dark themes. In addition, the Belligoes font is also supported with multilingual characters that can be used in several international languages. The Belligoes font is very suitable for use in making music album cover designs, tattoo logos, wishkey labels, packaging pomades and so on which are made with dark and strong concepts.

✒️Hello Mytoys✒️is a font inspired by the Blackletter typeface, made with a modern impression but still looks strong and unique. Supported by alternative options such as swash, ligature and alternative characters, making The Hello Mytoys Blackletter very easy to create designs with strong or dark themes. In addition, The Hello Mytoys Blackletter is also supported with multilingual characters that can be used in several international languages. The Hello Mytoys Blackletter is very suitable for use in making music album cover designs, tattoo logos, wishkey labels, packaging pomades and so on which are made with dark and strong concepts.

✒️The Quality Brave✒️is a font inspired by the Blackletter typeface, made with a modern impression but still looks strong and unique. Supported by alternative options such as swash, ligature and alternative characters, making The Quality Brave font very easy to create designs with strong or dark themes. In addition, The Quality Brave font is also supported with multilingual characters that can be used in several international languages. The Quality Brave font is very suitable for use in making music album cover designs, tattoo logos, wishkey labels, packaging pomades and so on which are made with dark and strong concepts.

✒️Ghosthey Typeface✒️is a font inspired by the Blackletter typeface, made with a modern impression but still looks strong and unique. Supported by alternative options such as swash, ligature and alternative characters, making The Ghosthey Typeface Blackletter very easy to create designs with strong or dark themes. In addition, The Ghosthey Typeface Blackletter is also supported with multilingual characters that can be used in several international languages. The Ghosthey Typeface is very suitable for use in making music album cover designs, tattoo logos, wishkey labels, packaging pomades and so on which are made with dark and strong concepts.

✒️Maboth Typeface✒️is a font inspired by the Blackletter typeface, made with a modern impression but still looks strong and unique. Supported by alternative options such as swash, ligature and alternative characters, making The Maboth Typeface very easy to create designs with strong or dark themes. In addition, The Maboth Typeface font is also supported with multilingual characters that can be used in several international languages. The Maboth Typeface is very suitable for use in making music album cover designs, tattoo logos, wishkey labels, packaging pomades and so on which are made with dark and strong concepts.

The GateKeeper typeface was inspired by old horror movies, and the various poster typography that went with some of them. A loose and pointy typestyle, GateKeeper embodies the dark side of typography and life, with a creepy and on edge feeling. With large and small capitals, it is easy to exchange cases in events of double characters, which can lend for a very interesting offbeat quality. Usable for any ocassion, but most suitable for dark matter. Learn about the GateKeeper, study his methods, and pass his test. Get the GateKeeper typeface today, and you are on your way!

✒️Remboland Typeface✒️is a font inspired by the Blackletter typeface, made with a modern impression but still looks strong and unique. Supported by alternative options such as swash, ligature and alternative characters, making The Remboland Typeface Blackletter very easy to create designs with strong or dark themes. In addition, The Remboland Typeface Blackletter is also supported with multilingual characters that can be used in several international languages. The Remboland Typeface is very suitable for use in making music album cover designs, tattoo logos, wishkey labels, packaging pomades and so on which are made with dark and strong concepts.

Argentinian type designer Dario Muhafara created this script FontFont between 2003 and 2009. The family contains 4 weights and is ideally suited for advertising and packaging, festive occasions, film and tv, poster and billboards as well as software and gaming. FF Jackie provides advanced typographical support with features such as swashes, ligatures, alternate characters, case-sensitive forms, and stylistic alternates. It comes with proportional lining figures.

Cocogoose Pro Narrows has been completely re-engineered in 2020 to include extra features and technologies. A darkmode weight range has been added to the whole family, to keep consistency of effect when the typeface is used in reverse on the web and in dark mode interfaces. Also, a new Ultra Compressed subfamily has been developed for display usage. Designed by Cosimo Lorenzo Pancini in 2013, Cocogoose was first expanded in 2015 with the help of Francesco Canovaro who co-designed the decorative display weights and Andrea Tartarelli who developed the condensed widths. In 2020 a full redesign of the typeface has been published: Cocogoose Pro now includes new widths, weights, open type features and characters, thanks to the help of Mario De Libero. Influenced by vernacular sign-painting and modernist ideals, Cocogoose is drawn on a classic geometric sans skeleton, softened by rounded corners and slight visual corrections. Its very low contrast, dark colour and tall x-height make it a solid choice for all designers looking for a powerful display typeface for logos, headings and vintage-inspired branding. The tall x-height makes texts set in Cocogoose very readable even at small sizes, while the bold regular weight allows for maximum impact when used as a branding, signage or decorative typeface. Cocogoose Pro was designed as a highly reliable tool for design problem solving, and given all the features a graphic designer needs, starting from its wide range of widths and weights. Its 2000+ latin, cyrillic and greek characters make sure it covers over 200 languages worldwide, while its comprehensive set of open type features allows faultless typesetting thanks to small capitals, positional numbers & case sensitive forms. A wide range of alternate letterforms, developed along nine different stylistic sets, gives you an extra level of design fine-tuning. The layerable and colour-ready display variants include inline, outline, shadow and a letterpress version that can simulate the effect of old print, also thanks to programmed randomization of its letters.

My uncle has a real fine handwriting. Especially the long ascender and descenders are very characteristic. It is dynamic and a good legibility. Try the font in a dark blue color (C90, M15, Y0, K60) and 22pt.

Are you ready to bring some dark and edgy vibes to your designs? Look no further than the Hellfire Flames | death metal font! With its black fire-inspired design and brutal form, this font is perfect for adding a touch of darkness to your work. Hellfire Flames is a death metal font that embodies the essence of infernal power and brutal energy. The font's letters take the shape of black flames, with a raw and aggressive design that will leave a lasting impression. The font includes both uppercase and lowercase letters, as well as a range of symbols, numerals, and foreign language support, making it a versatile tool for any project. Hellfire Flames also offers an array of extraordinary and unique death metal ornaments. These intricate designs are perfect for adding a touch of dark ambiance to your project, and are sure to impress any fans of the genre. Hellfire Flames is perfect for anyone looking to add a touch of darkness and aggression to their design projects. It's especially well-suited for projects related to death metal, black metal, gothic, horror, and other genres of heavy music. This font is also great for creating logos, album covers, merchandise, and other graphics that need a raw and intense look. Its unique death metal ornaments make it a great choice for adding an extra level of detail and flair to your designs. So why settle for boring fonts when you can unleash the power of darkness with the Hellfire Flames? Get ready to create designs that are truly unforgettable and take your work to the next level! ——— Hellfire Flames features: A full set of uppercase and lowercase Numbers and punctuation Multilingual language support PUA Encoded Characters OpenType Features +238 Total Glyphs +50 Death Metal Ornaments and Splatter included! ———

No Help is an all caps display font that comes with a scary-dark-black-halloween style. suitable for tshirt, branding, social media, and so on. contains standard English letters, numbers, punctuation, and several accents that support multilingualism.

Created by Blambot’s Nate Piekos for a party invitation, IRISH STOUT has a deep, dark aroma and a creamy, white head. Serve ice cold with a heaping plate of Shepherd's Pie! Comes with a six-pack of European characters.

The Tecn@ Standard family was designed so that its characters are legible and easy to interpret in any writing; among them, the descriptive memory of plans for example. Tecn@ Standard complements the Tecn@ Background Light and Dark Square Triangle font family.

The techno sound of the 1990s, a personal computer, font creation software, and some inspiration all came together to inspire the F2F (Face2Face) font series. Alessio Leonardi and his friends had the demand to create new unusual typefaces, which would be used in the leading German techno magazine of the day, Frontpage. Even typeset as small as 6-points, in nearly undecipherable layouts, it was a pleasure for the kids to read and try to decrypt the messages. F2F Madame Butterfly is a font with a heavy, or dark, appearance. The darkness is brought about by the overlapping bits of glyph forms that make up each letter in the typeface.

Introducing Fire Hell – a fiery font inspired by the intensity of death metal. With flames dancing within each letter, this font is tailor-made for death metal, black metal, gothic, horror, and other heavy music genres. The sharp, angular design adds a touch of darkness, making it the perfect visual companion for bands seeking a fierce and impactful typographic identity. Unleash the power of Fire Hell to set your artwork ablaze and embody the relentless spirit of heavy music. Ignite the darkness with this visually striking font! Fire Hell features: Allcaps Beginning Uppercase alternate Ending Uppercase alternate Numbers and punctuation PUA Encoded Characters OpenType Features

When horror and retro are combined in a more elegant composite, we present Suzanstein! Because darkness is not always about ghosts, death, and sadness. Suzanstein takes you to explore other possibilities. This font is perfect for horror themes surely, but can also be used on themes of darkness, passion, youth, idealism, social issues, even motivation. Suzanstein is an all-caps font with small caps and comes with an OpenType feature to add variety to your designs. You can apply Suzanstein for T-shirts, logos, posters, flyers, stickers, quotes, book covers, short editorial, and many more! Featured : Uppercase Smallcaps Numbers Punctuation Symbols Multilingual accents Stylistic alternates Ligatures That's all, folks!

Introducing "Abyssal Gothic Textura," a hauntingly elegant blackletter font that reimagines medieval dark-fantasy with a modern twist. This font captures the allure of ancient calligraphy while preserving its historical aura. Meticulously crafted, each character exudes gothic grandeur, appealing to both traditionalists and forward-thinking designers. Ideal for sophisticated projects, it lends enigmatic allure to book covers, posters, and invitations. With support for multiple languages and stylistic alternates, "Abyssal Gothic Textura" empowers creativity in diverse designs. Let it guide you into the dark-fantasy realm, where it unveils hidden depths, bridging ancient charm and contemporary allure. Embrace the enigma of history with this captivating typographic gem.

Thunder Inferno is a gothic black metal typeface with sharp serifs. Rooted in the aesthetics of heavy metal and the occult, this typeface is a harbinger of darkness and intensity. Evocative of Halloween and gothic grandeur, Thunder Inferno also captures a march toward darkness. It serves as a rebellious voice for skate culture and alternative lifestyles. Crafted exclusively in uppercase, this font is a growl in typographic form, a visual cacophony that grabs your attention and refuses to let go. Capitalize the first and last letters of any word for symmetrical heavy metal style. Example: Heavy metaL Enclose any word in < > ( ) [ ] { } to give it wings. Example: [HawkstylE]

Zart is a heavy yet delicately sensitive display typeface filled with character, a free interpretation of the classical French styles from the late eighteenth century, reimagined for modern use. While it’s vertical strokes carry the typical weight of this style, the thinness of the horizontal strokes is further extended into the characters with the introduction of large vertical ink traps. This allowed us to design slightly narrower letters which, coupled with shorter serifs, result in a overall darker expression, creating really impactful headlines. Zart is available in three versions: Regular, Italic and Script.

The design of Candle Wax JNL comes from an original movie poster for the movie "Bell, Book and Candle" starring James Stewart. The oddly erratic letter forms conjure up ideas of spells, witchcraft and other things found lurking on dark moonlit nights.

March Anchor is a organic blackletter with handdrawn feel. This typefaces is perfect for people looking for vintage aesthetic and dark feel. Suitable for any graphic designs such as branding materials, t-shirt, print, logo, poster, t-shirt, quotes .etc Regards, Ironbird Creative