Southern colonialist is a new slab typeface from Intellecta, based on ancient advertisements from the Wild West of America Good for titling and display usage; in many styles.

Snappy is a friendly and curly font. It is influenced by the typical coffee house typefaces in france. It comes along with four weights and one outline font.

New modern font with aesthetic principles of renowned Bauhaus design school. It's based on radically simplified forms, functionality and rationality. The embodiment of modernism, modern and authentic style.

PlatformOne is a 10 font family consisting of 5 weights with italics. A clean geometric font with precise corners inspired by commuter travel on Britain's public transport networks.

This contrast grotesque works well in text sizes and in large ones. Here are two sub-families: contrast and most contrast Display. Ideal companion for Osnova type family.

Kaila is a bold but elegant serif font. Its elegance and simplicity make this font look absolutely stunning on a variety of design ideas, both formal and informal.

The typeface was designed at ParaType (ParaGraph) in 1993 by Tagir Safayev. Similar to Choose One/Ten typeface, by Bryan Thatcher. For use in advertising and display composition.

Completely new font inspired by 1920's design and architecture. This elegant font is suitable for titles and bold headers and would work great on invitations and posters.

Biyenka Signature with a handmade Signature style, decorative characters and a dancing baseline! So beautiful on invitation like greeting cards, branding materials, business cards, quotes, posters, and more!!

Master Flo is a freestyle script based on handwriting. The face inspired by flat-nib felted pen or brush calligraphy. For use in short texts and informal headlines.

Drillmaster is a natural brush font with gorgeous texture and uniqueness, adding authentic charm on your design. It has a complete offering of characters and includes many ligatures.

Kidspace is playful style font, with alphabet, numbers, symbol, and multilingual feature. You can use this on kids project, logo, social media post, book cover, and other project.

Pleinair - all caps serif font with alternatives on lower case. Besides Pleinair have two Stylistic sets for two-tier typesetting. Also Pleinair have some decoratives and swashes characters.

Based on an architect's handwriting, Lu has a good balance between quirkiness and legibility. With an extended character set, it is a good choice for setting short texts.

Based on vintage wood type, Nostrand JNL is a tall, condensed serif face - named for an avenue in font designer Jeff Levine's home town of Brooklyn, New York.

Katiki Can is a bold, messy, painty display font inspired by all of the trashcans in the Outer Banks with names of rental homes painted on the side.

A revival of one of the popular wooden type fonts of the 19th century, suitable for display. It has curved sides, very short descenders, and curved, blocky serifs.

Wilma has 19 weights ready to be combined. Please read the instructions for this font carefully, in the PDF. You will find tips on how use it properly.

Letterpress Goodies JNL collects various vintage stock art, decorative elements, border pieces and miscellaneous devices into one handy font file chock full of nostalgia for every print purpose.

Circumactio, the Latin for Spin, is a thin Typeface based on a grid. The circle in the grid replaces the Crossbar, and gives the Typeface a little differential.

Based on informal pen handwriting. A set of Western characters and two bold weights were added in 2011 by Gennady Fridman. For use in advertising and display typography.

Jesdial Signature with a handmade Signature style, decorative characters and a dancing baseline! So beautiful on invitation like greeting cards, branding materials, business cards, quotes, posters, and more!!

Even as a child, I was interested in letterforms. I admired my grade 4 teacher's handwriting and so Ronita is based on fuzzy memories of her elegant script.

A generous assortment of cartoons, catch words, ornaments, embellishments and even a pointing hand tourist sign modeled from an actual vintage metal one round out Printers Stuff JNL.

Duffle Bag JNL continues Jeff Levine's series of stencil fonts. Most are from authentic, vintage sources; this one is an original... and with a sports theme to boot!

Crowden is a cool, bold and futuristic display font. It works great on games, science projects, sporting events or pretty much anything that requires a high-tech vibe.

Designed at ParaType in 1989 by Vladimir Yefimov based on Advertisers Gothic, 1917, by Robert Wiebking, inspired by Art Nouveau lettering. For use in advertising and display typography.

This font based on and inspired by stencil signage in construction site. As you can see, heavy and rugged glyph is very eye-grabbing for headline and titling.

Rooster Families are based on a ventilation grill. All the individual characters are isolated from this form. Rooster 1 and Rooster 2 can be combined with each other.

Rooster Families are based on a ventilation grill. All the individual characters are isolated from this form. Rooster 1 and Rooster 2 can be combined with each other.

A revival of one of the popular wooden type fonts of the 19th century, with classic flat slab serifs, unbracketed, short descenders. Very popular in the 19th century.

Linotype Venezia Initiale is part of the Take Type Library, selected from the contestants of Linotype’s International Digital Type Design Contests of 1994 and 1997. Designed by German artist Robert Kolben, the font is based on the classic forms of Roman writing in the 1st and 2nd centuries found chiseled on countless buildings and monuments. Linotype Venezia Initiale is a timeless, elegant font particularly well-suited to headlines or as initials in combination with other fonts, working especiall well with sans serif alphabets.

Poster type faces from the twenties and thirties are enjoying a new wave of popularity. The summary, even rather hard principle of the sign is required for a view from a distance. The information appearing on the poster must be readable even from the opposite pavement. And, as is often the case with monumental type faces, these type faces are legible even in small sizes. The name Bahnhof suggests the hypothetical use of the type face on railway station buildings.

Lina Serif is an antiqua balanced between classic and modern. The design focused on the combination of flowing shapes and partially edged transitions, that give Lina her character. The font plays with a high line contrast in combination with dynamic shapes. This makes Lina a casually elegant display font. The terminals remind on floral shapes. Lina gives your design a human, natural touch. Lina Serif is available in 4 weights or as variable font with infinitely variable interpolation of weight.

This is the rounded version of Penta! »Penta« is a new Sans typeface, designed in the American tradition with contrast between the up- and downstrokes. The contrast is hardly visible on the »thin« cut, but the heavier the weights get, the more contrast becomes visible. That makes this font very useful, almost linear in the lighter weights and very distinct rhythm in the heavier ones. »Penta« is extremly versatile, it can be used for bodycopy in the lighter weights and for heavy headlines.

Beneventan is the script that was in use in Southern Italy and Dalmatia from the 8th to 14th centuries, Agedage Beneventan is a Opentype font supporting some opentype layout features. To use these functions, you need to use an application which supports OpenType advanced features such as Adobe InDesign CS, Illustrator CS and Photoshop CS. We strongly recommend: Standard Ligatures : ON Discretionary Ligaures : ON In addition, the font includes: - Lining Figures - Swash - Ordinals - Numerators, Denominators and Fractions and a few alternates

Cover Sans is a humanist geometric typeface with an orthogonal structure, which provides stability when composing a text. Open shapes and low x-height give this font balance and makes it an air-breathing typeface. Cover Sans is a stable and strong condensed font that works well for magazines and publishing. The strong personality of its alternative characters gives the font a modern and elegant style, which makes it ideal for use on annual reports as well as on business logotypes.