FormPattern Color Two is a dingbat font for creating borders, frames, lines, and patterns. It is made up of a versatile set of interconnectable shapes that can flow together to make lines, borders, and patterns. Try different letter spacing to connect the forms into a continuous pattern or to space them apart. Explore leading (line spacing) to create large areas of pattern. Work with layering and opacity to discover the color-mixing potential of this font. Web designers can use FormPattern to make unique horizontal rules. How does FormPattern work? Install is as a regular font and as you type you will get forms instead of letters. Most design software, such as Illustrator, InDesign, and Photoshop provide a glyphs palette where you can choose the precise form you want. Color fonts are supported by Photoshop 2017, Illustrator 2018, and QuarkXPress 2018 (and later versions). A solid uncolored font comes with every purchase and can be used in applications that do not support color fonts. It will appear black and can be colored in the usual ways. FormPattern Color Two is compatible with all other FormPattern fonts from Tarallo Design.

Fantini is the revival and elaborate update of a typeface called Fantan, made in-house and released in 1970 by a minor Chicago film type supplier called Custom Headings International. In the most excellent tradition of seriously-planned American film faces back then, CHI released a full complement of swashes and alternates to the curly art nouveau letters. Fantan didn't fare much among the type scene's big players back then, but it did spread like electricity among the smaller ones, the mom-and-pop type shops. But by the late 1980s, when film type was giving up the ghost, most smaller players in the industry were gone, in some cases along with little original libraries that existed nowhere else and became instant rarities on their way to be forgotten and almost impossible to resurrect for future technologies. Fantini is the fun and curly art nouveau font bridging the softness and psychedelia of the 1960s with the flirtatious flare of the 1970s like no other face does. Elements of psychedelia and funk flare out and intermix crazily to create cool, swirly letters packed with a lot of joy and energy. This is the kind of American art nouveau font that made its comeback in the late 20th century and is now a standard visual in the branding drive of almost every consumer product, from coffee labels to book and music covers to your favorite sugar or thirst-crunching fix. Alongside Fantini's enormous main font come small caps and three extra fonts loaded with swashy alternates and variations on plenty of letters. All available in all popular font formats. Fantini Pro, the OpenType version, packs the whole she-bang in a single font of high versatility for those who have applications that support advanced type technologies. In order to make Fantini a reality, Canada Type received original 2" film specimen from Robert Donona, a Clevelander whose enthusiasm about American film type has never faltered, even decades after the technology itself became obsolete. Keep an eye out for that name. Robert, who was computer-reluctant for the longest time, has now come a long way toward mastering digital type design.

Moho Script introduces a decorative modern geometric of Japanese, sometimes german flavor for an unconventional script. It breaks the mold of the usual fonts to create a new visual impact of absolute contemporaneity with a retro touch. Moho Script, as all typefaces of this extended family, comes in five weights and an inline style, and it's been provided with a complete set of glyphs for languages ​​of the Eastern and Western Europe. With the OpenType feature Swash you can make words with letter "t" that overlap to achieve what no meet in others typefaces. Moho Script is a perfect font for headlines display, menus, deals, logos, labels, outdoor advertising and publishing design, great for architecture, fashion, music, aviation and social affairs.

Usage recommendations: Captions, fliers, packaging, cards, posters, ads, book jackets, manuals, menus, bulletins, magazines, greetings, announcements.

Usage recommendations: Captions, fliers, packaging, cards, posters, ads, book jackets, manuals, menus, bulletins, magazines, greetings, announcements.

The concepts of this font come from the Palmer’s Penmanship guides and manual from XIX century.

Usage recommendations: Captions, fliers, packaging, cards, posters, ads, book jackets, manuals, menus, bulletins, magazines, greetings, announcements.

SCALTER was designed in the early April and published in July 2020. Scalter Serif is inspired by the characteristics American vintage sign then the sans serif it’s combination retro typeface. All shape of this typeface is make strong and more contrast, giving a more dynamic and retro feel. Scalter are available in 5 Widths (Condensed – SemiCondensed – Normal – SemiExpanded – Expanded) with matches 4 style (Serif – Semi Serif – Sans Bold- Sans Black - Script) with a total 42 Styles. Also includes support for 26+ Latin (Extended) Languages.

In 2015, Amsi Pro was released with the intention of easy usage and headings. After more than 5 years, Amsi has developed itself into the direction of Grotesk, which can be use comfortably as Graphic, both text and headlines, keeping its friendliness trait with Semi-Rounded and Humanist approach looking pleasing to the eye, succeeding the DNA of Amsi. The font has been set to equipped with 3 widths (Normal / Narrow / Condensed) for flexibilities in various demands. We are truly proud to present Amsi Grotesk.

Skillet is a bold vintage style serif font full of hedonism and joie de vivre. Skillet has strong character and extremely smooth features and self-confidence that springs from within. Skillet comes in two weights: Regular and Condensed. Even though the difference is small, Regular takes over the space while Condensed gives a more intimate impression. Skillet comes with a wide range of OpenType -features. Keep Standard Ligatures on in normal use. Try Discretionary Ligatures, Swash, Stylistic or Titling Alternates for custom headlines or logos.

This family, in normal and bold weights, is based on Advertisers Gothic, designed by Robert Wiebking for Barnhart Brothers & Spindler in 1917. The original might be considered a transitional design between Art Nouveau and Art Deco; this version accentuates the Deco traits, adding a thick-and-thin treatment not found in the original. The large x-height and short descenders allow for compact, commanding headlines with a carefree charm, a.k.a. bell'agio. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

Upholding aspects of geometric shapes Created Pelinka. Pelinka is a Sans serif Family that has a solid foundation of geometric shapes designed to be bold and flexible. This typeface has all the widths needed to meet various design needs, Condensed, Normal and Expanded each width has 9 weights. Pelinka also includes support for Cyrillic and Greek Alphabets. Opentype feature: aalt, frac, liga, locl, numr, onum,ordn, salt, sinf, ss01, ss02, subs, sups, kern, mark. Language support for the Americas, most of Europe,Cyrillic and Greek.

As a follow-up to his popular Chocolate font, Angel Koziupa softens his brush again to produce Felipe, a font made in the memory of his brother. As packaging-friendly and versatile as any Koziupa font, Felipe contains fresh perspectives on old characters. Some of the majuscules and figures show characteristics normally reserved for minuscules. The overall color of the font is somewhat bittersweet, which adds to its ability to capture the attention in display settings. Felipe is ideal for packaging, signs, culinary-related designs, and posters.

Telephone Extended is a geometric semi-slab family with block serifs positioned to assist wordflow. The typeface evolved from an italic wordmark designed in 1966 for the British GPO by the Banks & Miles agency to publicize all-figure telephone dialling (all-number calling), and the new fonts retain that italic spirit, even in the upright romans. The squarish glyphs, with a mix of rounded and angular corners, have a post-modern feel suggesting technological advance, innovation and vitality. A normal width family, Telephone, is also available.

Varstate Slab font family is a collection of fonts inspired by the varsity sports team name's lettering seen on apparel such as Letterman jackets, t-shirts and hoodies. The fonts can be used in combination to provide a variety of design options and different looks in genres such as sports, leisure and industry. The font family consists of fonts in 4 weights; Normal, Semi Light, Light and Extra Light. Each font includes Latin basic characters which includes uppercase, lowercase, numbers, punctuation and much more.

Mediator is a balanced contemporary sans serif typeface that performs well both in display sizes and body text. The family contains 30 fonts in 3 widths: 8 romans with matching italics, of slightly extended proportions, from Thin to Black; 7 narrow and 7 condensed, from Thin to ExtraBold. The character set in normal upright faces was expanded to include small caps and all faces include old style figures. The typeface was designed by Manvel Shmavonyan with the participation of Alexander Lubovenko and released by ParaType in 2016.

German type designer Achaz Reuss created this display and sans FontFont in 2004. The family has 26 weights, ranging from Extra Light to Black in Compressed, Condensed, Normal, Semi Extended, and Extended and is ideally suited for advertising and packaging, logo, branding and creative industries, poster and billboards as well as sports. FF QType provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with tabular lining and proportional lining figures.

Varstate Rounded font family is a collection of fonts inspired by the varsity sports team name's lettering seen on apparel such as Letterman jackets, t-shirts and hoodies. The fonts can be used in combination to provide a variety of design options and different looks in genres such as sports, leisure and industry. The font family consists of fonts in 4 weights; Normal, Semi Light, Light and Extra Light. Each font includes Latin basic characters which includes uppercase, lowercase, numbers, punctuation and much more.

Proudly Introducing you my new font collection – The Pretender. This collection was born and inspired by American sign painting typography and vintage package design. Wide range of styles for a wide range of use. This collection gives you awesome vintage look effect, which one will add the hand-touch feeling for your project. Light, Regular, Medium and Bold widths goes as Sans and Serifs and Normal or Expanded! And, of course, vintage candy Script! But that's not all – Every font comes as a Clear and Pressed style!

OpenType Layout features: stylistic alternates, localized forms, uppercase-sensitive forms, oldstyle figures, lining figures, arbitrary fractions, superscript, subscript. Consolas is intended for use in programming environments and other circumstances where a monospaced font is specified. All characters have the same width, like old typewriters, making it a good choice for personal and business correspondence. The improved Windows font display allowed a design with proportions closer to normal text than traditional monospaced fonts like Courier. This allows for more comfortable reading of extended text on-screen.

Inspired by an old matchbook which read: "Chop Suey: Finest Chinese and American Cooking". Chop Chop recreates that matchbook printed feel with soft rounded edges on what one would normally expect to be a sharp and pointy typeface. The typeface has two versions of each capital form, one in the capitals and one in the lowercase positions. The Contextual Alternates feature auto-magically swaps every other character with the alternative version allowing you to easily type you message, while creating a little diversity as well.

Why Baka Expert? There’s actually a simple answer. The original Baka was done as an experiment of sorts. I wanted to quickly capture a rough, frenetic handwriting style that broke normal conventions. Commercially, it was successful, received some accolades ... but I wasn’t completely satisfied, so I went back to the master art and the lettering explorations and produced Baka Too. This addressed some of the line items I wanted to refine in Baka. I liked it. Each font has been out for a few years now, and I have seen them in use. I’m very critical of my work, and I could still see things—modulations of strokes, angle of the nib, ink swell, and so on—that I wanted to change, refine, and reorder. For me, it is typographic indulgence, but I wanted to take this handwriting ‘font’ and turn it into a robust ‘typeface.’ So I did just that and a bit more by adding back more of my initial flourish concepts; attaining tighter, consistent control of the modulation; optimizing points; adding titling options; and expanding the character language set. Baka and Baka Too had to exist to produce this entirely new re-envisioning of an old friend ... and they all play well together :)

Colonial Press is a font based on serif typefaces designed by William Caslon I (1692-1766) and various revivals thereof. Caslon is cited to be the first original typeface of English origin, but some type historians point out the close similarity of Caslon's design to the Dutch Fell types, presumed to be the work of Dutch punchcutter Dirck Voskens. Colonial Press harkens to the look and feel of newspapers in Colonial North America around the mid 1700s without the rough edges commonly associated with colonial printing and many reconstructions. The rough quality of the American typeface is believed to be the result of oxidation from the exposure to seawater during the long voyage from England to the Americas. Colonial Press is a heavy font that retains some of the handcut quality of these fonts while smoothing out the irregularities that make many of these fonts so visually distracting at larger point sizes. For the italic version of this font, I chose to emulate the more ornate letterforms that I have encountered, giving the italic characters a more ornamental feel. Colonial Press comes with full punctuation and a 362 glyph character set for most Western European-based Latin alphabet languages. It is a font that is designed both for normal typing and for larger, decorative display.

Goudy Forum is a revival and dramatic expansion by Tom Rickner, type designer at Ascender Corporation, of Frederic W. Goudy’s 20th typeface design, "Forum Title". The Pro font began twenty years ago while Tom Rickner was a student at the Rochester Institute of Technology (RIT). Tom printed a type specimen using the Forum Title foundry hot metal types. Then in 1993 Tom began to digitize the font from that specimen while working as an independent type designer. Fifteen years passed before Tom dusted off the digital data and began working in earnest on font with a full Latin 1 character set. Steve Matteson, type director at Ascender, encouraged Tom to take this font further still, and soon the glyph repertoire and feature set blossomed to a robust Pro font with a myriad of advanced typographic OpenType features.

Alphabet primarily used for writings with magical purpose in ancient times NOTE: this font comes with a comprehensive interpretation guide in pdf format.

HERENGRACHT (Patricians' Canal or Lord’s Canal) is the first of the three major canals in the city centre of Amsterdam. The canal is named after the heren regeerders who governed the city in the 16th and 17th century. The most fashionable part is called the Golden Bend, with many double wide mansions, inner gardens and coach houses on Keizersgracht. Former bureau of André Toet (SO)Design was situated there for over 32 years, it was about time to name one of our fonts to: HERENGRACHT. Concept/Art Direction/Design: André Toet © 2017

Moreva is a new casual modern script font. This font describes about girly, feminist, elegant, catchy, dynamic, humanist, easy to use and will bring a good harmony when the letters are connected and paired each other. FEATURES - Support Opentype Features - Support Ligatures - Automatic stylistic alternates am an ar at att bb bl cl ct dd fl el elt em en er et ett ff gg gt hh il im in ir it itt kk ll lt mm nn nt oo ol olt om on or ot ott pp rr ss se sh sk sl so st tt the um un ur utt yl yt Sl Sk St Sh Gl Gh Kl Kh Ch Cl Bl Bh - Uppercase - Lowercase - Numbering and Punctuations - Multilingual Support - Works on PC or Mac USE Moreva works great in any branding, logos, magazines, apparel, wedding designs, social media posts, advertisements, quotes, product packaging, product designs, label, photography, watermark, invitation, stationery and any projects that need handwriting taste. Enjoy using! Thanks. HIRO.std

Lumios is a freehand casual marker script that was created using Pilot Sign Pen. It has both extended Latin and basic Cyrillic support that is enhanced with oodles of ligatures (latin as well as cyrillic) and alternates. As a compliment to the script I also created Lumios Design Elements font that can be useful in brand design, greeting cards design etc. Both fonts were carefully traced by hand and have clean edges, hence they are safe to use in all graphic design software (including but not limited to Adobe Suite, Silhouette and Cricut Design, Affinity Designer etc) as well as on websites. The script is fully unicode mapped. To use it in Silhouette and similar applications that do not support OpenType features (yet), you may need to use your default Mac/Windows software such as Font Book or Character Map to select alternates you need. Lumios Marker is a perfect companion to Lumios Typewriter, sharing the same soft curves and clean letter edges.

Magie Slim is a handwritten font with a strong informal and expressive character to use together with Magie. It has the peculiarity of being able to combine uppercase and lowercase letters in the same word or in capital letters. It has OpenType features such as stylistic and contextual alternates, swashes, ligatures, initial and terminal forms, up to seven stylistic sets per letter (in uppercase and lowercase). We also include catchwords and ornaments. Imagine the amount of combinations you might do giving your text freshness and naturalness without equal!
 Magie Slim has a Central European language support to fit your design. This font looks beautiful on wedding invitations, greeting cards, logos, posters, labels, t-shirt designs, logos, business cards and is perfect for use in ink or watercolor works, fashion, magazines, packaging and food menus, children's books and whatever your imagination contains!
Magie Slim was created to give a more youthful, expressive and casual look to your project!

Eshajori is an elegant and soft serif font. The primary challenge in designing this font was finding a balance between complexity and simplicity, while ensuring it could be used on both computer screens and in print. Another challenge was achieving harmony between the characters, punctuation, and numerals, creating a visually appealing and playful visual vocabulary overall.

Introducing DAGUIN, inspired by the medieval look and feel in fashion visual, fusion up with the contemporary modern serif to reach the wider range of visual trend possibilities. From past to the future. Perfectly fit for your logo, magazine, look book, social media branding and content, beauty blog, fashion branding, website, clothing, merchandise, mood board concept, etc.

ITC Freddo is the work of New York designer James Montalbano and was inspired by a sign lettering manual from the 1930s. Montalbano liked the character shapes illustrated in this manual but found many of the proportions odd. So he reinterpreted them to produce capitals and lower case letters which, according to today's standards, better complement one another.

Mitchell was released by Inland Type Foundry in 1906 as a bolder version of their popular sans, Blair. This revival is faithful to the original, and is quite handy for both formal and informal use. Both flavors of this font feature the 1252 Latin, 1250 Central European, 1254 Turkish and 1257 Baltic character sets.

Machianto is a bold brush script which is purposely made for headline, display or logotype and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : Uppercase & lowercase Numbers and punctuation Alternates/Ligatures Multilingual PUA encoded

Geisha Holiday is an urban font with a unique look. The letters express slightly the formalized strokes of kanji characters but the overall tone is relaxation. Enjoy the laid back, modern, and distinctive style of Geisha Holiday. Geisha Holiday is extended, containing West European diacritics and ligatures, making it suitable for multilingual environments and publications.

Salud is hand-drawn typeface based on light and bold slab serif. It has 8 font styles and supports extended latin. It may be used in presentation for a big company or in flyers for a birthday party. Other words it plays at both sides: can be formal and at the same time funny.

The Flipped Toast display font is a playful and biteable look. There is a combination of modernity, playfulness, and formality in it. Your projects will be more fun with it since it contains so many alternates and ligatures. It's perfect for greeting cards, logos, posters, and anything else that needs a fun and happy look!