Jalebi font is quite like its namesake, the Indian deep-fried sweet. It is fat(tening), uneven, crunchy and addictive. Jalebi is an all caps font, but upper and lower case glyphs differ slightly and can be mixed. An ideal font for fat headlines, product packaging, signs and posters. Comes loaded with calories and diacritics!

This Gelora font is luxurious and classic engraved that is suitable for any design such as book covers, posters, quote designs, apparel, etc. This font is inspired by a colossal theme from the Roman Empire or something like a Gladiator story, but I found this font also looks suitable for a western cowboy theme.

This is a font to build an hebrew Bible (Tanach) or any Hebrew prayer book. Hebrew Classic Tanach has all unicode hebrew marks and others like, ShevaNa, Dagesh Chazak, Qamats Katan and Cholam Chaser. You can even hide marks You don't want to use. This font has a complex and exclusive programmation of opentype features.

Ganora is a semi serif decorative font. This font has a beautiful and aesthetic look. This font has classic serif legibility as well as beautiful modern curves. This combination makes type interesting in its own way. This font has alternate and ligature features that can help you complete projects like logos, magazines, brands and more.

Violet is a bold modern calligraphy font. Every single letters have been carefully crafted to make your text looks beautiful. This font is perfect for all your design projects like wedding logos, signatures, packaging design, stationary, modern websites and print projects. Violet comes with upper and lowercase characters, numbers, marks and punctuation. Enjoy Violet font!

Proudly present AO Tenko Display Typeface, a serif font designed for a versatile and stylish looks. This font features a full set of uppercase letters, multilingual symbols, numerals, fractions, punctuations and etc, making it perfect for a wide range of design projects like a branding, social media, poster, book cover, or a website design.

Have you ever wanted to print text upside down? There is, or course, software the lets you rotate text, but another way is to use an upside-down font like UpsidedownTOC. Notice that to use it to get upside-down printing, you must type in the words backwards. UpsidedownTOC is derived from the font TiredOfCourier.

Taluhla is lovely handwritten font with a matching set of borders, banners and ornaments. It is unique, elegant and easy to read. Taluhla has 3 different weights (light, regular and bold). It can be best used for invitations, greeting cards, posters, advertising, film, weddings, books, menus and anytime you would like to express yourself kindly.

Have you ever wanted to print text upside down? There is, or course, software the lets you rotate text, but another way is to use an upside-down font like UpsidedownJJ. Notice that to use it to get upside-down printing, you must type in the words backwards. UpsidedownJJ is derived from the font JetJane.

Simple Nib is a simple, modern and elegant serif font. The corners of each letter are rounded, making them dynamic and eye-catching for any design project. The embedded standard features are enough to meet your standard typography needs. However, if you like this font and need additional features, please feel free to contact me.

INTRODUCING NUCLEO – Modern Display typeface! NUCLEO is a modern monoline font with unique style that will make your design looks modern and futuristic. You can use this font for any purpose, especially to make logotype like a technology logo brand. This typeface is comes in uppercase, lowercase, punctuation, symbols, numerals, etc also support multilingual. Enjoy!

Monotes is an upper and lower serif font with balanced curves. Like all of my fonts inspired by letters from the good old days, but still has a strong modern look. A variety of alternative styles allow for versatile design options and work perfectly for headlines, logos, posters, packaging, T-shirts, postcards and more.

Guglia is an extra textura typeface ispired by the gothic architecture shapes and in particular to his vertical extremization based on a rigid scheme, like the calligraphy of that period. A spire (Guglia in italian) is a tapering conical or pyramidal structure on the top of a building, often a skyscraper or a church tower.

Jhaneponto is a display font with a hint of a modern blackletter style. Jhaneponto font is suitable to use for logos, titles, landing pages, leaflets, and others. With its shape and uniqueness, you will definitely like this font! This font is PUA encoded which means you can access the available glyphs and swashes with ease!

Religions are filled with signs and symbols. Some of them, like the the star of David and the Swastika-Rune received other significance during the third Reich. The superimposition of these two shapes creates the basis for this font. Matchwerk is a font, that critically questions and recalls the darkest chapter of our history.

Sailors Tattoo Waves is a modifikation of my Font Sailors Tattoo. This Fonts are made for best oldschool or traditional Tattoodesigns. You can color the half-version with the full-version. Take a graphic app like Affinity Photo or Affinity Designer and use the layers. Drop the colored full-version under the black half-version.

Caterina, was selected personally by Francis Ford Coppola for the film he produced called The Legend of Suriyothai. It's not the credits, but text placed in the center of the screen to introduce information about the setting, the characters, and so on. Something like chapter headings in a book, or the text in silent movies.

On a huge garbage bin in Lisbon I saw the sentence, “Perdidos no kaos”, which means lost in chaos and I really liked the rough stenciled lettering. Back home I designed a typeface that wasn't quite as chaotic as the lettering on the garbage container. Yours – always on the lookout for great typefaces – Gert Wiescher

The boss of extended typefaces, Brian Bonislawsky, has belted out this ultra wide design, EuroMachina, that looks like an odd meld of OCR-A, Microgramma and Bank Gothic. And if that wasn't enough, Brian then felt the need to distort it in various ways, creating Broken, Eroded and OverGreased. A little something for everyone.

THE SHOCKER a natural brush font. THE SHOCKER would be perfect for sports, music festivals, quotes, special events, or anything. What’s Included : - Works on PC & Mac - Easy to use ( Installations ) - Compatibility Windows, Apple, Linux, Cricut, Silhouette, and Other cutting machines Thank you for purchasing this font. Please appreciate, if you like this. ENJOY it :)

DUPLICITER is an experimental display sans serif font which has two typefaces for comfortable and experimental use. DUPLICITER is a (latest) part of new school in type design that could be called like mind-free and geometric direction in the world. Sans serif, condensed, sharp edges, geometric, experimental, these are the main attributes of DUPLICITER.

Blackside is a bold and authentic blackletter font. The font is suitable for any branding project like logo, t-shirt printing and many more. Outstanding in a wide range of contexts. Includes: Blackside (OTF) Featured : Alternates Accents (Multilingual characters) PUA encoded Numerals and Punctuation (OpenType Standard) Thanks for downloading premium font from Din Studio

We RECOMMEND that you purchase both of these fonts to get the look like in the font preview image. Tutorial : https://www.youtube.com/@madhalinestudio Snoserose is a carefully crafted font, which features a very heavy black metal feel. Snoserose suitable for metal band logos, merchandise, clothing, apparel, or anything that needs a black metal feel.

Beach Lombok is a modern and clean display (Serif) font create from our talented font designer. The design of Bogota will make your design more beautiful and inspiring. This font will suitable for any project, like branding, print template, logo and etc. Features: Accents (Multilingual characters) Alternates Ligatures PUA encoded Numerals and Punctuation (OpenType Standard)

In the beginning of the 800s, during the reign of Carolus Magnus (or “Karolus”, as he signed himself), a great reformation of the written characters was conducted under the authority of Alcuin, Paul Diacre and Theodulfe. The new style, named “Caroline” script, was completely set up between 820 to 830. It was a regular script, with few ligatures, very legible, but only with lowercase. The capitals remained the old Romans ones. We have created the font to serve contemporary users, making a difference between U and V, and also between I and J, which had no relevance for ancient Latin scribes. We also added Thorn, Oslash, Lslash, W, and and the usual accented characters that did not exist at the time. Titlings (initial letters, without accents), historical and contextual alternates completes the set (in two separate files for MacOS9).

Sgraffio is a classic script font with an elegant contemporary style. Inspired by the CopperPlate script, it is an updated viewpoint. The special characteristics of this typeface is that its strokes are agile and dynamic, with slight and smooth variations in thickness, giving to the final art a sophisticated atmosphere. It is attractive and readable. It can be used in decorative titles, as well as in large readable text. Contain a useful set of OpenType features that can help you in many typographic fine adjustments, you can choose from different alternates, swashes, discretionary and standard ligatures. This fonts is completed with Old Style figures and Central European languages. It is ideal for fashion magazines, advertising, business web, logotypes, lettering - logotypes, e-commerce brands, books, greeting / wedding cards, packaging, labels or any type of effective visual communication purpose.

Madelyn is a handwritten script font based on the expression of real handwriting. Amiable and organic, it is perfect if you want to convey individuality and style. It’s written with a calligraphy pen with casual dry strokes and a signature style. This script contains upper and lowercase characters with pleasant low x-height and high ascenders and descenders—and also numerals and a large range of punctuation and symbols. More than 100 ligatures are also available for upper and lowercase characters—double-letters which flow more naturally. Contextual alternates are part of the Open Type feature set. Madelyn Doodles includes a set of handmade ornaments, icons and swashes that can help you for your key visual. Madelyn is perfect for branding projects, logos, product packaging, posters, invitations, greeting cards, titles, blogs, everything that includes personal charm.

“Corinthiago” feels equally charming and elegant. This stunning handwritten font is a stylish homage to classic calligraphy. It features a varying baseline, smooth lines, gorgeous glyphs and stunning alternates Alternates to help enrich your designs: 1. Titling (titl) alternates, are accents for initial letters. is the first stroke that is long and and slightly curved according to the letters, both lowercase and uppercase. 2. Swash (swsh) alternates, is an accent at the end of a letter, is an additional stroke to end writing. 3. Stylistic alternate (Salt), is an alternative glyph to add style emphasis. 4. Stylistic set (SS), some additional glyphs for design alternatives. If you use a combination of two lowercase with a combination of tilt and swsh it will produce a harmonic letter that you can use for a logo, no problem also for a logo consisting of more than two letters, all you have to make sure is starts with a titl and ends with swsh. All glyph alternates (titl, swsh, Salt and SS) are also supported by multiple languages. Another OpenType that is also very important is Ligature (league), this font consists of 51 Ligatures including: Abe, Ade, Ale, Ab, Ad, Af, Aj, Ak, Al, Am, An, Ao, Ap, As, Ax, Ay, Az, aa, ar, be, cc, da, de, di, do, du, dy, ee, er, ii, ir, is, le, ll, lt, om, on, oo, op, or, ov, ow, ox, oy, oz, ss, st, th, tl, tt, ur and uu. We continue to see the possibility to update ligatures in the future. This font is the right choice for a modern design, can be applied to invitations, writing messages in the form of quotes, book and magazine covers, and of course for your brand logo text.

Sabina Chipară's DIN Next Shapes typeface is a twist on the original German industrial classic, taking its skeleton and re-clothing it in dots, hearts, snowflakes and stars. The design offers a more approachable and whimsical tone of voice than the original, while maintaining all the legibility and clarity of form that makes DIN Next such a reliable and versatile design. It works in harmony with DIN Next, and is particularly suited for designers looking to be a little more expressive. DIN Next Shapes includes four fonts: Dots, Flakes, Hearts and Stars, and has pan European language support including Greek and Cyrillic. It also has OpenType features including stylistic alternatives, ligatures and fractions.

The Momentum family of typefaces is not for the faint of heart. Although difficult to spot at small point sizes, the glyphs are nothing but dot-to-dot letterforms raggedly, haphazardly placed for a chunky appearance. Brazen and bold in its appearance, Momentum may be EXACTLY WHAT YOU ARE NOT LOOKING FOR in a font family, unless you desire a chiseled, flat, cut-out look. Originally developed for package design requiring a grunge appearance, the Momentum family of fonts creates controversy and speculation wherever it is utilized. Momentum is a modern, chiseled typeface designed with a sense of humor. Perfect for large and small display alike, the extended character set allows flexibility on the fly.

Tanida Display Bold is a striking and commanding font that demands attention. It combines the elegance of a serif typeface with a modern and bold aesthetic, resulting in a visually captivating design. The letterforms of Tanida Display Bold are meticulously crafted, featuring strong and confident strokes that exude a sense of power and sophistication. Tanida Display Bold possesses excellent legibility, even at smaller sizes, ensuring that your message remains clear and impactful. Whether used in print or digital media, this font effortlessly captures attention and communicates a sense of authority and confidence. With its timeless appeal and versatile nature, Tanida Display Bold is a powerful tool for designers seeking a bold and captivating typography solution.

Introducing Navigated, a captivating script font that seamlessly combines boldness with balance. Navigated showcases a unique connected letterform design, where each letter is expertly linked, resulting in a fluid and harmonious appearance. With consistent proportions and a low-contrast style, Navigated offers both stability. Adding a touch of flair to Navigated, you'll find striking swinging endings on select letters. These graceful flourishes bring an element of charm and sophistication to your words, making them stand out with a captivating visual appeal. Navigated fits in headlines, logos, posters, flyers, branding materials, print media, editorial layouts, and many more designs. Find out more ways to use this font by taking a look at the font preview.

Are you looking for a sleek, clean, and futuristic font for your projects? Dislope Display is the font for you! Dislope Display is a geometric sans serif typeface with mono-weight strokes and distinctive, fluid diagonals. Futuristic and dystopian films, TV series, and games inspired its minimal yet striking characteristics. Its simplicity makes it easily adaptable to the needs of even the most specialized projects. Dislope Display's carefully adjusted spacing and kerning ensure amazing-looking titles, headings, logotypes, and all other medium to large-form text. Each weight has a complete, comprehensive glyph set of 183 glyphs, and the family has a total of 549 glyphs. Dislope Display can be used in any text-manipulating program once installed.

Samsekrat is an authentic serif typeface that exudes timeless elegance and sophistication. With its meticulously crafted letterforms, Samsekrat strikes a harmonious balance between tradition and modernity, making it versatile for a range of design applications. The serifs are distinct and refined, lending a classic aesthetic to the typeface, while subtle nuances in letter spacing and stroke weights contribute to its overall grace. Samsekrat’s authenticity shines through in its attention to detail, capturing the essence of traditional serif typography while maintaining a contemporary edge. This typeface is a testament to the craftsmanship and artistry behind authentic design, making it a compelling choice for projects that demand a touch of refined character and enduring style.

In a world of fleeting trends, Silver Archer stands as a testament to enduring elegance and timeless design. Inspired by the classic sans serif typefaces of the mid-20th century, Silver Archer exudes an air of sophistication and refinement, making it an ideal choice for a wide range of typographic applications. With its meticulously crafted proportions and harmonious stroke contrast, Silver Archer strikes a perfect balance between traditional aesthetics and contemporary sensibilities. Its open counters and generous x-height ensure exceptional legibility, both on screen and in print, while its nine weights, ranging from Thin to Black, with each weight complemented by its italic counterpart, provide ample flexibility to suit any design mood or hierarchy.

Kinfolk Pro is a font collection of six fonts. The main styles Rough and Smooth are extremely sturdy and bold brush fonts. As the name suggests the smooth style has clean, crisp contours and the rough version has the authentic strokes of a slightly dried out brush. Both versions have 606 glyphs and 4 alternate ornamented capital letters to play with, organized in stylistic sets. With Discretionary Ligatures and Contextual Alternates activated you can access elongated swashes by simply typing +1 (+2, +3, +4, +5) in front of any letter and =1 (=2, =3, =4, =5) at the back. On top of that Kinfolk Pro Rough and Smooth have some extra stand alone swashes that can be accessed via the glyphs panel or by typing _1, _2 ,_3 _4 _5. Kinfolk Pro Script is a fully connected script that goes together beautifully with the other styles. For the best connections, activate Discretionary Ligatures and Contextual Alternates. Additionally there is Kinfolk Pro Ornaments for extra swashes, ink blobs and interesting strokes. Kinfolk Pro Arrows and Kinfolk Pro Flowers both offer 230 glyphs to further juice up your designs. You'll need an Open Type savvy application to get the most out of Kinfolk Pro.

Silverline Script & Sans Silverline Script is a hand drawn signature style script. Silverline is fast and expressive -it’s great for contemporary branding and advertising. Silverline Script is equipped with Contextual Alternates and Standard Ligatures that keep the script eloquent and connections smooth. Contextual Alternates and Standard Ligatures are automatically on. In addition Silverline Script has Swash Alternates for A-Z and a-z that can be used for extra flair. From Discretionary Ligatures you’ll find specially designed ligatures for “and”, “for”, “the”, “at” and “in”. Silverline Script is PUA encoded so you can access extra glyphs in any graphic design software. Another half of the Silverline family is Silverline Sans -a three weight ultra-condensed sans serif that works great with the Script. Silverline Sans is great for making sturdy text word blocks - a great type for any display use from magazine covers to packaging. Try combining Silverline Script with Silver Script -they make a nice contrast together.

«Envelove» is the brand new typographic challenge handwritten by Yani Arabena and designed along with Guille Vizzari and Ale Paul, for Sudtipos. It all started as a game for Yani. A carefree and spontaneous calligraphy, making use of the pointed nib with black ink, exploring its expressive possibilities pressing against paper. With time that nib turned into her dearest tool to flow through her writing, breeding this particular style of hers that let her trespass the barrier that kept personal and professional passions apart. All that inspiration is present in «Envelove», a play on words that reflects the love of letters. An expressive free-and-easy typeface that follows no formal calligraphic model and lets itself go with the meaning of words, rhythm and sensations. «Envelove» successfully joins three different fonts, «Envelove Script»—free, spontaneous and unique of its kind—going together with «Envelove Caps»—an uppercase style that builds controlled but dynamic words thanks to its alternates and ligatures, and to its own true Small Caps set as well—and «Envelove Icons», ideal to decorate and bring to life any written message. «Envelove» encourages you to write as if you have a nib, ink and an envelope. It invites you to take part in other worlds like a magic cocktail, a summer night, a long-awaited reunion, a first dance, a dish cooked with your own hands. The fashion world, gourmet, stationery, scrapbooking and everyone where a Handmade or Handcrafted feel is craved for, save a special place for «Envelove». (The illustration series that are shown with «Envelove» were made by the incredible Argentine illustrator Eugenia Mello.)

Inheriting the beauty and style of old type classics from this genre, Jeles is blended with very elegant modern approach featuring soft corners, round slab serifs and tasty ball terminals. Jeles is designed mostly for display use and it is highly recommended to get the whole family if you want to get the best result. It is designed in two styles Condensed and Normal. The Condensed version is developed in two weights each coming with corresponding italics. While the Normal styles are three ranging from Regular, Bold and Black. The total of 7 separate fonts inside the family are quite enough if you look for diversity and flexibility at one place. You could use the uprights for more serious and strong headlines while the Italics work perfectly for more fresh and live subheads. Of course editorial design is only one of the many directions where Jeles family could be used successfully as we all know typefaces with so visible contrast between thin and thick and combined with classic elegance, could be easily used in every design of cosmetic industry, fashion, food, jewelry, etc. Try to design a stylish boutique shop signboard and you will surely discover its beauty and potential. Easy-to-read, it is good for print design, revealing its authentic letterpress-like character as well as perfect for screen use note that the thin strokes and serifs are not that thin to vanish on a low resolution monitor. Professionally designed, they are solid enough yet very elegant and even gentle making Jeles a desired family design of attractive web banners, web sites, apps and e-books.