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  1. VLNL Gaufre by VetteLetters, $35.00
    VLNL Gaufre is a pixel-based font with holes designed by Donald Roos. Each character is built on a grid of doughnut-like elements, which makes it look like a kind of dried dog food, or Belgian waffles. Despite the grid Gaufre still has enough warmth due to the doughy, slightly rounded corners. And because it’s prepared with a hot waffle iron of course. The end result is a merry, chunky typeface that smells of doughnut. Use it for logos or headlines, just add butter and sugar or, better still, top it with whipped cream and cherries. Yummie!
  2. White Wolf by Match & Kerosene, $25.00
    Set it large... I dare you! 100pt+ is definitely encouraged with this face. White Wolf was created to fill the void for condensed sharp wedge serif fonts. Taking inspiration from other hybrid fonts such as FF Dog, FF Vortex and HI Halfway House, I wanted to create a font that would offer something different for artists looking for a condensed font that has a lot of character. Use it for titles, subtitles, logos, posters, signs and pair it with some heavy wood types or slab serifs and you will be pleased with the attitude White Wolf will bring to your project!
  3. FE Blacking Out by Egor Stremousov, $50.00
    A bunch of OpenType features to blacking out of texts. The font does not contain glyphs. Only black blocks that replace your text with OpenType features. Watch demo: https://youtu.be/qUQgUV0PIT0
  4. Shining Night by Gleb Guralnyk, $15.00
    Hi! Introducing a vintage style font Shining Night. This font has additional font file with round dots over the base glyphs, that immitates a lamp lights of a real cabaret signboard.
  5. Jugendstil Initials by HiH, $16.00
    Jugendstil Initials were designed by Heinrich Vogeler around 1905, based on the German blackletter tradition. A similar set of initials by Vogeler, but based on roman letters was released by Rudhardsche Geisserei of Offenbach at about this time. I believe the originals were woodcuts. The backgrounds to the letterforms may be seen as examples of Heimatkunst, an art movement within Germany that drew deliberate inspiration from the rural countryside. Like the Arts and Crafts Movement in England a little earlier, Heimatkunst may be seen, in part, as a romantic rejection of urban industrialization, while at the same time representing a back-to-roots nationalism. Like any river, it was fed by many streams. Jugendstil Initials is an experiment with which I am most pleased. It is far and away the most complex font HiH has produced and I was uncertain whether or not it could be done successfully. To oversimplify, a font is produced by creating outlines of each character, using points along the outline to define the contour. A simple sans-serif letter A with crossbar can be created using as few as 10 points. We decided to make a comparison of the number of points we used to define the uppercase A in various fonts. Cori, Gaiety Girl and Page No 508 all use 12 points. Patent Reclame uses 39 and Publicity Headline uses 43. All the rest of the A’s, except the decorative initials, fall somewhere in between. The initial letters run from 48 points for Schnorr Initials to 255 for Morris Initials Two, with 150 being about average. Then there is a jump to 418 points for Morris Initials One and, finally, to 1626 points for Jugendstil Initials. And this was only after we selectively simplified the designs so our font creation software (Fontographer) could render them. The average was 1678, not including X and Y. There was no X and Y in the original design and we have provided simple stand-ins to fill out the alphabet, without trying to imitate the style of the orginal design. We did a lot of looking to find a compatible lower case. We decided that Morris Gothic from the same period was the best match in color, design and historical context. We felt so strongly about the choice that we decided to produce our Morris Gothic font for the purpose of providing a lower case for Jugendstil Initials. The long s, as well as the ligatures ch and ck are provided. at 181, 123 (leftbrace) and 125 (rightbrace) respectively. This font was a lot of work, but I think it was worth it. I hope you agree.
  6. Big Country by Robert Petrick, $19.95
    Big Country is a versatile bold new font that is great for headlines or product logos. It is an elegant design but can also be used playfully. "Big Country" is easy to read even at fairly small point sizes.
  7. Ampersorts JNL by Jeff Levine, $29.00
    Ampersorts JNL is a collection of many wood type ampersands along with a smattering of question marks, exclamation points, dollar signs and cent signs. A vintage wood type embellishment is also included on the keystroke for the number 6.
  8. Toscography by Misprinted Type, $25.00
    Toscography is inspired by vernacular and naive hand-painted walls and signs from Brazil. It feels organic, spontaneous and fresh and it has a light texture on its characters that makes it feel like it is starting to decay.
  9. Fd Hallway by Fortunes Co, $15.00
    Hallway inspired from vintage script combined with modern style, suite for adventure or classic feeling sport, sign painting, labeling, suitable for logo, product names packages, labels, old fashioned coffee shops, bars and everything with specific characteristics of past times.
  10. RM New Albion by Ray Meadows, $19.00
    A classic blackletter Which looks best at 16pt and above. Due to the modular nature of this design there may be a slight lack of smoothness to the curves at very large point sizes (around 100 pt and above).
  11. Midnight Sun by Hanoded, $15.00
    Midnight Sun, despite its rough look, was carefully painted. I used a very cheap brush with stuck-together bristles to get that ‘eroded’ look. Midnight Sun comes with double letter ligatures and some really cool stylistic alternates as well.
  12. Cleverda by Realtype, $13.00
    Cleverda Script is a beautiful hand painted script, organic, fun with dancing baseline and different ligatures. This fonts can be used for various purposes.such as headings, signature, logos, wedding invitation, t-shirt, letterhead, signage, labels, news, posters, badges etc.
  13. Shavano by Dan Cotton Lettering, $12.00
    Shavano is a bold, smooth-flowing typeface based on pointed brush script. It comes in a clean-edged and a rough style. It is ideal for branding, packaging, headlines, and apparel. This font comes with ligatures, swashes, and alternates.
  14. KG Turning Tables by Kimberly Geswein, $5.00
    A neater version of my font Complete in Him, a hand-drawn marker font. Hand drawn with a brush marker, this font is neat but still has enough twists to make it fun. Perfect for painted or brushed looks.
  15. Alpha Flight - Unknown license
  16. Europa Text by Solotype, $19.95
    This circa 1910 European face was introduced into the United States by a German type foundry traveling salesman during the great depression of the 1930s. We have used it quite successfuly in sizes as small as 10 and 12 point.
  17. Roamer by Loreley Design, $56.00
    The Roamer is big, bold and ready to be used by designers all over the globe. The appearance is quite rough and used like weathered wood or paint on concrete. It is perfect for big headlines or bold text passages.
  18. Brogado JNL by Jeff Levine, $29.00
    Make room for Brogado JNL! This bold, yet squat slab serif font takes command when set into headlines. Although not thoroughly in the Western mold, Brogado JNL can still exude enough macho appeal to make its point strongly, yet clearly.
  19. RM Victoriana by Ray Meadows, $19.00
    A decorative and fancy slice of the gay '90s (1890s that is). Due to the modular nature of this design there may be a slight lack of smoothness to the curves at very large point sizes (around 100 pt and above).
  20. Autospec by Device, $29.00
    Designed as a companion to Autofont, this dingbat set was originally developed for What Car? magazine, the UK’s leading automotive consumer title. Use in charts and reviews to indicate metallic paint, shatterproof glass, number of airbags, manual or auto sunroof, etc.
  21. Machineat by Wacaksara co, $18.00
    Machineat is truly inspired by traditional hand painted sign style, with the natural flow and handmade taste this typeface is ready to use for your projects such as Logotype, Letterhead, Poster, Apparel Design, Label, Advertisements, Product designs, Mural, and etc.
  22. CaliCholo by Graffiti Fonts, $19.99
    The CaliCholo font is inspired by the wide array of Chicano styles seen on the bay area and southern California streets. This simple representation is natural & rough in emulation of hand written letters using spray paint. Two alphabets, numbers, symbols.
  23. Junker by Gassstype, $27.00
    Introducing our latest display typeface called Junker - Normal And Italic Paint Brush Font with a natural style and dramatic movement can make your logotype become more interesting. Best Vintage font and multilingual support. inspired by the decorative arts and architecture movement
  24. Dark Graffiti by Yoga Letter, $20.00
    "Dark Graffiti" is a very elegant and unique graffiti font. This font is equipped with uppercase, lowercase, numerals, punctuation, and multilingual support. It is very suitable for painting street walls, designing t-shirts, jackets, logos, stickers, tattoos, bag designs, and others.
  25. MPI Headline Modified by mpressInteractive, $5.00
    Headline Modified, also called "Modified Gothic" by some type manufacturers, has a large stroke contrast and very small, pointed serifs. Curved characters feature a brushstroke appearance. Our version is based on a typeface designed by the Hamilton Manufacturing Company around 1897.
  26. We Love Nature Stems by kapitza, $85.00
    We Love Nature is a picture font consisting of 52 high quality, hand drawn illustrations with clean outlines and a minimum of vector points. The contemporary stem flower illustrations can used on their own or combined to create striking illustrations.
  27. Public Transportation JNL by Jeff Levine, $29.00
    On the sides of freight cars, passenger trains, trolleys, buses and cable cars was once found identifying letters and numbers with a bold, yet quaint hand-painted look. Public Transportation JNL emulates the old-style look of those bygone years.
  28. HT Pizzeria by Dharma Type, $19.99
    Ht Pizzeria is strong looking script for eye-catching part. Holiday Type Project offers retro hand drawing scripts. Inspired by retro script on shopfront lettering, wall paint advertisements in Italy around 1950s. Check out the script fonts from Holiday Type!
  29. Sycaba by Vernacular, $9.99
    In a large neighborhood that crosses two cities in the metropolitan region of Belo Horizonte, Brazil, all streets are still in Tupi-Guarani language. The shop signs are hand painted. And people, every day, come and go along Sycaba Avenue.
  30. Falbench by Realtype, $17.00
    Falbench is a manual written font to get the best texture for each letter. Each letter character will make your design strong and dazzling, while challenging the eyes. Each letter and symbol is simply painted using the best brushes and ink.
  31. Black Bear by Match & Kerosene, $25.00
    Black Bear is a stylish angled monoline font family of twelve styles in six weights. Each font is fully loaded with OpenType stylistic and titling alternates to give the fonts a different feel and help with optics for smaller point sizes.
  32. Quorfid JNL by Jeff Levine, $29.00
    Quorfid JNL is Jeff Levine's version of an old classic- Orplid. Especially popular in the 1950s, this cast shadow outline font has a decidedly hand-made look to it. From headlines to point-of-sale signage, it fits into all applications.
  33. Camp Wendigo by Dear Sue, $12.00
    Camp Wendigo is a textured, hand-painted brush display font inspired by national parks, and camping in the great outdoors. Explore your logo designs, school displays, posters, signs, inspirational quotes, merch and packaging with these fun, woodsy letters! Caps Only Fonts.
  34. MB Edwardsson by Ben Burford Fonts, $30.00
    A Hand Made hand painted font with over 100 ligatures to give the text a real free flowing and hand written feel. Great for wide range of applications and works best as upper and lowercase text in a range of sizes.
  35. Okra Cubo by Cool Fonts, $24.00
    OkraCubo in a distressed font with a cubist bent. This font work nicely for both grunge and modern styles. Used at large point sizes the cubist look really comes out. This font is as strange as Okra is a vegetable????
  36. Clarendon Rough by Jeff Kahn, $29.00
    Clarendon Rough is suitable for display and text. Its large x-height provides excellent legibility at small point sizes. Clarendon Rough is extended, aged to perfection, iconic, rugged, distressed, direct, and suitable for packaging, restaurant use, websites, magazines, lively headlines.
  37. Spring LP by LetterPerfect, $39.00
    Spring is a lively contemporary script that designer Garrett Boge modeled after his own brush lettering. It was released in 1988 at the launch of LetterPerfect's font collection, and has seen increasing use in advertising, packaging, and point-of-display promotions.
  38. Bloomy by BrandCarry, $19.00
    Bloomy is a picture font consisting of 52 high quality flower shapes with clean outlines and a minimum of vector points. This unique set of natural forms may be well used in graphical design projects like brochures, advertisements, posters, etc.
  39. Nutnik by Hanoded, $20.00
    Nutnik was made using cut out cardboard letters, black paint and some brushes. The result is a highly legible, yet grungy font. It comes with all the diacritics you could possibly wish for and stylistic alternates for the lower case letters.
  40. MPI No. 507 by mpressInteractive, $5.00
    No. 507 is an elegant headline font with added angled flourishes. Its unique features are angled terminals, small, pointed serifs, and no contrast in stroke weight. It is similar to No. 506, designed by William H. Page & Company around 1890.
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