Zombie™ is a cute and playful whimsical font unlike a real Zombie. This monoline display face does not take itself too seriously and is at home in children's books, invitations, headlines or other decorative design projects.

Catalyst is an attempt at increasing the economy of print while retaining optimal legibility through type design. This type family does so through subtle and intentional OpenType features, as well as referencing successful past attempts throughout history.

Same Old English JNL is your basic, everyday Old English text font with one small difference—it more resembles a hand-lettered typeface complete with tiny inconsistencies than it does the "perfect" versions found in printer's type.

Abigail is a font designed by Ethan Dunham that looks like it is made of ribbons. It comes in two versions, plain and dots. This whimsical font is perfect for headlines that need a contemporary but informal feel.

This Heavy weight Display font includes Basic Latin, Latin 1 Supplement, Latin extended A, Cyrillic, Armenian. May be used in titles, posters, labels, etc. The structure of glyphs does not require kerning for any pairs! Criation year: 2021

Betabet was drawn using traditional serif fonts as a guideline. The scribbled style and serifs combine to make an unusual font. Betabet does not look like handwriting, but works well where handwriting or script fonts might seem too insubstantial.

Fontazia FloraDot features 62 unique dotted floral patterns. These simple swaying FloraDot blooms will add flair to any font library - they're great for backgrounds, greeting cards, posters, summer themes or any project where florals say just the right thing!

Mystyline is a modern thin line condensed font inspired by hipster aesthetics. The letters are decorated with lines and dots. Mystyline is suitable for contemporary typographic posters (event design, movie posters, advertising, music production, photo overlays), hipster design etc.

Aldo Novarese, the famous Italian type designer (ITC Novarese, Eurostile, and many others), designed Nadianne. The elegant, readable Agfa Nadianne looks as good on an invitation as it does on a business letter. Featured in: Best Fonts for Tattoos

The Sun and Flower is a precise display font yet a good looking crafting font. It is created by precise and combined building blocks that form a unique shape for each characters. The font is suitable for Crafting of course but as well for widely creative ideas. Add this beautiful display font to each of your creative ideas and notice how it makes them stand out! Whether it’s for web, print, moving images or anything else – The Sun and Flower will give a spectacular look to your design. Below what’s included in this product: The Sun and Flower • A unique crafting font. It contains upper & lowercase characters, all punctuation and numerals. Language Support; It does support basic International Characters That's a wrap! I do really hope you like this font, and please don't hesitate to contact me if you have any questions. Also, drop by to our instagram! Tigadestd | Doli Harahap

Introducing Terrapin! I named this after listening to a song called "Terrapin on a Tightrope." Considering the fact that a terrapin is a kind of turtle, it makes that song title seem pretty harrowing! This font has heavy roots in one of my favorite lettering styles. It's rough, scrappy, and likes to do its own thing. It has a full uppercase and lowercase set, numbers, punctuation, and lots of extended Latin characters for language support. It also includes alternate versions of 17 lowercase letters. Where Terrapin really shines is in the ligatures. I've written separate two- and three-letter combined forms for some of the most common letter combinations, and a few uncommon ones to boot. There are almost 100 ligatures in here, all PUA-encoded so everyone can access them (and also coded so if your software does automatic ligature replacement, they'll pop right in).

Groovy started out as a prospective variant in the ‘Flashback’ series but very quickly established its own distinct appearance, especially with the lower case letters blending into the format so well. There wasn't any preconceived idea to design a retro looking font in principle, it simply evolved that way, but I do think it has several characteristics reminiscent of style genres from the '70s. It’s probably quite subliminal and like me, you may find yourself thinking, what does that remind me of? The double-entendre'd title is quite apt too, not merely for reasons of its outwardly retro appearance but also because of the considered, rounded elements forming the negative spaces throughout. The font also has something of a chameleon-like personality, being both adaptable and capable of having a trendy / fun appearance, or alternatively something solid and stylish, depending on the use, as demonstrated in the banner examples here.

ABTS Crestwing is a unique initial font with extraordinary flexibility and beauty. There are 5 wing styles to choose from. The wings are accessed through typing numbers. The 5 pairs are: [1, 2] [3, 4] [5, 6] [7, 8] & [9, 0]. The odd numbers in the pairs will give you a left wing, and the even numbers will give you a right wing. The letters are separated into upper and lowercase. Uppercase has a crest point, the lowercase does not, giving you the ability to string letters together to form words and phrases, and place the tip of the crest above the letter of your choosing. Optional endcaps are available using the brackets on your keyboard "[, ]." This allows you to cap off a word if you wish not to use a wing to do so. Crestwing is both beautiful and unique, and works best at large sizes.

Near the end of his life, legendary type designer Eric Gill lived in Jerusalem, and became interested in the typesetting of the Hebrew alphabet and the challenges it entailed. He designed his own Hebrew font which has not (to my knowledge) been digitized before. It is sometimes held up as an example of how not to do a Hebrew font: Gill introduced strange serifs and shapes that were jarring to readers used to more traditional fonts. But it is quite readable, and does start to grow on you after a while; extended text in Gill Hebrew is possible. I've added a set of alternate digits that are based on the shapes of the letters (Gill's digits are pretty standard text figures). I've also made some of the Unicode Hebrew symbols that Gill didn't (e.g. New Sheqel Sign, Alef-Lamed ligature, etc.) and also included vowel-points.

Step into the world of cultural sophistication with Turban Genie - Arabic Font. This meticulously crafted digital typeface embodies the elegance of Arabic calligraphy, adorning your designs with intricate details and strategically placed dots on select characters, reminiscent of traditional Arabic writing.

KlipJoint is a novelty font in which all the characters are formed from paper clips. It does not have a true set of lower case letters, but in their place is a second and often different set of upper-case letters.

It’s perfect for Christmas cards, branding, stationery, blog design, custom art, custom stamps, custom embossers, book, apparel, packaging, headline, Crafting, Logo, or much more! It will add a unique feel and looks stunning to any design project! Does not contain Caps.

SpeedSwash is a stylised oblique script-fraktur hybrid. That description could should bizarre - lets face it, it does - but the result is actually rather splendid we think. Lovely for poster work where a sense of life and motion is required.

Several Mono is a monospaced 5×5 dot matrix typeface in the vein of ASCII Art, based on http://en.wikipedia.org/wiki/Bitstream_Vera. When Several Mono is set seven times larger than Vera Sans Mono, the two fonts will align perfectly.

Doodles received honorable mention in U&lc's First Annual Type Design Competition in the Picture Category. Inspiration came from many long hours logged in corporate strategic planning meetings. Check out Doodles the Alphabet designed to compliment the Doodles picture font.

Rothek is a geometric sans serif type family with a strong and unique character. It comes in 22 weights — 11 uprights and 11 italics — and is a perfect tool for any designer who needs a versatile font for a variety of projects. While retaining its uniqueness and whimsicality, Rothek is highly legible even at smaller weights, which makes it a perfect fit for app and web design. But what’s really great about Rothek is its OpenType features, which make it really stand out. Not only does it know how to do fractions, but it also does subscript and superscript; it’s equipped with case-sensitive punctuation, which adjusts the height of your parentheses, hyphens (and many more) to the height of your capital letters. But there’s still more: Rothek is loaded with various figures — from default proportional numerals to oldstyle figures, tabular figures and tabular old style figures. Throw in a bunch of stylistic alternates and you’ve got a perfect typeface for any project. Rothek supports all European languages and Vietnamese. On top of that there’s Extended Cyrillic set for most Slavic languages. As a cherry on top, there are stylistic alternatives for selected glyphs both in Latin and Cyrillic layouts and lots of extra symbols to work and experiment with. With 900+ glyphs in each style, Rothek is a perfect workhorse font for those who need a modern sans serif font with a strong character. Two weights are free to try and use!

Struffoli are small, marble sized deep fried dough balls from Naples. They are served with a variety of sweet condiments, like honey, sugar and sprinkles. There is nothing deep fried about Struffoli font, nor does it resemble a deep fried dough ball: I just liked the name and at least now I can say what Struffoli are! Struffoli was handmade using a brush and Chinese ink. It does look like a connected script font, but it is not (really): only a few letters connect, making it a more versatile font. Use it for your cookbooks, posters and toy packaging. Rest assured, it comes with a generous serving of diacritics.

This typeface family is developed with the designer in mind. WBP Nel is a narrow sans serif with lots of options. The Regular consists of UPPERCASE and lowercase glyphs, beautiful kerning and a nice ampersand. All other styles are just uppercase and made to give your designs some extra flair. The Brickbuild is a playful, stencil version and the Dots (freebie) is a dotted typeface. The Light and Heavy version complement the Regular beautifully. These two also come with a display variant, the WBP Nel Stamped and WBP Nel Hypno. So you get lots of options to mix and match while designing awesome prints, posters, logo's, websites or identities.

Polydot is an experimental Font, built following its own rules. It has interesting letter shapes, making it a perfect choice for creative packaging and magazine design. At the same time it makes a beautiful, neat but vivid text pattern when used in smaller sizes: Use it for children’s books, food and beverage, cosmetics or health topics. Each Glyph is based on at least one dot on the body line, and has up to two more on the lower case level and the ascender level. Since they have the same size and are on the same height on all letters, no matter what weight and shape, these dots give a strong structure to the typeface, allowing for dynamic and easy letter shapes, inspired by brush strokes. It’s not a hand font but it has the dynamics of one. It has no serifs but provides the structure and readability of a roman type. It has an extensive choice of weights, but it’s characteristic dots have the same size and it has the same tracking through all weights. Try it, it’s special.

An isolated letters typeface design with a comic feel. All letters start with a prominent circular dot. All final shape letters end with a smaller dot, in addition. The Nuqat (Arabic for dots) font family has four members which include two weights, normal and bold, and comes in regular and left-slanted italic styles. This font family design follows the guidelines of Mutamathil Taqlidi type style with one glyph for every basic Arabic Unicode character or letter, as defined in the latest Unicode Standards, and one additional final form glyph, for the freely-connecting letters in traditional Arabic cursive text. The Nuqat font family employs variable x-height values. Nuqat includes only Lam-Alif ligatures. Soft-vowel diacritic marks, harakat, are selectively positioned. Most of them appear by default on the same level, following a letter, to ensure that they would not interfere visually with letters. Tatweel is a zero-width glyph. Keying the tatweel key before Alif-Lam-Lam-Ha will display the Allah ligature. Nuqat includes both Arabic and Arabic-Indic numerals, in addition to standard punctuations.

The Yasmine Mutlaq type family follows the guidelines of the Mutamathil Mutlaq type style. It has one glyph per basic Arabic Unicode character or letter. Each glyph is completely symmetrical around its vertical axis to facilitate bi-directional ordering. This family does not include any required ligatures and does not use glyph substitutions or forming but it does use marks positioning. Text strings composed using types of this family are non-cursive with stand-alone isolated glyphs. Yasmine Mutlaq employs four x-height values, two above and two below the x-axis. Its design uses curves with equally distributed weight. This family includes both Arabic and Arabic-Indic numerals, all required diacritic marks, in addition to all standard English keyboard punctuations and major currency symbols. It is available in regular styles. Also included is an additional font, Yasmine Mutlaq bidi that encodes same glyphs as symbols to facilitate user input from left to right using a Latin keyboard. The fonts in this family support the following scripts: Arabic, Persian, Urdu, Pashtu, Kurdish, Baluchi, Kashmiri, Kazakh, Sindhi, Uyghur, Turkic, and all extended Arabic scripts.

The 1897 specimen book from Barnhart Brothers and Spindler showed a enchanting little face called Dotted Roman. Here's a faithful revival, ready to warm up the 21st century. Both versions support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

This set of two fonts is intended for use by kindergarden & 1st grade teachers or anyone else teaching young children how to write. 2 Fonts are included, PreCursive Lined has the upper, lower & dotted mid line & the the Regular has only the letters.

Al Seg23 is an alphanumeric display that has 3 diagonals in each corner as opposed to just 1 in a traditional 14 or 16-segment display. This alphanumeric font has 23 segments, with 16 inside segments, 6 outside segments and a middle dot.

Delfino Script is a cool, connecting script that can appear both retro and contemporary. Curved on the outsides of strokes, and jagged inside, the forms look like an abstraction of strips of tape, folding and flowing, or even marker pen style lettering. This script is not created by any pen though - its forms are constructed, not painted. Typographic features like ink traps add sparkle to the text. OpenType features include ligatures, contextual alternates (for more realistic connections) and stylistic sets. Stylistic Set 1 changes certain upper case letters into forms more suited for all caps setting, although they can also be used freely with the lower case. Set 2 changes the r into a less scripty form and set 3 adds a connecting tail to the q. Delfino Script would find itself at home in cookery books, fashion blogs, vintage car magazines and set large and proud on expanses of concrete, or, most likely, whatever you might have in mind for it! Delfina Script is practically identical to Delfino save for round tittles, periods and any other dot shaped glyph components. Strangely for such a little change, it does seem to give the face a different character.

It breathes fire and its leathery hide is impervious to rocket propelled grenades and drone warheads! It destroys everything in its path! Is it a terrifying sound effect font or does it just want to be loved? One thing's for sure – no one is safe!

Oh no, not another typewriter font! But Klaklak is different. Not only has Klaklak four weights from worn out ink (light) to typing twice (bold), an Italic (which is Regular with authentic underlines as there is no Italic on typewriters) and an x-through font called Klaxxx (no need to erase your typos – just x them out (just kidding 😊)). It also does a lot to avoid repeating letterforms by first replacing about 320 common letter combinations by ligatures and then mixing them up with 4 style sets which results in about 1300 ligatures and more than 2600 glyphs in total per font. The result is a very realistic appearance of a mechanical typewriter. All you have to do is turn on Ligatures and Contextual Alternates in your favourite layout app. Of course Klaklak is multilingual, supports a lot of Latin based languages and has all glyphs for even demanding layout tasks. Enjoy!

NEW! Helter is a slab-serif font that gives off a clean and very elegant feel that has a strong and bold look. the slab is thick and does not regret the size of the width. The slab-serif helter is perfect for your upcoming project which is applied especially to various other formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, home decor labels, book / cover titles, special events and many more. Features: • Full set of uppercase letters, • Numbers & Punctuation • Characters with accents • Supports Multiple Languages This type of family has become a work of true love, making it as easy and enjoyable as possible. I really hope you enjoy it! I can't wait to see what you do with Helter Slab! Feel free to use the #Dora Typefoundry tag and # Helter Slab font to show what you've done visit my Instagram : https://www.instagram.com/doratypefoundry/

Neumatic compressed has a super compressed character set, increased cap height and tight kerning that combine to give you the ability to create large, beautiful and effective headlines and copy for your artwork. Neumatic Compressed packs punch when it comes to large copy lines and is perfect for posters, display copy, headlines in printed materials like magazines and books . The family comes in 8 weights from extra light to Black so it's versatile. Its extra light weight can give you some great height due to how narrow it is. Play around with the opentype Superscript with an underline or the Opentype stylistic sets which turns the default squared dots on i's, j's and punctuation to round dots.

Sabina Chipară's DIN Next Shapes typeface is a twist on the original German industrial classic, taking its skeleton and re-clothing it in dots, hearts, snowflakes and stars. The design offers a more approachable and whimsical tone of voice than the original, while maintaining all the legibility and clarity of form that makes DIN Next such a reliable and versatile design. It works in harmony with DIN Next, and is particularly suited for designers looking to be a little more expressive. DIN Next Shapes includes four fonts: Dots, Flakes, Hearts and Stars, and has pan European language support including Greek and Cyrillic. It also has OpenType features including stylistic alternatives, ligatures and fractions.