A font completely made of nature elements. Pieces of wood, branches and leaves. Do not go limp, use Wald instead!

Used Cars JNL is based on one of the many unique alphabets created by the late Alf R. Becker for Signs of the Times magazine from the 1930s through the 1950s. Special thanks to Tod Swormstedt of ST Media (who is also the curator of the American Sign Museum in Cincinnati, Ohio) for providing the reference material for this design

Dem Bones is a bit of fun-display alphabet (capitals), numbers and punctuation assembled out of the sort of knobbly ended bones that dogs used to gnaw on in all the best childrens cartoons and comics. Thing Gnasher and Gnipper or Spike and Tyke. Dem Bones is particularly apt at Halloween, but can introduce some un at any time of the year...

In its loose, angular forms, it is reminiscent of thorn bushes dotting the immense Kalahari desert. Spiky and freeform, Doorn calls to mind the irregular hand-drawn lettering found on wooden signs outside small shops in tiny African villages. The font contains all upper and lower case characters, punctuation, numerals and mathematical operators, as well as all accented characters used in European languages.

This font has a great retro-yet-modern feel that is slightly reminiscent of the dawning of the digital awareness age of the 1980s that gave a slight nod to the mid-20th century neon craze. It can be ideal for retro-themed events & promotions, health & cosmetic lines, or wherever you may need a sleek, minimalistic rounded style of lettering.

A diverse assortment of woodtype adornments, including bishop’s fingers, vignettes, border elements, flourishes and other what-nots, all thoughtfully redrawn from authentic historical sources, and ready to grace your next project with their vintage charm. Please note: for reason known only to the font gods, the Mac Postscript version of Woody Goodies 2 had to be named More Woody Goodies.

Inspired by early cool cartoon fonts, early rock and hippie posters, I created the casual 'DT Stoner Toon' font. Then by adding strategic dots to add a little more quirkiness to the mix, I came up with this organic 'DT Sticky Stones' font. Please use with contextual ligatures turned on when possible. These letters like to adapt to their neighbours.

Vintage sheet music for the 1920s song "Where Did Robinson Crusoe Go with Friday on Saturday Night?" yielded the hand lettered Art Nouveau alphabet for Nouveau Display JNL. Because the Art Nouveau movement was so influential in the graphic designs of the 1960s "Love Generation" counter culture, this typeface blends itself well with projects crossing many decades and varying styles.

This all started as a bunch of letter written using a squared paper as a guide. It all turned out fine, but there was something that wasn't quite right...it was boring! I took all the letters and grunge it all up and did all the drips as well - and suddenly that boring look was gone! That was an unlikely development!

Namyv is the first font I did ... and now it’s improved! I combined all the best of the font. It’s unique and interesting. A great choice for website and app designs. I'm using Namyv Bold for posters and other print designs. It's very strong! And you can combine Namyv font with any Sans Serif font. They will look fantastic. Cyrillic characters included!

Squidy Club is a fun display font, fresh & modern style. Squidy Club Font suitable for logo, branding, greeting card, poster and any design that you create. Thank you for checking and i hope you enjoy it. Always put your heart into it and don’t worry to try. I hope you have as much fun using it as i did making it.

Roadblock JNL is the solidified and slanted version of Patriotica JNL --a stars and stripes font based on lettering by the late Alf R. Becker as commissioned by Signs of the Times® magazine. Thanks to Tod Swormstedt of ST Publications, Inc. and the American Sign Museum in Cincinati, Ohio for providing source material for use as a work model.

This distinctive chunky design has a wide range of possibilities as a display face. With a nod towards Deco this strong, bold and well balanced font has a wide range of uses. Due to the nature of this design there may be a very slight lack of smoothness to the curves at extremely large point sizes (around 200 pt and above).

Athletic Pro is an updated and revised version of Athletic Condensed. Added weight styles and a brand new designed Cyrillic alphabet. Practical and timeless, this display font does an excellent job on laying headlines and bold messages. With the variable font file you will have further personalisation and broader range of styles, it also contains the standard weights and styles.

The Saihat font is inspired by Arabic or Middle Eastern style calligraphy. This font is made with Latin characters so that it can be read internationally which does not have to be able to read Arabic characters. This font is perfect for Middle Eastern or Muslim designs. In addition, the Saihat font can also be used for other decorative design concepts.

Linem Up JNL is based on one of Alf R. Becker's alphabets for Signs of the Times magazine. With A-Z only and basic punctuation, it is best used in very limited text at larger point sizes. Thanks to Tod Swormstedt of ST Publications (and the curator of the American Sign Museum in Cincinnati, Ohio) for providing the reference material.

Nobody knows what God looks like but we know that the Devil has a thousand different faces. Samuel Casal sees the demon everywhere. In the streets, the movies, rock music, books, gambling, other things and even in Hell. Devilishly, he captures it all with his magical design. Purchase the font Inferno Dingbats now and take control of the forces of Evil.

The pattern for this typeface was suggested by a poster for beer, designed by German artist Ludwig Hohlwein around 1920. The plump curvy serifs suggested a great complement to beer, hot dogs, and thus the name translates roughly to “weiner wagon.” Prosit! Both versions of this font include the complete Latin 1252 and CE 1250 character sets, with localization for Romanian and Moldovan.

I like the expression ‘being on tenterhooks’. Not that I’m on tenterhooks very often! Tenterhooks was made with a broken satay skewer (see poster 2 for the actual thing) and Chinese ink. It came out rather rough, but it does have a nice flow and a certain ‘wild elegance’. Comes with double letter ligatures and a whole bunch of diacritics.

Hi, presenting a display font Silent River. It's a bold decorative font with nice classic shape. Silent River typeface supports most of the european languages and also has ukrainian cyrillic characters. Also there are an extra characters with modifyed letters shape, such as ligatures and alternates. Make sure that your app does support an OpenType features to access this extra characters.

The inspiration for this typeface was discovered on a 1906 travel poster, promoting the Hotel Braunwald, located in the Swiss Alps. Its odd blend of Art-Nouveau-meets-the-Old-West makes for fetching heads and subheads. Both versions include the complete Unicode Latin 1252, Central European 1250 and Turkish 1254 character sets, as well as localization for Lithuanian, Moldovan and Romanian.

Imperia is derived from my Classic font Imperium – the Roman Original from the Trajan column. I pushed Imperia a lot further, adding two versions of swings. To make the family more usable I threw in my own version of lowercase letters for free; Roman did not have lowercase letters of that kind! The other three cuts – A, B, and C –have classic smallcaps.

ADEQUATE is a basic geometric sans serif typeface comprising 6 weights plus a free italic with each. The family has modern, workaday letterforms with a tall x-height for clarity and legibility. Adequate does the job; it doesn't claim to be beautiful and lacks the fashionable mannerisms of many contemporary faces, but there is something timeless, perhaps elegant, about its mathematical simplicity.

Watchmaker was designed with the limitations imposed by a simple LCD that is meant only to display numbers. Most LCD typefaces use some diagonals to make the letters look better. This one does not and from it you can see why a few diagonals are needed to display letters on a LCD. Watchmaker is monospaced and comes in plain and bold weights.

Luscombe is a boisterous and lively display face, recalling the shaded and outlined faced much beloved of 1920s poster and advertising artists, while offering a regularity of outline that those faces often did not achieve. Itís ideal for poster and display work, or for signage with a subtle period feel. Mix the two faces to add emphasis where it's needed.

Warning: works with contextual alternate-feature, which is not showing here. Matita Connected is part of a larger type family developed from 2005-2019 with handwriting in mind. A solid script face in two weights and a dotted instructional version. With alternative glyphs based on different writing habits. For teaching, teaching material or just typography. An unchildish handwritten type family for many purposes.

Steve Jackaman & Ashley Muir. Packard Old Style is based on lettering drawn by Oswald Cooper for the Packard Motor Company (ATF 1913). The bold weight is credited to Morris Fuller Benton (ATF 1916), but it is highly probable that Benton did the adaptation for both weights. Packard Old Style Pro contains all the high-end features expected in a quality OpenType Pro font.

Keybies is a font that produces an octave of a piano keyboard, with several variations. Type K or k repeatedly into the textbox above to see. The complete instructions are provided in the download file. One use is to print it in grey and draw big black dots on the relevant keys for chord diagrams, to help children or beginners.

Impact As its name suggests, Impact, a bold sans serif, is designed to make an impression on the reader. Obviously a display font, Impact makes use of its thick strokes and blocked style, to catch and hold the eye. Because Impact is so striking, it is best placed in plenty of white space so that it does not overwhelm any accompanying text.

Here's a creative font for your crafts, postcards, posters, book covers or perhaps your next birthday invitation! Thirsty Spine covers a lot of needs, where a crazy handmade look is needed. Each letter has 5 different versions, all with it's own charm. I did very little when digitizing this font, and that in order to keep the genuine pen strokes.

Technobaby is a funky futuristic font done with modular letterforms. This typeface arose from playing around with the basic rounded rectangle shape. Jason wanted to see how many different letters he could create by simply changing the locations of the slots cut into the rectangles. Overall it lends the font a very cohesive and unique look. Get your "mod" on with Technobaby!