Country Western is a revival of the classic William Page font known as Clarendon Ornamented originally designed in 1859 and again in 1877 by Vanderburgh & Wells. This version combines the best of both versions and adds something new. New to this font are the lowercase, italic, swash and script versions plus Greek and Cyrillic character sets. Keeping with the original theme from 1859 Fill fonts are available for the Ornamented and Open faced versions of this font. Greek, Cyrillic, Central and Eastern European characters sets are supported in the Windows TrueType and OpenType formats. The Windows and Mac PostScript Type1 versions of this font, however, do not support Greek, Cyrillic, Central and Eastern European characters sets.

Are you looking for a handwritten font? Do you dream of creating headings that stand out and inspire creativity, imagination, and endless fun? Wait no more, we will give you the best choice. The Marbler-A Handwritten Font The Marbler is a handwritten font with retro look. Inspired from 1960s style. Every stroke and curve was created to entice happiness and elegance. The best choice to ensure a great font match for your designs and projects! Well suited to titles, poster designs, branding, quotes, and logos. Our font always includes Multilingual Options to make your branding globally acceptable. Features: Ligatures Stylistic Sets Swashes PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Natha Studio

Harlean is lively and exciting with eccentric letterforms that vary in axis, baseline, and height, a tribute to Harlean’s flexible-nib pen origins. Its curving strokes speak of free-spirited adventure and jazz-inflected, improvisational style. Harlean’s hand-lettered appearance is fashioned from the savvy use of contextual alternates. Easily customize your words with swashes and alternate forms to express your creativity, then complement your layout with ornaments, borders, and corner elements. See what’s included! http://bit.ly/2cjNavf *NOTE* Basic versions DO NOT include swashes, alternates or ornaments This font has been specially coded for access of all the swashes, alternates and ornaments without the need for professional design software! Info and instructions here: http://lauraworthingtontype.com/faqs/

Gross Kunst is a humanist sans-serif with an open aperture, sharp outlines, and eye-catching details that make this full of character typeface very recognizable. The type family has three fonts based on wide pen strokes. Depending on its purpose the styles differ in expressiveness and the level of ornamentation. Regular style—low-contrast and neutral—is the most natural choice for body-text. The display face is more dynamic and gets higher contrast. It's very legible from a distance and would do its best on navigational and warning signage, plates, and such. Eloquent straight italics will adorn titles, announcements, and pages with ads. This typeface was acknowledged at the international type design competition Modern Cyrillic '99.

Caprizant is a lively, upright script based on letters inked with a pointed pen. For display settings, titles, and identity work, Caprizant shines with even more energy and elegance. Customize it using one of the 337 swashes, three sets of capitals, and 20 ornaments. Alternates of every letter create a fully connected or unconnected look, plus dozens of ligatures, and contextual alternates provide a convincingly human variation. See what’s included! http://bit.ly/1RGYIl1 *NOTE* Basic versions DO NOT include swashes, alternates or ornaments These fonts have been specially coded for access of all the swashes, alternates and ornaments without the need for professional design software! Info and instructions here: http://lauraworthingtontype.com/faqs/

Sunchery Script is a modern calligraphy font. It is elegance, modernity, and friendly. Sunchery a beautiful for wedding card design, logotype, website header, fashion design, and any more. It contains a full set of lower & uppercase letters, a large range of punctuation, numerals, and multilingual support. Sunchery Include : Uppercase, lowercase, numeral, punctuation & Symbol Multilingual support Stylistic alternates Standard ligatures 28 Decorative Shapes PSD + EPS + PNG 17 Floral Illustrations PSD + EPS + PNG PUA Encoded Characters Fully accessible without additional design software. To access the alternate glyphs, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. If you have any question please do not hesitate to contact me.Thank You!

The Parkway font family was inspired the Parkway Theater marquee in south Minneapolis and the abandoned hotel signage along a strip of U.S. highway running from Tallahassee to Tampa in Florida. A classic retro font trio, the Parkways speak of nostalgia and Americana. Looks like the little metal tag that dealers stick on the trunk of new cars.

Ballpricks Script is a vintage script font designed with carefully handcrafted. Good for branding, T-shirts, label design, any vintage and retro design, headlines, logotypes, and any project with script font purposes. This font also can make you happy when you design something even that you don't like, and of course, this font makes your design flawless and come with reasonable prices for this unique font. Multilingual Support support many different languages 20+ . Additional Information Need anything to help? Email me at: hello@martype.co Thanks! Umar

Drab is a neutral grotesque, but with decorative elements. Suitable for texts and titles. When you do not need a strong accidental but a boring set, Drab is also not suitable. Drab supportsBasic Latin, Cyrillic and more than 100 languages all together. The font was designed by Viktor Pesotsky.

Main Feature JNL is patterned after the plastic letters found on theater marquees. As an extra bonus, the | (bar) key has the phrase "double feature", the ^ (ascii circumflex) has the word "and" and the ~ (ascii tilde) has the phrase "with" for anyone doing a theater marquee mock-up.

Here's my tall and thin and brand new winter font ("Vintersjov is "winter fun" in danish) A super legible and fun font, suitable for things that have got to do with winter. But also spring, summer and fall - in fact mostly anything that needs a lively and handmade look!

Brasserie, the font, is a tribute to all brasseries since they are wonderful places to relax and enjoy food, wine and friends. It is also a salute to Parisian neon sign makers who continue in their difficult quest to adapt type, including script, into fragile, gas-filled, electric glass tubes. I tried to capture the spirit of these neon signs and combined it with the loosely styled handwritten menus written on blackboards that are usually placed outside Brasseries. You will find Brasserie to be very useful in many situations where you need clarity with style in a reasonably compact width. It is also creates an unusually even texture in sentences. Brasserie is a fairly upright script with a large x-height, which helps to save on overall width. Like a brasserie, the font is a relaxed and informal script, useful for logo, packaging, menus, editorial, advertising, invitations, etc and is available for Mac and PC in Opentype, Truetype and Postscript versions. In France, a brasserie is a café doubling as a restaurant with a relaxed setting, which serves single dishes and other meals. It can be expected to have professional service and printed menus (unlike a bistro which may have neither), but has more informal eating hours than a full-fledged restaurant. Typically, a brasserie is open every day of the week and the same menu is served all day. The word 'brasserie' is also French for brewery and, by extension, "the brewing business".

Dahayu is a handwritten script font With high contrast stroke and fun character. Dahayu handwritten script font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Dahayu handwritten script font.

Madita started with the idea of an upright sans script. Unlike other script typefaces, some of the characters look fairly constructed. The endings are either vertical or horizontal. On the other hand there are the swashes of a flowing script woven into the sans stroke that create an interesting tension. Madita is surprisingly legible, even in smaller sizes. The upper case letters even work in all caps.

Adagio Pro, that sounds like music, elegance and classic quality. That's exactly how Adagio Pro carries the message to the reader. Adagio Pro is a rather formal script with very beautiful, generous and swashy upper case that was redesigned, digitized, completed and expanded as OpenType in the profonts type studio.Adagio Pro comes with more than 1.100 characters covering the complete Latin glyph set for West and East including Baltic and Turkish. Additionally, there is a large selection of ligatures, character combinations and alternates to make this beautiful script design a perfect font for OTF-savvy applications like e.g. InDesign or Quark Xpress 7.Adagio Pro is a very distinguished, elegant and versatile script font well-suited for anything in the area of classical music, art, ballet etc. Also, it is good for certificates, reports, documents and alike.

Symphony Pro… sounds like music, elegance and classic quality. That's exactly how Symphony Pro carries the message to the reader. Symphony Pro is a rather formal script with very beautiful, generous and swashy upper case that was redesigned, digitized, completed and expanded as OpenType in the profonts type studio. Symphony Pro comes with more than 800 characters covering the complete Latin glyph set for West and East including Baltic and Turkish. Addionally, there is a large selection of ligatures, character combinations and alternates to make this beautiful script design a perfect font for OTF-savvy applications like e.g. InDesign or Quark Xpress 7. Symphony Pro is a very distinguished, elegant and versatile script font well-suited for anything in the area of classical music, art, ballet etc. Also, it is good for certificates, reports, documents and alike.

Ballerina Pro... sounds like music, ballet, elegance and classic quality. That's exactly how Ballerina Pro carries the message to the reader. Ballerina Pro is a more of a formal script, light-weighted and quite beautiful, redesigned, digitized, completed and expanded as OpenType in the profonts type studio.Ballerina Pro comes with round about 600 characters covering the complete Latin glyph set for West and East including Baltic and Turkish. Additionally, there is a large selection of manually designed character combinations and alternates to make this beautiful script design a perfect font for OTF-savvy applications like e.g. InDesign or Quark Xpress 7.Ballerina Pro is a very distinguished, elegant and versatile script font well-suited for anything in the area of ballet, classical music, art, ballet etc. Also, it is good for certificates, reports, documents and alike.

Because Contenu is designed for text use, it is spaced for body copy in the 9-12 point range. That is far too much spacing for heads, subheads, and the like. So I made the display version of Contenu Book to use for headers. In the process of tightening the spacing at the very large sizes, I also made some minor modifications to the glyph shapes to make this version a little more elegant. Contenu Opentype has two Opentype families for print design. Contenu Book has five fonts: Regular, Italic, Bold, Bold Italic, and Display. Contenu has Medium, Medium Italic, Black, and Black Italic. The name is French for content and this is what the family is designed for: text, body copy, and book layout. If it has a style, it is a modern take on oldstyle serif font using Jenson as a mask. There are no plans for display versions of the bolder weights or the italics. If you want them, use Contenu Medium, Book Bold, Contenu Black, or any of the four italics and tighten the tracking.

Lotter blackletter with Drop caps One fine day I found a vintage book, it called “A treatise by the Dominican friar-writer Marcus von Weida on the Brotherhood of the Holy Rosary”. It was printed in 1515 by Melchior Lotter in Leipzig. The text was illustrated by hand-colored engravings on religious and liturgical themes and beautiful initials I like. Lotter was the last name of a family of German printers, intimately connected with the Reformation. An innovation by the elder Lotter was his use of Roman types for Latin, reserving the Gothic types for German. I'm happy to present to you my new font family. Lotter font family has Drop cap and Regular styles. It's all you need to precisely imitate medieval style text. Use Drop cap style as a decorative element at the beginning of a paragraph or section, other part of the paragraph should be in Regular style. You’ll get: * Drop cap & Regular styles * Uppercase and lowercase * Multilingual support * Numbers * Symbols * Punctuation * Ligatures Please feel free to request any help you need: kaer.pro@gmail.com Best, Roman.

Trovoada Mono is a monospaced font for use in print (but also looks great on display). Hand-drawing glyph by glyph, my intention was to get that old manual typewriter look, with uneven inks, but with a totally up-to-date, emotional and admittedly humorous attitude. Trovoada Mono borrows from classics like Courier and Letter Gothic, reinventing serifs here and there. The result is a font that is both familiar and unusual. As I love Greek typography, I made sure to include a full polytonic alphabet, in the same vintage spirit: the text looks very legible and matches the Latin characters. The font has no kerning, obviously, and no ligatures (this is a typewriter, my friend!), but it has important OpenType features: fractions, subscripts/superscripts, slashed zero and stylistic alternatives for some characters. The italics are 11 degrees, which brings a strong personality. Some characters have true italics, giving the text an overall texture different from the upright type. All that is missing is that nervous typewriter noise. Enjoy!

Because Contenu is designed for text use, it is spaced for body copy in the 9-12 point range. That is far too much spacing for heads, subheads, and the like. So I made the display version of Contenu Book to use for headers. In the process of tightening the spacing at the very large sizes, I also made some minor modifications to the glyph shapes to make this version a little more elegant. Contenu Opentype has two Opentype families for print design. Contenu Book has five fonts: Regular, Italic, Bold, Bold Italic, and Display. Contenu has Medium, Medium Italic, Black, and Black Italic. The name is French for content and this is what the family is designed for: text, body copy, and book layout. If it has a style, it is a modern take on oldstyle serif font using Jenson as a mask. There are no plans for display versions of the bolder weights or the italics. If you want them, use Contenu Medium, Book Bold, Contenu Black, or any of the four italics and tighten the tracking.

Geometron has its origin in a custom typeface that I was commissioned to design for an architectural project. The concept was a "back to basics", minimalist typeface constructed mainly with straight lines and circles or circular arcs, but without departing from the classical style of Roman & Greek lettering. Notable requirements were: an extensive character set needed for multi-language documentation, as well as a full collection of symbols and alternate glyph forms (e.g. superiors & inferiors) for scientific use. Special care was taken to obviate the almost identical similarities that were prone to appear between letters like uppercase "i" and lowercase "L" or between Latin and Greek letters such as "a" and "alpha". This was also a prerequisite for scientific notation where ambiguity is not acceptable. All in all, the font would have to blend a modern design with a wealth of functional features. Consequently, all of these were made possible by choosing the OpenType format for development, resulting in a comprehensive and feature-rich font family specifically targeted for use in high-end design/typesetting applications.

Geometron has its origin in a custom typeface that I was commissioned to design for an architectural project. The concept was a "back to basics", minimalist typeface constructed mainly with straight lines and circles or circular arcs, but without departing from the classical style of Roman & Greek lettering. Notable requirements were: an extensive character set needed for multilanguage documentation, as well as a full collection of symbols and alternate glyph forms (e.g. superiors & inferiors) for scientific use. Special care was taken to obviate the almost identical similarities that were prone to appear between letters like uppercase "i" and lowercase "L" or between Latin and Greek letters such as "a" and "alpha". This was also a prerequisite for scientific notation where ambiguity is not acceptable. All in all, the font would have to blend a modern design with a wealth of functional features. Consequently, all of these were made possible by choosing the OpenTypeÆ format for development, resulting in a comprehensive and feature-rich font family specifically targeted for use in high-end design/typesetting applications.

Labyrindo is inspired on the classic Labyrinth. The oldest known labyrinth is 3200 years old and is to be found in Greece. The mythological king Minos held the monstrous son of his wife ‘Minotaurus’ prison in a labyrinth. Much later the labyrinth made his appearance in the medieval churches, this time as a pattern on the church floor. During the Italian renaissance the multiple gate labyrinth came in fashion. Paths led trough green hedges in beautiful palace gardens. These hedges where perfectly cut in rectangular shapes. Mainly meant as an aesthetic statement. Besides the origin of the physic labyrinth, it has always been a great source of story-telling and myths. I mention a few personal favourites (film) like, Pan’s Labyrinth (a journey to the underworld), Labyrinth (with David Bowie) and the Shining with Jack Nicholson (where a horrific scene takes place in a labyrinth). Not the most cheerful stories but fascinating and intriguing. A Labyrinth is mind boggling and mysterious but wonderful. I made graphic translation in this typeface.

Goldana is a display layered font inspired by art deco. The base layer is regular; add an extrude and extrude shadow to create a dimensional look. Several of the styles can be mixed and matched together to create different style details. There are several fonts with a stand-alone style and script. The Script fonts are also equipped with OpenType features. (The shadow, drop shadow, drop stripe and stencil styles are not meant to be layered.) Play with the extras collection to create badges with a vintage feel and an art deco style.

Marie Clarie - Monoline Script Font is a stunning font with a script style characterized by thin monoline strokes. Its vintage retro charm and classic script lettering make it a perfect choice for various design applications. Whether you're creating logos, lettering, branding materials, coffee-related designs, food and beverage branding, invitations, or cards, this font will add a touch of elegance and sophistication to your projects. The monoline script style of Marie Clarie features thin and consistent strokes, giving it a sleek and modern look. Its vintage retro undertones bring a sense of nostalgia and timelessness to your designs. The classic script lettering adds an elegant and sophisticated touch, making it ideal for creating a refined and stylish visual impression. Whether you're designing a logo for a boutique coffee shop, creating elegant lettering for a special invitation, or crafting a vintage-inspired food and beverage brand, Marie Clarie - Monoline Script Font offers versatility and charm that will elevate your designs to the next level.

Tea Time JNL was inspired by the hand lettering on the 1931 sheet music for "When I Take My Sugar to Tea".

Oldhand is based on an original handwriting of an elderly gentleman. I worked it over carefully to keep the handmade, authentic touch.

CrappyJoe got its name because I wrote all characters with a felt-pen with a broken tip. It's still very readable though.

Scratchnessism is a grunge font, perfect for dirtying up anything. For best use of this font I recommend turning anti-aliasing on.

Robotechnica is my first ever pixel font, I was experimenting with pixel fonts for a while and I’m happy with the result.

Holz is the German word for wood, since this font has a woodcut character, I thought that would be the right name.

Tummy is part of the Game font set I made few years back; this one is for game packaging and logo design.

(pronounced hor-hay) Some years ago my wife and I had our evening meal in a restaurant on what is called the northshore of Massachusetts. Of course, if you check a globe or map you'll see that the pilgrims needed a compass, it should have been called the eastshore as it's on the east end of the rectangle/hook we call the Commonwealth of Mass. In any event, the menu our waitress gave us was hand-lettered with shapes that I used to develop the 4 fonts called Jorge. When I brought the preliminary drawings into the office Steve Zafarana, a designer and cartoonist referred to them as Jorge's new design, the name stuck.

RensGazet is a decorative blackletter typeface with elaborate upper-case letters and condensed lower-case characters. It was inspired by the masthead of a short-lived weekly newspaper, The Rensselaer Gazette, which was published from 1857 until 1860. I could not find any existing digitized fonts that replicated this old typeface, so I decided to create an interpretation of it. I had samples of few letters in large point sizes and a number of others at a small point size, though these were blurry and not sharply defined. As a result, this typeface is undoubtedly considerably different from the original. Also, my spacing is much tighter than that in the source samples.

Glora is a modern sans serif with a soft touch made at Warkop for fun. Glora has strong upper and lowercase letters that are subtle and effective in a variety of designs for your project. This font is very good in my opinion, you must think I praise my own work, you are not mistaken I also think the same as you. It is perfect for graphic design and any display use. It can easily work for web, signage, corporate as well as for editorial design. Have fun designing with the Glora font, because I have the quotes "don't forget to be happy while you're alive" Thanks for use this font ~ Khaiuns