Inspired by the modern and futuristic sans serif concept, the Shary font is bold and cool. Shary font has 54 families from thin to heavy. Besides that, the urban concept is very cool when combined with the Shary font. Apart from using capital letters for the display font, Shary also contains small letters which are cool and suitable for text. Multilingual various languages are also supported. For logotype or esport, the logo fits perfectly with this font style. Let's make Shary font as your cool font collection for future and current projects.

Protrakt is inspired by city life and sport. It has been designed as a variable font and is best to use as a variable font to get the full enjoyment of using this typeface. However, if you do not have access to variable technology through your software, there are nine widths in the font family so this will give you just as much access to the creativity this font can provide. By using the variable sliders in your design software you have a range of weight and width options. Play around with individual letters to give your type a unique look. Included in this family are alternate characters to add even more styling options. *Unfortunately there is no option to test out the variable capabilities on MyFonts as yet. Please have a look at the poster images to get a great idea of how I have used this font. By using the variable version you only need to install one font file instead of the entire family, this saves space and time to manually select individual styles.

Modern Sans this is a font family that includes 9 weights from thin to black and two styles basic and oblique. In this font you will find a classic and universal grotesque that will perfectly cope with a variety of tasks and will always look stylish and modern, as well as many alternates for Upper and Lowercase, with which you can play and find the most incredible and stunning option. This universal font covers a huge range of possibilities for the design and creation of your project.

I recently came across an old travel journal I’d misplaced, and in it was a really rough sketch of an Italian post office. The sign lettering caught my eye while flipping through the pages, and while not my forte, I thought I’d take my stab at recreating sans-serif lettering as a font. The Postale family recaptures that old post signage and the vintage flair that appeals to me. A little reminiscing is always a good thing. You’ll find the Stylistic Alternates feature changes up the retro styled letters to a more modern sans serif styling for a handful of letterforms, if the vintage style of certain letters isn’t your cup of tea.

Many typefaces are distinctive or attractive at the expense of legibility and versatility. Not so the Optima® family. Simultaneously standing out and fitting in, there are few projects or imaging environments outside of its range. Although Optima is almost always grouped with sans serif typefaces, it should be considered a serifless roman. True to its Roman heritage, Optima has wide, full-bodied characters – especially in the capitals. Only the E, F and L deviate with narrow forms. Consistent with other Zapf designs, the cap S in Optima appears slightly top-heavy with a slight tilt to the right. The M is splayed, and the N, like a serif design, has light vertical strokes. The lowercase a and g in Optima are high-legibility two-storied designs. Optima can be set within a wide choice of line spacing values – from very tight to very open. In fact, there are few limits to the amount of white space that can be added between lines of text. Optima also benefits from a wide range of letter spacing capability. It can be set quite tight, or even slightly open – especially the capitals. If there are any guidelines, Optima should be set more open than tight. It’s not that readability is affected that much when Optima is set on the snug side; it’s just that the unhurried elegance and light gray typographic color created by the face are disrupted when letters are set too tight. Optima is also about as gregarious as a typeface can be. It mixes well with virtually any serif design and a surprisingly large number of sans serif faces. The Optima family is available in six weights, from roman to extra black, each with an italic counterpart. In addition, the family is available as a suite of OpenType® Pro fonts, providing for the automatic insertion of small caps, ligatures and alternate characters, in addition to offering an extended character set supporting most Central European and many Eastern European languages. When you’re ready to find its perfect pairing, browse these fantastic matches: Monotype Century Old Style™, Dante®, Frutiger® Serif, Joanna® Nova, Malabar™, and Soho®.

Many typefaces are distinctive or attractive at the expense of legibility and versatility. Not so the Optima® family. Simultaneously standing out and fitting in, there are few projects or imaging environments outside of its range. Although Optima is almost always grouped with sans serif typefaces, it should be considered a serifless roman. True to its Roman heritage, Optima has wide, full-bodied characters – especially in the capitals. Only the E, F and L deviate with narrow forms. Consistent with other Zapf designs, the cap S in Optima appears slightly top-heavy with a slight tilt to the right. The M is splayed, and the N, like a serif design, has light vertical strokes. The lowercase a and g in Optima are high-legibility two-storied designs. Optima can be set within a wide choice of line spacing values – from very tight to very open. In fact, there are few limits to the amount of white space that can be added between lines of text. Optima also benefits from a wide range of letter spacing capability. It can be set quite tight, or even slightly open – especially the capitals. If there are any guidelines, Optima should be set more open than tight. It’s not that readability is affected that much when Optima is set on the snug side; it’s just that the unhurried elegance and light gray typographic color created by the face are disrupted when letters are set too tight. Optima is also about as gregarious as a typeface can be. It mixes well with virtually any serif design and a surprisingly large number of sans serif faces. The Optima family is available in six weights, from roman to extra black, each with an italic counterpart. In addition, the family is available as a suite of OpenType® Pro fonts, providing for the automatic insertion of small caps, ligatures and alternate characters, in addition to offering an extended character set supporting most Central European and many Eastern European languages. When you’re ready to find its perfect pairing, browse these fantastic matches: Monotype Century Old Style™, Dante®, Frutiger® Serif, Joanna® Nova, Malabar™ and Soho®.

The design concept of OPTIKA is inspired by our all-time best-selling typeface NORD Optika is a minimal and modern Sans-Serif typeface that makes your designs stand out from the crowd. Optika is an all-purpose typeface, a perfect choice for creating logotypes, branding, headlines, corporate identities, and marketing materials for web, digital & print alike. The typeface will be a great option for branding, logo/logotype design projects, marketing graphics, banners, posters, signage, corporate identities and editorial design. Adding extra letter spacing will make this font the perfect choice for minimal headlines and logotypes, as shown in the promo designs attached. Handcrafted and designed with powerful OpenType features in mind, each weight includes extended language support with Western European, Central European and South Eastern European sets. A total of 394 glyphs are available. Optika typeface includes 14 fonts in total, with seven upright weights (Thin / Light / Regular / Medium / Bold / Heavy) and Italic equivalents of all seven weights.

Core Sans D is a modern interpretation of condensed sans-serif typeface designed by S-Core and the whole family consists of 2 widths (Condensed, Normal), 7 weights (Thin, Light, Regular, Medium, Bold, Heavy, Black) with their corresponding italics. Core Sans D features a condensed geometric construction and has a large x-height which enhances legibility. The family is ideal for signage, headline as well as body text. Core Sans D is a part of the Core Sans Series such as Core Sans N SC, Core Sans N, Core Sans N NR, Core Sans M, Core Sans G and Core Sans A. Letterform in this type family is simple, clean and highly readable. The spaces between individual letter forms are precisely adjusted to create the perfect typesetting. Core Sans D supports complete Basic Latin, Cyrillic, Central European, Turkish, Baltic character sets. Each font includes proportional figures, tabular figures, numerators, denominators, superscript, scientific inferiors, subscript, fractions and case features.

Univa Nova is a beautiful minimalist typeface with masterclass design and outstanding usability features. The typeface is inspired by some of the original Swiss design-based branding projects. Univa Nova is a perfect choice for graphic design, text presentation, web design, print and display use. The typeface can be an amazing option for beautiful branding, logo / logotype design projects, marketing graphics, banners, posters, signage, corporate identities as well as editorial design. Adding extra letter-spacing for the Caps will make this font perfect for minimal headlines and logotypes as shown in promo images here. The typeface is specially handmade with great OpenType features in mind, each weight includes extended language support including Western European & Central European sets. A total of 306 glyphs are included. Univa Nova typeface comes with a total of 16 fonts having 8 weights (Hairline / Thin / Light / Regular / Medium / SemiBold / Bold / Heavy as well as Italic versions of each weights.

Sheet music for the song "Today I Feel So Happy" from the 1932 motion picture "Sunshine Susie" provided both the visual model and the name for Sunshine Susie JNL, available in both regular and oblique versions. The lettering is a bold Art Deco thick-and-thin design, and comes not from the song's title, but the hand lettered name of the movie as it appeared on the cover the song folio.

Graphit is a typeface designed by Lit Design Studio & curated by HvD Fonts. It combines clear, geometric shapes with edgy yet finely-crafted details. Graphit features uncompromising characters such as G, Q, f, k and 1. It works well both for impactful headlines and for reading sizes. The type family consists of six weights plus matching italics. In early 2018, Livius Dietzel & Tom Hoßfeld started developing the typeface’s essential character and released a free font named after the studio, Lit. Just a few months later, Hannes von Döhren had a look at the typeface and suggested expanding it into a family – then publishing it with HvD Fonts. They drew every single letter from scratch, and also decided to give the font a new name — Graphit. The family features six low-contrast weights, ranging from Black to Thin. Every character has been crafted to give it a distinctive and individual feel. Medium, Regular and Light are optimized for usage in copy text. For smaller font sizes & longer body copy, the alternate character set features a double-story a and a simplified Q, f, r and t for improved legibility. All fonts are manually hinted for optimal performance on digital devices.

"Hi there, thank you for passing by. Colllab Studio is here. We crafted best collection of typefaces in a variety of styles to keep you covered for any project that comes your way! Bill Hiffith is an Organic Script, a gorgeous font that can be used for making multiple things. it includes smooth brush stroke, simple and soft. Its elegant taste is one of the most gorgeous fonts. This typography is reflected in this exquisite font family. The type is clean and simple yet fun and stylish. It is beautiful, better for headlines style design or logo design. Or you can have it on your website’s body style. Grab it now, Bill Hiffith could elevate your elegance brand design. A Million Thanks Colllab Studio www.colllabstudio.com

Enfluence is a modern typeface perfect for titles and short texts. It could worked in print and digital mediums. It depicts a fresh and modern image but with some winks to older typefaces. About the shape of the letter, it was built with a wide “x” height, short ascendants and descendants, a high contrast, angular serif, and some round terminals. Some letters such as “m, n, h” show a light inclination in the right stem. These characteristics give this typeface great readability with a strong attraction to the eye for its cool forms. Not enough? Also includes a set of ornamental capital letters perfect for the creation of awesome designs.

Hi, presenting Aquatory Vintage font. It's a thin and tall font with nice classic shape. Aquatory Vintage is an all caps typeface supplemented with decorative elements. Aquatory Vintage font supports most of the european languages and also has ukrainian cyrillic characters.

Dreams Note Is A Modern Family Font Serif Including 8 Font Style. Font Features : Dreams Note Thin Dreams Note Extra Light Dreams Note Light Dreams Note Regular Dreams Note Medium Dreams Note Semi Bold Dreams Note Bold Dreams Note Black SOFTWARE REQUIREMENTS : Fonts and alternate: No special software is required they may be used in any basic program /website app that allows standard fonts That's it, folks! You can go ahead and get cracking :) Follow My Shop For Upcoming Updates Including Additional Glyphs And Language Support. And Please Message Me If You Want Your Language Included or If There Are Any Features or Glyph Requests, Feel Free to Send me A Message. Have a Good Day!

Sagrantino™ shines at large sizes – and in vibrant colors. Think big posters, commanding headlines, massive banners and oversized packaging. Set headlines in the Highlight or Shadow designs and running copy in the Regular – all on the same page! Sagrantino could be called the Lava Lamp of fonts. It’s slick, glossy, retro and futuristic. Somehow, it’s fresh and quirky-classic at the same time. This is a design that challenges you to think outside the text box. In fact, Sagrantino is so lively, it took three Monotype typeface designers, Karl Leuthold, Juan Villanueva and Carl Crossgrove, to draw it. Because it’s a script, Sagrantino pairs perfectly with just about any other design – except another script. Maintain the futuristic retro vibe by combining Sagrantino with a typeface like Biome™ or Neo™ Tech. Looking for a counterpoint? Try a cool sans like Avenir® Next or Univers® Next. OpenType® Pro fonts of Sagrantino enable automatic insertions from a crowd of fancy ligatures and delightful alternate characters – in addition to offering an extended character set supporting most Central European and many Eastern European languages.

Paneuropa 1931™ is a faithful recreation of XX-century Polish classic, made by Idzikowski foundry in Warsaw, 1931. Original Paneuropa was a renowned and highly popular typeface in XX-century Poland, and was widely used in all kinds of design, editorial use and printed materials for decades. Paneuropa is a geometric, clean and versatile font family inspired by Paul Renner's famous Futura - it is a bit narrower, with different proportions and details in drawing, completely different figures and punctuation shapes than Futura. It is an interesting and refreshing alternative to Futura with its own distinct personality and a subtle authentic vintage flavour. Paneuropa 1931 contains separate styles for display and large sizes as well as styles for small text sizes - differing in spacing and the softness of letterforms. The family features an original Paneuropa Double font - a beautiful inline style for headlines and display use. The whole family is completed with added missing inbetween styles as well as italics. The original subfamily set is available for purchase and it contains solely the original Paneuropa styles (Thin, Regular, Bold, Text Regular, Text Italic, Double). Paneuropa 1931 characteristics: letter shapes and proportions are very faithful to the original, keeping its idiosycrasies and inconsistencies spacing and kerning are carefully adjusted in order to achieve the colour of the original fonts, keeping maximum possible consistency - a compromise between authentic vintage feel and legible consistent text colour (for hardcore users: just turn off the kerning) weights precisely matching the original (Thin, Regular, Bold, Text Regular, Text Italic, Double), inbetween weights were added (Light, Demi Bold, as well as missing italic styles) italic angle faithful to the original (8 degrees) softened corners help achieving the character of old imprecise printed display styles for big sizes are sharper and have tight spacing, text styles have softer shapes (recreating small print imperfect print) and broader spacing for use in paragraph text (spacing in both display and text styles matches the original as well) original style names in Polish for devices with Polish set as their primary language The family is very versatile. The Inline style as well as bold and thin weights are perfect for headlines and display use, other styles works wonderfully as paragraph text. Paneuropa 1931 consists of 18 fonts - 5 display weights with corresponding italics + 3 text weights with corresponding italics + 2 inline styles (for big and small print sizes). It has extended support for latin languages, as well as broad number of OpenType features, such as case sensitive forms, fractions, superscript and subscript, ordinals, currencies and symbols.

Chilada is an outrageous display family by designer Patricia Lillie for Image Club. Across four versions, the decorate treatment inside Chilada's letters becomes more intense. Chilada characters exude an energy of their own. Their design could be described as a cross between Bank Gothic and Neuland, with a spoonful of funk mixed in. Big and chunky, Chilada's forms are made up of straight lines only. There are no curved elements. The resulting design is angular and cuts a good figure on the page. Of the Chilada family's four members, the basic font is named Chilada Uno. Uno is Spanish for one!" The forms of Chilada Uno's letter are solid black-or whatever color you choose to set them in! Chilada Dos, Tres, and Quatro each offer their own decorative treatments: Chilada Dos's letters sport a zigzag inline, Chilada Tres is decorated or an ornamented leaving leaves more black from the letters than white, while Chilada Quatro's level of decoration is just crazy. Its letters are made up more more from white space than from black marks. Chilada Quatro is almost an outline font!"

As comic book readers know all too well, team ups are every super hero’s bread and butter... when the brave and the bold are in a pickle, and super villains are running onion rings around them, here’s how they roll: They Meat! They Team-Up with your taste buds! They Fight Hunger! Yes, some hero combos may get along better than others, but they are always more powerful together. So take a footlong bite out of crime, and make the subways safe again with our mouthwatering HERO SANDWICH! Prepared with plastic gloves on by those awfully nice chaps at the Comicraft deli. If you're an avenging hero on the go, have no fear, we've pre-assembled these eight classic Hero Sandwich Combos! Because choosing your fillings shouldn't get in the way of knocking out a supervillain’s fillings. See these families related to Hero Sandwich Combos: Hero Sandwich Ingredients Hero Sandwich Pro

The Obla font family is a modern serif typeface accompanied by appropriate italic in seven weights. Sketches of letters were drawn manually, using thick marker for creating shape and pencil for finishing details. Calligraphic origin of shapes is revealed beneath strained curves drawn on computer. All of the weights were carefully adjusted to each other. Obla is equipped with some basic OpenType features and supports Cyrillic and Latin script. Using Obla in small sizes is very convenient, because of its large x-height, and Obla is a very readable typeface. It seduces the reader with its vivacious character. The typeface is also suitable for usage in large sizes. The best choice for headlines is using the heaviest (Black) and the lightest (Thin) weight. There are two smaller family packages in offer: Obla Basic Set contains Regular, Italic, Bold and Bold Italic, while Obla Light Set contains Light, Light Italic, SemiBold and SemiBold Italic. These two sets are the most appropriate for working with small text. Other weights can be bought separately, or within the whole family. Obla is an awarded typeface. It got Special Mention in Cyrillic Typefaces category in Granshan 2016 competition and it was chosen as a Merit Winner in Print’s Typography and Lettering Awards competition. At that time, before publishing, the typeface was named Petra.

Star Vintage is a retro serif display font with a slightly bold appearance. You will get ligature characters on some characters. Use this display font to add that special retro touch to any design idea you can think of!. Masterfully designed to become a true favorite, this font has the potential to bring each of your creative ideas to the highest level! Very suitable for logotype, Stickers, Packaging design, Cricut Project, headlines, brand identity, t shirt or apparel industry, posters, magazines, books, YouTube, Instagram, websites, or any of your creative design projects. Enjoy!

Shine Coasty font is a retro serif and bold display font. You will get alternate characters such as swash on some characters. Use this display font to add that special retro touch to any design idea you can think of!. Masterfully designed to become a true favorite, this font has the potential to bring each of your creative ideas to the highest level! Very suitable for logotype, Stickers, Packaging design, Cricut Project, headlines, brand identity, t shirt or apparel industry, posters, magazines, books, YouTube, Instagram, websites, or any of your creative design projects. Enjoy!

Gedhibold font is a retro groovy display font. Use this display font to add that special retro touch to any design idea you can think of! Masterfully designed to become a true favorite, this font has the potential to bring each of your creative ideas to the highest level! It will look great on headlines, magazines, logos, branding and so much more! Gedhibold latest style letters are perfect for wall displays, wedding invitations, social media post logos, advertisements, product packaging, product designs, labels, photography, watermarks, invitations, stationery, and any project that requires handwritten taste.

Happy Monday is a retro and bold display font. Use this display font to add that special retro touch to any design idea you can think of!. Masterfully designed to become a true favorite, this font has the potential to bring each of your creative ideas to the highest level! Very suitable for logotype, Stickers, Packaging design, Cricut Project, headlines, brand identity, t shirt or apparel industry, posters, magazines, books, YouTube, Instagram, websites, or any of your creative design projects. Tutorial how to Install & use Alternate / Special Character : https://hanscostudio.com/tutorial/ Enjoy!

Retro Groovy Font is a retro and bold display font. Use this display font to add that special retro touch to any design idea you can think of!. Masterfully designed to become a true favorite, this font has the potential to bring each of your creative ideas to the highest level! Very suitable for logotype, Stickers, Packaging design, Cricut Project, headlines, brand identity, t shirt or apparel industry, posters, magazines, books, YouTube, Instagram, websites, or any of your creative design projects. Tutorial how to Install & use Alternate / Special Character : https://hanscostudio.com/tutorial/ Enjoy!

Willow is an Adobe Originals typeface designed in 1990 by Joy Redick for the Adobe Wood Type series. Willow is a condensed typeface modeled on nineteenth-century wood types known as Clarendons (wood type Clarendons do not resemble the English metal types of that name). Clarendon condensed faces were originally so well-designed that words or a line of display type have an even color that is remarkable for wood types. Taken from proofs of type in the Rob Roy Kelly Collection housed at the University of Texas at Austin, Willow can be used for display work such packaging, advertising, and posters.

Proza is a humanist sans serif typefamily, consisting of 12 styles (6 weights + italics), with roots in serif designs from the Renaissance, such as Garamond and Jenson. Proza was made to function well at a large range of sizes, from the smallest of text sizes, to gigantic posters, making it a highly versatile type family. Its large character set (support for 100+ languages) and opentype features do all the heavy lifting for you, while its elegance and refined details ensure to deliver a punch of class to your designs. A detailed article about the development and design of Proza on ilovetypography.com.

Mezitha is display font that has an ethnic view with modern style. It's suitable for branding, packaging, printing, poster designs, natural products etc. Mezitha Ornaments contains 3 groups of symbols. 1- Combining Ornaments 2- Repeating glyphs to create borders with finishes. 3- Single symbols. Most of the glyph has alternates and all of them has two version (thick and thin).

Quartz was originally published on the shop Font Forestry, but they are planning on closing - So now Quartz will live on Hustle Supply Co. Quartz is a minimalist All-Caps Sans Serif typeface that comes in 7 different weights. It's perfect for projects looking for that minimalist / clean aesthetic. Quartz includes regular, oblique, thin, bold & outlined versions. Western European Characters are included. Thanks!

Mona hand lettered font is a hand drawn brush font. It has contrasting thin and bold lines. This is a decorative font, so it works best for short descriptions, logos, identities, packaging design. Also looks great on diferent invitations and posters. The typeface has two styles - regular and bouncy. Boucny is ideal for designs where you need just a little bit more playfulness.

Hatchway is a monospaced display typeface with rounded corners, suitable for headlines and short passages of text. Hatchway has a tall x-height and unusually short ascenders and descenders. The family contains seven weights from Thin to Black and five widths from Ultra Condensed to Ultra Extended. This version (1.0) comes with Multiple Language Support, including Extended Cyrillic, and Opentype Features.

German type designer Daniel Fritz created this display FontFont in 2000. The family has 8 weights, ranging from Thin to Bold (including italics) and is ideally suited for advertising and packaging, editorial and publishing as well as poster and billboards. FF Ticket provides advanced typographical support with features such as ligatures, alternate characters, and case-sensitive forms. It comes with tabular lining figures.

Rachetty is a stylish and delicate script font. It has a clean, thin and smooth vibe and it will be a hit for any design that you want to add it to. This font is PUA encoded which means you can access all of the glyphs with ease! What's Included? Uppercase & Lowercase Numbers & Punctuation Ligature, Alternate & Swashes Multilingual Support PUA Encoded

Betrand is a thin lettered and graceful script font. Fall for its ravishing style and use it to create gorgeous wedding invitations, beautiful stationary art, eye-catching social media posts, and much more! This font is PUA encoded which means you can access all of the glyphs with ease! What's Included? Uppercase & Lowercase Numbers & Punctuation Ligature, Alternate & Swashes Multilingual Support PUA Encoded

Alfonsina is a high contrast condensed didone typeface well-suited to classy magazines, short text, branding design, packaging and advertising. With a great set of alternates and swashes, allowing for more stylized designs. This font of thin serifs includes italic, strengthening the concept of its design. Alfonsina contains a set of more than 500 characters and supports a variety of languages.

Introducing Brushelva Classic Sans Serif Font , created by Lettercorner Studio. Thelma is a traditional font for the classic sans serif type. A simple font, with a thin size, adds an elegant and classy impression. This typeface is perfect for an elegant logo, branding, travel promotion, layout magazine, beauty product, packaging product, quotes, or simply as a stylish text overlay to any background image.