SUE is a sans serif category with 18 styles or 9 weights with Oblique, this font is also included in the Variable font, with a minimalist appearance of course you can use it in various designs such as headlines, posters, invitations, labels, logos, to make the body text pretty good. . , and many designs that you can apply with this font. You will feel it when you have it as a font collection on your computer SUE OTF (18Font Style) SUE Variable with Oblique version Latin Extended characters accents

The Vaguer is a very special font. because this font takes some time in the manufacturing process because I want to make a font that can adapt to modern design needs and can also look organic with the rounded version. In addition, The Vaguer has tons of Opentype features to choose from, such as alternates characters, ligatures and swashes and is equipped with multilingual support. This font is very able to meet your needs to create designs ranging from logos, quotes, branding, you name it! That's all from me, I really hope you like it!

Bastro is a bold retro serif fonts that feels casual and clean an incredible modern retro aesthetic. Use this Bastro serif font to add that special modern retro touch to any design idea you can think of! Masterfully designed to become a true favorite, this font has the potential to bring each of your creative ideas to the highest level! This font is PUA encoded which means you can access all of the glyphs and swashes with ease! Tutorial how to Install & use Alternate / Special Character : https://hanscostudio.com/tutorial/ Enjoy!

Ossuary is a font in which each letter is formed using a uniquely arranged pile of skulls. The font was originally designed to be caps only, but small caps were added for convenience. There is now a character for each typeable letter of the American English keyboard. The font was inspired by images from the Kostnice ossuary in Sedlec, Kutna Hora near Prague. (Google it.) Whether you are fascinated or repulsed, such images have a mystery about them. They demand your attention. That is the feel this font was intended to capture.

Kurato font with a simple natural and comic style, you can take advantage of any occasion one of the beautiful ways to highlight your best holiday celebrations, because this font will be the driving force for purposes such as cover design, wedding invitations, parties, graduations, birthdays , gatherings, etc. Kurato font if you want to use for your work this font can be used easily and simply because there are many features in it contains a full set of lowercase and uppercase letters, various punctuation marks, numbers, and multilingual support.

CushingTwo is the 6-font family designed for Fontographer: Practical Font Design for Graphic Designers: Regular, Oblique, Demi, DemiOblique, Bold, and BoldOblique. The two Demi variants will be listed separately in InDesign and the Creative Suite to keep things compatible with Office and such. The inspiration was a scan of the old Cushing No. 2 font in Felici's article on CreativePro about 100 year oldtype. It's a fun, open, large OpenType font of 370 characters with oldstyle figures, small caps, and small cap figures. It needs polishing, but it's good looking.

Todes is an elegant and modern sans-serif font family. It includes upright and Italic style, each of them has five weights from light to bold. This is a multi-purpose font that is perfect for any project, it is contrasted, modern and easy to read. With it, you can create logos, use in advertising, packaging, book covers and magazines, headings, descriptions and much more. Todes includes stylistic alternates and ligatures, with them you can add dynamics to the font and make your project more individual. This font is easy to use has OpenType features.

Aint’ nuthin but the Thang. Thang is a street cred script family with big initial caps and tight flow. Thang is great for flashy headlines or as a logotype. Thang family comes with three weights. Thang Extras is a pack of strokes and dots that can be used to decorate your texts typed with Thang. Thang Extras can also be combined with Thang letters for custom Swash. Thang is packed with several OpenType features: keep on Standard Ligatures and Contextual Alternates for smooth flow. Try Swash, Stylistic or Titling Alternates for alternate characters to create customised lettering works. Check out Glyph Palette for even more alternate characters and go wild the Thang.

Modeled on the writings chiseled in stone in the second century B.C., Syntax™ Lapidar is an energetic, spirited typeface designed by Hans Eduard Meier in 2000. Linotype Syntax Lapidar Text and Linotype Syntax Lapidar Serif Text have five weights each, with both cap and lowercase letterforms. Lapidar Display and Lapidar Serif Display also have five weights each, with mostly all cap letterforms and many alternates. It's a terrifically fun and inventive family, and if you look closely, you can see the resemblance to the more modern and restrained Syntax™ relatives. Great for menus, artist books, travelogues, or advertising - and if used very sparingly, it could add just the right element of lapidary significance to corporate documents.

Bozon™ is a modern, minimalist geometric grotesk typeface. Letter shapes are crafted with the highest care for proportions and legibility. This clean, sharp sans serif is a great choice for all kinds of modern projects including branding, logo design and display use. Bozon™ family consists of 10 weights with corresponding italic styles, that give total of 20 styles. Italic styles were hand drawn to get sharp and fine letter shapes. The family has extended language support, as well as broad number of OpenType features, such as small caps, case sensitive forms, ligatures, stylistic sets, contextual alternates, lining, oldstyle, tabular, circled and small cap figures, slashed zero, fractions, superscript and subscript, ordinals, currencies and symbols.

Modeled on the writings chiseled in stone in the second century B.C., Syntax™ Lapidar is an energetic, spirited typeface designed by Hans Eduard Meier in 2000. Linotype Syntax Lapidar Text and Linotype Syntax Lapidar Serif Text have five weights each, with both cap and lowercase letterforms. Lapidar Display and Lapidar Serif Display also have five weights each, with mostly all cap letterforms and many alternates. It's a terrifically fun and inventive family, and if you look closely, you can see the resemblance to the more modern and restrained Syntax™ relatives. Great for menus, artist books, travelogues, or advertising - and if used very sparingly, it could add just the right element of lapidary significance to corporate documents.

Modeled on the writings chiseled in stone in the second century B.C., Syntax™ Lapidar is an energetic, spirited typeface designed by Hans Eduard Meier in 2000. Linotype Syntax Lapidar Text and Linotype Syntax Lapidar Serif Text have five weights each, with both cap and lowercase letterforms. Lapidar Display and Lapidar Serif Display also have five weights each, with mostly all cap letterforms and many alternates. It's a terrifically fun and inventive family, and if you look closely, you can see the resemblance to the more modern and restrained Syntax™ relatives. Great for menus, artist books, travelogues, or advertising - and if used very sparingly, it could add just the right element of lapidary significance to corporate documents.

Fortuita is a versatile sans fit for text or display. The name carries some of its history as it was born from logo sketches that fortuitously grew into a type family over eight years. It comes with a tall x-height, rendering it readable at smaller sizes. It has sixteen weights, eight regular ones, and their italics, each with small caps, something you may not see very often with sans serifs. It counts with old-style numbers that can switch to its lining, small caps, or tabular versions through open-type features. The family carries a distinct personality in its design that will lend itself to its subject, all the while without becoming distracting or detracting from it.

Linotype Sicula, from German designer Roberto Manella, is part of the TakeType Library, chosen from the entries of the Linotype-sponsored International Digital Type Design Contest 1999 for inclusion on the TakeType 3 CD. It is available in two weights, regular and oblique. Linotype Sicula will quickly win over any nostalgic spirits. Ornamental and sweeping, the figures line up on the paper, their contrasting strokes and playfully irregular forms giving them an exuberant, decorative character. The careful details of each figure come to light best when used in larger point sizes. Linotype Sicula is therefore best for headlines and can easily inspire typographic experiments and its capitals can serve as initials combined with other typefaces, especially sans serif.

Modeled on the writings chiseled in stone in the second century B.C., Syntax™ Lapidar is an energetic, spirited typeface designed by Hans Eduard Meier in 2000. Linotype Syntax Lapidar Text and Linotype Syntax Lapidar Serif Text have five weights each, with both cap and lowercase letterforms. Lapidar Display and Lapidar Serif Display also have five weights each, with mostly all cap letterforms and many alternates. It's a terrifically fun and inventive family, and if you look closely, you can see the resemblance to the more modern and restrained Syntax™ relatives. Great for menus, artist books, travelogues, or advertising - and if used very sparingly, it could add just the right element of lapidary significance to corporate documents.

Modern Avenue is an elegant and modern font that combines a serif with a classic script style. Its many alternates characters, including swashes, provide additional beauty and versatility, perfect for any design. The font's elegant and sophisticated look, with its classy characteristic, makes it ideal for high-end projects like luxury branding, packaging and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. With its perfect balance of modern and classic design, Modern Avenue provides a timeless and refined feel to any design. Features : Uppercase & lowercase Numbers and punctuation Alternates & Ligatures Multilingual PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

"Hayoo Holiday" is a display font where each character has a wavy appearance. Fonts like this add an element of playfulness and fun to your design. Wavy characters provide a unique look and can be used in various design projects that aim to emphasize a creative and cheerful touch. This font is often used in designs for special events, parties, or promotional materials that want to grab attention and create a festive atmosphere. With "Hayoo Holiday," you can create stylish and spirited designs.

Here comes a New font, Introducing Roselle is a Fun Script Font is a Authentic script that is written casually and quickly. Letters are made with handwritten on paper. Roselle Perfect for designs,branding projects, Logo design, Quotes product packaging ,design project as Invitation,logo, book cover,. This font is PUA encoded which means you can access all of the magical glyphs with ease! It also features a wealth of special features including You can activate 22 Ligatures OpenType panel.

Introducing Historya; A sweet handwritten font! Bold and cheerful fonts are guaranteed to beautify your designs and products. What's Included: Historya comes with a single font file that includes uppercase, lowercase, numbers, punctuation, and multilingual support. Historya also has alternative letters in each uppercase and lowercase and has a swash that you can access in alternative numbers 1-9. That's it! I hope you enjoy it. You can also say hello to me on Instagram: https://www.instagram.com/atharuah_ Thank You!

Naluri - is a beautiful, smooth and clean sans serif font, created by natural strokes making it look flawless with plenty of alternatives to help your creative needs. This font is perfect for logo branding, product designs, quotes, posters, display, website, invitation card, greeting card, headline, website and various other project creations that require beautiful clean touches. Naluri includes 4 weight styles which each include 224 glyphs. Features: 4 Font Weight Uppercase & Lowercase Multilingual Support Number & Punctuation Alternatives & Ligatures Thank you, for supporting us.

Hello there.. I introduce to you a new work by the name of BORCHA. This font has an attractive style as well as elegant. In addition, this font is also equipped with several ligature features, stylistic alternate and stylistic set so that it can be the best work in each of your work. This font can be used to create letters, advertisements, logos, banners, web, and everything else. Thank you, glad to be able to contribute to your best work.

Hey Guys! My new Font Kidplay is a funny and playful sans serif, perfect for child magazine cover, comic creations, branding projects, headlines, posters and packaging! Kidplay font has three styles allow unique and versatile design options! Furthermore it is a unicase font, so you can also play with uppercase and lowercase initials. But that's not all! it is equipped with multilingual accents, so it can be used in several Latin languages. I hope you enjoy my creation. Thank you!

The Bartender Collection its a 14 fonts created multiple that could work together seamlessly. Six different typefaces comes with clear and pressed styles. This collection help you hit the target with your design projects. You can create vintage looks graphics with pressed style and serif fonts, or you can use sans and be more modern. Perfectly for branding, prints, t-shirts or posters. Goes with some alternates (Aa, Bb, Hh). Create dozens of font combinations and get really unique typographic for your project.

Real Delight is a cool and natural handwritten font. It can be used for various designs, such as logos, labels, branding and pretty much anything that requires a relaxed touch. Real Delight fonts include ligatures, capital letters and lowercase letters. You need a program that supports OpenType features like Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw X6 / X7. and you can also access alternative flying machines via Font Book (Mac users) or Windows Character Map (Windows users).

Fox Heart is a cute and fun color font. This font is your go-to for crafting cute greeting cards that express affection and warmth. Whether you’re a designer, a social media influencer, or someone with a penchant for creative expression. Fall in love with its authentic feel and use it to create gorgeous invitations, beautiful stationary art, eye-catching social media posts, and cute greeting cards. 🌺🌺 Please note that the Canva do not support color fonts! 🌺🌺

Machine Killer Font is a modern Blackletter style font that is perfect for your Display or Body text designs. It adds a bold touch to your projects and will inspire you to create something unique and modern. Funky Gloom Font is ideal for headings, flyers, greeting cards, product packaging, book covers, printed quotes, logotype, apparel design, and album covers, and it is perfect for headings, flyers, greeting cards, product packaging, book covers, printed quotes, logotype, apparel design, and album covers.

Farlos is a ink handwritten font, with a unique feel and a stunning impact. It will add a luxury spark to any design project that you wish to create! This font is PUA encoded which means you can access all of the amazing glyphs and ligatures with ease! Try Farlos, enjoy the richness of OpenType features and let her fun and elegant excitement make you happy and enhance your creativity! You can use this font very easily. Included multiligual support and special ligatures

Proudly present "Simply Harmony -Vintage Monoline Font" Simply Harmony comes with 2 styles that have their own characteristics. Simply Harmony Regular : has a clean and elegant style. This font has a more modern feel, so you can apply it to modern-themed projects. Simply Harmony stamp: this font has a rough style both in the middle and the edges of each letter, this font has a vintage feel and can be applied to various needs. This font has 114 awesome alternates and has 311 total glyphs, there are various kinds of alternates that you can use as you wish. I really hope you enjoy it – please do let me know what you think, comments & likes are always hugely welcomed and appreciated. More importantly, please don’t hesitate to drop me a message if you have any issues or queries. Thank you

Introducing, A NEW POWERFUL BOLD FONTS WITH ALTERNATES, Point Panther! Point Panther is a headline font with super bold style that contains up to 6 Alternates each characters! You can make a unique branding with this fonts. this powerful bold fonts also included italic and outline style! This fonts suitable to use for poster, branding, merchandise, and any street art style! Also support multilingual. What will you get: Point Panther Regular (Regular, Italic ) Point Panther Bold (Bold, Bold Italic) Point Panther Outline Regular (Regular, Italic ) Point Panther Outline Bold (Bold, Bold Italic) How to access the alternates! If you use PS/AI you can see the tutorial in this : https://helpx.adobe.com/illustrator/using/special-characters.html You can use the PUA for software design that not support Opentype. For another questions, please send a mail to saridezra@gmail.com. Thank You!

Ornaments family with four different sets plus a decorative capitals font from the rare, valuable and amazing Allerlei Zierat book from Schelter & Gieseck (1902). A research and free interpretation by Intellecta Design. This encyclopedic specimen book of the Leipzig, Germany type foundry and printing supply house J.G. Schelter & Giesecke features, as the title indicates, all kinds of decoration for supplying printing of every type. On the title page, the firm boasts winning grand prize in 1900 in Paris (presumably at the Exposition Universelle). It is hard to do justice in a short description to the variety of styles (traditional, Jugenstil, etc.) and categories (certificates, letterheads, borders, ornaments, exotic motifs, flowers, animals, silhouettes, menus, greeting cards, vignettes humorous and otherwise, images of bicyclists, occupational symbols, portraits, Classical figures, religious art, heraldry, ships, trains, athletes, etc., etc.) offered in this volume. Some of the examples are printed in color, most are in black-and-white. The Jugenstil cover of this copy shows minor wear and soiling. The plate of “Gust. Carlsson & Co., Stockholm” is attached to the front pastedown. A small fraction of pages show minor soiling, a pencil notation or a short closed tear. Two of the fold-outs at the back have a little more damage-one is missing a 1x2 inch piece along the margin, the other has a 3-inch closed tear and an edge which is crumpled. A rare specimen from the Intellecta rare books library.

Kidela is an exuberant and eccentric serif typeface reminiscent of hand painted signage. Kidela features tight kerning and spacing, and some interesting effects can be achieved by adjusting the tracking. The typeface includes 64 discretionary ligatures to extend the natural hand painted look, alternates, oldstyle figures and small caps. Please see the sample brochure to see these ligatures in action. Kidela is an excellent choice when you need a fun and interesting serif.

SmokeHaus is a caps-only, reverse-contrast display typeface with flare serifs and bold, rounded letters. In addition to the plain style, the family has shadowed, cracked, and two rough or dimpled versions. It was inspired by a sign on a smoke house in Gustavus, Alaska. The SmokeHausShadowInside style was developed to be used in layers with SmokeHausShadow. It allows lettering with two colors. Also, SmokeHausCracked can be used in a layer above SmokeHaus.

Woodstock is a round, heavy, lovable serif display typeface. Just as music brought many together in the spirit of love during the 1960s and the Woodstock music festival, this face brings a smile to the eye of the beholder. Many traces of the hand can be seen in the curves and the joins of Woodstock's forms. Try using Woodstock in headlines, logos, or greeting cards, in point sizes from 12 on upward.

Verilet is elegant and vintage display typeface that looks stunning in just about every context. Very suitable as to make a design choice such as logos, branding, magazines, headlines, websites, packaging, wedding cards and more creative project! All-caps characters, with over 400 glyphs VERILET’s also has a lot of alternative characters. It looks really cool when elegant meet vintage to any piece. FEATURES : Uppercase Lowercase Number Punctuation Multilingual PUA Encode Opentype

Noeran is a bold slab typeface. Strong and dramatic letterforms for titling, a serious, yet friendly, and easily legible typestyle. Perfect for power headlines and titling for impact. It works perfectly for creative project such as logo, T-shirt / apparel, badge, invitation, packaging,headline, poster, magazine, greeting card, and wedding invitation. You can access the open type features and multilingual on mostly Adobe programs, such as Adobe Indesign, Adobe Illustrator, Adobe photoshop etc.

ZenoPotion is a geometric styled typeface influenced by alien stories and nostalgia. It carries a techno look with a regular lined top and dipped thick bottom throughout, highly readble, though not best for large bodies of text. Use the alien technology, let ZenoPotion be the type for your designs and stories. From the far reaches of space, another lifeform sent a message, now you can use their typestyle to convey your own!

TT Jenevers useful links: Specimen | Graphic presentation | Customization options Please note! If you need OTF versions of the fonts, just email us at commercial@typetype.org About TT Jenevers: TT Jenevers is a modern serif with Dutch flavor. The font family features the characteristic details peculiar to Dutch serifs—these are the asymmetrical shape of serifs and an irregular slant of ovals. For example, in the letter “o” there is no slant, but it is present in p-q. In TT Jenevers, both lowercase and uppercase characters are of a large size, which makes it a rather display typeface. At the same time, the big half-ellipse of the lowercase characters does not allow the letters to stick, which allows the implementation of TT Jenevers in text arrays. The italics of the TT Jenevers are slightly narrower as compared to upright faces—this is done to ensure a greater density of the text array. The italics of the TT Jenevers are slightly narrower as compared to upright faces—this is done to ensure a greater density of the text array. TT Jenevers font family consists of 12 fonts (6 upright and 6 true Italics), each of which has more than 830 characters. The typefaces include small capitals for Cyrillic and Latin alphabets, 33 ligatures, standard and old-style figures, stylistic alternates, arrows, hands, and card suits. We have prepared two dissimilar stylistic sets, which allow changing the nature of TT Jenevers to a more hand-written one, or adding a futuristic touch to the typeface. FOLLOW US: Instagram | Facebook | Website TT Jenevers OpenType features: ordn, case, c2sc, smcp, frac, sups, sinf, numr, dnom, onum, tnum, pnum, lnum, liga, dlig, salt, ss01, ss02, zero. TT Jenevers language support: Acehnese, Afar, Albanian, Alsatian, Aragonese, Arumanian, Asu, Aymara, Azerbaijani, Banjar, Basque, Belarusian (cyr), Belarusian (lat), Bemba, Bena, Betawi, Bislama, Boholano, Bosnian (cyr), Bosnian (lat), Breton, Bulgarian (cyr), Cebuano, Chamorro, Chichewa, Chiga, Colognian, Cornish, Corsican, Cree, Croatian, Czech, Danish, Dutch, Embu, English, Erzya, Esperanto, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gaelic, Gagauz (lat), Galician, Ganda, German, Gusii, Haitian Creole, Hawaiian, Hiri Motu, Hungarian, Icelandic, Ilocano, Indonesian, Innu-aimun, Interlingua, Irish, Italian, Javanese, Jola-Fonyi, Judaeo-Spanish, Judaeo-Spanish, Kalenjin, Karachay-Balkar (lat), Karaim (lat), Karakalpak (lat), Kashubian, Kazakh (lat), Khasi, Khvarshi, Kinyarwanda, Kirundi, Komi-Permyak, Komi-Zyrian, Kongo, Kumyk, Kurdish (lat), Ladin, Latvian, Laz, Leonese, Lithuanian, Luba-Kasai, Luganda, Luo, Luxembourgish, Luyia, Macedonian, Machame, Makhuwa-Meetto, Makonde, Malay, Maltese, Manx, Maori, Mauritian Creole, Minangkabau, Moldavian (lat), Montenegrin (lat), Mordvin-moksha, Morisyen, Nahuatl, Nauruan, Ndebele, Nias, Nogai, Norwegian, Nyankole, Occitan, Oromo, Palauan, Polish, Portuguese, Quechua, Rheto-Romance, Rohingya, Romanian, Romansh, Rombo, Rundi, Russian, Rusyn, Rwa, Salar, Samburu, Samoan, Sango, Sangu, Sasak, Scots, Sena, Serbian (cyr), Serbian (lat), Seychellois Creole, Shambala, Shona, Silesian, Slovak, Slovenian, Soga, Somali, Sorbian, Sotho, Spanish, Sundanese, Swahili, Swazi, Swedish, Swiss German, Tagalog, Tahitian, Taita, Talysh (lat), Tatar, Teso, Tetum, Tok Pisin, Tongan, Tsakhur (Azerbaijan), Tsonga, Tswana, Turkish, Turkmen (lat), Udmurt, Ukrainian, Uyghur, Vastese, Vepsian, Volapük, Võro, Vunjo, Welsh, Wolof, Xhosa, Zaza, Zulu.

Caflisch Script was designed by Robert Slimbach in 1993. The design is based on the handwriting of Max Caflisch, one of the foremost graphic designers of this century. Caflisch, a teacher of graphic arts for over three decades in Zurich, is author of several books on typography and designer of the 1952 Columna typeface. Caflisch�s handwriting has a free flowing yet disciplined character, the result of years of practice and devotion to the calligraphic arts. Slimbach retained the subtleties and natural letter joins of Caflisch�s original handwriting while adapting it into a typographically sound and highly practical script typeface. Caflisch Script is a multiple master typeface with a weight axis that allows the typeface to transition smoothly from light to heavy weights, maintaining legibility and visual appeal at a full range of point sizes. Caflisch Script can be used anywhere the appearance of a fine hand is desired, as well as more sophisticated and practical situations such as display work in books and copysetting for advertisements.

Centerpiece is Psychedelic typeface refers to a style of typography that emerged in the 1960s during the height of the counterculture movement. It is characterized by its bold, vibrant colors, and graphic designs that incorporate abstract shapes, curves, and patterns. The psychedelic typeface is often associated with the mystical and surreal since it draws inspiration from altered states of consciousness experienced through the use of psychedelic drugs. It also incorporates a variety of lettering techniques such as bending, twisting, and outlining. The typefaces have a distinctive look that evokes a sense of free-spirited creativity and experimentation. Psychedelic typefaces can be used for various purposes, including posters, album covers, and promotional materials. To sum it up, psychedelic typeface is a unique style of typography that was popularized during the 1960s and is still relevant today. It incorporates bold colors, graphic designs, and a range of lettering techniques that create an eye-catching and trippy aesthetic. It is a testament to the counterculture movement and the power of artistic expression.

ITC Merss proves that sometimes accidents work out just fine. Late one evening Eduardo Manso, an Argentinean graphic and type designer, spilled coffee on his desk. When he began to wipe up the mess, he noticed that one of the splashes looked like a roman letter 'l' - complete with serifs. This triggered his imagination. “What if a complete alphabet was created with this same irregular flow to the character designs?” ITC Merss was the result of Manso's experiments with “fluid” letter shapes. The oddly handsome design looks aged and spontaneous at the same time. Its irregular texture is striking-the result of careful modeling of character shapes. While Manso wanted to maintain the free-form character of spilled liquid, he also knew the individual letters had to work together with an underlying harmony. When not experimenting with typefaces - or spilled coffee - Manso creates award-winning graphic and publication designs. A contributor to the design magazine el Huevo (the Egg), he also writes articles on type and typography and is part of the publication's design team.