AREA 88 is an experimental grunge style font with a unique look. The font is easily recognized with a messy, dirty texture . AREA 88 has all the features usually included in a fully professional font.

INTRODUCE COCLENG HANDWRITING FONTS. Cocleng is a natural brushed font with a dirty textures. This font will give you a fresh and edgy looking design and will look beautiful with offers, fashion magazines, logos & more.

A typeface made from vintage typewriter samples and meticulously compiled into a complete character set.

A typeface made from vintage typewriter samples and meticulously compiled into a complete character set.

A typeface made from vintage typewriter samples and meticulously compiled into a complete character set.

A typeface made from vintage typewriter samples and meticulously compiled into a complete character set.

A typeface made from vintage typewriter samples and meticulously compiled into a complete character set.

A typeface made from vintage typewriter samples and meticulously compiled into a complete character set.

Hello Sunflower! Enjoy this new vintage-style typewriter font, inspired by an old portable typewriter. Combining Chank's grunge and retro font styles, it has a classic rustic beauty, like sunflowers growing alongside an old farmhouse. Enjoy a new, multi-purpose display font for all your labeling and headline needs. Looks great on the web, too!

Introducing "The Freaky Circus" typeface with vector graphics bonus. This font has dirty handmade textured effect. The OpenType font includes 15 automatically replaceable ligatures. You can also variate between wide and narrow letters using capital characters.

Ony font was made by cutting letters in cardboard and printing them on paper. This non-perfect printing was used to get heavy, dirty letters. Font has alternate characters so it can imitate real printed words.

Roger Roberson skillfully adapted the sanserif to the monospace IBM typewriter at Lexington, Kentucky, in 1956.

Inspired by typewriter-style lettering, this font is legible and still has a bit of flair.

DF Staple Mono is a personal answer on the archaic and ‘middle-of-the-road’-forms of typewriter typefaces like ‘Courier’ and ‘American Typewriter’. The form of a staple (office supply no. 1) and its transformations inspired me during the design process. The first four weights are all monospaced and are completed with a real italic.

Here is a revolution in typewriter fonts.......typrighter.......yes! typrighter V1 and typrighter V2.....We applied Contextual Substitutions feature in Fontlab with 6 different alternative of each letter (standard English alphabets). No more repeating same contours of letters which a typical typewriter fonts does......a next same letter replaces itself automatically to 6 variations to give you real typewriter text flowing out of your computer keyboard...... Please watch a short demo and enjoy the open type features in word, illustrator and Photoshop.... https://www.youtube.com/watch?v=HMM98Wmb_sg The basic version is bold version but does not have Contextual Substitutions option.

Happy Heinrich has the looks of a typewriter font, but he's far to funky just for that!

Electrica is a contemporary monospaced typeface family; a tribute to classic typewriters, while designed for today’s needs and media. In spite of taking inspirations from several typefaces used in typewriters (most notably the IBM Selectric), Electrica is far from a revival: it’s a typeface on its own, winking to the past while standing its ground confidently in a contemporary environment.

Another in the series of competent IBM serifed typewriter faces, this one from Howard Kettler in Lexington in 1956.

Another in the series of competent IBM serifed typewriter faces, this one from Howard Kettler in Lexington in 1956.

StapleTXT is a transformation from the monospaced typewriter font Staple mono into a text type. The 'mono' skeleton was used as much as possible but some characters were slightly altered in order to obtain more regularity without losing its specific typewriter atmosphere: little variation in character widths. The font has lining figures and works very well as text system in combination with the Staple mono.

A classical 20-th century's (1900s to 1980s) typewriter font for both text and large display usage, titles, signage... A new thicker version of Selectric (2016), as if typed using not a thin carbon ribbon but a coarse fabric one. Both are available on a different models of Selectrics. Made after rare enough samples of the same style used during 1980s in the USSR. Based on the actual letter proportions of the original typewriter Selectric (2016) (Cyrillic ball). This time not monospaced as before, but proportional. The single known so far previous typewriter vector typeface with this 'ink blotting' effect (similarly expanded serifs) as in Dodo (2008) is ITC American Typewriter (1974; by Joel Kaden and Tony Stan) and all its hand drawn analogs from 1980s (and perhaps before). Which, in turn, is resembling ATF Bulletin Typewriter's (1925, 1933; by Morris Fuller Benton) overall proportions, geometry, and even had some natural ink expands in its paper sample (but not by design, as I see it).

North Bergen is a dirty sans serif based on letterforms seen painted on a wall of a magazine store in North Bergen, New Jersey. Its unrefined, quirky forms reflect a typographic naivete and are meant to evoke a sense of hand painted signage.

Urban Philosopher is a experimental font, its kind of mix of vintage typography with 80 s grunge. The font have a little messy and dirty texture, which gives it a little "horror" effect. The font includes almost all letters of the Latin alphabet.

TELEPATH Telepath by Coniglio Type, first appeared in 1998. It is now in opentype .otf as of 2021. Telepath is a master sampling of a Royal office typewriter of industrial strength provided by the Miller Furniture store, of Dunkirk, New York. It had a baseline set of numbers to make accounting practices easy and line up nicely on the statements. (No gentile old fashioned numerical ascenders and descenders.) Yet, for a a rather old and stolid machine, it was very luxurious and built to definitely take the test of time. Cudo's for Royal Typewriter Company, is all I can say. The set of images were very carefully gathered and has fallen into the preferred category for a typewriter font that has it all. The font has exceptional value as a text font -and- a display font. It contains a great deal of graphic information and doesn't spike at higher sizes. Telepath presents a strikingly handsome typewriter font with a uniquely intuitive difference. Unlike the original source material—scans of monospaced typewriter copy, every font is painstakingly hand kerned for your most demanding copy fitting work in justified or casually ragged settings for print or the web. All Coniglio Type fonts are 100% embeddable. It will get you there.

Introducing Manly Beard , the typewriter font. Typewriter font is a timeless and iconic typeface, seamlessly bridges the realms of nostalgia and functionality. Inspired by the mechanical simplicity of traditional typewriters, this font exudes a distinct charm that harks back to an era when the written word was synonymous with the rhythmic clatter of keys striking paper. Characterized by monospacing, each letter and symbol occupies the same amount of horizontal space, mirroring the uniformity of characters produced by the typewriter's fixed-width mechanical arms. The result is a text that maintains a deliberate and organized appearance, evoking a sense of order and precision. We're honored and proud if Manly Beard can be the part of your special masterpiece. Thankyou! :)

Chandler 42 is an authentic typewriter font. It was designed by Steve Mehallo and published by Monotype. Chandler 42 contains 8 styles.

Chapeau is loosely inspired by a Johnny Cash letter written on an old IBM typewriter. The original typeface called “Doric” was a rare example of a proportionally aligned typewriter face, supplied by IBM in the late 1960s. Based on simple geometric shapes, Chapeau is a low contrast sans-serif with rounded endings. The letterforms have been carefully aligned to avoid exceeding width and to achieve an efficient, contemporary appearance.

Carimbo is probably one of the most handy dirty fonts around. It works well with most projects, creating that stamp-like effect, without being too much distressed. It has 2 uppercase variations, so you can combine letters without repeating them in the same word.

No, I don’t need therapy - at least, not that I’m aware of. I needed a bold and rough name for this bold and rough font. Rough Therapy is a strong display font. Comes in a clean and a dirty version, so take your pick!

Sans-serif reversed capitals in outlined circles, resembling old-fashioned typewriter keys. Intended for logos and signs, and for enhancement in lists and maps.

Alessyia is a classic style typeface font. This font has classic but at the same time a fresh look. "Alessia family" includes 3 font types: Regular ( Classic and elegant with straight geometric lines ) Grunge ( Dirty and messy ) Retro ( Hand drawn brush font with an uneven texture )

Kinsey is inspired by traditional typewriter font styles. Although now largely consigned to history, the bulbous slab serifs and soft curves of typewriter fonts have left a lasting legacy; they’re paradoxically easy on the eye, yet utilitarian and business-like. Kinsey offers a modern take on this classic style and is available in a full family of five weights and includes a ‘proper’ italic with modified characters for an easy, flowing style.

The new distressed typewriter font Ollivette is inspired by a beatnik poet sitting on a beach in Mexico pecking away at his brand new, imported, Italian portable typewriter in 1954. That's where the basic letterforms for this font hearken from. The grungey patina has been added over the years and is now available for you to download in font format. If you prefer the basic TrueType or PostScript versions, you'll enjoy a new standard retro typewriter style. Users of the advanced OpenType features will appreciate stylistic alternates for almost every letter, and contextual alternates for a randomizing organic effect. Support for Western & Central Europe? Yeah! We put that in there, too. So go global, and go vintage, here's a classic new type for you.

Customs Paperwork Pro brings the unique style of the NuMode Type No. 61 vintage typewriter keyset to the digital age. Antique typewriters have an incredible warmth and appeal to them, primarily because of their unpredictable "grunge" results that were a mix from the force of keystrokes to the wear of the ribbon and paper texture. This typeface is further fleshed out with SmallCaps and extensive figure sets to add a more serious note to the nature of the typeface, when needed. WHAT'S INCLUDED: Extensive language support. Customs Paperwork Pro has accented and special characters that support the following languages: Afrikaans, Albanian, Basque, Bosnian, Breton, Catalan Cornish, Corsican, Croatian, Czech, Danish, Dutch, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Galician, German, Hungarian, Icelandic, Irish, Indonesian, Italian, Kurdish, Leonese, Luxenbourgish, Malay, Maltese, Manx, Maori, Meru, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Occitan, Oromo, Polish, Portuguese, Rhaeto-Romanic, Romanian, Scottish Gaelic, Scots, Serbian (Latin), Slovak, Slovenian, Spanish, Swahili, Swedish, Tagalog, Turkish, Walloon, & Welsh. Antique typewriters are incredible, but they aren't something easily accessible to everyone, nor do most people want to fiddle with white out edits and the like. That's why typewriter fonts that capture the flavor of vintage typewriters are a no brainer (convenient and easily editable). I hope you enjoy playing with it just as much as I had fun making it.

Restraining Order Pro brings the unique style of a vintage typewriter keyset to the digital age. Antique typewriters have an incredible warmth and appeal to them, primarily because of their unpredictable "grunge" results that were a mix from the force of keystrokes to the wear of the ribbon and paper texture. This typeface is further fleshed out with SmallCaps and extensive figure sets to add a more serious note to the nature of the typeface, when needed. WHAT'S INCLUDED: Extensive language support. Restraining Order Pro has accented and special characters that support the following languages: Afrikaans, Albanian, Basque, Bosnian, Breton, Catalan Cornish, Corsican, Croatian, Czech, Danish, Dutch, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Galician, German, Hungarian, Icelandic, Irish, Indonesian, Italian, Kurdish, Leonese, Luxenbourgish, Malay, Maltese, Manx, Maori, Meru, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Occitan, Oromo, Polish, Portuguese, Rhaeto-Romanic, Romanian, Scottish Gaelic, Scots, Serbian (Latin), Slovak, Slovenian, Spanish, Swahili, Swedish, Tagalog, Turkish, Walloon, & Welsh. Antique typewriters are incredible, but they aren't something easily accessible to everyone, nor do most people want to fiddle with white out edits and the like. That's why typewriter fonts that capture the flavor of vintage typewriters are a no brainer (convenient and easily editable). I hope you enjoy playing with it just as much as I had fun making it.

The Swiss typewriters were famous for their unique precision. As complex digitalizations and macro shots were a start for the inspiration and studies, each character has been carefully re-crafted from the ultra high def scans of the printouts made on a special bleed-proof paper. Today’s characters such as @, euro sign and most of accents have been crafted according the original alphabet design. The idea was to digitize and keep a saving of the original typewriter including all its functions (e.g. underlining key) . It’s surprisingly very legible at small sizes. Thanks to an x-height tighter and more spaced, a glyph design less detailed and more neutral/simple than other fonts found on american or italian typewriters. The final artwork can be set at very large sizes due to the highly detailed glyph design. Swissa Piccola Regular is loaded with more than 150 glyphs created with the typewriter to avoid letter repetition in a word. This OpenType feature can be accessed through the 'discretionary ligatures' option. Plus it comes with two stylistic sets : one with an original underlining feature, another with a slashed-x feature. In which all characters are unique and also have been originally typed with the typewriter. It contains more 600 glyphs in total. The two features are separated in another two fonts (Swissa Piccola Slashed x and Underlined) in case a non OT-savvy app is used. If you wish to obtain exactly the same prints as the original Swissa Piccola typewriter, you should set your font at 11.3 pt and 19.5 pt of line spacing. The Swissa Piccola font was originally offered in a dedicated limited edition packaging.