California Signature is the perfect blend of Luxury and Unique. California Signature is a set of Seven modern fonts: upper and lowercase serifs and stylized script. The subtle curves of the serifs create a feminine feel. California Signature is perfect for logos, social media posts, invitations, and many other projects. It comes with multilingual support as well. These notes include: • California Signature Script Regular / Bold • Thin and realistic signature font containing 24+ ligatures and substitutes, lowercase, uppercase, all punctuation & numbers. • California Signature Serif Regular / Italic / Outline / Bold / Heavy • California Signature supports the following languages; English, French, Italian, Spanish, Portuguese, German, Swedish, Norwegian, Danish, Dutch, Finnish, Indonesian, Malay, Hungarian, Polish, Croatian, Turkish, Romanian, Czech, Latvian, Lithuanian, Slovak, Slovenian. I hope you enjoy this font. If you have any questions, feel free to message me :)

Graphie is a modern geometric sans-serif family designed by Ryoichi Tsunekawa and the whole family consists of 16 style: eight weights from Thin to ExtraBold and their matching Italics. The range of styles provides flexibility for title, headline and body text. And the clear-cut-corner, vibrant straight lines and large x-heights give them legibility, readability and keenness. The basic skeleton of their letterform was designed geometrically and optically corrected. The sophisticated geometric design gives them universality, neutrality and sense of unity and make it possible to be used across a wide range of applications in all medias, all purposes. Graphie supports almost all European languages: Western, Central, South Eastern Europeans and afrikaans. And superior figures, inferior figures, denominators, numerators and fraction can be accessed by using OpenType features.

Bolgifam Family is a luxury and elegant font pair that will bring a unique style and a trendy look to your designs. Comes with two style font sans modern regular - italic and one Classic Calligraphy Typeface with trending ligatures and special character, this will make Bolgifam family usable in all design projects and work perfectly to pair with any other font. With this family elegant styles you can create design such as wedding media, book covers, greeting cards, logos, branding, business cards and certificates, even for any design work that requires a classic, formal or luxurious look. Try Bolgifam Family, Enjoy the richness of OpenType features and let her fun and elegant excitement make you happy and enhance your creativity! You can use this font very easily. • Multilingual Support

Introducing Loving Ambros - Luxury Typeface Loving Ambros typeface is a Luxury beautiful typeface and inspiring mix of classic calligraphy with 50 unique alternates and 69 unique ligatures. come with 2 versions regular & italic. Loving Ambros is made mainly for headlines, titles, and other short texts and is well-suited for advertising, vintage mood board, branding, logotypes, packaging, titles, editorial design, modern logos, websites, social media quotes, wedding branding, modern and vintage design. These a fonts are perfect for designs with the concept of elegant, luxury, romance, fashion and so on. What you get: Accessible in the Adobe Illustrator, Adobe Photoshop, Coreldraw, even work on Microsoft Word. PUA Encoded Characters – Fully accessible Fonts include multilingual support. If you need a custom license or have questions, please email to: romandpio3793@gmail.com

Aure Declare officiates with dignity and dispassion. These traditional serif forms engage the reader with a no-nonsense subtext of reliability. Declare’s capacity to showcase the message rather than the medium brings a welcome legibility to extended text and a formal assertion to astrological expressions and chartwheels. Declare is an original design developed by Aurora Isaac. After more than a decade in development, 2018 marks the first release of the CJ and KB glyphsets in regular, italic, bold, and bold-italic. The CJ glyphset is a full text font supporting a variety of European languages. A matching set of small-caps complements the extended lowercase and uppercase glyphsets. Supporting glyphs include standard ligatures, four variations of the ampersand, and check-mark and happy-face with their companions x-mark and grumpy-face. Numbers are available in lining, oldstyle, and small versions, with numerators and denominators for forming fractions. Companion glyphs include Roman numerals, specialized glyphs for indicating ordinals, and a variety of mathematical symbols and operators. The CJ glyphset also includes an extended set of glyphs for typesetting Western Astrology. These glyphs are also available separately in the KB glyphset: a symbol font re-coded to allow easy keyboard access for the most commonly used glyphs. In addition to Aure Declare’s versatility as a text font, Declare pairs well as a no-nonsense foil to any decorative design. Aure Sable, for example, will shine all the more beside Declare’s practicality. Aure Declare pairs especially well with its close cousin, Aure Wye. Wye’s decorative forms provide elegant titles and drop-caps for Declare’s extended text. Give Aure Declare a trial run! You may discover a permanent place for this font family in your typographic palette. AureFontDesign.com

Bookish A little bit bookish, but quietly elegant and well-proportioned, FS Sally is a graceful font family. It’s a refreshingly uncomplicated design that brings sophistication to text and display type, and a distinctive aplomb to both large and small volumes of text. Hidden talents There’s more to FS Sally than meets the eye. Choose Standard for the Latin alphabet or Pro if you work with Cyrillic and Greek typography. There’s a large range of special features, including elegant small caps and a set of discretionary ligatures to add a traditional flavour to figures and fraction sets. Rhythmic There’s a rhythm and flow to FS Sally – the result of the classic but asymmetric design of its serifed feet and shoulders. The inward curve of the serif at the shoulder and the outward curve at the foot subliminally guide the eye through each letterform, and the flicked feet of the “a”, “d” and “u” add an extra kick of energy to the rhythm. The italic forms have their own flow, too, with a pen-like fluency that retains the formal discipline required for a text type. Regular to heavy FS Sally’s five weights, all with italics, cover every kind of print application. The regular weight is elegant in display and an easy read in longer texts. A subtle step up from the regular is the medium, which was created to deliver a stronger colour and finish in poorer printing conditions. The semibold offers a strong alternative to the regular at smaller sizes, and its intermediate feel suits it to sub-headings, title pages and calmer designs. The bold works excellently in book and title headings, and FS Sally Heavy lends weight and punch to poster headlines and logotypes.

Pseudonym is a low-contrast, subtly-flared serif available in four weights across three styles in both roman and italic. As with all of my typeface designs, I am creating fonts that I would use myself for branding purposes—typefaces with style and purpose that are intended for use in creating logos and distinctive branding typography. I wanted to create a typeface that had incisive flared serifs combined with the strength and solidity of modern grotesque faces. The result is Pseudonym, which I feel has great presence, style and legibility. Although I must admit, I had to tone down the flared serifs during the design process in order to achieve that :) I’m sure you will have great fun playing with some of the Open Type features that I’ve added to Pseudonym. There’s a full set of true small caps with their corresponding diacritics and figures. There are also a number of discretionary ligatures, these are chosen from the glyphs palette in your layout app to replace pairs of standard characters. You’ll also enjoy making use of the catchwords – these have been created to harmonise with each style, again, giving you more flexibility and scope to create some innovative typography. Finally, there are some alternate characters for /C/D/O/. You may wish to use these when creating logos that include standard contractions for limited, number, incorporated, etc. Key features: • Pseudonym is a low-contrast, subtly-flared serif that has great presence, style and legibility • 3 styles – Narrow, Regular and Wide • 4 weights in roman and italic: • Light | Regular | Medium | Bold • Full set of small caps with diacritics and figures • 30+ discretionary ligatures, catchwords and alternate characters • Full European character set • 600 glyphs per font

Bookish A little bit bookish, but quietly elegant and well-proportioned, FS Sally is a graceful font family. It’s a refreshingly uncomplicated design that brings sophistication to text and display type, and a distinctive aplomb to both large and small volumes of text. Hidden talents There’s more to FS Sally than meets the eye. Choose Standard for the Latin alphabet or Pro if you work with Cyrillic and Greek typography. There’s a large range of special features, including elegant small caps and a set of discretionary ligatures to add a traditional flavour to figures and fraction sets. Rhythmic There’s a rhythm and flow to FS Sally – the result of the classic but asymmetric design of its serifed feet and shoulders. The inward curve of the serif at the shoulder and the outward curve at the foot subliminally guide the eye through each letterform, and the flicked feet of the “a”, “d” and “u” add an extra kick of energy to the rhythm. The italic forms have their own flow, too, with a pen-like fluency that retains the formal discipline required for a text type. Regular to heavy FS Sally’s five weights, all with italics, cover every kind of print application. The regular weight is elegant in display and an easy read in longer texts. A subtle step up from the regular is the medium, which was created to deliver a stronger colour and finish in poorer printing conditions. The semibold offers a strong alternative to the regular at smaller sizes, and its intermediate feel suits it to sub-headings, title pages and calmer designs. The bold works excellently in book and title headings, and FS Sally Heavy lends weight and punch to poster headlines and logotypes.

Anele is a classic grotesque in the bedt sense of the word in 5 weights and Italic that communicates in 140 languages. The font is created by the danish designer Ole Sondergaard who is also behind the award-winning FF Signa super family.

Ratatouille was inspired by wooden faces of old with pointed serifs. Very suitable for Packaging greeting cards magazines posters and Advertising Ads. Designed in four weights from Extra-Light to Bold including Italics, covering a large range of editorial and advertising applications.

I know there are already quite a few Stencil type fonts but maybe this fills a niche. A very chunky serif stencil where the serifs are closely aligned and help form the the curves of the letters. An Italic is also available.

Lenolove is a cool and classy display font. Add this minimalistic and techno-style font to any web design, logo, Title, or anything else that needs a smart, cool touch. What's Included? Uppercase & Lowercase Numbers & Punctuation Multilingual Support Regular & Italic PUA Encoded

Scratchedman Font is a natural handwritten font. This All Caps typeface is strong to stand out in your design projects. Scratchedman Font has two font styles Regular and Italic so you can customize it in your design project, as well as multilingual support.

Lamberet is a geometric sans-serif typeface, all caps display font. Has a clean, sharp and emphatic form especially suitable for headlines, headings, branding, posters, packaging, titles, logos or whatever. It comes in its italics forms for regular sharp and soft versions. - Uppercase

Falcon Sport is a square typeface with a bold, easy design. The typeface includes Latin and Cyrillic uppercase, numbers and punctuation. Falcon Sport comes two styles and includes italics. This typeface works great for logos (also sport logos), packaging and other display settings.

Summerhaven JNL and Summerhaven Italic JNL were partially inspired by sign lettering spotted in an old black and white movie. These fonts are somewhat reminiscent of the Art Deco style, and their casual look can be applied to both formal and informal messages.

The Flowrite typeface combines timeless elegance with modern flair. It offers six weights in both regular and italic, alongside a stylish script in modern calligraphy. Designed for broad appeal, Flowrite supports 87 languages, perfect for global communication in branding, editorial, and design.

Grandi is a sans-serif in ten different styles. Carefully designed by Måns Grebäck, this typeface's great variation makes it adaptable to any size and context. It is confident and catchy, and comes in five weights, each one as upright and italic.

Kareemah is humanist typography, composed of roman and italics with 16 styles and 8 weights (800 glyphs) including ligatures, alternates, small caps,old style figures, fractions, superiors, inferiors and more. Perfectly legible and clean for long, simple texts in headlines. "Specimen Kareemah PDF"

These Oksana Text Swash Cyrillic fonts have swashed initials and ampersand for Oksana Text italics in six weights from Thin to Black. They support basic Latin and European Cyrillic. For all-in-one fonts please look at that OpenType version of Oksana Text.

Steclo is a semi-closed narrowed display sans-serif typeface with pronounced technical character. It comes in 9 weights from Thin to Black accompanied by corresponding oblique italics. Steclo features rich language support including pan-European Latin and basic Cyrillic glyph sets.

Matrice is a sans serif (Semi Extended) display font family in 8 weights plus matching natural italics. support 75+ Languanges (Latin Based) influenced by the grotesk typefaces developed in the early 20th century, perfect for branding (Identity), logotype, headline text, and caption.

Mile High is an airy and elegant font featuring exceptionally thin and tall characters suitable for text as well as display. Featuring 4 weights and italics, Mile High offers versatility for cohesive graphics applications. Especially lovely is text set in all caps.

Gingar – a headline face, playful and classic – a proper font. Gingar includes swash-characters and ligatures in a wide range of weights from UltraLight to ExtraBlack, plus Italics. Typeface for life, fashion, food, wellness, magazines, corporate design projects and more. Rock with Gingar!

Sahur Bosku is a beautiful handwritten font. This family consists of a script and comic style with matching italics. This font is suitable for branding, quotes, logos, magazines, posters, promotional advertisements, films, and more. The fonts have multilingual support and are PUA Unicoded.

This humanist slab-serif style is an extension from Gazeta font family, the letterform are more sharp, racional and mechanical. Italics are having small differences from roman letterforms, the characters are slightly more narrow (weight) and the proportions are less open (width).

Bramble is a lively organic font that draws reference from Roman characters rather than Italic forms. Use Regular for small point-size setting to retain legibility. For invigorating display settings try combining Regular and Wild. Warning: you may become attached to Bramble!

Oksana Greek has only basic Latin and monotonic Greek characters from multilingual Oksana. It has six weights with real italics, and Alt faces with Old Style figures, ampersand, alternative characters -a-g-k-y- and Greek -Ε-Ξ-β-ε-θ-φ-.

Oksana Cyrillic has only basic Latin and european Cyrillic characters from multilingual Oksana. It has six weights with real italics, and Alt faces with Old Style figures, ampersand, alternative characters -a-g-k-y- and Cyrillic -а-в-д-з-у-ў-.

Konega is a handmade typeface with a unique and modern style, comes in two versions, namely regular and italic, and is available in uppercase, lowercase, ligature and alternate. Konega is suitable for business brands, magazines, comics, t-shirts, banners and many others.

Timenhor is a Latin-script font whose glyphs are based on the uncial letterforms of Coptic manuscripts. Timenhor is compliant with Unicode encoding and has an extended character set, supporting Celtic and Eastern European languages. It has both regular and italic styles.

The name Vedo is derived from the Latin word for "I see". Vedo is a new, sturdy Sans Monoline in 7 weights and 7 Italic cuts. The Thin cuts are free of charge. Yours designing new fonts in the Bauhaus tradition - Gert Wiescher

This hand-lettered italic script is another versatile font produced by Jeff Marshall. Named after the late Ron Aplin, who mentored Jeff as an apprentice sign writer early in his career. This font includes 19 unique ligatures and 15 alternate special ending glyphs.

Vario is a bold brush-based design. Created by the renowned type designer and calligrapher, Hermann Zapf, Vario offers superb emphasis for use in headlines and displays. It is availble in both regular and italic styles. Vario was first produced in 1982.

Willgets Calligraphy is a classic calligraphy font. This is a classic thin font with an italic style. Here you will get a beautiful classic font. This font is available in several modern swirls that can make your work look elegant, sweet and perfect.

Roble is a Slab Serif Font, from a mix between Andes and Sanchez, following a harmony with both fonts one sans and one serif with a fresh and dynamic result. Roble is a family of 16 display fonts 8 weights plus italics.

Carlgine is a unique and modern family of serif fonts. Carlgine has 18 families Regular and italic font, starting from the small thin to the largest black. This typeface is versatile and can be used successfully in magazines, posters, branding, websites, etc.*

Bispo is a script typeface family made based on italic chancery calligraphy. After one year of it first launch, Bispo family now has another variant, a Bispo Pro version. The Pro version now contains more than 450 glyphs and new OpenType features, enjoy!

Betm is a geometric sans-serif font family created by Chatnarong Jingsuphatada (a Thai type designer) and published by Typesketchbook. Inspired by clean modern and, somewhat, mild geometric lines, Betm comes in 10 very useful weights along with complementary italics. You’ll love Betm!