Divine Instinct is a cool, bold and authentic blackletter font. Masterfully designed to become a true favorite, this font has the potential to bring each of your creative ideas to the highest level! this font contains : custom upper cases custom lower cases custom numbers default poncuation marks

A bold headline font with a decidedly Greek flavor, based on an ATF font called Pericles. A great alternative to Lithos or Lithograph. Both versions of this font contain the Unicode 1252 Latin and Unicode 1250 Central European character sets, with localization for Romanian and Moldovan.

Heyosan is a bold, vintage styled slab serif font. No matter the topic, this font will be an incredibly asset to your fonts’ library, as it has the potential to elevate any creation. What's Included? Uppercase & Lowercase Ligatures & Alternates Numbers & Punctuation Regular & Italic Multilingual Support PUA Encoded

Halloween Island is a unique and bold lettered decorative font. This font comes with cool extras. Add it to your creative Halloween-themed ideas and notice how it makes them stand out! This font is PUA encoded which means you can access all of the glyphs.

Branders is a font family that contains a light, regular and bold style. You can use these fonts for various purposes such as making an emblem logo, for promotions, or other purposes that will make your design more real as handmade. This font also support multi language.

Sweet Antihero- Vintage Western font this is bold, strong vintage handwritten western-looking display font. This font is great for your next creative project such as logos, printed quotes, invitations, cards, product packaging, headers, Logotype, Letterhead, Poster, Label, and etc. You can activate Ligature OpenType panel.

Lumier Texture is font family targeting designers who work with packages, labels, posters - who are looking for characteristic and striking letters. It's textured version of Lumier font family and as that, it's compatible with Lumier Bold. It is adviced to be used as desktop font only.

Zeo Xay is bold and elegant serif font. Simple and easy to use, this font will be very beautiful if you mix it with your various craft designs. This font is PUA encoded which means you can access all of the glyphs and swashes with ease!

Introducing, new bold serif, Augillion - a soft bold serif with ligatures and alternates! Augillion is a modern and bold serif with a bunch of ligatures and alternates that will make your presentation or logo even more stunning and stand out! Augillion also support Multi Language. and already PUA Encoded! Including a special character "✦", just type A+ to access it! Features Uppercase & Lowercase Number & Symbol Multi language Ligatures Alternates for each characters PUA Encoded

Makeba Retro Funky Groovy Font is a fun and funky display font that brings back the spirit of the 70s. Its bold, rounded letters feature groovy curves and playful embellishments that exude a retro vibe. This font is perfect for creating eye-catching titles and headlines for posters, album covers, and other retro-inspired designs. The font’s energetic and upbeat personality is sure to make any project stand out.

Rundfunk-Antiqua was originally designed as a font for small point size and shorter texts. It was presented 1933/35 by Linotype Designstudio but unfortunately never developed as a font family, including only Antiqua roman and sans-serif bold. Such an unusual combination resulted from the font combinations common during that time. The font’s basic forms tend toward the Transitional style but its details come from the influence of Jugendstil.

Prosto Sans - this font family for any occasion. You can use these fonts almost everywhere. The modern open grotesque forms and classic font family formula: Thin, Light, Regular, Bold, Black and Italics. Prosto Sans is the assistant to work for any projects. Optimized for the websites, mobile applications, and printing materials. We offer you to have a look at this font’s narrow version, which is called TT Prosto Sans Condensed.

Introducing Fruitypops! A friendly, versatile script font ready for any project. Hand drawn with a real marker pen on paper, Fruitypops is bold and standout yet maintains large counter spaces with its large loops and carefully crafted letterforms. With 56 ligatures, a full set of unconnected lowercase alternates, and a bold version included, it’s designed to be a go-to script font for any design brief in need of a personal touch. The Fruitypops family includes; 1. Fruitypops Regular • A handwritten script font containing upper & lowercase characters, numerals and a large range of punctuation. 2. Fruitypops Bold • A bold version of Fruitypops with thicker letterforms, great for use at smaller sizes. Lowercase Alternates • A full set of a-z lowercase alternates are included with unconnected strokes. These can be accessed by turning on ‘Stylistic Alternates’, via a Glyphs panel, or pasted via Font Book/Windows Character Map. 56 Ligatures • 56 ligatures are included for lowercase letters (see image). These are uniquely designed double and triple letter combinations designed to create realistic handwriting and fix tricky character pairings. These can be accessed by turning on ‘Standard Ligatures’, via a Glyphs panel, or pasted via Font Book/Windows Character Map. Language Support • English, French, Italian, Spanish, Portuguese, German, Swedish, Norwegian, Danish, Dutch, Finnish, Indonesian, Malay, Hungarian, Polish, Croatian, Turkish, Romanian, Czech, Latvian, Lithuanian, Slovak, Slovenian.

Danbury is a modern sans-serif typeface. Drawn and created by Mans Greback between 2020-2022, this slanted font has a distinct style and a strong personality. Danbury is a typeface with velocity and power: Use it in a sports campaign, a fresh headline or a cool logotype. The Danbury family is provided in the styles Regular and Bold, Caps and Caps Bold, Small and Small Bold: the perfect setup for a diverse design usage. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from North Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Hilmar Sans is a neo-grotrsque typeface family in 7 weights, support most European Languages and features. The typeface is versatile to blend in your design- with 7 weight, ranging from thin, extra light, light, regular, medium, semi bold, bold variable type. Perfect anywhere you need a right finas touches for branding, publishing, titles, book, magazine , and use on UI/UX design.The typeface is versatile to blend in your design- with 7 weight, ranging from thin, extra light, light, regular, medium, semi bold, bold variable type. Perfect anywhere you need a right finas touches for branding, publishing, titles, book, magazine , and use on UI/UX design.

Bósamble is a striking and contemporary Bold Display Sans Serif typeface that effortlessly commands attention with its bold, geometric letterforms. Its distinctive design features a perfect balance between thick and thin strokes, creating a sense of power and modernity. Bósamble’s uppercase characters exude a sense of confidence and boldness, making it an excellent choice for headlines, posters, and branding projects where a strong and impactful typographic statement is desired. Its clean lines and clear readability make it a versatile choice for a wide range of design applications, allowing Bósamble to stand out as a compelling choice for those seeking a bold and assertive typeface.

ThennaLV Bold is a slightly contrasted and a bit extended (not just basic) font family with two styles suitable for typing headlines in newspapers or magazines, giving the name of a book, composition and more. The font family consists Latin and cyrillic characters.

Gersang is a retro groovy font with rounded corners that is perfect for designing with a retro style. With bold style and unique shapes, Gersang is the perfect choice for those seeking a retro font that will create eye-catching and memorable designs.

The Aerillyo is a strong and bold script font. It’s curved and rounded in every single touch, and has an unique vintage and retro styles that’s perfect for branding. The Aerillyo font is suitable for all your retro, vintage, and 80s style projects.

Asbatun is a bold calligraphy font, featuring Arabic Style with Alternates and Ligatures. Designed expertly to make your project or work more modern, this font can be used for various projects such as: greeting cards, branding, logos, screen printing, and many others.

Introducing Votrag - 10 Modern Font Collection, a versatile typeface set that encompasses a spectrum of design possibilities. With five distinct weights - thin, light, regular, semibold, and bold - each accompanied by both clean and textured versions, Votrag offers a total of ten unique fonts.

Trendy, bold & modern style serif font for your fancy projects. Elegant, luxury and classic style on Luckenbach font will be great for any branding project. Lot of ligatures will help you to create unique and original logo design or website header! Enjoy :)

In the world of interior design, a Highboy is a tall chest of drawers with legs. Although this font is wide and bold, it seems ideal for storage. Highboy is best at large sizes, but can easily overwhelm other fonts of lighter weight.

Cute Molly is a very cute handwritten font created with great attention to produce beautiful, funny and stunning works. Your project will definitely look very cool with this font which has 3 weights: regular, thin and bold. Grab it fast and happy designing!

Hello! Introducing a decorative font — Wetty Penny. It's a smooth shape bold typeface with vector wated drops effect. This font includes lots of multilingual characters (check out a screenshot with available letters and signs). Thank you and wish you a peaceful sky!

Cartwheel, a super bold and playful display font designed by Tom Censani was inspired by the imperfect beauty of hand-lettered signs at theme parks and the bouncy cadence of text inside comic book bubbles. Cartwheel is a fun attention-grabbing font.

West Yard is a bold, western looking display font. Whether you are using it for cartoon-related designs, children’s games, quotes, titles, brand names, book covers, posters, or just any creation that requires a touch of beauty, this font is a great choice.

Black Elliot is a bold Brush font. This font perfect for poster design, book covers, merchandise, fashion campaigns, newsletters, branding, advertising, magazines, greeting cards, album covers, and quote designs and more. Features: - Uppercase - Lowercase - Numbers & Symbols - International Glyphs - Alternative Uppercase - Alternative lowercase - Swashes

Trendy, bold & modern style serif font for your fancy projects. Elegant and classic style on Dunsmuir font will be great for any branding project. Lot of alternates and ligatures will help you to create unique and original logo design or website header! Enjoy :)

Morta is a handwritten unicase typeface with a slight calligraphic influence. Its design, like a centuries-old cold dark stones, has carved edges and polished corners, and represented by two styles: more legible “Brute” for general use, and more contrast “Grace” for large text size. Scripts: Latin, Greek, Cyrillic Languages: 480+ Hinting: Manual PostScript

Introducing unusual Sans Serif font family. Font is concise and minimalistic. But behind the apparent simplicity of the font is hidden the original feature in the form of modernized uppercase glyphs, which can be used as an accent in the header or logo. Pure letterings with excellent readability have 2 thicknesses. Font will emphasize the high status of the business and complement modern branding design, and the general versatility of the font provides for its widespread use in various directions and is combined with different styles in design. Balanced glyphs will fit into the typographic design and will not distract attention from the main point. Features: Bold, Bold Italic, Regular, Regular Italic Upgraded uppercase letters Kerning ld.luxfont@gmail.com

This is a decorative Arabic font designed specifically for titles and headlines. It comes in five weights ranging from light to extra bold, providing options for different styles of titles and highlighting. The bold style and gently curved terminals make the font readable from a distance and suitable for applications where large font sizes are needed. The rounded yet authentic Arabic letters give the font an aesthetically pleasing appearance with a calligraphic and stylish vibe suitable for a variety of modern purposes. While maintaining the integrity of the Arabic script, the added flares and a touch of handmade imperfection makes this font perfect for use in magazines, blogs, websites, signage, invitations, stationery and other graphic design projects.

Dreams Note Is A Modern Family Font Serif Including 8 Font Style. Font Features : Dreams Note Thin Dreams Note Extra Light Dreams Note Light Dreams Note Regular Dreams Note Medium Dreams Note Semi Bold Dreams Note Bold Dreams Note Black SOFTWARE REQUIREMENTS : Fonts and alternate: No special software is required they may be used in any basic program /website app that allows standard fonts That's it, folks! You can go ahead and get cracking :) Follow My Shop For Upcoming Updates Including Additional Glyphs And Language Support. And Please Message Me If You Want Your Language Included or If There Are Any Features or Glyph Requests, Feel Free to Send me A Message. Have a Good Day!

ED Muskrat is a display font family that looks elegant classic and modern, this font is designed from a combination of serif and semi blackletter fonts that add a unique feel to the font. ED Muskrat has 9 styles: Thin, ExtraLight, Light, Regular, Medium, SemiBold, Bold, ExtraBold, and Black. ED Muskrat is equipped with ligatures, alternative characters, and supports multiple languages. and also this font is perfect for your design needs such as branding, poster design, books, fashion, social media design, logos, etc. Features: Stylistic alternates ( C, E, F, I, J, N, Q, S, Z ) Ligatures ( fi , fj , tt ) 9 Styles ( Thin, ExtraLight, Light, Regular, Medium, SemiBold, Bold, ExtraBold, and Black ) Multi Language Support 373 Glyphs

You can download usiful link: Bodrum Sans PDF Type Specimen Bodrum Sans is a sans serif type family. Designed by Bülent Yüksel in 2018/19. The font, influenced by style serifs, popular in the 1920s and 30s, is based on optically corrected geometric forms for better readability. Bodrum Sans is not purely geometric; it has vertical strokes that are thicker than the horizontals, an “o” that is not a perfect circle, and shortened ascenders. These nuances aid in legibility and give Bodrum Sans a harmonious and sensible appearance for both texts and headlines. Bodrum Sans provides advanced typographical support for Latin-based languages. An extended character set, supporting Central, Western and Eastern European languages, rounds up the family. The designation “Bodrum Sans 14 Regular” forms the central point. "Bodrum Sans" is available in 10 weights (Hair, Thin, Extra-Light, Light, Regular, Meduim, Bold, Extra-Bold, Heavy and Black) and 10 matching italics. The family contains a set of 650+ characters. Case-Sensitive Forms, Classes and Features, Small Caps from Letter Cases, Fractions, Superior, Inferior, Denominator, Numerator, Old Style Figures just one touch easy in all graphic programs. Bodrum Sans is the perfect font for web use.

"Bodrum Style" is a serif Style family designed by Bülent Yüksel in 20018/19. The font, influenced by serif styles that were popular in the 1920s and 30s, is based on optically corrected geometric forms for a better readability. "Bodrum Style" is not purely geometric; it has vertical strokes that are thicker than the horizontals, an “o” that is not a perfect circle, and shortened ascenders. These nuances help the legibility and give "Bodrum Style" an harmonious and sensible appearance for both texts and headlines. Bodrum Style provides advanced typographical support for Latin-based languages. An extended character set - supporting Central, Western and Eastern European language - rounds up the family. “Bodrum Style 14 Regular” forms the central point. "Bodrum Style" is available in 10 weights (Hair, Thin, Extra-Light, Light, Regular, Medium, Bold, Extra-Bold, Heavy and Black) and 10 matching italics. The family contains a set of 650+ characters. Case-Sensitive Forms, Classes and Features, Small Caps from Letter Cases, Fractions, Superior, Inferior, Denominator, Numerator, Old Style Figures just one touch easy In all graphic programs. Bodrum Style is the perfect font for web use. Enjoy using it.

“Bodrum Slab” is a slab serif type family. Designed by Bülent Yüksel in 20018/19. The font, influenced by style serifs, popular in the 1920s and 30s, is based on optically corrected geometric forms for better readability. “Bodrum Slab” is not purely geometric; it has vertical strokes that are thicker than the horizontals, an “o” that is not a perfect circle, and shortened ascenders. These nuances aid in legibility and give “Bodrum Slab” a harmonious and sensible appearance for both texts and headlines. Bodrum Slab provides advanced typographical support for Latin-based languages. An extended character set, supporting Central, Western and Eastern European languages, rounds up the family. The designation “Bodrum Slab 14 Regular” forms the central point. “Bodrum Slab” is available in 10 weights (Hair, Thin, Extra-Light, Light, Regular, Meduim, Bold, Extra-Bold, Heavy and Black) and 10 matching italics. The family contains a set of 650+ characters. Case-Sensitive Forms, Classes and Features, Small Caps from Letter Cases, Fractions, Superior, Inferior, Denominator, Numerator, Old Style Figures just one touch easy In all graphic programs. Bodrum Slab is the perfect font for web use.

In 1931, The Times of London commissioned a new text type design from Stanley Morison and the Monotype Corporation, after Morison had written an article criticizing The Times for being badly printed and typographically behind the times. The new design was supervised by Stanley Morison and drawn by Victor Lardent, an artist from the advertising department of The Times. Morison used an older typeface, Plantin, as the basis for his design, but made revisions for legibility and economy of space (always important concerns for newspapers). As the old type used by the newspaper had been called Times Old Roman," Morison's revision became "Times New Roman." The Times of London debuted the new typeface in October 1932, and after one year the design was released for commercial sale. The Linotype version, called simply "Times," was optimized for line-casting technology, though the differences in the basic design are subtle. The typeface was very successful for the Times of London, which used a higher grade of newsprint than most newspapers. The better, whiter paper enhanced the new typeface's high degree of contrast and sharp serifs, and created a sparkling, modern look. In 1972, Walter Tracy designed Times Europa for The Times of London. This was a sturdier version, and it was needed to hold up to the newest demands of newspaper printing: faster presses and cheaper paper. In the United States, the Times font family has enjoyed popularity as a magazine and book type since the 1940s. Times continues to be very popular around the world because of its versatility and readability. And because it is a standard font on most computers and digital printers, it has become universally familiar as the office workhorse. Times?, Times? Europa, and Times New Roman? are sure bets for proposals, annual reports, office correspondence, magazines, and newspapers. Linotype offers many versions of this font: Times? is the universal version of Times, used formerly as the matrices for the Linotype hot metal line-casting machines. The basic four weights of roman, italic, bold and bold italic are standard fonts on most printers. There are also small caps, Old style Figures, phonetic characters, and Central European characters. Times? Ten is the version specially designed for smaller text (12 point and below); its characters are wider and the hairlines are a little stronger. Times Ten has many weights for Latin typography, as well as several weights for Central European, Cyrillic, and Greek typesetting. Times? Eighteen is the headline version, ideal for point sizes of 18 and larger. The characters are subtly condensed and the hairlines are finer."

In 1931, The Times of London commissioned a new text type design from Stanley Morison and the Monotype Corporation, after Morison had written an article criticizing The Times for being badly printed and typographically behind the times. The new design was supervised by Stanley Morison and drawn by Victor Lardent, an artist from the advertising department of The Times. Morison used an older typeface, Plantin, as the basis for his design, but made revisions for legibility and economy of space (always important concerns for newspapers). As the old type used by the newspaper had been called Times Old Roman," Morison's revision became "Times New Roman." The Times of London debuted the new typeface in October 1932, and after one year the design was released for commercial sale. The Linotype version, called simply "Times," was optimized for line-casting technology, though the differences in the basic design are subtle. The typeface was very successful for the Times of London, which used a higher grade of newsprint than most newspapers. The better, whiter paper enhanced the new typeface's high degree of contrast and sharp serifs, and created a sparkling, modern look. In 1972, Walter Tracy designed Times Europa for The Times of London. This was a sturdier version, and it was needed to hold up to the newest demands of newspaper printing: faster presses and cheaper paper. In the United States, the Times font family has enjoyed popularity as a magazine and book type since the 1940s. Times continues to be very popular around the world because of its versatility and readability. And because it is a standard font on most computers and digital printers, it has become universally familiar as the office workhorse. Times?, Times? Europa, and Times New Roman? are sure bets for proposals, annual reports, office correspondence, magazines, and newspapers. Linotype offers many versions of this font: Times? is the universal version of Times, used formerly as the matrices for the Linotype hot metal line-casting machines. The basic four weights of roman, italic, bold and bold italic are standard fonts on most printers. There are also small caps, Old style Figures, phonetic characters, and Central European characters. Times? Ten is the version specially designed for smaller text (12 point and below); its characters are wider and the hairlines are a little stronger. Times Ten has many weights for Latin typography, as well as several weights for Central European, Cyrillic, and Greek typesetting. Times? Eighteen is the headline version, ideal for point sizes of 18 and larger. The characters are subtly condensed and the hairlines are finer."