Billijanes is a modern calligraphy script font. It's a clean store with high contrast line. It readable in short text. Billijanes includes opentype features ligatures and lowercase. It support multilingual more than 100+ language. This font is good for logo design, Movie Titles, Books Titles and any awesome project you create. Make a stunning work with Billijanes script font. Thanks for use this font, Maulana Creative

Mally is a family of humanist fonts, sans serif with 32 styles, variable with 08 normal and condensed weights and their respective italics, with 594 characters in each font, offers alternative characters, was conceived as a variable font encompassing various weights and widths. Characterized by its excellent readability even in the smallest sizes, with a contemporary design it has a wide support of Latin languages.

Rolling Beat is a bold script font, carefully handcrafted to become a true favorite. Its casual charm makes it appear wonderfully down-to-earth, readable, and, ultimately, incredibly versatile. This font will look outstanding in any context, whether it’s being used on busy backgrounds or as a standalone headline! This font is PUA encoded which means you can access all of the glyphs and swashes with ease!

Proudly present, Zofiere. It is the new serif typeface with classy, elegant and modern look. It consisting of two styles Reguler and Italic version. Zofiere is perfect for an elegant & luxury logo, book or movie title design, fashion brand, magazine, clothes, lettering, quotes, poster designs, branding, magazines, merchandise, logos and so much more. Features : · All Uppercase and Lowercase · Number & Symbol · Supported Languages · Alternates and Ligatures · PUA Encoded

Alayla is modern calligraphy. It's feels both magical and elegant. It looks stunning for your design such as on wedding invitations, thank you cards, quotes, greeting cards, logos, business cards and every other design. This font is PUA encoded which means you can access all of the glyphs and swashes with ease! It features a varying baseline, smooth lines, gorgeous glyphs and stunning alternates.

Accura is a sans serif font with a technological aspect and simple letterforms. Its closed angles and smooth curves make it an unique source of personality, and still offers great readability. Perfectly fits to headline sizes and text blocks, Accura has seven precise-calculated weights and their matching italics, from thin to black. Offers support for more than 50 languages and count on opentype features.

Mianga is a versatile, stylish, and fun retro look font that's perfect for any design you're creating such as book covers, greeting cards, news headlines, and more! Mianga comes in 4 styles, regular, bubble, outline, and shadow, with italics in each style. Mix each style for the perfect result. Add it to any of your creative projects, and it will give off a retro and vintage feel.

Maulidine is a beautiful modern calligraphy font. It includes elegant ending swashes which makes it perfect to give a luxurious feel to your designs. It’s perfect for logos, product packaging, wedding invitations, branding, headlines, signage, labels, signature, book covers, posters, quotes and more. What's Included: Mauldine Script - TTF I hope you enjoy this font. If you have any questions please don't hesitate to drop me a message :)

Jx Tabe is New techno sans serif typeface with super family. inspired by robotic, mecha and aethetic machine - a font suited for the future technology. This multi-purpose typeface will grab reader's attention with its stylish and neat design. With 9 Weight + Italic and 2 Axis Condensed and Expanded, With total 54 styles its a timeless workhorse for many possible application from branding to editorial.

British Empire is an attempt to re-create some of the typographic characterisics of countries within the former British Empire. It is a sans-serif with unusual up-facing serifs on some of the caps and the lower case round characters have flick round terminals Though designed as a headline face it still works well in limited text. There are four weights with four corresponding italics.

JollyGood Serif is another member of the JollyGood family. This is a hand drawn serif/typewriter font that can work both for comics or as a display face . It is a complete complete family with 4 weights in regular and italic (8 fonts in total). It has an amazing character set, with support for most latin languages, as well as extra characters and ligatures.

Galine Modern Luxury Font is perfect for making a statement with your next project. This font is unique, stylish and perfect for adding an extra touch of elegance to any design. We know you will love using Galine in your next project. It's perfect for fancy logos, elegant titles, classy magazines, and more! Plus, it supports multiple languages so you can use it anywhere in the world.

Threatening Letter is a decorative font, inspired by vintage looking newspaper letters with grunge effect added to it. It’s meant to resemble a ransom note and it allows the user to play with combinations of uppercase and lowercase to always get different effects and avoid letter repetition. This font can be used for various things such as posters, T-shirts, magazines, book covers and headlines.

Malebu is a new sans serif font that was created based on grotesque and humanist models with certain geometric features. It’s clear, simple, gentle and friendly, can be used in text sizes. Its easy to read in long texts, magazines, books and the like. The rounded shape makes it friendly and fluent. A short x-height is functional and adds economy without losing consistency.

Stratham is vigorous sans-serif inspired by the slab serif Clarendon. It is a heavy display face, and has a tangible modern British feel to it. The italic is especially dynamic and forward moving. Stratham includes OpenType titling and swash alternates, old style figures and small caps. Stratham is useful for headlines, highly legible signage or posters and works well in conjunction with the always popular Clarendon.

Ayumi is one of those precocious sans. At first glance, I wanted it to look simple...basic characters, moderate modulation, common structure...but at closer inspection, it is filled with all kinds of fun and expressive details. The italics are...well, fun. They're curvy and expressive and truly compliments the face. The new Pro version includes a tightened character set, Central European glyphs, and remastered kerning.

Ovallique shares roots with its looser cousin Beachbuoy. But don't mistake Ovallique's casual parentage for hand me down genes. Ovallique is the well-tailored relation, with limousine and driver at the ready. Dom Casual meets Dom Perignon for supper at the revolving restaurant. OK, so the wallpaper is slightly faded. Ovallique's x-height makes it legible even after apéritifs. It's kitschy slumming for the streamlined set!

Octangle, a well-shaped font that gives a retro power as a display typeface. It’s quirkiness makes it looks funky to enhance your design. The groovy touch to the Octangle font, makes it a fun typeface to explore with! Octangle is very suitable for a variety design, such as posters, Invitations, greeting cards, logo, and many more. Embrace your design with Octangle to make your work pinnacle!

The Arabetic Sans Serif type family follows the guidelines of the Mutamathil type style but also illustrates the effects of adding and removing Latin-like serifs on Arabetic scripts legibility. It has only one glyph for every basic Arabic Unicode character or letter as defined in Unicode Standards version 5.1. Arabetic Sans Serif employs variable x-height values. It includes all required Lam-Alif ligatures and uses ligature substitutions and selected marks positioning but it does not use any other glyph substitutions or forming. Text strings composed using types of this family are non-cursive with stand-alone isolated glyphs. Tatweel (or Kashida) glyph is a zero width space. Keying it before any glyph will display that glyph’s isolated form. Keying it before Alif Lam Lam Ha will display the Allah ligature. Arabetic Sans Serif family includes both Arabic and Arabic-Indic numerals; all required diacritic marks, Allah ligature, in addition to all standard English keyboard punctuations and major currency symbols. Fonts are available in regular, italic, bold, and bold italic styles.

Novety Script is a quirky script typeface, drawn and created by Mans Greback. It has a great contrast, with bold calligraphic curves and hair thin conjunctions, giving the lettering a juicy, swirly appearance. Use underscore _ anywhere in a word to make a swash. Example: Nov_ety Use multiple underscore to make different swashes. Example: Cute___ness (Download required.) Optimized for logotype and header usage, Novety Script works great for product branding or as a signature, or for a beautiful wallpaper quote graphic. It has a modern style and a strong personality to make it stand out. Novety Script is provided in four styles: Regular, Italic, Bold and Bold Italic. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from North Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

The Ampersand Forest has its first book family! Budinger Oldstyle is elegant and approachable at the same time, with five different weights, making it a perfect choice for text or display in situations that require a hint of scholarship, fine arts, craft, erudition, and clarity. Budinger Oldstyle has the legibility of a Garalde (like those of Garamond, Manutius, et al.), with a whiff of Venetian revival (after the fashion of Schneidler & Goudy). The letters are arbitrary, with conventions like cupped serifs and leftward stress. It also has a higher x-height than might be expected, to give it an upright posture and openness in the counters. The italic is more compact, with more clearly calligraphic letterforms and conventions like Swash Caps. Its many features include OpenType alternates (a one-story a and g, and a K, R, and Q with elongated descenders), full and true small caps, both standard and discretionary ligatures, oldstyle and lining numerals, and Swash letterforms in the Italic (all capitals and descenders, plus the ascender of the d). Plus, the most adorable pudge of an ampersand you've ever seen!

The Arabetic Serif type family follows the guidelines of the Mutamathil type style but also illustrates the effects of adding and removing Latin-like serifs on Arabetic scripts legibility. It has only one glyph for every basic Arabic Unicode character or letter as defined in Unicode Standards version 5.1. Arabetic Serif employs variable x-height values. It includes all required Lam-Alif ligatures and uses ligature substitutions and selected marks positioning but it does not use any other glyph substitutions or forming. Text strings composed using types of this family are non-cursive with stand-alone isolated glyphs. Tatweel (or Kashida) glyph is a zero width space. Keying it before any glyph will display that glyph isolated form. Keying it before Alif Lam Lam Ha will display the Allah ligature. Arabetic Serif family includes both Arabic and Arabic-Indic numerals; all required diacritic marks, Allah ligature, in addition to all standard English keyboard punctuations and major currency symbols. Fonts are available in regular, italic, bold, and bold italic styles.

Adamant Sans on Behance. Adamant Sans: Specimen Manual PDF. Adamant Sans is a contemporary and very functional typeface. It stands out from the crowd with its uniquely designed rounded corners and beautiful italics. This carefully designed family consists of 18 fonts, including true italics. Its extreme weights, such as hairline and black are ideal for setting big and powerful headlines, while intermediate weights work very well in long texts at small point sizes. Weights are finely balanced so that they can be easily combined, depending on the type of paper and other conditions. Thanks to its proportions, high x-height and wide apertures, this typeface is very legible and suitable for setting books, magazines, newspapers, but is also valuable for use in large sizes, as well as for complex corporate projects. It supports advanced typographic features such as small caps, lining and oldstyle figures in proportional and tabular widths, fractions, ligatures, etc., and provides simultaneous support for Latin and Cyrillic as well as kerning for these languages. Adamant Sans is the ideal companion of the Adamant serif version.

“Fanfare is such a fun typeface,” says Toshi Omagari, who revived the design for The Wolpe Collection. “It was my happiest discovery when I was digging through the Monotype archive. I came across it and had to check the designer’s name.” No wonder: Fanfare is modern, light and playful – not what you’d expect from an 80-year old design. From the original, very heavy weight design, Omagari started by creating a black weight, followed by four lighter weights for Wolpe Fanfare, preserving the character of the letterforms all the way down to a thin version. “I wanted to do more than digitize the original weight,” he says. “It’s surprisingly modern, and its skeleton, its basic structure, is so beautiful.” The new design packs more into a small space than most typefaces. It’s a natural for publication and advertising design. With displays capable of revealing fine details such as Fanfare’s subtly slanted baseline, its lovely forms will easily translate to mobile devices. With an extended European character set that includes Greek and Cyrillic language support, Wolpe Fanfare can speak in many languages.

Buche - a brief introduction Buche is a contemporary serif font designed for logo and brand design. It exudes an air of affluence and sophistication, despite its curvy appearance. The ligature fonts will come in handy for whatever your imagination can think up! 6 Weights & 2 Styles (Regular & Italic) Basic Latin A-Z and a-z Numerals & Punctuation Stylistic Ligatures Multilingual Support for ä ö ü Ä Ö Ü ... Free updates and feature additions Thanks for looking, and I hope you enjoy it.

Dark Crow is a true brush script font, hand-painted in 2020. Its top quality design with multiple ligatures combined make the lettering truly realistic. Use it for a poster, a product headline or in any context where you need an original, dynamic and eye-catching phrase. Provided as upright and italic, and as a bonus a swash font. It has an extensive lingual support, covering all European Latin scripts. The font contains all characters you'll ever need, including all punctuation and numbers.

Mosaic Melodies is a stylish serif font that seamlessly blends timeless charm with modern flair. Its meticulously crafted letterforms offer an elegant twist on traditional serifs, creating a captivating visual appeal. The font's high contrast strokes convey a dynamic flow, and its accompanying italic version adds a touch of graceful variation. Whether for magazines, websites, or branding, Mosaic Melodies brings a sophisticated yet contemporary touch to any design, making it an ideal choice for those seeking a balance between classic and stylish typography.

Say hello to the Nueva Garcia font! A bold and playful typeface, this font combines retro groovy and psychedelic styles. Its slightly 'quirky' shape adds a unique charm, making it perfect for use in displays or titles. You can use it for packaging, logos, menus, banners, stickers, posters, short quotes, and more. It's ideal for themes that require a fun, joyful, delicious and sweet impression. Nueva Garcia also comes with stylistic alternatives that enrich your creativity when creating amazing designs!

GIBEon Display Serif Family- Basically, it seeks a psychedelic groove and freedom. For its evolved balances, the heights of uppercase(cap) and lowercase(x-) evenly arranged to eliminate the sense of imbalance. Glyphs are designed by reflecting their characteristics to preserve individual originality. The three master styles are complementary to each other, and the It enhances the imagination of designers. Ligatures and Alternates can also help with more natural layout editing. And, enjoy the freedom and groove of Italic Instants!

Bronkoh: A Subtly Softened Sans. Bronkoh aims to give a friendly face and soft touch to type both on screen and in print. Humanist forms and generous apertures make this a sturdy and legible face while its softened curves and terminals give it an approachable and welcoming spirit. The large character set and extensive latin language support make Bronkoh a highly functional font; This in conjunction with eight weights from thin to heavy, and matching italics add to its versatility.

Need to cram a zillion words on to a single page? Nicotine is your vice. Cram it. Nicotine Jazz is a bit more musical as it trades uppercase and lowercase letters for an interesting unicase effect. Italic can be used for extra emphasis. The condensed nature of the Nicotine fonts allows for impressive use at larger, poster sizes. Another interesting tidbit? The I in Nicotine is a silhouette of a traditional filtered cigarette; that's how the font got its name.

Aquinas is distinguished by the contrast between its upright, generous capitals and its narrow, slanted lower case letters which look almost like italics. The combination of these so different alphabets creates an opportunity to give texts an unusual yet elegant look. Aquinas is suitable for both running text and headlines and should be used in point sizes of 10 or larger. The lyrical and sophisticated feel of Aquinas makes it a particularly good typeface for poems, songs and other artistic texts.

Kalesi - The Elegant Sans Serif Font strikes a perfect balance between modern simplicity and timeless sophistication. Its clean, sans-serif style features subtle contrasts that add a touch of refined elegance. Ideal for projects demanding a contemporary, minimalist aesthetic with a touch of class. Whether it's branding, web design, or editorial work, Kalesi effortlessly enhances your project's appeal with its understated yet captivating look. With Kalesi, your designs exude contemporary elegance, leaving a lasting impression with its carefully crafted contrast and minimalist charm.

Retro Feeling is a bold and beautiful retro font that will take you back in time. It features a unique italic font that adds a touch of elegance to any design project. Perfect for vintage-themed designs. Retro Feeling will give your project a distinct and timeless look. Its versatility and elegance make it perfect for various design uses, from logos, posters, and display headlines to packaging and branding materials. Bring the retro vibe to your design project with Retro Feeling!

Contempo Gothic is a modern sans serif with a geometric approach. It comes in 18 weights, 9 uprights and its matching italics. Designed with opentype features including stylistic sets and tabular figures. Contempo Gothic includes extensive language support, fractions, arrows, ligatures and more. Perfectly suited for graphic design and any display use at any size. It could easily work for websites, blogs, signage, corporate identities, publishing and editorial design to name a few. Contempo Gothic is super versatile for everyday design use.

Inspired by the MacFarland series in the 1912 ATF catalog, Apparel is a typeface that shares similar functional characteristics with Times New Roman and Caslon fonts yet it has its own personality: A great choice for high-impact design. Apparel is a contemporary, classy and fresh serif typeface with a laid-back attitude that best suits your design needs. Its medium-large x-height makes it ideal for headlines and brand identity design. Apparel also includes a version, with a greater contrast between thick and thin strokes, for use in even larger sizes. The font comes with italic styles which can be used individually or in combination with the upright variant. Moderately slanted italics are also available as OpenType Stylistic Alternates. Each font style supports more than 200 Latin-based languages, as you would expect from Latinotype fonts. Apparel also includes a basic Cyrillic set, old style & lining figures, fractions and alternates, among other OpenType features.

By twisting and weaving separate strands of rope together, a stronger TWINE is created. The distinctive “valleys” that give the twine its twisted and wavy appearance is the result of the twining process. Similarly, TWINE the font, is an exaggerated representation of the calligrapher’s individual pen strokes that create a cohesive character which is enhanced with the stencil. Unlike other stencils, TWINE emphasizes calligraphic strokes, so you will find it very legible even in small point sizes. Check it out! Furthermore, twine is inspired by Plantin, an old-style serif typeface named after the printer Christophe Plantin, which is based on the 16th century Gros Cicero face cut by Robert Granjon. Twine is a great choice when you need a font that is timeless, contemporary and distinctive. Perfect for Advertising, Corporate identities and Packaging design, Museum display, Technology, Hospitality, Travel, and Retail applications. Twine is available in TWINE Regular, TWINE Italic, TWINE Bold, TWINE Bold Italic. It is a Stencil that is Distinctive, Contemporary, and Timeless.

Marcione is the real deal, a contemporary and dynamic condensed display font family that blends the classic Deco and Grotesk styles in a playful and modern way. This font family got personality, you can see it right away in the lowercase letters, with a diagonal stem in characters like “a”, “h”, “m”, and “n” that gives it that extra kick. You can use Marcione to create some killer designs in editorial, branding, or advertising. This font family packs a punch with six distinct styles, ranging from Light to ExtraBold, and it’s got you covered with broad Latin language support. That means no matter where you’re from, Marcione can help you make a statement. This font is highly versatile and visually engaging, a true boss. With its condensed design, it takes up minimal space while still commanding attention and conveying a sense of sophistication. Trust me, you won’t regret having Marcione in your font library, it’s the real deal.

Josef Týfa first published the Academia typeface in 1967-68. It was the winning design from competition aimed at new typeface for scientific texts, announced by Grafotechna. It was cut and cast in metal in 1968 in 8 and 10 point sizes of plain, italic and semi-bold designs. In 2003 Josef Týfa with František Štorm began to work on its digital version. During 2004 Týfa approved certain differences from the original drawings in order to bring more original and timeless feeling to this successful typeface. Vertical stem outlines are no more straight, but softly slendered in the middle, italics were quietened, uppercase proportions brought closer to antique principle. Light and Black designs served (as usual) as starting points for interpolation of remainig weights. The new name Academica distinguishes the present digital transcription from the original idea. It comprises Týfa’s rational concept for scientific application with versatility to other genres of literature.

Monarcha is a serifed type family, with a strong influence of the baroque style, for extended texts. Its roman versions are slightly skewed, in the sense of reading, and its italics have unusual calligraphic features. Moreover, the contrast between thick and thin strokes is relatively smaller than in conventional serif fonts. These characteristics, coupled with its rounded shapes, give Monarcha a delicious fluidity and texture. Monarcha innovates and brings an exclusive OpenType feature to convert Arabic to Roman numerals up to 3999. It also has several other professional features - small caps, fractions, old style-, lining-, tabular numbers, scientific superior/inferior figures, stylistic sets and more than 40 different ligatures (standard + discretionary). The family consists of 8 styles, 4 weights - Book, Regular, SemiBold and Bold - plus their respective italic versions. The fonts are available in OpenType PS format and have extended character set to support CE, Baltic, Turkish as well as Western European languages.