Some old broken characters. It reminds me of old labels on walls, streets or on tanks.

German type designer Manfred Klein created this blackletter FontFont in 1991. The font is ideally suited for film and tv, poster and billboards as well as software and gaming. FF Koberger provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, and stylistic alternates. It comes with proportional lining figures.

German type designer Jürgen Brinckmann created this blackletter FontFont in 1993. The font is ideally suited for film and tv, music and nightlife, poster and billboards as well as software and gaming. FF Lukrezia provides advanced typographical support with features such as ligatures, alternate characters, and stylistic alternates. It comes with proportional lining figures.

Mottingham Script is handwritten stylish calligraphy font, with a dancing baseline, and classic and elegant touch. Can be used for various purposes.such as headings, signature, logos, wedding invitations, t-shirts, letterhead, signage, labels, news, posters, badges etc. Mottingham Script features 338 glyphs alternate characters. Including initial and terminal letters, alternates, ligatures and multiple language support.

Berose is a luxurious typeface with high contrast. Comes in two styles regular and oblique with some alternative characters. With its elegant and dynamic character, Berose is perfect for romantic nuances such as wedding invitations, Covers, Movie title, Logotype, Poster, Quotes, Signage or something else. To Access Alternate Characters, Software that Supports Opentype is required.

Gaillard is a beautiful display font that is suitable for branding, wedding invitations, greeting cards, posters, name card, quotes, blog header, logo, fashion, apparel, letter, stationery and other projects. Gaillard come with alternative Rough Variations. Uppercase & Lowercase International Language & Symbols Support Punctuation & Number PUA Unicode Range Standard Stylistic Alternates Stylistic Set Character Variant Contextual.

Pink Gladiolus is a modern brush script! It comes with two variations and bonus ornaments. This font perfect for all your designs project, events and more. Feature Uppercase Lowercase Numbers & Symbol International Glyphs Alternative Uppercase Alternative Lowercase Ligatures If you need anything else just shoot me on email at: dedukvic@gmail.com Hope you enjoy it.

Sernes was inspired by the letterforms in the film series "stranger things" with condensed letters.comes with 18 weights which includes display, alternate and italic. Also supported PUA encoded. Simply copy and paste the alternate characters using the Character Map (Windows), Font Book (Mac) or a software program such as PopChar (for Windows and Mac).

Need beautiful letters for your love letter or wedding invitations? Look no more! Austen Script is an elegant and feminine typeface, named after Jane Austen, one of my favorite writers, who wrote so much about love. It includes uppercase and lowercase letters, numerals, punctuation, stylistic alternates, some ligatures and alternate uppercase letters, and multilingual support.

Tasty and sweet, Postre is a sleek high contrast serif type with certain Art Nouveau influence. Postre is excellent for headlines, packaging, posters and any other display use conveying an elegant impression. Postre is equipped with a selection of 50 alternate characters set in Swash, Stylistic and Titling Alternates, as well as standard ligatures.

HF Rainbug is a natural brush font with all camps characters complete with alternates for each character. Not only that, this font also multilingual support. This font is suitable for various design themes that you will design, and can be adjusted easily to get a natural feel because alternates are available for each character. **Uppercase

German type designer Manfred Klein created this blackletter FontFont in 1991. The font is ideally suited for film and tv, poster and billboards as well as software and gaming. FF Schoensperger provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, and stylistic alternates. It comes with proportional oldstyle figures.

Geovana is a signature typeface and is inspired from a classic handwriting style. It is suitable to create any branding, product packaging, invitation, quote, t-shirt, label, poster, and more. Feature Uppercase Lowercase Numbers & Symbols International Glyphs Alternative Uppercase Alternative Lowercase Ligatures If you need anything else just shoot me on email at: dedukvic@gmail.com

Inspired by Argentina and its culture, Alejandro Paul’s Candy Script captures the country’s spirit. It comes from the tradition of window sign painting, but its thick hand-brushed characters, with alternates for almost every upper and lowercase letter, have a personality all their own. Tons of OpenType alternates included, over 1150 characters in all.

Riley is an elegant brush Script with its roots in the 1950s American sign painting. Riley has Stylistic Alternates for every lowercase standard character and it’s equipped with Contextual Alternates and Ligatures that keep the flow and connections smooth. Riley is great for headlines and posters or as a logotype with an elegant touch.

The Nickson pro 1 font invokes the spirit of the cigar labels & circus poster from the early 1900's. A typeface designed for headlines, posters, advertising and corporate identity. There are Alternate character of uppercase. Check the alternate keys file for more info or if you're using the OT version simply select Stylistic Set.

Griffiths is a clean italic serif designed to be stylized and combined with a dynamic calligraphic font that is angled at twenty-three degrees. Griffiths is equipped with multilingual support and a set of OpenType features such as alternates and ligatures. Font Pairings : Bethany Elingston Including : 2 Weights Alternatives & Ligatures OpenType support Multilingual PUA encoded.

German type designer Manfred Klein created this blackletter FontFont in 1991. The font is ideally suited for film and tv, music and nightlife, poster and billboards as well as software and gaming. FF Carolus Magnus provides advanced typographical support with features such as ligatures, alternate characters, and stylistic alternates. It comes with proportional lining figures.

The ground is a minimal and neat sans serif font with plenty of stylistic alternatives. This typeface is perfect for an elegant & luxury logo, book or movie title design, fashion brand, magazine, clothes, lettering, quotes, and so much more. What's Included? Uppercase & Lowercase, Number, Punctuation Ligatures & Alternates Multilingual support PUA Encoded Reguler & Italic TTF

Isalabella is a handmade script with a natural look that simulates true handwriting. This is achieved by typesetting alternates of each character randomly, and by combining these character variations differently. Isalabella offers outstanding open type features such as the whole Adobe Latin Set, contextual alternates (4 variants for each character), stylistic sets and many ligatures.

German type designer Jürgen Brinckmann created this blackletter FontFont in 1993. The font is ideally suited for film and tv, poster and billboards as well as software and gaming. FF Madonna provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, and stylistic alternates. It comes with proportional oldstyle figures.

Leafstar is a vintage styled font duo. It comes with a unique sans and script with the retro feel. The are perfect to use in logotype, badges, sign boards, posters, headline text, apparel, wedding invitations and more. This font has many OpenType features like ligature, stylistic alternates, contextual alternates, swashes and has multi-language support.

Introducing, Lintang. Lintang is a display serif font that is firm yet elegant and unique because of its character and swash alternatives. Lintang is furnished with many character and swash alternatives that you can choose from making this font feel special and stand out. by using this font you can create elegant designs very easily.

Grimalda is an elegant serif typeface with taste of modern and simplicity. It is perfectly for magazine cover, headline, wedding invitations, logo, brand, and many more. Grimalda have more than 100 characters of ligatures and alternates. You can create any imagination with this serif font. What's included? - Uppercase & Lowercase Characters - Multilingual support - Ligatures & Alternates Characters

Imperial Quortex came to life during many processes. Including a bad copymachine, a wet cloth and multiple prints and scans. The result is Imperial Quortex: a unique eroded font! Comes with unique accented letters, alternate upper- and lowercase, smart ligatures and alternate letters. You will need to use OpenType supporting applications to use the ligatures.

Introducing Moonchrome comes with 4 alternate variations. Moonchrome perfect for poster design, book covers, merchandise, fashion campaigns, newsletters, branding, advertising, magazines, greeting cards, album covers, and quote designs and more. Feature UPPERCASE lowercase Numbers & Symbols International Glyphs Alternative lowercase Ligatures Swashes If you need anything else just shoot me an email at: dedukvic@gmail.com

Aventi is an absolutely elegant serif font. This typeface includes stylistic alternates set (a, e, g, y) and discretionary ligatures. It will elevate a wide range of design ideas, from cards to branding, labels, and more. This font is PUA encoded, which means you can access all of the glyphs, alternate characters, ligatures with ease.

Blacklisted is a vintage script font with clean brush strokes. It’s very recommended for logo, branding, clothing, poster, and many more. You can customize every word with alternates characters and swashes. Blacklisted also support special characters for multilingual. Files & Features: Uppercase & Lowercase Numeral & Punctuation Stylistic Alternates Stylistic Sets (SS01 & SS02) Special Characters PUA Encoded

Ludwig Sans is a modern Sans Serif Font Family inspired by american Gothics. It also contains many Alternates that are inspired by Ludwig Sütterlin’s Latin Script from 1911. All those Alternates can be combined seamlessly within the neutral Sans Serif Typeface, so you get both: a bread-and-butter type and a display font.

The Shoreman This typeface is a vintage Sans Serif Display Typeface. The Shoreman comes packed with over 450 glyphs containing many alternates and decorative characters. With so many options of characters, you can give any of your projects it's own unique character. What's Included? Over 450 Glyphs with tons of alternates Western European characters Thanks!

Malabar is a type family for extensive text. Its design was developed with a nod toward newspapers. Malabar's characters are seriffed and of the Old Style genre. A strong diagonal axis is apparent within the curves. Sturdy serifs help strengthen the line of text in small point sizes, as well as define the overall feeling of the face. Malabar's x-height is very high, a deliberate choice that makes the most important parts of lowercase letters visibly larger in tiny settings. The height of the capital letters is also rather diminutive, allowing for better character fit, as well as eliminating a bit of clumsiness in German, which often includes quite a few uppercase letters. Diacritical marks and additional alphabetic forms required by many Western, Central, and Eastern European languages are naturally a part of the character set, including those needed in the Baltic states, for Romanian, and for Turkish. Malabar's accents are bold and direct, sitting well with their base glyphs. The family includes three weights, each with a companion Italic. Malabar Regular is equipped with small caps, and both it and Malabar Italic include oldstyle figures. All members of the family have both proportional and tabular-width lining figures, as well as special variants of certain punctuation marks vertically adjusted for all-caps text setting. Malabar is informed both by contemporary ideas of typeface design (sheared terminals, the wider-drawn s) as well as by 16th-century masters. Malabar Heavy and Heavy Italic are very loud; their blackness almost shouts out from the page. The Regular's wedge serifs become more slab-ish in nature as the letters' weight increases. Malabar Heavy and Heavy Italic are best relegated to headline use only. Malabar Bold and Bold Italic may be used for text emphasis, a job for which the Heavy is to dark. Malabar received a Certificate of Excellence in Type Design at the Type Directors Club of New York TDC2 competition in 2009.

Maclean's is a weekly Canadian newsmagazine with a broad editorial mission. A typical issue covers everything from violence on the other side of the globe to the largest pumpkin grown in a local county. In 2001, Maclean's invited Rod McDonald to become part of the design team to renovate" the 96-year-old publication. The magazine wanted to offer its readers a typographic voice that was professional, clean, and easy to read. Above all, the typeface had to be able to speak about the hundreds of unrelated subjects addressed in each issue while remaining believable and uncontrived. A tall order, perhaps? Now add in that this would be the first text typeface ever commissioned by a Canadian magazine. McDonald, who some have called Canada's unofficial "typographer laureate," took on the challenge. McDonald used two historic models as the basis for Laurentian's design: the work of French type designer Claude Garamond, and that of the English printer and type founder, William Caslon. From Garamond Laurentian acquired its humanist axis, crisp serifs and terminals that mimic pen strokes. Caslon's letters are less humanistic, with a more marked contrast in stroke weight and serifs that appear constructed rather than drawn. These traits also made their mark on Laurentian. Using these two designs as a foundation, McDonald drew Laurentian with the narrow text columns and small type sizes of magazine composition in mind. He gave his letters strong vertical strokes and sturdy serifs, a robust x-height and a slightly compressed character width A tall order, per McDonald's genius is evident in the face's legibility, quiet liveliness and in the openness of the letters. The result is a typeface that not only met Maclean's demanding design brief, but also provides exceptional service in a wide variety of other applications. Laurentian is available in three weights of Regular, Semi Bold and Bold, with complementary italics for the Regular and Semi Bold, and a suite of titling caps."

ATF Franklin Gothic® A new take on an old favorite Franklin Gothic has been the quintessential American sans for more than a century. Designed by Morris Fuller Benton and released in 1905 by American Type Founders, Franklin Gothic quickly stood out in the crowded field of sans-serif types, gaining an enduring popularity. Benton’s original design was a display face in a single weight. It had a bold, direct solidity, yet conveyed plenty of character. A modern typeface in the tradition of 19th-century grotesques, Franklin Gothic was drawn with a distinctive contrast in stroke weight, giving it a unique personality among the more mono-linear appearance of later geometric and neo-grotesque sans-serif types. Franklin Gothic has been interpreted into a series of weights before, most notably with ITC Franklin Gothic. But as the original type was just a bold display face (later accompanied by a few similarly bold widths and italics), how Benton’s design is expanded to multiple weights and styles as a digital type family can vary significantly. Benton designed several gothic faces that harmonize with one another, including Franklin Gothic, News Gothic, and Monotone Gothic, that can serve as models for new interpretations of his work. With ATF Franklin Gothic, Mark van Bronkhorst looked to Benton’s Monotone Gothic—originally a single typeface in a regular weight, and similar to Franklin Gothic in its forms—as the basis for lighter styles. ATF Franklin Gothic may appear familiar given its heritage, but is a new design offering a fresh take on Benton’s work. The text weights are wider and more open than some previous Franklin Gothic interpretations, and as a result are quite legible as text, at very small sizes, and on screen. ATF Franklin Gothic maintains the warmth and the spirit of a Benton classic while offering a suite of fonts tuned precisely for contemporary appeal and utility. The 18-font family offers nine weights with true italics, a Latin-extended character set, and a suite of OpenType features. Download the PDF specimen for ATF Franklin Gothic.

Helvetica’s 50-year anniversary celebrations in 2007 were overwhelming and contagious. We saw the movie. Twice. We bought the shirts and the buttons. We dug out the homage books and re-read the hate articles. We mourned the fading non-color of an old black shirt proudly exclaiming that “HELVETICA IS NOT AN ADOBE FONT”. We took part in long conversations discussing the merits of the Swiss classic, that most sacred of typographic dreamboats, outlasting its builder and tenants to go on alone and saturate the world with the fundamental truth of its perfect logarithm. We swooned again over its subtleties (“Ah, that mermaid of an R!”). We rehashed decades-old debates about “Hakzidenz,” “improvement in mind” and “less is more.” We dutifully cursed every single one of Helvetica’s knockoffs. We breathed deeply and closed our eyes on perfect Shakti Gawain-style visualizations of David Carson hack'n'slashing Arial — using a Swiss Army knife, no less — with all the infernal post-brutality of his creative disturbance and disturbed creativity. We then sailed without hesitation into the absurdities of analyzing Helvetica’s role in globalization and upcoming world blandness (China beware! Helvetica will invade you as silently and transparently as a sheet of rice paper!). And at the end of a perfect celebratory day, we positively affirmed à la Shakti, and solemnly whispered the energy of our affirmation unto the universal mind: “We appreciate Helvetica for getting us this far. We are now ready for release and await the arrival of the next head snatcher.” The great hype of Swisspalooza '07 prompted a look at Max Miedinger, the designer of Neue Haas Grotesk (later renamed to Helvetica). Surprisingly, what little biographical information available about Miedinger indicates that he was a typography consultant and type sales rep for the Haas foundry until 1956, after which time he was a freelance graphic designer — rather than the full-time type designer most Helvetica enthusiasts presume him to have been. It was under that freelance capacity that he was commissioned to design the regular and bold weights of Neue Haas Grotesk typeface. His role in designing Helvetica was never really trumpeted until long after the typeface attained global popularity. And, again surprisingly, Miedinger designed two more typefaces that seem to have been lost to the dust of film type history. One is called Pro Arte (1954), a very condensed Playbill-like slab serif that is similar to many of its genre. The other, made in 1964, is much more interesting. Its original name was Horizontal. Here it is, lest it becomes a Haas-been, presented to you in digital form by Canada Type under the name of its original designer, Miedinger, the Helvetica King. The original film face was a simple set of bold, panoramically wide caps and figures that give off a first impression of being an ultra wide Gothic incarnation of Microgramma. Upon a second look, they are clearly more than that. This face is a quirky, very non-Akzidental take on the vernacular, mostly an exercise in geometric modularity, but also includes some unconventional solutions to typical problems (like thinning the midline strokes across the board to minimize clogging in three-storey forms). This digital version introduces four new weights, ranging from Thin to Medium, alongside the bold original. The Miedinger package comes in all popular font formats, and supports Western, Central and Eastern European languages, as well as Esperanto, Maltese, Turkish and Celtic/Welsh. A few counter-less alternates are included in the fonts.

Montage has played a weighty role in some of the most influential and enduring typography of the past few decades, from book jackets and album covers, to posters and logos…you name it. Exhibiting an uncommon ability to wield immense power while demonstrating extraordinary finesse, Montage’s commanding profile packs a hefty punch which is softened only by its lithe yet durable serifs. Originally designed for Photo-Lettering in the mid-1960s by type legend, Ed Benguiat, the fonts were given a jump start by Jess Collins before ultimately being shaped into five compatible widths by longtime House co-conspirator, Mitja Miklavčič. Under the guidance of Ben Kiel, along with some additional chin-stroking by Ken Barber, Montage has been fully developed into a robust family ready to tackle any challenge you can throw at it. FEATURES LIGATURES: In order to ensure that Montage maintains its bold presence in tricky text settings, we’ve added a handy set of pre-drawn letter combinations. When enabled, the Ligature feature identifies problem pairs like—fl, fi, ff, ffl, and of course, fyi—and substitutes them with glyphs optimized to enhance font performance. ALTERNATES: For fickle typographers, we’ve also added a handful of alternate characters to allow Montage to suit any number of mood Like all good subversives, House Industries hides in plain sight while amplifying the look, feel and style of the world’s most interesting brands, products and people. Based in Delaware, visually influencing the world.

BACUTE Display Sans Typeface offers a captivating blend of contemporary design and readability, ensuring your projects stand out with finesse and clarity. Features: Three Unique Styles: Enjoy the versatility of BACUTE's three styles - Light, Regular, and Bold. Each style adds its distinctive visual appeal to complement various design aesthetics. Special Alternates: Unleash your creativity with alternative characters and glyphs that infuse uniqueness into your designs, allowing for personalized expressions. Complete Character Set: BACUTE includes uppercase and lowercase letters, numerals, punctuation, and a range of essential glyphs for comprehensive design flexibility. Cross-Platform Compatibility: Seamlessly use BACUTE across both PC and Mac platforms, effortlessly integrating with leading design software like Adobe Illustrator, Adobe Photoshop, Adobe InDesign, and Microsoft Word. Effortless Installation: Experience hassle-free installation, granting instant access to the font's capabilities without the necessity of additional design software. Multilingual Support: BACUTE ensures inclusivity by supporting a variety of special characters, catering to multiple languages, including ä, ö, ü, Ä, Ö, Ü, ß, ¿, and ¡. BACUTE adapts flawlessly to an extensive range of design projects, including Logos, Posters, Product Labels, Cartoons, Comics, Editorial Designs, Website/Blog Elements, Social Media Posts, Packaging Designs, Social Media Subtitle And more! Dive into the boundless potential that BACUTE Display Sans Typeface offers. Its modern aesthetic, coupled with a multitude of features, positions it as an invaluable asset for designers seeking to make an impactful impression without compromising readability. Embrace BACUTE to elevate your projects and captivate your audience with its distinctive charm!

🔥 NEW UPDATE - Uppercase characters are now included for the Wild Star blackletter font. Along with 11 new 'flourished' lowercase characters, and 8 new fun icons - that's 45 new glyphs in total! Wild Star is a font duo not to be tamed – this pairing of modern blackletter font & unrestrained script font aren’t afraid to make your message heard loud & clear. It’s a bold choice for merchandise, album artwork, logo designs, quotes & more. This family contains; Wild Star • A modern blackletter font containing upper and lowercase characters, plus numerals and a full range of punctuation. There are 17 alternate stylistic versions for letters g, l, y, p, k, f, h, n, t, m, b, r, h, j which contain a bottom or top flourish. To access these, simply turn on 'Stylistic Alternates', or access them via a Glyphs panel. Type the following characters to generate one of 8 fun icons { } [ ] ( ) . (The standard versions of these characters can be found in the Glyphs panel). Wild Star Outline • A second version of the Wild Star font with an outline effect added. Wild Star Script • A rough, hand-scratched font containing 2 sets of uppercase characters, numerals and a full set of punctuation. Simply turn your caps lock on & off to switch between the 2 sets of characters. Language Support • All Wild Star fonts support the following languages; English, French, Italian, Spanish, Portuguese, German, Swedish, Norwegian, Danish, Dutch, Finnish, Indonesian, Malay, Hungarian, Polish, Croatian, Turkish, Romanian, Czech, Latvian, Lithuanian, Slovak, Slovenian

Buntype’s new Bunday™ Sans Font Family consists of four main states with different moods: the crisp and distinctive sans, the cute script styled upright and the matching italics (these upright styles are currently not available). All states of Bunday™ Sans share the same contemporary, clear and open base forms and create a space-saving and homogeneous text colour. Despite the fact that the overall width is space-saving or narrow, Bunday™ Sans offers good legibility. The font was manually hinted and contains extensive handcrafted kerning tables to ensure perfect appearance in all media.  Bunday™ Sans ships with 9 standard, 9 upright italic, 16 italic styles from a considerable thin “Hair” to a pretty fat “Heavy” weight. It supports at least 99 languages and provides OpenType® features for ligatures, alternative glyphs, localised forms and more.  Please take a look at the other members of the Bunday superfamily: Bunday™ Clean Bunday™ Slab Further information: Bunday Sans Specimen PDF Bunday Sans OpenType® Quickguide Feature Summary: 9 weights: Hair, Light, Thin, SemiLight, Regular, SemiBold, Bold, ExtraBold and Heavy 4 Moods: Sans, Upright, Sans Italic and Upright Italic Overall width: Narrow or Space-Saving Advanced “f” ligature set* “s” and “c” ligatures* Alternates Characters: a, ç, e, f, g, l, t, y and more* Capital German Esszett* Supports at least 99 Languages * Available only in applications with advanced OpenType® support