Glass Light was designed in 1912 by Franz Paul Glass for the Genzsch & Heyse foundry. The font is stylewise related to the "Lo types" of the same period. Glass designed a lot of decorative elements to go along with the font. I added Swashes, endletters and smallcaps to the set to make it complete. Since this type of font will probably not be used by many professionals, I did not put all the letters into one big OTF-version since most people don't have OTF-savy software. These fonts can and should be mixed for optimal results. Your decorative designer Gert Wiescher

Linotype Renee is part of the Take Type Library, selected from contestants of Linotype’s International Digital Type Design Contests of 1994 and 1997. It was a prize-winning entry of American designer Renee Ramsey-Passmore. The letters of this font are strictly constructed with a grid, which is still visible in the weight Types + Lines. The figures are designed with only the basic forms of circle, rectangle and triangle, giving the font an individual and technical feel. Some letters are only recognizable in the context of a word, making Linotype Renee exclusively for short headlines in large point sizes.

This face was recommended to me by Mark Solsburg, president of FontHaus. At first I was a bit reluctant to revive it, if for no other reason than Frederic Goudy’s admission that he created this design “in a moment of typographic weakness.” However, I put the sample that Mark sent me up on my bulletin board, and over a period of time, it grew on me. It finally got to the point that I had to recreate the face, and from the response that I’ve gotten, I’m glad I did! Uppercase only with numerals and punctuation.

The PIXymbols™DecoGlass font is designed to create black (or single color), and two-color titles, initials as well as decorative characters. It is available in a choice of two weights. Each package includes a document showing the character sets and key codes for the fonts. The font packages include both TrueType and PostScript versions, and are available in either PC/Win or Macintosh format. In order to avoid serious problems, be sure not to install the same fonts in both TrueType and PostScript on the same computer. The font offers opportunities for various color treatments in your application programs.

»AlphaOne« is my newest addition to the experimental Alpha-font-collection. I just had to do this one! It is based on Paul Renners fonts, but has got nothing to do with them, I just took the widths and some basic forms. No – or hardly no – optical corrections were made to the glyphs. I wanted the pure geometric forms to come to life. This was a lot of fun to design, I especially like the »Q« with the negative tail. I did make four weights, but nothing is normal with this font, so weight doesn’t really mean anything. Have fun!

The other day I had to login to a page several times, and as security I had to check the "I am not a robot" box. Actually, I think I did a login at that particular page like 30 times that day...and in the end I was thinking "Come on, you should know by now that I am not a robot" And even though I thought it was a repetitious hassle I figured that I needed to name a font "I am not a robot" - and not a robotic-like one, but a sweet and funny cartoonish one! :)

Fontfamily “Compotes” was created with love and with care about small collections of "hand-made" fonts. We have created a perfect product for the decoration of home design, small barber’s shops, cafes and bakeries. This fonts is ideally combined with any type of design, for example, you can use them on labels homemade jams and pickles and “Compotes” perfectly can be used in logos and in the press. We did 5 main main typefaces by alphabetical list: A - Apple, B - Basilic, C - Citro, D - Dew, E - Espresso In addition, we have developed five “supplements” for each font!

Reslaby is a Vintage Slab Serif font that will make your designs look unique and fun. It's perfect for labels, quotes, posters, DIY projects, branding, packaging, greeting cards, websites, photos, photographic overlays, signs, window art, scrapbooking, tags and more! What's Included : + Standard glyphs + Web Font + Multilingual Accent + Works on PC & Mac + Simple installations Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. PUA Encoded Characters - Fully accessible without additional design software. Fonts include multilingual support Image used : All photographs/pictures/vector used in the preview are not included, they are intended for illustration purpose only. Thank You

Linotype Vision is part of the Take Type Library, chosen from the entries of the Linotype-sponsored International Digital Type Design Contests of 1994 and 1997. Created by German designer Dan-André Neimeyer, the font contains five weights. The characters look as though they are constructed of fragments fitted only loosely together. Just enough of each character is put onto paper so that the eye of the reader can complete the conventional form. Based loosely on sans serif forms, the font has a futuristic, mathematical feel. Linotype Vision is exclusively for headlines in point sizes of 18 and larger.

I bought a pineapple the other day, because my kids really like pineapples. Ok, ok, it may not sound like something special to you - but keep in mind that pineapples in Holland are an expensive fruit. We mostly get the canned ones (which I don’t like too much). Anyway, when I was slicing up the pineapple, I thought I should name a font after this bizarre, but tasty, fruit. And so I did. Pineapple Daydream is a handmade serif. I am not sure how to classify it, but I am sure you’ll figure that out. Comes with a plantation of diacritics.

Berghan is a modern grotesk sans serif features thick and thin contrast details for contemporary nuances. It can be used to create almost all types of design projects like print materials. Just use your imagination and your project will become more alive and look great than ever with this typeface. You want to make a greeting card or a package design, or even a brand identity, craft design, any DIY project, book title, wedding font, pop vintage design, retro design or any purpose to make your art / design project look pretty and trendy? Feel free to play with this typeface!

MyScript is exactly that: my script; only this one is for everybody’s use! Originally I designed it as a Christmas present for my friends and clients; they liked it. So I thought other people might like it as well. I cleaned it up just enough so that it did not lose its character. And, of course, I made all glyphs so that it is really useful as an everyday, unpretentious script. And ­I added a small cap version and a swashes version to give you even more reason to use it. It turned out a really readable script. Your scribe, Gert Wiescher

I have upgraded my existing font software and also bought new font software to play around with. It takes some time getting used to working with it; the upgraded software feels similar to what I am used to, but handles things differently and the new software is intuitive, but comes with its own language and ways of doing things. I spend most days reading the handbooks and watching online tutorials, but I did manage to create a font. Steamed is a hand drawn all caps display font that comes with a whole bunch of accented glyphs (even Vietnamese) to play around with.

Eckhardt Informal JNL was found in a Dan Solo alphabets book under the name "Circus Wagon". This hand-lettered design with a playful inline is reminiscent of the show cards of the 1940s and 1950s. The Eckhardt series of typefaces is named in honor of the late Al Eckhardt, Jr. - a good friend of type designer Jeff Levine whose talents in hand-crafting attractive lettering was appreciated by many. His work, like the others before him is fast become a lost art in today's technology-driven world. Eckhardt Informal JNL is available in it's regular (inline) version and also as a solid version.

A 1964 piece of sheet music entitled “Old Soldiers Never Die (They Just Fade Away)” was based on the farewell speech General Douglas MacArthur gave to Congress on April 19, 1951. This particular edition of the song sheet had part of his speech (as well as its title) hand lettered in a free-form sans serif reminiscent of the lettering done by such noted lettering artists as Paul Coker and Saul Bass. The casual and playful style of this type design became the inspiration for Swing Vote JNL, which is available in both regular and oblique versions.

The inspiration source for Fantasie Monogram is another hand-drawn design from a vintage embroidery publication which relies on rigid geometric letterforms on a dynamic slant stepping downwards. This monogram, which evokes visions of it embossed or printed on antique cookie tins, was originally intended to adorn handkerchiefs, but the possibilities of its use are up to your imagination. This is one of many monogram designs from the early 1900’s which fall into a two letter format that is either adorned or interwoven decorative elements. Download and view the MFC Fantasie Guidebook if you would like to learn a little more.

Dare is a bold, single-weight titling font in capitals only. It is built from flat-pen strokes, with looping bowls and sharp, incised darts. It borrows a pinch of the hand-drawn swagger of Bauer's Cartoon (designed in 1936 by H. A. Trafton), used as Dan Dare's signature logo in the British boy's comic Eagle, and also the upward-pointing serifs of machine-moderne typefaces such as Dynamo (designed by K. Sommer for Ludwig & Mayer in 1930). Suitable for book covers, magazines, branding, packaging – any place where an impactful, contemporary statement is required, but still with an undertone of 20th century tradition.

The Data Error Vert AOE Pro family is another spinoff of my Data Error AOE Pro family. Quite simply, it takes on a slightly different feel than the original pin matrix grid by stroking across all vertical glyph lines. The vertical lines break up the readability somewhat of the original grid and lend a more tech vibe to the family. Check out the range of posters created to see the various Capitals, Lowercase, smallcaps and varying styles that the family has to offer and how it both differs from and compliments the original Data Error AOE Pro family.

RF Marshall was inspired by an 1883 tombstone, tucked away in a pioneer cemetery. The 4-sided marker is sparsely adorned with homespun carvings of a handprint, two tulip poplar leaves, and these words: "RF Marshall died 1883 Aged 72 years." The font faithfully reproduces the stone's hand-carved lettering and artwork, as well as artwork from other 18th and 19th century American headstones. It was drawn with calligraphy nibs dipped in walnut ink and delights in a range of end uses including period films, rustic decor, Halloween decorations, historical logos and branding, and on the pages of children's books.

My handwriting with a speedmarker turned into a font - well, not really, to be honest! Personally I did do all the writing of letters, but in order for the letters to fit perfectly together, I manipulated them - just a tad! But the result is a hasty set of letters! When I say I wrote all the letters, I mean it literally!!! All letters are unique, meaning all the accented characters are unique! On top of that, Laxory comes with ligatures for both double lowercase letters and numbers! You will need to use OpenType supporting applications to use the autoligatures.

The Battle Road is an old, vintage display typeface. It has regular characters and a ventage style. It can be used for logos, t-shirts, quotes, badge, branding, headers, labels, packaging and much more! This is what you'll be get : Battle Road Regular.ttf Battle Road Italic.ttf Battle Road Ventage.ttf Battle Road Ventage Italic.ttf Features : Character Set A-Z Numerals & Punctuations (TrueType Standard) Accents (Multilingual characters) Above the description of this font, I hope you're satisfied with what I have created. if there's anyone who purchase and find some problem, don`t hesitate to using product support Thanks and enjoy designing.

Fontfamily “Compotes” was created with love and with care about small collections of hand-made" fonts. We have created a perfect product for the decoration of home design, small barber’s shops, cafes and bakeries. This fonts is ideally combined with any type of design, for example, you can use them on labels of homemade jams and pickles and “Compotes” perfectly can be used in logos and in the press. We did 5 main main typefaces by alphabetical list: A - Apple, B - Basilic, C - Citro, D - Dew, E - Espresso In addition, we have developed five “supplements” for each font!

Rovey is an all caps handwritten serif font. It can be used to create almost all types of design projects like print materials. Just use your imagination and some graphic design set in Extras and your project will become more alive and look greater than ever with Rovey. You want to make a greeting card or a package design, or even a brand identity, craft design, any DIY project, book title, wedding font, pop vintage design, retro design or any purpose to make your art / design project look pretty and trendy? Feel free to play with this fonts!

BetterKamp was originally constructed in 1995-6. It was not constructed to meet any specific purpose but out of curiosity, to see what the result would be if two quite different faces were blended. KampIngriana is the offspring of BetterTypeRight, which has characteristics of a typewriter face without the monospacing, and KampFriendship, which mimics a serifed face drawn by hand. The original blending had many oddities that I did not clean up until 2020 when I also added the semi-bold weights. BetterKamp lacks polish and elegance, but it is very readable at small point sizes.

Bentron Calligraphic is a bold and beautiful brush font with a touch of speed and sophistication. Its rapid strokes and dynamic flow give it a signature-like quality that is perfect for adding a personal touch to your projects. Designed with a focus on the art of calligraphy, Bentron Calligraphic exudes elegance and grace with its smooth curves and flowing lines. This font is perfect for anything from logos and branding to social media posts and invitations. Bentron Calligraphic comes in four styles: Regular, Italic, Alternate Regular and Alternate Italic. This range of styles provides versatility and allows for dynamic and creative designs. Use underscore _ to create a swash anywhere in a word. Example: Space_jams Use multiple underscores to create different swashes. Example: Signa____tures The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Introducing Magical Source is a stylish serif font, every character uppercase and lowercase have alternates font. This font is equipped with more than 200 alternative fonts so you can mix and match every alternate based on your taste. This font still outstanding look, although you don't switch on the alternate. Magical Source font is a versatile font, the font can covering to headlines, titles, logotype, branding, pull quotes & monograms, and etc.

I am crazy about my font, Honey Bumbles! It has sweet curls, very round loops, and lots of fun alternates and ligatures to create amazing designs. It is super smooth. Every character is special, and has unique curves, swirls, and loops. Includes: - alternate glyphs for selected characters - initial lowercase alternates for shown characters - terminal lowercase alternates for shown characters - ligatures for selected double letter combinations - 4 options for ampersands

Hello Aluyeaholics! So we tried playing with the script, we hope you like it. American Legend is inspired by vintage handwriting. Comes with 220+ stunning alternates and ligatures. Super easy to use alternates and ligatures. Super Easy to Use alternates - You can easily call alternates using special combination like a.2 a.3 b.5 e.r a.r l.l etc. To get results like the preview just type Ame.rican Leg.9end

Alyesina is a very luxurious elegant calligraphy font for your classy projects that is complemented by a pretty and stylish alternative. This font includes alternatives, style sets, ligatures, swashes and multilingual support with the Pua encode opentype feature. In some glyphs it has a pretty stylistic alternative. Perfect for startup projects, wedding invitations, logos, packaging, quotes, branding, web, blogs, etc. FEATURES : Uppercase Lowercase Number Punctuation Multilingual PUA Encode Opentype Stylistic Alternate

Wakerobin takes its charming swagger from the hand-painted billboard, poster and signage lettering of the mid-19th century. These showy styles did everything they could to stand out from the background cacophony of advertising, with signwriters using sharp and high contrast serif letters, squared block shapes, or art nouveau forms to grab the attention of passersby. Wakerobin embraces the spirit of these letterforms, bringing these various styles together in one typeface - as if users had their own sign painter on hand. Just as lettering artists had to adapt to a variety of sizes - from wide streetcar lettering to compressed forms that squeezed into narrow Victorian windows - the variable version of Wakerobin scales up and down in width to fit whatever environment the user’s working in. The static fonts come in three widths and five weights. As well as its adaptability, Wakerobin is bursting with vintage flavour, making it hard to ignore. Its distinctive, spiky serifs would be right at home on food and drinks packaging, as well as shop windows, adverts, and any other place that calls for some typographic showmanship. It performs particularly well in busy environments, or anywhere with a lot of visual noise - just as its historic predecessors did. And while Wakerobin is first and foremost a display typeface, it’s surprisingly elegant when used at text size, or in the lighter end of the weight spectrum.

Wakerobin takes its charming swagger from the hand-painted billboard, poster and signage lettering of the mid-19th century. These showy styles did everything they could to stand out from the background cacophony of advertising, with signwriters using sharp and high contrast serif letters, squared block shapes, or art nouveau forms to grab the attention of passersby. Wakerobin embraces the spirit of these letterforms, bringing these various styles together in one typeface - as if users had their own sign painter on hand. Just as lettering artists had to adapt to a variety of sizes - from wide streetcar lettering to compressed forms that squeezed into narrow Victorian windows - the variable version of Wakerobin scales up and down in width to fit whatever environment the user’s working in. The static fonts come in three widths and five weights. As well as its adaptability, Wakerobin is bursting with vintage flavour, making it hard to ignore. Its distinctive, spiky serifs would be right at home on food and drinks packaging, as well as shop windows, adverts, and any other place that calls for some typographic showmanship. It performs particularly well in busy environments, or anywhere with a lot of visual noise - just as its historic predecessors did. And while Wakerobin is first and foremost a display typeface, it’s surprisingly elegant when used at text size, or in the lighter end of the weight spectrum.

Stofer is a font for creating minimalistic logos, wordmarks, titles, taglines. Use stylistic alternates to emphasize separate letters in your text. You can use alternates in most major image editors, just find menu item Glyphs (Alternates) there. For any questions about the font please contact: arbuzzu@gmail.com

Scaramouche is a decorative and playful connected script. Scaramouche family has three weights and matching ornament sets. For the best price, purchase the whole family. Scaramouche has plenty of alternate characters; click on Swash, Contextual or Stylistic alternates in any OpenType savvy program for decorative alternates.

Jhoiboy is a casual grunge texture with many variations of font shapes to create a perfect and unique design. Jhoiboy has 8 alternatives, 7 alternatives for lowercase letters and 1 alternative for uppercase letters, along with ligature and multi-lingual support that will match your desires.

Positive Feature is a handmade, layered font. All layers come with contextual alternates, which means you have 4 different versions of each lowercase letter to play around with. What's cool about the two layer versions is that they mix in a lovely way! Try typing your text with layer 1, copy/paste layer 2 on top in a different color - perhaps even alter the transparency a bit...and all of a sudden a nice effect sees the light of day!

Graced Script is a calligraphic brush font in high quality, with a full alternate alphabet. Turn on contextual alternates to get natural letter variations.