The idea of a brand-new grotesk is certainly rather foolish – there are already lots of these typefaces in the world and, quite simply, nothing is more beautiful than the original Gill. The sans-serif chapter of typography is now closed by hundreds of technically perfect imitations of Syntax and Frutiger, which are, however, for the most part based on the cool din-aesthetics. The only chance, when looking for inspiration, is to go very far... A grotesk does not afford such a variety as a serif typeface, it is dull and can soon tire the eye. This is why books are not set in sans serif faces. A grotesk is, however, always welcome for expressing different degrees of emphasis, for headings, marginal notes, captions, registers, in short for any service accompaniment of a book, including its titlings. We also often come across a text in which we want to distinguish the individual speaking or writing persons by the use of different typefaces. The condition is that such grotesk should blend in perfectly with the proportions, colour and above all with the expression of the basic, serif typeface. In the area of non-fiction typography, what we appreciate in sans-serif typefaces is that they are clamorous in inscriptions and economic in the setting. John Sans is to be a modest servant and at the same time an original loudspeaker; it wishes to inhabit libraries of educated persons and to shout from billboards. A year ago we completed the transcription of the typefaces of John Baskerville, whose heritage still stands out vividly in our memory. Baskerville cleverly incorporated certain constructional elements in the design of the individual letters of his typeface. These elements include above all the alternation of softand sharp stroke endings. The frequency of these endings in the text and their rhythm produce a balanced impression. The anchoring of the letters on the surface varies and they do not look monotonous when they are read. We attempted to use these tricks also in the creation of a sans-serif typeface. Except that, if we wished to create a genuine “Baroque grotesk”, all the decorativeness of the original would have to be repeated, which would result in a parody. On the contrary, to achieve a mere contrast with the soft Baskerville it is sufficient to choose any other hard grotesk and not to take a great deal of time over designing a new one. Between these two extremes, we chose a path starting with the construction of an almost monolinear skeleton, to which the elements of Baskerville were carefully attached. After many tests of the text, however, some of the flourishes had to be removed again. Anything that is superfluous or ornamental is against the substance of a grotesk typeface. The monolinear character can be impinged upon in those places where any consistency would become a burden. The fine shading and softening is for the benefit of both legibility and aesthetics. The more marked incisions of all crotches are a characteristic feature of this typeface, especially in the bold designs. The colour of the Text, Medium and Bold designs is commensurate with their serif counterparts. The White and X-Black designs already exceed the framework of book graphics and are suitable for use in advertisements and magazines. The original concept of the italics copying faithfully Baskerville’s morphology turned out to be a blind alley. This design would restrict the independent use of the grotesk typeface. We, therefore, began to model the new italics only after the completion of the upright designs. The features which these new italics and Baskerville have in common are the angle of the slope and the softened sloped strokes of the lower case letters. There are also certain reminiscences in the details (K, k). More complicated are the signs & and @, in the case of which regard is paid to distinguishing, in the design, the upright, sloped @ small caps forms. The one-storey lower-case g and the absence of a descender in the lower-case f contributes to the open and simple expression of the design. Also the inclusion of non-aligning figures in the basic designs and of aligning figures in small caps serves the purpose of harmonization of the sans-serif families with the serif families. Non-aligning figures link up better with lower-case letters in the text. If John Sans looks like many other modern typefaces, it is just as well. It certainly is not to the detriment of a Latin typeface as a means of communication, if different typographers in different places of the world arrive in different ways at a similar result.

Kaithryn is a modern calligraphy font. It brings a beautiful and attractive typeface. Made for any professional project branding. It is the best for logos, branding, wedding and quotes. Includes: Kaithryn (OTF) Features: Stylistic Set Beautiful Ligatures Multilingual Support PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Din Studio

Ventralie is authentic and modern blackletter font. The font is suitable for any branding project like logo, t-shirt printing and many more. Outstanding in a wide range of contexts. Featured : Alternates Accents (Multilingual characters) PUA encoded Numerals and Punctuation (OpenType Standard) Extra Ornaments Thanks for downloading premium font from Din Studio

Westlake is a serif font. Made for any professional project branding. It is the best for logos, branding and quotes. Every letter has a unique and beautiful touch. Includes: Westlake (OTF) Features: Standard Ligatures Swashes Stylistic Sets PUA Encoded Multilingual Support Numerals and Punctuation Thank you for downloading premium fonts from Din Studio

Sporten is a classic sport font. Made for any professional project especially that related to the sports. Beside that, this font can be used for printing, branding and quotes. Includes: Sporten (OTF) Features: PUA Encoded Multilingual Support Numerals and Punctuation Bonus Esport Logo Thank you for downloading premium fonts from Din Studio

Anzilam is a modern calligraphy font. It brings a beautiful and attractive typeface. Made for any professional project branding. It is the best for logos, branding, wedding and quotes. Includes: Anzilam (OTF) Features: Stylistic Set Beautiful Ligatures Multilingual Support PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Din Studio

Jafrine is a modern calligraphy font. It brings a beautiful and attractive typeface. Made for any professional project branding. It is the best for logos, branding, wedding and quotes. Includes: Jafrine (OTF) Features: Stylistic Set Beautiful Ligatures Multilingual Support PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Din Studio

Hellomind is a beautiful signature font. It brings a modern and attractive typeface. Made for any professional project branding. It is the best for logos, branding, wedding and quotes. Includes: Hellomind (OTF) Features: Stylistic Set Beautiful Ligatures Multilingual Support PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Din Studio

RedKits is a beautiful brush font. The handwritten combined with brush font will make your design project more attractive. Made for any professional project branding. It is the best for logos, branding and quotes. Includes: RedKits (OTF) Features: Multilingual Support PUA Encoded Numerals and Punctuation Thank you for downloading from Din Studio.

Vintage Melody is a elegant handwritten font. It brings a beautiful and attractive typeface. Made for any professional project branding. It is the best for logos, branding, wedding and quotes. Features: Stylistic Set Standard Ligatures Swashes Multilingual Support PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Din Studio

Watterline is a elegant signature font. It brings a modern and attractive typeface. Made for any professional project branding. It is the best for logos, branding, wedding and quotes. Includes: Watterline (OTF) Features: Stylistic Set Beautiful Ligatures Multilingual Support PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Din Studio

Twirrewyn is Frisian for ‘Whirlwind’. I have always liked the Frisian language; it’s like a crossover between English and Dutch. When I studied journalism in Zwolle (a city close to Fryslân) there were a lot of Frisian students and I did pick up a few words! Twirrewyn is a handmade font family: the fat version was made using a brush and ink; the light version was made using that same ink, but with a broken satay skewer instead of a brush. And yes, you have guessed right, we eat a lot of Satay! ;-)

Comicraft's latest joint has us swollen with pride! This one caps 'em all! Yes, it may look a little bony and stick out at right angles to our shins, but we reckon we'll win the a whole bunch of contests with this one... if we get up off our haunches and hobble up on stage. Trust your knee jerk reaction and download KnobblyKnees now, they look good on Kate and Angelina, they'll look good on you too! Features: Five fonts (Regular, Bold, Light, Broken & Open) with upper and lower case characters.

Dinosaur is a very grotesk and extremely condensed display font. Only useful for very big and short texts. The font comes with three regular weights and three italic weights. With 448 glyphs, Dinosaur font supports over 200 Latin-based languages.

County Clerk JNL was modeled after the vintage Hamilton wood type design Gothic Special, and is available in both regular and oblique versions. An early grotesk font, this condensed sans serif lends itself well to short headlines and brief body copy.

Perfect Sketch is a classic Grotesk Typeface drawn with care by hand to imitate the way we used to sketch headlines before the ascent of computer based design. I sell 4 for the price of less than three. Yours Gert Wiescher

KT Nirma Sans Nirma is a typeface with 9 Weight Sans Serif from thin to Black, inspired by Founders Grotesk, This project start from April 2022 and start from the stretch until shaped the solid character to represent the Dynamic Sans Serif. Nirma has total 462 glyph and 218 Support language. Nirma support Latin Basic, Latin-1 Supplement, Latin Extended A-B, Spacing Modifier Letters, and Combining Diacritical Marks. The Solid Character has multi function Display Sans & Body text based on Display Grotesk. Especially in te Thin to Regular is more legible for body text and the black one good for Display Sans, with dinamyc shape and more wide.

Brondi is based on a wood type specimen from a french foundry, featuring a weird grotesque with inverted contrast and extremely tight spacing. It was used for large displays mainly in advertising. The font is a caps version only.

Body graphic project at Behance Body is a type family designed for Zetafonts by Cosimo Lorenzo Pancini with Andrea Tartarelli. Conceived as a contemporary alternative to modernist superfamilies like Univers or Helvetica, Body tries to maximize text readability while providing a wide range of options for the designer. It comes in two variants (Body Text and Body Grotesque), each in four widths and four weights: regular and bold for basic typesetting, light and extrabold for display use. Body Grotesque applies to the sans serif modernist skeleton little imperfections and quirks inspired by our research in early 20th century type specimens. Curves are slightly more calligraphic and a light inverse contrast is applied to bold weights, giving the typeface a slight vintage appearance in display use. Body Text, on the contrary, challenges the modernist aesthetics maximizing horizontal lines and using open terminals for letters like “s” and “a” that appear normally dark in modernist grotesques. For both variants, the normal width family is slightly condensed in an effort to maximize space usage; the Slim width is provided for extremely dense texts or side notes while the Fit width is optimized for display usage as in logos, headings or titles. The Large width manages to look elegant in its light weight while becoming a valid heading or subtitle font in its extrabold weights. All the 64 fonts in the Body superfamily include a complete latin extended character set with small caps for over 70 languages, Russian cyrillic, open type positional numbers, stylist sets and alternate forms.

Vintage sheet music was initially a partial inspiration for what started out as a simple retro typeface, but the basic hand-lettered design from the Art Deco era lent itself to some further experimentation. Geometric shapes were added to the original monoline letters and numerals and the end result was a marvelous display face called Cafe Society JNL. During the 1930s, "Cafe Society" was popular slang for the financially privileged during the Great Depression who dined at fine cafes while others who were able to eat out did so at diners and cafeterias. Available along with Cafe Society JNL is the original version, Cafe Society Monoline JNL.

Plasto is a complete grotesk sans serif family. The quirky letterforms and its slight width variation characterized the typeface as fun and playful as "plastic" in a graphic layout, fit for various design spaces, fit for both informal or functional purposes, fit for large display and also small text. Plasto complete family contains 54 styles with two axes; Weight and Width. The weight consists of 18 styles from Thin to Black, and the width consists of 3 styles, condensed, normal and expanded.

Heroic Condensed is an idealized narrow grotesque: a fusion of clean geometry and optical balance. Its constructed framework exudes technical refinement tempered by humanist curves across a family of eight weights. Heroic Condensed includes small caps, tabular figures, and stacked fractions.

Lovera is elegant serif font. Made for any professional project branding. It is the best for branding, printing, wedding and quotes. Every letter has a unique and beautiful touch. Includes: Lovera (OTF) Features: Beautiful Ligatures Many Swashes Stylistic Sets PUA Encoded Multilingual Support Numerals and Punctuation Thank you for downloading premium fonts from Din Studio

Brutal Type — is a new sans serif typeface with a distinct manly character. It’s based on the shapes of DIN font, however radically reconsidered. Despite the apparent simplicity and obviousness of forms, the Brutal Type design is original and fresh. This font is universal and familiar to all, emotional and catchy at the same time.

Kingroad is authentic and modern blackletter font. The font is suitable for any branding project like logo, t-shirt printing and many more. Outstanding in a wide range of contexts. Includes: Kingroad (OTF) Featured : Alternates Accents (Multilingual characters) PUA encoded Numerals and Punctuation (OpenType Standard) Extra Ornaments Thanks for downloading premium font from Din Studio

Hunterlife is authentic and modern blackletter font. The font is suitable for any branding project like logo, t-shirt printing and many more. Outstanding in a wide range of contexts. Includes: Hunterlife (OTF) Featured : Alternates Accents (Multilingual characters) PUA encoded Numerals and Punctuation (OpenType Standard) Extra Ornaments Thanks for downloading premium font from Din Studio

Marrline is a modern calligraphy font. It brings a beautiful and attractive typeface. Made for any professional project branding. It is the best for logos, branding, wedding and quotes. Includes: Marrline (OTF) Features: Stylistic Set Beautiful Ligatures Swashes Multilingual Support PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Din Studio

Blastine is a beautiful signature font. It brings a modern and attractive typeface. Made for any professional project branding. It is the best for logos, branding, wedding and quotes. Includes: Blastine (OTF) Features: Stylistic Set Many Swashes Beautiful Ligatures Multilingual Support PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Din Studio

Okinawa is a classy script font. This brush font will make your design project more powerful. Made for any professional project branding. It is the best for logos, branding and quotes. Every letter has a unique and beautiful touch. Features: Ligatures Multilingual Support PUA Encoded Numerals and Punctuation Thank you for downloading from Din Studio.

Carade is a elegant serif font. Made for any professional project branding. It is the best for logos, branding and quotes. Every letter has a unique and beautiful touch. Includes: Carade (OTF) Features: Beautiful Alternates Stylistic Set Swashes Multilingual Support PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Din Studio

Voyntea is a elegant calligraphy with natural and handwritten style. It brings a beautiful and modern typeface. Made for any professional project branding. It is the best for logos, branding, wedding and quotes. Features: Stylistic Set Beautiful Ligatures Multilingual Support PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Din Studio

Montheylin is a elegant calligraphy with natural and handwritten style. It brings a beautiful and modern typeface. Made for any professional project branding. It is the best for logos, branding, wedding and quotes. Features: Stylistic Set Beautiful Ligatures Multilingual Support PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Din Studio

Aiytha is a modern calligraphy font. It brings a beautiful and attractive typeface. Made for any professional project branding. It is the best for logos, branding, wedding and quotes. Includes: Aiytha (OTF) Features: Stylistic Set Beautiful Ligatures Swashes Multilingual Support PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Din Studio

Anyva is a modern calligraphy font. It brings a beautiful and attractive typeface. Made for any professional project branding. It is the best for logos, branding, wedding and quotes. Includes: Anyva (OTF) Features: Stylistic Set Standard Ligatures Swashes Multilingual Support PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Din Studio

Atteron is a elegant serif font. Made for any professional project branding. It is the best for logos, branding and quotes. Every letter has a unique and beautiful touch. Includes: Atteron (OTF) Features: Beautiful Alternates Stylistic Set Swashes Multilingual Support PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Din Studio

Blackside is a bold and authentic blackletter font. The font is suitable for any branding project like logo, t-shirt printing and many more. Outstanding in a wide range of contexts. Includes: Blackside (OTF) Featured : Alternates Accents (Multilingual characters) PUA encoded Numerals and Punctuation (OpenType Standard) Thanks for downloading premium font from Din Studio

Miftah is a modern serif font. Made for any professional project branding. It is the best for logos, branding and quotes. Every letter has a unique and beautiful touch. Includes: Miftah (OTF) Features: Beautiful Ligatures Stylistic Set Swashes PUA Encoded Multilingual Support Numerals and Punctuation Thank you for downloading premium fonts from Din Studio