Mondo News is a typeface designed to fulfill digital and paper publication editorial needs, its cared equilibrium between slightly condensed proportions and generous «x» height, offers optimum performance without compromising legibility. The modulation of thick and thin strokes in the middle weights is balanced for extensive text reading, while on the heavy weights becomes more dramatic making them ideal for strong headlines. Equipped with 760+ glyphs, support for more than 200 languages, smallcaps, alternates, ligatures, dingbats and plenty of OpenType features, Mondo News modern interpretation of tradition performs excellent both on screen and on paper, satisfy the most demanding editorial needs and will nourish your pages with a convincing and reliable atmosphere. Mondo News is part of the Untype Mondo family typographic system.

Robust, towering, and geometrically refined, Skyward is a surefire classic cocktail of equal parts utility and elegance. This typeface carries a set of over 300 glyphs across 8 distinct faces. With Deco-era sensibilities and a touch of modern refinement + an all new alternative set of characters, Skyward is exceedingly effective in a diverse spectrum of situations. Skyward is the perfect selection for modern, chic, luxury products and packaging as well as bold ad campaigns, window signage, magazine headlines or the classic branding project. Skyward works best as display text. 12 styles Sans-Serif, Serif, and Rounded styles Select Stylistic alternates Upper & lowercase Numerals & punctuation   330+ glyphs per style Supports 75+ Latin based languages OTF files Designed by Jason Carne

A hand lettered emulation of a Roman stencil type face on the cover of the folio for the Stenso School Set was the basis for Eutaw Stencil JNL, which is available in both regular and oblique versions. The Stenso School Set (circa 1940-41) was comprised of three stencils – two lettering guides and a map of the [then] 48 United States. Developed and patented by Baltimore school teacher Ruth Libauer Hormats, her stencils were the first to offer a system for accurate letter spacing and ease of use. “Eutaw” (as part of the font’s name) is taken from Eutaw Place, the street where Ruth and her husband lived at the time of Stenso’s inception. To the Cherokee, the name means “Creek Indian”.

Linotype Party Time is part of the Take Type Library, chosen from the entries of the Linotype-sponsored International Digital Type Design Contests of 1994 and 1997. The typeface is the work of Bulgarian designer Christo Velikov and is composed exclusively of capital letters. Different components make up this cheeful, frolicking font: stripes, dots, triangles, arrows, a trumpet, a ribbon, and others. The characters of Linotype Party Time stand straight on the base line while those of Linotype Party Time Drunk take on the stance typical of this state. Linotype Party Time is perfect for anything which has to do with fun and should be used exclusively in larger point sizes to emphasize the details which make the figures so unique.

During the period of the Great American Depression, “hobos” created a system of symbols to communicate and assist fellow travelers. These symbols would mark a home, farm, fence or other structure to indicate what to expect in the area. They would tip off travelers on how to find food, stay safe and what to avoid and more. In some areas of the USA, these symbols are still visible and have also become part of the American popular culture. These 96 symbols are accompanied by the what the symbol was used to indicate. The meanings and symbols are by no means the complete list andther may be additional or alternative meanings. These are for casual use and not historical or anthropologically completely accurate

Longshanks is a condensed serif display font with a low waist, blade-like strokes, and other unusual detailing. This font features a medium-low x-height and works very well at larger display sizes. It's an excellent choice for any headline, banner, or title that would benefit from an old-world, historical, fantasy, magic, or sword & sorcery vibe. It also harks back to the metallic foil stamped type treatments from 1980s – 1990s romance novel book cover design. The offbeat features are subtle enough to leave this font with a very high degree of legibility in spite of its strong and dynamic treatment of certain serifs and finials. The namesake for this typeface is King Edward I of England, whose nickname was Edward the Longshanks.

Linotype Flamingo, from German designer Michael Leonhard, is part of the TakeType Library, chosen from the entries of the Linotype-sponsored International Digital Type Design Contest 1999 for inclusion on the TakeType 3 CD. The figures of this font have pieces missing, the curve of an a, the stroke of an n. The eye fills in the gaps, allowing the designer to present a unique font with reductionist forms which can still communicate written ideas to the reader. A small number of forms come together to create the alphabet and the 'missing pieces' make a light and airy overall impression. Linotype Flamingo should be used in point sizes of 18 and larger and because of reduced legibility should be used only for very short texts.

Rosvard is our new old fashioned typeface. Inspired by vintage signages and brewery emblems. You could feel the vintage vibe on our preview images. Although you could use it to modern design as well. Since our last font just single font. We decide to make another layered font like we did in the past. This one in particular contains Stripe, Outline, Regular, Extrude and Shadow. You could combined all of them of just use two or three of them as you like. We also give you the separate ornaments we used for the preview image as an icon/dingbat font. You could mix and match each part to make your own badge / emblem. Because we believe you could do it.

Weaving is a family in which the letters fit together so that wavy lines separate them both horizontally and vertically. It creates this effect by alternating letters on upper-case keys with those on lower-case letters and this alternating is done automatically in applications that support the OpenType feature of contextual alternatives (calt). (The upper-case can be used alone but it unlikely that the lower-case characters could be used by themselves.) The family is a thinner and condensed version of the typeface Woven, but in condensing it, the tessellation properties that a were in Woven are lost. It is a decorative display face but because there are few typefaces similar to it, it is hard to predict what uses it may have. Be creative!

The design of Sanity typeface is modernized by abandoning any characteristics associated with hand writing, such as curved lines or elaborate corner details. The design is based on a rigid geometric grid and radiates confidence with its daring contrasts and provocative style. In large amounts of text the font “Sanity” can be hard to read due to a «dazzle» effect caused by alternating thick and thin strokes, particularly as the thin strokes are hardly visible at small point si es. Due to this quality, the “Sanity” font-family is best suitable for titles or large print advertisements. There are five key stylistic principles taken as a main framework for the creation of the “Sanity”: symmetry, contrast, geometry, artificiality and monospacing.

Looking make your brand unique and memorable? Maybe you wish to create advertisements that draw attention? If you can say “yes” to any of these then hold on to your seats and get ready for a modern, fun, and delightful experience! Mirola-Serif Font Mirola is a serif that is aimed to be used in modern style. It fits right in with your designs. It’s beautiful without trying too hard, it’s gorgeous without being apologetic, it’s brave in the face of uncertainty, these all represent you. Go ahead and use it on your website, for your social media branding, Pinterest banners, printed invitations, and more! Features: Stylistic Set Alternates Swashes PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Nathatype

Stayola is a beautiful calligraphic typeface. This script font has strong contrasts and wonderful flow. Its feminine twists and swirls makes for a lettering with a charming style and quirky personality. The Stayola family consists of eight distinct font styles: The weights Light, Bold, Black, each as the cute Heart style and the decorative Swash variation. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from North Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Quite unusual, Musenberg started his Raldo design with the italic. However, he managed to preserve the temperament and vividness of the italic in the roman without questioning the stability of the individual characters. Raldo is a modern Sans Serif family already quite popular in Germany. The German IGEPA group chose Raldo as corporate typeface family. Now, Marc Musenberg redesigned and extended his Raldo typeface family. The new Raldo RE Pro comprises 10 styles, 5 roman and 5 corresponding italics. All fonts now include the complete Latin character set plus fractions, different sets of figures and fractions as well as small caps and small caps figures for Raldo RE Pro Text, Regular, Semibold and Bold. Raldo RE Pro has been chosen to be part of the URW++ SelecType.

Royalbrick is a contemporary display unicase typeface. It is a part of upcoming type family — light and condensed style. The font was inspired by factory stamps’ typography on bricks made in 19-20 century on Russian manufactures — this kind of bricks was also called “royal bricks”. It has a unique image with “squashed” stems and dynamic expanding strokes, and there are also some kind of ancient Cyrillic’s vibes in it’s letterforms. It is an excellent example of combining national character with modern trends and expressive graphics. Royalbrick consist of extended Latin and Cyrillic, figures, two sets of punctuation (normal and "thin" with ss01), few ligatures and stylistic alternatives and a special set for letters with accents — ss02 named "Downstairs Accents". The font has 292 glyphs.

Anjeli - a fresh, cute,handwritten font with a cute heart to connect with as well as a large selection of swashes. Great for greeting cards, branding materials, business cards, quotes, posters and more! Anjeli - includes many alternative characters. Coded with Unicode PUA, which allows full access to all additional characters without having any special design software. Mac users can use Font Book. Windows users can use the Character Map to view and copy any of the additional characters to paste into your favorite text editor. For people who have opentype-capable software: Alternatives can be accessed by activating the "Alternative Styles" and "Ligature" buttons on Photoshop's Character panel, or via any software with a glyph panel, eg. Adobe Illustrator, Photoshop CC, Inkscape.

About Cita Pro Hi there please say hello to "Cita Pro" the latest collection from @faldykudo, Cita Pro is a serif typeface with a taste of old style, its very beautiful with a timeless aesthetic and has a very wide range for various design situations. Cita Pro is perfect for both display and body text because it has a very good readability. Cita Pro has 14 style and 7 weights, - from Thin to Bold and Matching calligraphic italic. Cita Pro also has special alternate characters in complete uppercase from A-Z . it is to give a different look for your display design. thanks, hope you would like and accept "Cita Pro" as part of your family. thank you in advance­

The Kelson font family is a Armasen project completed for a graphic design agency in Brazil. The agency had a typeface, but the kerning, spacing, and related features were corrupted or otherwise not working very well. The Armasen team improved the qualities, refined the shapes, and enhanced the font features. Armasen is a group of hard-working, young Brazilian students and type designers focused on creating and developing professional quality typefaces with a distinctive and unique personality. The team is very pleased with the final result and is happy to share the efforts of their work as a FREE FONT for you to enjoy! [edited by John Alexander (jga30328 at gmail dot com) a very appreciative user and admirer of the Armasen team]

QATORA is a display font with a Japanese motif. Each letter in this font is distinct, resulting in harmony and beauty when composed into a word or sentence. When you use this font, your entire project will be beautiful and perfect; your audience will be fascinated; your project will be distinctive; and, of course, you will win the audience’s heart with a unique project appearance thanks to this font. Logotypes, food banners, branding, brochure, posters, movie titles, book titles, quotes, and more may all benefit from this font. Of course, using this font in your various design projects will make them excellent and outstanding; many viewers are drawn to the striking and unusual graphic display. Start utilizing this typeface in your projects to make them stand out

Sophia Bianca is a new calligraphy font which is fresh, funny, interesting and with a cute heart that can be connected. It is suitable for greeting cards, branding materials, business cards, quotes, posters, and more! Sophia Bianca includes many alternative characters. Coded with Unicode PUA, which allows full access to all additional characters without having special design software. Mac users can use Font Book. Windows users can use the Character Map to view and copy one of the additional characters to paste into your favorite text editor. For people who have opentype-capable software: Alternatives can be accessed by turning on the "Alternative Style" and "Ligature" buttons on the Photoshop Characters panel, or through any software with glyph panels, e.g. Adobe Illustrator, Photoshop CC, Inkscape. Thank You!

African fonts are characterised by design considerations that differ from those of Europe and the Americas. At one extreme we have a relaxed and casual approach to life that values the quality of each moment in life far more than people do in the west. In this approach each element of the font, while being part of a community, nevertheless stands on its own and has its own "character". An African font that characterises this approach is Ubuvila (the word means relaxedness or relaxation in Zulu). There is no strict adherence to a design format in Ubuvila nor are the characters constrained by resting on the same baseline. They wander up and down in the sentence and find a comfortable resting place.

Quilt Patterns Three was inspired by the patchwork designs used in quiltmaking in early America. There is an assortment of 94 patterns located under the character set and shift+character set keys. Quilt Patterns Three is based on the nine patch pattern, a block that is 3 squares by 3 squares, the most basic and most common. The nine patch pattern can be subdivided into 6 squares by 6 squares, 9 squares by 9 squares, etc. Characters of Quilt Patterns Three can be typed in a vector drawing program and then converted to paths/outlines, color may then be added to various parts of a given pattern. Patterns can be stacked horizontally and vertically creating an infinite number of quilt designs.

Royal Glamor is a modern serif font with a luxurious and elegant feel. With its thin, bold serif lines, this font can convey a professional and profound impression, while still looking friendly and inviting. The “Royal Glamor” font has a clean, regular Typeform, with symmetrical and proportionate parts. This makes them easy to read and suitable for use with a variety of media types, such as brochures, magazines and logo designs. With the right color, this font can provide a strong contrast effect, giving a design an exclusive and luxurious impression. Perfect for projects that require a serious feel, but are still modern and elegant. Features: Multilingual Support If you have any questions please don’t hesitate to contact me follow my Instagram: @fkryall Thank you

Somersault is a nonchalant, rough edged, hand painted, brush font, with a spontaneous personality. With its natural charm it brings cheer and lightness to any design. Alternate characters for upper and lowercase letters and lots of ligatures enable you to avoid repetition of identical glyphs.They are managed by Opentype features such as stylistic alternates, swashes and discretionary ligatures. Somersault also comes with some fun extra's like strokes, hearts and splatters to play with. Somersault is PUA encoded, so no special design software is needed to access all glyphs. You can easily access all of them in Fontbook (Mac) or Character map (Windows). Somersault is paired with Somersault Tall, a complementary all caps font. The result is a versatile font duo. A perfect match.

FM Valentines Pro consists of 50+ hand-lettered love expressions and sentiments for various romantic purposes: from St.Valentine's greeting cards to email/ letter signatures, to engagement, wedding and anniversary accessories and gifts. Most of the expressions are in English, with some additions in other languages, such as French, Spanish, Italian, German (for example 'Te quiero', 'Amore', 'Je t'aime', 'Ich liebe dich', etc.). All the words and phrases are original and handwritten - a high quality calligraphy for your projects. In addition there are 10 hand-drawn heart icons in the digits' glyphs. (0-9) I Love You | Happy Valentine's Day | Miss You | Be Mine | Kiss Me | Love Me | Will You Be My Valentine | Love | Ich Liebe Dich | Te Quiero | Amor | Je t'aime | Amour | Amore

Quilt Patterns One was inspired by the patchwork designs used in quiltmaking in early America. There is an assortment of 94 patterns located under the character set and shift+character set keys. Quilt Patterns One is based on the nine patch pattern, a block that is 3 squares by 3 squares, the most basic and most common. The nine patch pattern can be subdivided into 6 squares by 6 squares, 9 squares by 9 squares, etc. Characters of Quilt Patterns One can be typed in a vector drawing program and then converted to paths/outlines, color may then be added to various parts of a given pattern. Patterns can be stacked horizontally and vertically creating an infinite number of quilt designs.

This antique-aged version of Monkton can be used to imitate old letterpress printed documents such as old English text. The rough edges resemble ink spread on paper to give an old look. The inspiration for this typeface family came from my childhood experiences at Monkton, amidst an historic part of the South West of England. Studies of the original incised capitals of the Trajan column in Rome were analysed and polished for this modern version. The lower case letterforms and numerals were then created in sympathy, taking their proportions from the incised letters of local gravestones. Its name honours not only the area where the original alphabet was conceived and drawn, but also the people responsible for fostering my initial interest in letters.

Pasquinade is a blackletter/roman hybrid. The general look, feel and graphical styling of Pasquinade is that of a blackletter font, however, the underlying letter construction is of a traditional serifed roman. This produces a font with that familiar 'gothic' feel but has the inherent legibility of a roman, due, in part, to the discrete openness of the characters. The presence of roman serifs also lends to this legibility without detracting from the blackletter appearence because of their particular construction. When used in a text setting the font produces an eminently readable, even texture. However, it is when used as a titling font, that the letters reveal themselves to have a contemporary, geometrically calligraphic, blackletter appearance that makes it suitable for any and all uses.

A no-nonsense modern sans serif design, the ITC Conduit type family embodies an earnest vernacular spirit. Its designer, Mark Van Bronkhorst, explains: “It’s the kind of lettering you might find on boilers, assembly diagrams, and desiccant packets,” he explains. “It’s plain, grid-based, visually incompetent, yet legible and direct.” Brilliantly assembled from a typographic kit of parts, ITC Conduit's letterforms project a coolness, without feeling austere or unapproachable. It's an excellent choice for publication, packaging, or even wayfinding design systems. The ITC Conduit collection is available in 14 styles, with weights from extra light to black—all with matching italic designs. An easy, efficient way to bolster your go-to typographic arsenal, add it to your type library today!

Linotype Bix Plain, from Argentinian designer Victor Luis Garcia, is part of the Take Type Library, chosen from the entries of the 1999 International Digital Type Design Contest for inclusion on the Take Type 3 CD. The font is composed exclusively of capital letters. The figures have constructed basic forms and show the influence of the advertisement types of the 1920s, with all their well-mannered details. The lower sections of the graceful letters are white and set against a black background, the upper sections are black on white. This makes the overall picture look as though written on stripes and gives the delicate letter stability. The nostalgic-modern Linotype Bix Pleain is best for headlines in point sizes of 18 or larger.

In December 2013 two new weights - Thin & Ultra (with Italics) were added to the set, Small Caps included! The intention was to make a technical-looking sans with a warmer feel to it, balanced between hard geometric shapes and friendly curves with slightly narrower endings. It should be useful in a wide range of tasks, whether combining the eight weights with distinct italics for editorial design, setting multiple pages of text, making financial reports, or using the highly contrasted lights and blacks for display and packaging design. Argumentum has a character set to support Western and Central European languages, and an extended set for monetary symbols. Each weight includes small caps, ligatures, proportional lining and oldstyle numbers, tabular figures, fractions and scientific superior/inferior figures.

One of the charming features of vintage wood type is the unusual interplay of stroke widths or letter shapes that can vary from character to character. In today's world of digital perfection, a set of letters, numbers and punctuation marks must conform to rigid standards of uniform lines, balanced curves and other form-and-function rules that has often removed the human feel from the overall type design. While this is fine when applied to most text fonts and some modern display faces, Old Wood JNL is a simple throwback to an earlier time when type design was an artistic, not engineering endeavor. Modeled in part from vintage source material, this wood type design retains that charming imperfection of a time long passed.

The Core Sans R Family is a part of the Core Sans Series, such as N, NR, N SC, M, E, A, D. and G. This font family has closed and square letter shapes, and overall rounded finishes provide a soft and friendly appearance. Simple shapes with a tall x-height make the text legible and the spaces between individual letter forms are precisely adjusted to create the perfect typesetting. The Core Sans R Family consists of 7 weights (Thin, Light, Regular, Medium, Bold, Heavy, Black) and Italics for each format. Core Sans R supports complete Basic Latin, Cyrillic, Central European, Turkish, Baltic character sets. Each font includes proportional figures, tabular figures, oldstyle figures, numerators, denominators, superscript, scientific inferiors, subscript, fractions and case features.

ZT Arturo is a sans serif family designed by Francesco Canovaro as part of his research in the digital reinvention of handmade brush lettering. Marrying a fun, playful approach to letterforms to the versatility of a text family with multiple weights and advanced features, Arturo comes in seven weights with matching italics, and sports a wide array of OpenType features including stylistic alternates, small caps and discretionary ligatures (providing options for display usage and fine-tuning in logo design) as well as more offbeat features as ordinals, superior and inferior numerals, tabular, lining and oldstyle figures and OpenType-generated fractions.  The family is complemented with a outline version that can be used on its own or together with the heavy weight for multi-layer color font inventions.

Mariam is a traditional-style Arabic headline face designed by the famous Arabic type designer Ismet Chanbour, who also designed Al Harf Al Jadid - another highly successful typeface from Linotype. Mariam is characterised by certain design features which contribute to its stylistically lively, yet graceful appearance: downward-pointing tails combining with the swinging finial strokes of certain characters, and the various cut-away" effects. This headline face successfully offers a wide range of applications, from very large, bold poster-size work to use at 18 point for emphasis in text work. Available as in the OpenType format, Miriam incorporates the Arabic codepage (CP 1256), and supports Arabic and Persian. It also includes both tabular Arabic and Persian numerals, as well as Latin figures and complete punctuation."

Venetic is an extinct Indo-European language, usually classified into the Italic subgroup, that was spoken by the Veneti people in ancient times in northeast Italy (Veneto and Friuli) and part of modern Slovenia, between the Po Delta and the southern fringe of the Alps, associated with the Este culture.[3][1][4] The language is attested by over 300 short inscriptions dating from the 6th to the 1st century BCE. Its speakers are identified with the ancient people called Veneti by the Romans and Enetoi by the Greeks. It became extinct around the 1st century when the local inhabitants assimilated into the Roman sphere. Inscriptions dedicating offerings to Reitia are one of the chief sources of knowledge of the Venetic language

Sackers Gothic is part of the larger Sackers series, a collection of fonts drawn from templates for producing engraved stationery and social cards by Gary Sackers, a Charlotte, North Carolina intaglio printer. Many typefaces were made from similar sources, including Monotype’s Engravers series, as well as Jim Spiece’s ITC Blair, and Mark van Bronkhorst’s Sweet Sans. Sackers’ typefaces, which were initially made into photo-set type, were digitized by Compugraphic and released in the late 1980s. Sackers Gothic has since become a popular choice for conveying sincere and plainspoken language on dust jackets, posters, and of course, in stationery. The face pairs well with display faces of a disparate nature, and serves as a ready foil for anything requiring an air of typographic sophistication.

My Sweety Script - a new, fresh, funny, interesting, cute calligraphy font with a heart that can be connected. Great for greeting cards, branding materials, business cards, quotes, posters, and more! My Sweety Script - includes many alternative characters. Coded with Unicode PUA, which allows full access to all additional characters without having special design software. Mac users can use Font Book. Windows users can use the Character Map to view and copy one of the additional characters to paste into your favorite text editor. For people who have opentype-capable software: Alternatives can be accessed by turning on the "Alternative Style" and "Ligature" buttons on the Photoshop Character panel, or through any software with the glyph panel, e.g. Adobe Illustrator, Photoshop CC, Inkscape.

Esca is a display typeface designed by Jim Ford with highly compressed proportions yet with a subtle calligraphic touch. This Lite version of the typeface was designed as part of a font marathon over the course of 3.5 days in Monotype’s NY office. The design started with the aim of fitting 4 letters onto one sheet of paper and the resulting typeface keeps that tight proportion. The Esca design is mixed case and is ideally suited for logos, short headlines, and album covers. It has a great architectural feel to it that makes it suitable in signage applications and large scale settings. Monotype is proud to support Room to Read’s work in literacy and girls’ education through our font marathon initiative.

Brosse is a family of slabserif faces which emphasise clarity and geometric cleanliness of line, in a 'Brave New World' sprit that harks back to the 1930s and possibly also to postwar rebuilding in the 1950s. Its clear legibility makes it ideal for poster work and titles, as well as for signage of any kind. Eight faces are offered, regular and italic, bold and bold italic, as well as a condensed face and a bold weight thereof. There are also two decorative forms- outline and embossed faces. All faces include a large character set and extensive Opentype features. A Demonstrater version of the regular face is also offered free of charge-this is fully licensed but has a signnificantly reduced character set.

Nobella is a flowing, mid-century script typeface, perfect for logos and sport-style graphics. With its curly style and decorative swashes, this font could be considered a baseball classic and is guaranteed to give any logotype a creative, vivid appearance. Its thin parts and its large capital letters makes for a typeface that combines lightness with expressiveness. Use underscore _ to make a swash. Example: Yankees_ Use multiple underscores to make swashes of different lengths. Example: New York________ (Download required.) The font contains all characters you'll ever need, including all punctuation and numbers. It contains contextual and stylistic alternates and many other OpenType features. It supports all Latin based languages: North, East, West and Central European; North and South American; Southeast, North, Central Asian.