Brema is a modern Sans Serif typeface with light weight anatomy. Created for using principally in big sizes, there is perfect solution first of all for web design, but also very well for fashion magazine tittles, luxury perfumes and cosmetics, logotypes, outdoor advertising and other design projects. Opentype Brema comes with 38 beautiful Ligatures and 17 Stylistic Alternates. To get Alternate just add number 2 after character (works with activated Standard Ligatures). Or use Stylistic Alternate option for change all available characters. Ligatures works with activated Discretionary Ligatures option. Note that this features only works with lowercase letters. Multilingual Support You can use Brema for following languages: Danish, Dutch, English, Estonian, Faroese, Finnish, French, German, Hungarian, Icelandic, Italian, Norwegian, Polish, Portuguese, Slovene, Spanish, Swedish, Turkish.

Bodoni Classic Deco Two, like the original Bodoni Classic Deco, breaks all rules. Giambattista Bodoni himself would probably hate me for doing it; he was a real purist. The whole idea of the Bodoni typeface is no embellishments and here I go and decorate those nice clear letters. Shame on me! But I find this is a very nice and useful typeface for all kinds of cards and certificates. So I just did it for all of you out there that are not born purists, and want a little embellishment to their lives. And to make things worse, I added a small caps cut. I even decorated the numbers. This Bodoni is the condensed version!!! Enjoy! Yours, still breaking all the rules, Gert Wiescher

P22 Klauss Kursiv is the first ever digital revival and expansion of the last face Karl Klauß designed for the Genzsch & Heyse foundry in Stuttgart before he died in 1956. Karl Klauß’s classical training in the graphic arts gave him solid chops to use as a springboard for design ideas that remained relevant among the countless trends fleeting around the turmoil of two world wars. By the mid-1950s, a kind of ornamental deco aesthetic was well on its way into mainstream design in post-war Europe, and demand was high for unique, lively and non-minimal ad faces. Klauß, a reliable designer with a proven track record of calligraphic faces, pushed the envelope on his own calligraphy and designed something that packages elegance in a boldness seldom seen before in luxury scripts. Quite a bit of talent is on display in Klauss Kursiv. In spite of the restraint this kind of design imposes on itself almost by default, the interplay between thick and thin never seems forced or challenging. Clear, natural strokes build a compact alphabet that demonstrates the wrist control of a veteran calligrapher. Creative nib angling segues into very clever start-and-stop constructs to make attractive forms that work quite well together, yet stand well to individual scrutiny. P22 Klauss Kursiv comes with a load of built-in alternates and ligatures in a font of over 470 glyphs, providing extended support for Latin languages.

German graphic designer Ralf Weissmantel created Boogie in 2003. Boogie is an ironic reference to pop art, and to disco lettering from the 1960s and 70s. Its round forms and outlines evoke the flashing, pulsating lights and music of that era. Shipping with five different, width-compatible fonts, the Boogie typeface has four different components: an outlined letterform is the base element, and forms the first font. Three additional fonts may be layered over top of this base, surrounding the first font with up to three bubble-outlines. In graphics applications like Adobe PhotoShop or Illustrator, these elements can each be assigned different colors. There is also a fifth font, which contains the base outlined letterform pre-surrounded by three additional outlines of the same color. Boogie works best in large headline, display and signage applications, where its forms can be clearly seen and enjoyed. When different colored layers are applied, text set in Boogie will gyrate and jive across the page! Weissmantel has worked as an art director for various international advertising agencies, and has led Corporate Design projects for firms such as Grey and MetaDesign. His design work, honored internationally, has been included in the typography collection of the Museum for Art and Trade in Hamburg. He is currently teaching graphic design at the Düsseldorf University of Applied Sciences. Weissmantel has been an associate of the United Designers Network since August 2002. Boogie received an Honorable Mention in the 2003 International Type Design Contest, sponsored by Linotype GmbH.

Built in 1930 - 1935 by Dutch architect Wolff Schoemaker, the Swarha Islamic Building was originally used as a lodging for the honoured guest country and the journalists for Asia-Africa Conference in 1955. This building has an important role as one of Bandung historical art deco heritage, with the art deco typefaces styles on it's singage in this building, giving it a more classic west and east taste. Wolff Schoemaker was trying to combine the elements between eastern and western culture in design. One of his works was the Swarha Islamic Building in a circular design with rounded and high dynamic angle. Unfortunately the Swarha Islamic Building has been abandoned and and less attentioned by the local people itself to preserve this historic building. So I'm trying to raise the value of the historical heritage by creating this typefaces. This typefaces was inspired by the Swarha Building characteristic itself with its solid construction and dynamic, by adding classic taste on each characters. Available in two styles, Neue and Rounded represents the classic architectural Swarha Islamic Building styles with tropical Bandung Art Deco taste. This typeface is highly usable as a display type for your designs, and will fit with movie titles, magazines, your classic shops logo and signage designs, or you can use this typefaces as your web pages headlines. The characters of this typefaces are only in uppercase style, but it built with small caps on the lowercase featured, and additional Opentype Features were loaded, some stylistic alternates, accessible catchwords in the discretionary ligatures, and standard ligatures.

One menorah that I have long found particularly appealing was named The Tree of Life Menorah, a replica of which I gave as a gift one holiday to a kindly old couple who were neighbors and became friends. It had a simple, organic elegance that I see in the best of Art Nouveau sculpture. To me personally, Judeism is a celebration of life, like the triumph of the flower that blossoms in the crack of the city sidewalk. Just as Hanukkah celebrates the rededication of the temple and the miracle of the oil, it celebrates the victorious quest for freedom of the Hebrew people led by Judah Maccabee. Hanukkah represents determination and courage and faith — and it represents the presence of God in the lives of His people. It is interesting to note that the founding of the Albanian nation in the early twentieth century grew out of the resistance of the Albanian people to the imposition of Greek language and culture in the aftermath of the dissolution of the Ottoman Empire. The typeface, HADASSAH, designed by Henri Friedlander (1904-1996), is my favorite Hebrew typeface. Thirty years in the crafting, I believe it is unsurpassed for its shear beauty, combining a subtle modulation of stroke with a simplicity and clarity of form. No doubt, that is why it has become so popular. For me, the Sîyn/Shîyn characters are especially satisfying. For a Hanukkah message in Hebrew, I would choose HADASSAH LIGHT for a headline and print it as large as I could. If, however, you are looking for a friendly, warm face for a seasonal message in a roman-letter based language, may I suggest BETHLEHEM EPHRATH. It will be as comfortable as a bulky, hand-knit sweater on a frosty afternoon and reflects the solid, encompassing, family orientation of this holiday. It was on the way to Ephrath that Jacob’s beloved wife Rachel gave birth to Benjamin and then died from her labor. It was to Ephrath that Naomi and Ruth returned and in Ephrath that we have the wonderful, heart-warming story of the marriage between Ruth and her Redeemer-Kinsman, Boaz. And it was to Ephrath that prophet, Samuel, went to find a new king and there in Ephrath that the prophet annointed a small shepherd boy named David. The Proverbs tell us to seek wisdom. Never underestimate the impact you have on others. Words of kindness can change people’s lives. The Talmud says that the highest form of wisdom is kindness. Be wise this holiday season. The font BETHLEHEM EPHRATH is based on the typeface Accent with the permission of URW++ of Hamburg, Germany. Like most display fonts, it is most effective at 18 points and larger. Like most script fonts, it is most effective when set with both upper and lower case. Although this font is readable in all caps (many scripts are not), that does not make it a good idea. Do so only with caution.

Taca is a typeface built around a shape that Portuguese designer Rúben R Dias calls a “squircle” — neither square nor circle. We usually associate the rounded, convex box with the television screens of the 1960s and Aldo Novarese’s classic typeface, Eurostile. But whereas Eurostile is cold and machined, Taca is warm and rugged, as if it was molded from clay or carved from stone. Taca’s organic nature is also derived from another unique feature: rounded crotches at the right angles where perpendicular strokes meet. This subtle finish, along with blunt stroke endings, softens the otherwise rigid skeleton. With such a strong conceptual vision, Taca could be relegated to the bin of experimental designs, severely limited in their application. But that fate is usually born of a less experienced maker. As a teacher, designer, and letterpress printer, Dias is a type user, keenly aware of the functional requirements of good type. Taca is therefore not a slave to its concept, but a working font family, effective in various sizes and environments. Its lettershapes break away from the base shape whenever it makes sense for legibility, while still maintaining the flavor of the design as a whole. That said, a set of squircle-shaped alternates give the user the flexibility to get more stylized if the situation calls for it. Fitting to its functional aims, Taca has many of the features one expects of a proper text font: upper and lowercase figures, case-sensitive punctuation, and Extended Latin language support. The simplicity, openness, and squareness of Taca’s forms also make it an ideal design for the pixel grid of screen displays.

Family type designed by Felipe Calderón. This type is a display with a modern style and a different and innovative concept. The development of this type was a challenge because it was set out from the begining as a script font with ornaments and complements, where the round shapes do not have prominence in the result. Planet Express is an interesting job from the aesthetic point of view, it works for big scale texts and contains little shadow-cuts in each character to give it more personality and stand out among other fonts from this gender. I hope this new project works to solve issues in design. Planet Express is composed of Regular & Italics, it has 250 intelligent ligatures to produce the best signs in big scale, it is perfect for branding and works very well with the geometric complements. It is designed with programming in opentype: Ligatures, Discretionary ligatures, Stylistic Alternates, Stylistic set 01, Stylistic set 02, Stylistic set 03, Stylistic set 04, Stylistic set 05, Stylistic set 06, Stylistic set 07, Stylistic set 08 & Stylistic set 09, multiple language support and a complete set of extras like arrows, catchwords, flags, emblems, hands, fleurons & crossed elements. Planet Express can be used in different ways, each character pretends to cover the needs in any circumstance where it is used. It is funny to write words and play with the complements. It also works with current concepts in graphic design like sports, cars, hip hop, music, social network, skateboarding and more. Everybody can use this font, it works with different languages like italian, french, portuguese, danish, german and so forth. See specimen and samples here. Enjoy it!

McKnight Kauffer is a casual sans derived from poster and book cover lettering by the American designer, Edward McKnight Kauffer, who mainly worked in England through the 1920s and 1930s. The style owes much to Louis Oppenheim's Fanfare of 1927, but without the Germanic blackletter inflection. The two display fonts, regular and outline, have a playful art deco feel, and share spacing and kerning so can be overlapped for bicolor effects.

Named for the Zulu traditional spear, Assegai evokes the long, slim outline of the weapon, and the strength of the Zulu warrior. The font combines the irregular shapes of tribal African art with the simple, clean elegance of contemporary design. It is especially useful for headings, subheading, for shorter passages and also works as a body font since it has both upper and lower case and is striking and readable.

Here's a retooling of the Art Deco classic Novel Gothic, designed by Morris Fuller Benton and Charles H. Becker for American Type Founders in 1929. We've added a little sparkle to this classic with a reflected-highlight treatment, to help create attractive and commanding headlines. Both versions include the complete Latin 1252, Central European 1250 and Turkish 1254 character sets, as well as localization for Moldovan and Romanian.

MB NOIR is a 4 weight with italics font family that visually has different layers of style, at first glance its a modern clean geometry based face with some nice retro touches, it also has hints of the vintage about it, with a nod to the art deco style, with alternates and ligatures it gives a lot of scope for its uses and works very well at large and small sizes.

Roxborough CF is a dramatic serif, influenced by calligraphy and hand lettering. Built around a distinctive single-storey 'a' and full of rich detail, Roxborough pairs well with its expressive italics, lending an artful touch to text across print and digital. Roxborough CF pairs nicely with simple, bold headline typefaces, like Greycliff CF and Articulat CF. All typefaces from Connary Fagen include free updates, including new features, and free technical support.

Introducing a new bold CONSTRUCTOR font family. Perfect combination of 2 fonts (Light and Shadow) to create your own layered 3D headlines, eye-catching texts, logotypes, design, posters for sports, music, street culture, modern arts, industries and many more other themes. 2 more fonts (Emboss and Regular) have bold 3D effects thanks to their design and shapes. Fonts have extensive Latin multilingual support, uppercase, small-caps, numbers and basic punctuations.

Aguellera is an elegant font with a romantic appeal; this font is for those who are in need of an elegant and appropriately modern calligraphy script. Aguellera will turn any creative idea into a true piece of art! This font is PUA encoded which means you can access all of the amazing glyphs and swashes with ease! It also features a wealth of special features including alternate glyphs and ligatures.

Dezzy Font is a cool alternative for you to create Underground band logos or anything else easily. Using effects in the font will liven up the font and it will look cooler and fiercer. This font has a strong, aggressive and bold look, reflecting the aesthetics of the metal music genre itself. This font is very suitable for band logos, poster designs, t-shirt designs, jackets, hats, beanies, etc

A 1918 poster issued during World War I from the YWCA encouraged women to pitch in to the war effort by joining the “United War Work Campaign”. The Art Nouveau hand lettering of that poster was a slight throwback to the “Western” or “Victorian” style of typography because of the characters having split serifs. This is now available as Village Hall JNL, in both regular and oblique versions

Claycozoa is a versatile, bold and unique display font. Was inspired by Psychedelic and Art Nouveau style, Claycozoa has a unique style with stylistic, alternates, ligatures and supports multilingual languages. The organic feel of Claycozoa evokes a psychedelic vibe which you can use to take your designs to a new level. The font is great for posters, flyers, apparel, quotes, greeting cards, product packaging, album covers, movies, and more.

This 8-bit pixel font is designed with respect for 80s game designers and the pixel font pioneers in middle 90s. Use at size 10 pixels or multiples of 10 and anti-alias off is recommended. List of our Pixel Font Project. ·Flat10 Antique ·Flat10 Artdeco ·Flat10 Arts&Crafts ·Flat10 fraktur ·Flat10 Holy ·Flat10 Holly ·Flat10 Segments ·Flat10 Stencil ·Flat20 Gothic ·Flat20 Headline ·Flat20 Hippies ·Flat20 Streamer ·Behrensmeyer Vigesimals ·Civilite Vigesimals

MisterMustard is a chubby art deco style font, not thin or elegant, but plump and jolly. The font is available in two styles regular and italic. While it was designed to be playful, this font has both an uppercase and a lower case, so it works for practically everything (maybe not a headstone or obituary). It’s loaded with extra foreign glyphs so it gives you plenty of options. Buy. Install. Enjoy.

Kesto is an elegant Art Nouveau style typeface. The idea for the Kesto came from the early Nouveau type designs. Kesto is designed with creative letters, which makes it perfect for creating nostalgic and retro designs such as: posters, magazines, logos and much more. Kesto also has a variable version, which makes it easy to manually adjust the weight and slant. I hope you enjoy using the Kesto typeface.

De Arloy Typeface was inspired by art nouveau style from 1890-1910 which combining classic typography with awesome features bring classic touch on this decade :), it works well with normal size text but it works even better for large displays or short words. this is suit for : wine packaging, labeling, logo, classic shop, coffee shop, movie title, etc De Arloy Features Uppercase Lowercase Numerals & Punctuations Open Type featuring Ligatures

Introduced by Timurtype Studio! Classic Fairy is a Monoline Handwriting Font This font showcases the art of monoline handwritten fonts – a symphony of elegance and charm. Let charming threads weave a tale of elegance in your designs, where every curve whispers sophistication and timeless appeal Classic Fairy Font also supports multilingualism. Enhance your designs with our original fonts, feel free to comment or provide feedback, Enjoy the fonts 😊 Thank You

Badger Valley is an elegant and modern sans-serif font. Fall for its ravishing style and use it to create gorgeous wedding invitations, beautiful stationary art, eye-catching social media posts, and much more! This font is PUA encoded which means you can access all of the amazing glyphs with ease! Features : Badger Valley Regular, Bold, and Italic versions, sans serif font, Numerals, and more punctuations. Multilingual support for various languages

Bazoka font is a display style that mimics the look of hand-drawn graffiti lettering. The letters are rounded and bubbly in shape, with a bold appearance. This style is perfect for informal or urban-themed designs, such as posters, flyers, and street art. Overall, graffiti bubble font is a fun and energetic way to add personality to your design. and this font include 3 styles regular, outline and extrude.

This 8-bit pixel font is designed with respect for 80s game designers and the pixel font pioneers in middle 90s. Use at size 10 pixels or multiples of 10 with anti-alias off is recommended. List of our Pixel Font Project. ·Flat10 Antique ·Flat10 Artdeco ·Flat10 Arts&Crafts ·Flat10 fraktur ·Flat10 Holy ·Flat10 Holly ·Flat10 Segments ·Flat10 Stencil ·Flat20 Gothic ·Flat20 Headline ·Flat20 Hippies ·Flat20 Streamer ·Behrensmeyer Vigesimals ·Civilite Vigesimals

De Sandey is a hand brushed font, with natural authentic brush, and also provided some alternate, ligatures and Swashes Extra. Brand new stylish textured fonts and Make it easy for made logotype Handlettering Style. It will be great for Logotypes, Posters, Digital Lettering Arts, Clean Design, Branding Design, Sign, Merchandise and Social Media Posts. This font contain of Uppercase, Lowercase, Number, Symbol, Punctuation, also support multilingual and already PUA encoded.

Do It Yourself JNL was modeled after self-adhesive vinyl letters and numbers manufactured by Duro Art Industries of Chicago - formerly the Duro Decal Company. The hand-drawn look of the original lettering was retained by Jeff Levine to stay true to the design, and the rectangles that border each glyph represent the pieces of self-adhesive vinyl onto which the characters were silk screened. Limited character set.

Introduced by Timurtype Studio! Realistic Harvest is a Handwritten Script Font this font Captivates with elegance Handwritten font, where every curve reveals a story of elegance and every detail is a brushstroke of luxury. A visual symphony for those who appreciate the art of beauty. Realistic Harvest Font also supports multilingualism. Enhance your designs with our original fonts, feel free to comment or provide feedback, Enjoy the fonts Thank You

This 8-bit pixel font is designed with respect for 80’s game designers and the pixel font pioneers in middle 90’s. Recommended use at 20 pixels or multiples of 20 and anti-alias off. List of our Pixel Font Project. ·Flat10 Antique ·Flat10 Artdeco ·Flat10 Arts&Crafts ·Flat10 fraktur ·Flat10 Holy ·Flat10 Holly ·Flat10 Segments ·Flat10 Stencil ·Flat20 Gothic ·Flat20 Headline ·Flat20 Hippies ·Flat20 Streamer ·Behrensmeyer Vigesimals ·Civilite Vigesimals

Braxia is a pure and joyful piece of Art Deco Fun. It is a new face that is overflowing with the character of 1930s advertising, lively and yet with impact all at once, its idea for theater handbills and posters, parties or anything else where you want to encourage people to enjoy themselves. Braxia is offered in two faces, regular and embossed, and is a face to really have fun with!

The front page of a late-1940s sales catalog for the [now defunct] Duro Decal Company of Chicago had its company name hand-lettered in a tall, condensed chamfered sans serif type design. Although chamfered lettering had been popular for decades, the way the "R" was shaped gave the letters a bit of an Art Deco influence, and this influence was carried through in the creation of Durable JNL.

Laureen zaza is an Arabic typeface that has a very particular appearance. It combines the characteristics of different genres; most notably the contrast of serif faces. While its design is influenced by Kufic and the Naskh style. Laureen zaza consists of two typefaces, text and display, and 4-weights. It’s a perfect choice for bold headlines, oversize typography, fashion logos, branding, identity, website design, album art, covers, posters, advertising, etc.

The 1939 sheet music for “Sea Dreams” had its title hand lettered in an unusual Art Deco style that employed many unusual character shapes and widths within the font design. A teardrop-shaped ‘D’, a slightly off-kilter ‘S’ and a number of other interesting variations became the model for Seahawk JNL, which is available in both regular and oblique versions. The term “Seahawk” is another name for an Osprey.

HURoundsans is a geometric sans serif variable typeface with matching italics. It has a variable width that adapts to your needs, pushing for maximum readability. Useful for any quirky display uses. Variable is very versatile and can be used in print or on-screen environments. It's perfect for logos, posters, titling, UI/UX design, visual identity, social media, music cover art etc. * Specifications : Files included : Variable including italics Multi-language support

Hello! Meet Dinomik, one of our best seller fonts! With a cute, playful and modern looks, Dinomik can bring happiness for both of writers and readers. If you want to write something fun, happy and cheerful, we suggest you to use Dinomik. We have four styles that can boost the appearance your text. Enjoy this font in your children book, birthday card, fun poster, comic book, and any other arts. :)

Leaders is a decorative blackletter typeface. Created by Måns Grebäck during 2020, this medieval style lettering can be used for modern contexts that require a touch of flourishing, as well as any middle age art or festive occation. OpenType functions such as ligatures and alternates are present in the typeface. It contains numbers and all symbols and punctuation you'll ever need. The font also has support for European, Latin-based languages.