Borders, embellishments, spot illustrations and a miscellany of other dingbats are gathered in Print Art JNL as another collective of nostalgic imagery for print and web projects.

The hand lettered title on sheet music for 1915's novelty song "Gasoline Gus and His Jitney Bus" by Byron Gay and Charley Brown offered up the lettering style which is now Nouveau Arts JNL.

Fun Art Friends - Handwritten Font is a delightful and playful font designed with a theme that resonates with children. It brings a sense of fun and whimsy to your designs, making it the perfect choice for various applications. Whether you're creating products, titles, books, logos, or printing materials, this font adds a vibrant and lively touch to your projects. The fun and playful nature of Fun Art Friends shines through its handwritten style. It emulates the free-spirited and energetic handwriting of children, creating a joyful and carefree vibe. The font is carefully crafted to capture the innocence and imagination of young minds, making it a great choice for projects targeting children or those that require a lighthearted and colorful approach. Whether you're designing a children's book cover, a logo for a toy company, or printing materials for a playful event, Fun Art Friends - Handwritten Font will bring a sense of joy and excitement to your designs, capturing the attention and imagination of both children and adults.

Art Gothic was attributed to the Central Type Foundry of St. Louis, Missouri, USA by Henry Lewis Bullen, writing in INLAND PRINTER in 1907, with a reproduction shown in Kelly’s American Wood Type. The typeface appears on the cover of an issue of “The Superior Printer” pictured in Typology by Heller and Fili dated in the 1870s. Art Gothic was designed in 1884 by Gustav Schroeder and proved to be one of the more popular and enduring of the American-designed Victorian display faces of the period, appearing frequently in ads in various publications. The Hamilton Mfg. Co showed a very similar wood type, No. 232, with a modified and rather heavy-handed upper case in 1892. As late as 1897, it may be found in the advertising section of The Ivy of Trinity College of Hartford, Connecticut and was included in the Norwood Press 1902 Specimen Book. Our font includes a complement of five upper case and four lower case alternatives as follows: 123=C, 125=E, 135=H, 137=S, 172=c, 175=e, 215=m and 247=s. Great for period pieces. ART GOTHIC HIH is clean, readable, and surprisingly modern-looking; unlike so many overly complex Victorian display fonts, it can be used in text sizes.

Arte Critique JNL was modeled after an alphabet in an early 20th Century French lettering book spotted online at an image sharing site.

Art Week JNL is a wider variant of the lettering style used on many WPA (Works Progress Administration) posters for the arts in the Depression-era 1930s. Wider than the version used for Concert Series JNL, it also features an ‘A’ with a rounded top rather than the flat, square version.

Heart of Saint George is elegant handwritten calligraphic font. It comes with uppercase and lowercase characters, a set of punctuation marks, numbers, Cyrillic characters, ligatures and multilingual support. Ideal for logos, quotes, posters, branding projects, product packaging, t-shirt, book cover, greeting cards and applicable for any graphic design.

Part and Parcel JNL is a collection of twenty-six packaging and shipping labels in a retro style. Use them for spot illustrations or scale them to make actual labels. Please refer to the license agreement for specific use in commercial applications regarding derivative or salable works.

Bart Script No 1 is a display font in which each letter has been handwritten, giving it an authentic and original character. It exudes a varied and extravagant style, and with its daring and sophisticated letterforms, Bart Script No 1 attracts attention and gives projects a touch of nonchalance. It is ideal for creative projects such as posters, invitations or branding materials, where a striking and distinctive text finish is sought that stands out. Remastered in 2022.

Al Harf Al Jadid is a traditional-style Arabic display typeface. Al Harf Al Jadid Two is an outline version of Al Harf Al Jadid One. Although their design is ultra bold, its forms remain a readable Naskh, in response to the needs of secular lettering for emphatic headlines and signs. Al Harf Al Jadid One and Two are characterized by a distinctive, strong baseline-stroke, reminiscent of a similar hand-rendered technique traditionally used in Arabic calligraphy to achieve a bold appearance. Initially developed as digital fonts by Linotype-Hell Ltd. in the mid-1980s, Al Harf Al Jadid One and Two have remained amongst the most popular heading faces used in Arabic magazine and newspaper publication.

The source of inspiration for Haute Monde Monogram is the 1934 "Book of American Types" by American Type Founders. Found in that specimen book was a wonderfully elegant traditional smallcap-Capital-smallcap monogram alphabet known as “Elite Monogram Initials”. This elegant typeface is now digitally remastered and updated for modern use with functionality beyond its original intentions. Download and view the MFC Haute Monde Guidebook if you would like to learn a little more. MFC Haute Monde Monogram comes complete with Pro format fonts. You will require with programs that can take advantage of OpenType features contained within the Pro fonts.

48 whimsical hearts and swirls, some solid, some line but lots of little graphics for your Valentine needs. Many ways to say "I Love You".

Short, wide thin-stroked writing. Although handwritten, it is a very clean style.

"Heart on a string" is from a song by Paul McCartney, and is one of his romantic ones. I tried to do the same by creating a font that has the same romantic feeling.

An all-caps font with blackout lettering perfect for stencils. Use alternating caps and lowercase for bouncy lettering.

Hard Lines - A Fun Display Font With Shadow Decoration inside. It will elevate a wide range of design projects to the highest level, be it branding, headings, wedding designs, invitations, signatures, logotype, wall art illustration, apparel, labels, and much more!

Print Shop Parts JNL has a nostalgic assortment of blank sign panels, a pointing hand, decorative embellishments and even an assortment of "Made in U.S.A.", "Made in America" and "Made in United States" emblems located on the 1-9 keys. All are from vintage type catalogs and sign painting instruction books from the early 1900s. When scaled up, the blank sign panels can be used for small signs or price tags as originally made in years past. During the early part of the 20th Century, it was common to create show cards in attention-getting shapes matched with beautiful hand lettering.

MarshmallowPopHeart is a cute font that imagined a sweet marshmallow. Since hearts are mingled in various places such as voiced points and parts of kanji(chinese characters), it may be fun to look for it. Because the heart is missing, it is recommended for when you want to designing cute. I think whether it's good for contents for young ladies. Because it is a thick font, it may be good to use it for headlines and where you want to make it stand out. It corresponds to Hiragana · Katakana · Alphabet · Numerals · Symbols · Kanji(chinese characters). You can also write vertically. You can use it easily, because it contains JIS first · second level, and IBM extended Kanji(about 6700chinese characters). I think it's better to become a font that makes people who use or watch them fluffy and feel happy like when eating a pastel colorful sweet marshmallow. ＜「ましゅまろポップ　ハート」紹介文＞ ぷにぷにの丸っこい甘いマシュマロをイメージしたかわいいフォントです。 濁点や漢字の一部など、色んな場所にハートが紛れ込んでいるので、探してみるのも楽しいかもしれません。 ハートが紛れ込んでいるので、かわいくデザインしたい場合などにオススメです。 若い女性向けコンテンツにもいいかと思います。 太めのフォントなので、見出しや目立たせたい所に使うのも良いかも知れません。 ひらがな・カタカナ・アルファベット・数字・記号類・漢字を収録、縦書きもできます。 漢字はJIS第一水準・第二水準・IBM拡張漢字に対応（約6700文字）してますので、使い勝手も良いかと思います。 パステルカラーのカラフルな甘いマシュマロを食べる時みたいに、使ったり見てくださる方がふわふわ幸せな気持ちになれるフォントになればいいなぁ…と思います。 ＜スタイルカテゴリー＞ ファンシー、装飾

Zanardini it’s a bold serif display font with a high contrast between the stem width and between sharp and curvy terminals and slab / egyptian serifs. All the glyphs was freehand drawn so the curves are strong and they create more interesting shapes in the negative space between the letters. Use it irresponsibly!

I'm Roberto Teixeira, a Brazilian graphic designer. After looking for a form quite different from the existing types, created in 2019, Di Barros Fonts Family is composed by Di Barros Regular...for while. This,form covers the following, according to the Windows character map: Basic Latin, Latin Supplement 1, Extended Latin A, Extended Latin B, Additional Latin, Cyrillic, Greek, Greek Extended, Armenian and several other special types, such as currency symbols, numbers, fractions, Roman numerals, arrows, symbol of electricity, hearts and vector images, of own authorship and more. Di Barros, with a good length, serves several languages. I think Di Barros applies to fine environments, such as jewelry stores, fashion stores, cultural events and others, where a beautiful and non-aggressive look is required. But there is no better application than the one chosen for its inspiration and creativity. Di Barros Fonts Family was made for you. Thank you for using it.

Di Mare is a layered script inspired by Italian restaurant and cafe signs. It’s about delicious food and the joyful atmosphere of traveling: freedom, sea, fresh wind and warm sun. This font family has three styles: Regular, Line, Shadow. You can combine and overlay them to get different effects. Di Mare works well for menu, packaging, clothes, signs, magazines, and as a starting point for lettering and logos. Di Mare is designed with hundreds of contextual alternates and ligatures. It makes all connections look natural and harmonious. Di Mare supports most European languages, has small capitals, numbers, fractions, currency and mathematical signs. All contextual alternates are built into the “Liga” feature that is turned on by default. However, when your work with typeface, please make sure that “Liga” is turned on.

This calligraphy script used a Japanese calligraphy brush to create its unique texture.