Judo ND is a wide-point italic typeface digitized in close collaboration with Helmut Matheis in honor of his long career and loyalty to typographic beauty. It brings spontaneity and elegance to its uses, always maintaining legibility. Judo is a Trademark of BauerTypes SL

Ralph M. Unger, known for his preference for blackletter designs, brought this beautiful blackletter variant back to life. Based on artwork from old catalogues, he redesigned, digitally remastered and completed the character set for this typeface. Breite Kanzlei cannot be avoided by blackletter lovers!

Designed at Polygraphmash type design bureau in 1986. Based on "English" bold styles of the Ossip Lehmann type foundry (St.-Petersburg), of mid-19th century. The digital version was developed at ParaType in 1992 by Vladimir Yefimov. For use in advertising and display typography.

Originally handdrawn, and then digitized by hand. But carefully keeping the characteristics of the handmade lines. Mugpie has that happy-go-lucky feeling to it - use it for your posters, postcards, packaging, wrapping - anything that could need a fresh breath of funkadelic comic boost! :)

Eskander the first version designed at 2018, and re-designed at 2021. Eskander is Arabic typeface with rounded edges and friendly. For web, digital applications and prints, supported languages (Arabic, Persian and Urdu). Eskander is a trademark of Protype Foundry Ltd, Design by Ibrahim Hamdi.

The 1954 sheet music for the song "Arrevederci Roma (Goodbye to Rome)" [from the MGM film "The Seven Hills of Rome"] was hand lettered in a medium-wide sans serif. This design is now available digitally as Arrevederci JNL in both regular and oblique versions.

Diplomatic is another script from the Koziupa and Paul duo. It relies on calligraphic simplicity to reach its artistic sophistication. Prominent ascenders and descenders work alongside calculated but casual strokes to produce an unmistakably elegant typesetting. Designed by Koziupa and digitized by Ale Paul.

The 1907 sheet music for "Take Me Back to Dear Old Dixie" had the song title hand lettered in a decorative serif typeface with strong Art Nouveau influences. This design is now available digitally as Fancy Nouveau JNL, in both regular and oblique versions.

Handler a signature typeface great for Logotype, Poster, Digital Lettering Arts, Clean Design, Branding Design, Signs,and more. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7 and more.

Sticky Brash is my laid back kids comic book font - suitable for anything that needs a fresh and quirky attitude, and super legible at the same time. Originally handdrawn, and then manually traced digitally, in order to make those insane clean curves and lines!

In the 1909 edition of the Atkinson Sign Painters’ instruction books is an extra bold sans serif alphabet and numerals called “Advertisers’ Thick and Thin Plug”. This hand lettered display face is now available digitally as Sign Lettering JNL in both regular and oblique versions.

“9 Garcons...Un Cœur” (“9 Boys...One Heart”) is a 1948 French musical starring Edith Piaf. The hand lettered credits for the film are done in a condensed Art Deco sans alphabet, now available digitally as Stage Show JNL in both regular and oblique versions.

Art Nouveau typeface ‘Secessionist’ draws inspiration from Wiener Secessionist Joseph Maria Olbrich's handwriting, as seen on his architectural drawings from the 1920’s. You can use these fonts to create posters, greeting cards, scrapbooks, CD labels, T-shirts, coffee mugs, digital videos websites and banners.

"Baker’s Showcard Book" (1916) was an early 20th Century instructional book on sign lettering. One of the sample alphabets entitled “Decorative Roman” was a spurred serif, Art Nouveau design that has been recreated digitally as Elegant Showcard JNL in both regular and oblique versions.

Plz Script is a warm and friendly script font that can be used as body copy or for headlines. Great with Architectural Lettering or Plz Print. It can also be found in the book "Indie Fonts 3, a Compendium of Digital Type from Independent Foundries".

Alan Birch created the LCD font in 1981. Its name is an abbreviation of the words Liquid Crystal Display," the display technology used in digital watches and clocks the world over. LCD is a great choice when a futuristic, high-tech look is desired.

Zodor JNL is modeled from the packaging for injection-molded plastic letters used as a teaching toy for youngsters in the early 1960s. The hand-drawn alphabet on the sides of the package was quirky enough to merit being made into a digital font.

Golf was originally designed by Henry Reinhard Möller in 1935 for Schriftguss KG. Coen Hofmann redrew the capitals and then added lower case letter and Cyrillic alphabets by himself. This digital version of the original typeface is best used in sizes above 24 points.

I was commissioned by Publish magazine to digitize Trio in 1990. Originally designed in a Light weight only, Trio is now available in Medium and Bold weights as well. Uppercase only, but each weight includes two alphabets, one more "deco," the other more "modern."

In the December, 1934 issue of Modern Screen magazine, a number of feature article headlines were hand lettered in a condensed slab serif with a relatively uniform stroke weight. This is now available digitally as Fan Magazine JNL, in both regular and oblique versions.

An ad promoting the 1919 silent film comedy “Back Stage” starring Roscoe “Fatty” Arbuckle was hand lettered in a thick-and-thin sans style with Art Nouveau influences. This lettering is now available digitally as Picture Show JNL, in both regular and oblique versions.

Gilman Sans is the family member of Gilman, the serif that it was derived from. The idea for Gilman started simple enough, a serif typeface that works well for large amounts of text. However, after many struggles creating a quality typeface digitally, I decided to first draw the complete alphabet by hand on paper, and then trace that digitally. The result is a unique workhorse typeface with a subtle “human touch” that is very rare in this modern technological age. Gilman Sans has extensive language support and comes with many opentype features like true small caps, tabular lining figures, stylistic alternates, ligatures and more. Gilman Sans and Gilman are excellent compliments and work together harmoniously on the page.

A sheet music edition of an early 1900s song entitled "You Taught Me How to Love You, Now Teach Me to Forget" was hand lettered in a free-form Art Nouveau style that combined varying line widths and character shapes. This unrestricted style of lettering was popularly embraced and revived by the hippie counterculture of the mid-1960s through the mid-1970s through their rock concert posters, record album covers and tee shirt graphics. It is now available digitally as Nouveau Artiste JNL. As a side note, a 1940s reprint of the sheet music was done in a popular metal typeface, which was also redrawn digitally and available as Elite Resort JNL [in both regular and oblique versions].

Ministry Script was designed to be “A time capsule that marks both the American ad art of the 1920s, and the current new-millennium acrobatics of digital type.” First letters of Ministry comes from a how-to lettering book but immediately turned on a complex and modern new digital typeface design with thousand glyphs. Ministry’s OpenType features include contextual and stylistic alternates, swash characters, and a galaxy of ligatures. A single face with over 1,000 characters to explore. The OpenType palette provides access to four different variants of each letter. For more info about the use of Ministry, its background, ligatures, alternates, please read The Ministry Script Guide in the Gallery section.

Journal type family is a low-contrast text face of the Ionic-Legibility group. It was designed at the Polygraphmash Type Design Bureau in 3 styles in 1951–53 by Lev Malanov and Elena Tsaregorodtseva. The fonts were based on Cyrillic version of Excelsior that was developed in 1936 in Moscow by professor Michael Shchelkunov, Nikolay Kudryashev et al., that in its turn was based on Excelcior by Chauncey H. Griffith, 1931, Mergenthaler Linotype. Digital version was developed in ParaGraph (ParaType) in 1991. In 2012–13 designer Natalia Vasilyeva made some corrections in original digital data, extended character set and add bold italic style. The family was rereleased in ParaType in 2013.

HWT Brylski is a typeface by Nick Sherman, named for retired wood type cutter Norb Brylski and designed to be cut as wood type at the Hamilton Wood Type & Printing Museum. This font is the digital counterpart to the wood type made as part of the Hamilton Legacy Project . It incorporates several themes that were common in 19th-century type design, including split tuscan serifs with angled mansard-style sides, heavy weight placement at the top and bottom of letters (traditionally referred to as French or Italian/Italienne, regardless of any actual relation to those countries), and an extended overall width. This digital version contains over 400 glyphs for full European language coverage.

The original metal Neue Haas Grotesk™ would, in the late 1950s become Helvetica®. But, over the years, Helvetica would move away from its roots. Some of the features that made Neue Haas Grotesk so good were expunged or altered owing to comprimises dictated by technological changes. Christian Schwartz says Neue Haas Grotesk was originally produced for typesetting by hand in a range of sizes from 5 to 72 points, but digital Helvetica has always been one-size-fits-all, which leads to unfortunate compromises."""" Schwartz's digital revival sets the record straight, so to speak. What was lost in Neue Haas Grotesk's transition to the digital Helvetica of today, has been resurrected in this faithful digital revival. The Regular and Bold weights of Helvetica were redesigned for the Linotype machine; those alterations remained when Helvetica was adapted for phototypesetting. During the 1980s, the family was redrawn and released as Neue Helvetica. Schwartz's revival of the original Helvetica, his new Neue Haas Grotesk, comes complete with a number of Max Miedinger's alternates, including a flat-legged R. Eight display weights, from Thin to Black, plus a further three weights drawn specifically for text make this much more than a revival - it's a versatile, well-drawn grot with all the right ingredients. The Thin weight (originally requested by Bloomberg Businessweek) is very fine, very thin indeed, and reveals the true skeleton of these iconic letterforms. Available as a family of OpenType fonts with a very large Pro character set, Neue Haas Grotesk supports most Central European and many Eastern European languages.

We designed this Glogalex font inspired by today's rapid digital technology, where the art of typography is very much needed to support various digital needs, both for software and for other print media needs. Glogalex is a display font designed with the main focus aimed at the needs of various brands of digital products or other technology products, but not limited to the use of various kinds of printing, both mass media or for the needs of various titles of books, magazines, newspapers, and various other kinds of tabloids, the wealth of Glyph Alternate and Ligature can add to the creation of typography art, you can be creative in using various letters that we have designed by combining ordinary letters with alternative letters and also ligatures, we have combined several ligatures to make it easier for you to use, but if If you have difficulty using Alternate letters and ligatures, we recommend you to manually combine each Alternate and ligature you want to use. We highly recommend the use of this Glogalex font for the needs of displaying company brands, trademarks, logo designs, use in digital media, such as movie titles, online game names, and for various vehicle brands, if you can maximize its use it will be very interesting. for each display that has been designed, pleasing to the eye and easy to read. we are very happy if you are satisfied in using our products, and if there are problems in using our products you can tell us via email zulfikarzul80@yahoo.co.id, we will respond as soon as possible, thank you.

The Bunken Tech Sans superfamily: A reminiscence of constructed fonts of the modern age designed with considerably cleaner forms. Bunken Tech Sans follows in the best tradition of the straight-lined and somewhat angular structures of its predecessors while offering a much more open and mild design. The shapes of the letters are therefore reduced to the most essential elements: The spurs on a, b, n and other lower case letters occur just as little as decorative or style details, the lightly rounded inside edges are more pleasing to the eye than certain historic role models and make for a harmonic, flowing style. Use In particular Bunken Tech Sans stands out as an easy, distinctive headline font with its straight-lined, technical design. Open counters and large x-height make it equally suited for use in shorter texts. It is also perfectly complemented by Bunken Sans or Bunken Slab in longer texts (available soon). Features Available in 10 styles with widths ranging from Light to ExtraBold with associated Italics. All of the styles are very extensive: Support for at least 58 languages, Small Capitals, 9 number sets (e.g. Lining, Oldstyle, Tabular and Small Cap Figures), ligatures, alternate characters, numerous Opentype functions, and lots of other small features that make it more pleasant to work with the font on a daily basis as well as fulfilling typographic desires. Each style contains more than 870 characters! Each style is available in a professional (Pro) and standard (Std) edition with a reduced range of functions. (Language support, OpenType features and number of glyphs). Details can be found on the respective pages. Bunken Tech Sans is part of the Bunken Tech superfamily and is available in Condensed, Normal and Wide. Also of interest: The slab serif variation Bunken Tech Slab Features in Detail: 12 Weights: -Light -Book -Medium -SemiBold -Bold -ExtraBold and corresponding Italics 3 Widths: -Condensed -Normal -Wide Alternate Characters: A, E, F, L, S, e, f, t, s, y, etc. Small Capitals 5 Sets of Figures: -Lining Figures -Old Style Figures -Tabfigures -Old Style Tabfigures -Small Cap Figures Automatic Ordinals Automatic Fractions Extended Language Support and more...

Beba is based on geometric structures, where the same formal characteristics are applied to as many letters as possible. It is a sans-serif monoline typeface. It has a modern, clean and minimalist image; ideal to use for advertising, printed or digital graphics and signage system design.

A beautiful and stylish pen lettered alphabet appears within the pages of the 1921 publication “How to Write Show Cards” and its Art Nouveau stylings made it a perfect candidate for a digital revival. Pleasant Show Card JNL is available in both regular and oblique versions.

Honey Crafter is modern retro font. Made carefully with digital sketch and vectorizing one by one to get best shapes. Honey crafter comes with a lot of alternate that let you make great design composition. What is inside : Multilingual Support Stylistic Alternate, Stylistic set (01,02,03,04), Swash

ITC Humana Script font is the work of British designer Timothy Donaldson. He crafted this typeface with a broad-tipped pen on paper before carefully creating the final digital version. ITC Humana Script is the perfect font for anything requiring both clarity and a touch of personality.

Using examples of antique street signs from New York City, Stickball JNL recreates the iconic lettering in a digital typeface and is available in both regular and oblique versions. For a nostalgic touch, a blank street sign is located on either the solid or broken bar keystrokes.

Roberta goes back to the old poster fonts of the 1930s. It is an excellent alternative and combination to fonts like Arnold Böcklin or Hobo. Ralph M. Unger redrew and digitized this font in 2003. His work is based on artwork taken from old font catalogs.

Cerita Kids is Doodle Comic font style. This font is look relax and fun, suitable for comic and Children book. This font is rendered and done by manual hand drawing that digitalized as a font so this font is very natural. Thank you for download this font.

Serpentine is a square-shaped sans serif design that is similar to Eurostile, but with more contrast between thick and thin strokes. The style is reminiscent of digital types and conveys a science fiction feel. The Serpentine font family is suitable for posters, signs and advertising.