Geometric/Technical style logotypes have been developed for car chrome labels since the early 1980’s, but automobile companies don't monopolize the style by any means. During the 80’s and 90’s, a lot of these logos leaned towards the geometric sans styles and the swiss styling of fonts like Handel Gothic, while playing with varying degrees of squared rounds and varying expanded widths per logotype. Mercurial has this flavor, but it wasn’t derived from logotypes. Instead, it began as a digitization of a film typeface from LetterGraphics in the early 70's known as "Sam". It visual ties to this genre of automotive logotypes and fonts like Handel Gothic lend a familiarity to it, yet it has an identity all its own. As with so many automotive logotypes, this singular style film typeface, lacked an expansive family which shows off all potential the logotypes have and what they "could" be and do. And that's where we come in. What originally began as this family’s Regular Width - Bold Style has been expanded into a collection of 3 Width Families, each containing 5 Weights. Here’s what’s included with the Mercurial Complete bundle: 396 glyphs per style - including Capitals, Lowercase, Numerals, Punctuation and an extensive character set that covers multilingual support of latin based languages. (see the final poster graphics for a preview of the characters included) 3 widths in the collection: Narrow, Regular, & Wide 5 weights in each width family: Light, Book, Regular, Medium & Bold. Here’s why the Mercurial Family is for you: - You’re in need of stylish sans font family with a range of widths and weights. - You’re love those 80’s automotive logos, but want more range of use. - You’re looking for an alternative to Handel Gothic. - You’re looking for a clean techno typeface for your rave poster designs. - You just like to collect quality fonts to add to your design arsenal.

Hello Love is an elegant and flowing handwritten font. It is PUA encoded which means you can access all of the glyphs and swashes with ease! It features a varying alternates for head and tail, gorgeous glyphs and stunning heart in between. It maintains its classy calligraphic influences while feeling contemporary and fresh. Fall in love with this font and bring your projects to the highest levels! Wait, not only that. This font come with an additional sans serif bonus font as part of its family. So yeah, it is a dual font!

This font is specially made for use in your various works. We created this font with its own uniqueness, such as the feel of writing with a brushpen, a simple yet elegant style, and beauty of brushpen handwriting. Besides being able to stand alone, you can combine this font with various other typefaces, such as Serif, Sans Serif, and Script. This font is ready for you to use to make your products and services look more unique because of the basic concept of making this font is "unique".

Starixo font is a modern and authentic display font. This font is good for logo design, Social media, Movie Titles, Books Titles, short text even long text letters, and good for your secondary text font with sans or serif. **Featured:** * Standard Uppercase & Lowercase * Numeral & Punctuation * Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ * Alternate & Ligature * PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw. so you can use all the variations of the glyphs. Hope you enjoy our fonts!

It's a mix of two simple fonts that can make your design projects amazing. You could say that it is beautiful and eye-catching for this one font. You can apply it to branding designs, social media posts, logos, posters, quotes, food menus, wedding invitations, book covers, video content etc. See some of the previews above for reference. Features: -Uppercase -Lowercase -Numeral -Punctuation -Multilingual -PUA Encoded -Opentype Features Thanks.

Omerta Font Family - is a classic style sans serif typeface making it one of the most memorable caps fonts on the market. This versatile font can be used for logos, mastheads, pull quotes & monograms showing both feminine and masculine qualities.Very suitable for greeting cards, branding materials, business cards, quotes, posters, and more!This font are perfect for wedding postcard. Or you can create perfect and unique design of your logo, blog, stationery, marketing, magazines and more :) FONT FAMILY: regular style italic style stripes style stripes italic style Stripes style is not outline!!! This is a developed style of the letter that goes from contour to line, which gives a certain rare style that makes you pay attention to yourself. Features : UpperCase & Lowercase Numerals & Punctuations Multilingualcharacters(AÀÁÂÃÄÅCÇDÐEÈÉÊËIÌÍÎÏNÑOØÒÓÔÕÖUÙÜÚÛWYÝŸŸ ÆŒßÞàáâãäåæçèéêëìíîïðñòóôõöøùúûüýÿ)

Dower is a playful decorative geometric sans serif. Inspired by the doodle style and hand-drawn lettering. Dower contained three widths: Condensed, Normal and Expanded, four styles each, including dozens of ligatures.You can use Dower in many types of creative modern concept designs.

Grandi is a sans-serif in ten different styles. Carefully designed by Måns Grebäck, this typeface's great variation makes it adaptable to any size and context. It is confident and catchy, and comes in five weights, each one as upright and italic.

Steclo is a semi-closed narrowed display sans-serif typeface with pronounced technical character. It comes in 9 weights from Thin to Black accompanied by corresponding oblique italics. Steclo features rich language support including pan-European Latin and basic Cyrillic glyph sets.

Written in a ballpoint pen style POST BOX is a neighborly sans serif is slightly condensed and slanted. Scribbled quickly but readable. Exact but still human. Perfect for print, package and display use. You can also use it in shorter paragraph text.

Esenka is a family sans that comes with 9 weights, 9 italics and 2 outlines. Esenka has an expanded uppercase alternate, with a choice of 2x and 3x width options. Esenka is PUA encoded which mean you can access alternate with ease.

Sublime45-Regular Sublime Revised for 2021. One font in Opentype format as Sublime45. Families and all TT Truetype versions eliminated in this wonderful stand alone. The Spring 1997 original release of Sublime —borne an organic creature of black water soluble ink & digitized by Coniglio Type. Sublime is a fun font to use in commercial layouts. It is soft and fluid as ink. Like the wrinkles of time, it is imperfect. That in itself makes it incredibly attractive, warm and “human factor”. Sublime offers legibility so sorely missed in the current recreational font market. Sublime was inspired by World War II US fighter pilot Donald Alling. He flew missions over Nazi Germany. His squadron also dropped food, medicine and relief supplies over the Netherlands. Known as “the Colonel” to his friends. Don as a civic engineer ruled literally miles of ink letter callout’s with a template device called a LeRoy in peacetime on vellum and mylar across his career as a technical illustrator. You didn't want to screw up inking into a template with wet black permanent ink. You really had to have a steady hand and it was all done by hand. You can say Don worked “unplugged”. And that is cool! He was part of the broad stroke of postwar industrial expansion that helped keep America strong, rendering exploded views on top secret projects. Many of us were not even born yet when all this was going on. Today at over 80 years young Don is like a national treasure, savvy and bright—and the ladies love him! The Colonel remains a dedicated master airbrush man, stand–up man, caricature artist and letterman all without use of a computer! He was lucky enough to retire before a desktop cathode tube was put in his face. Today the Colonel enjoys restoring VW’s, flying and freelance consulting when not being called to supper by his lovely wife Rea.

Acto is a type system designed as the sans serif counterpart of the previous released Acta. Both type families were designed in 2010 for the redesign of the Chilean newspaper La Tercera, but unlike some of our previous fonts (i.e., Leitura) Acto doesn't exactly match Acta in terms of structure, so they can live on their own. Acto is our first sans where the uppercase has the same height as the ascenders, so we decided to avoid common problems like the confusion between the I and the l, by drawing a curved l. We kept that spirit by removing the spurs on the b, g and q, resulting on a more warm typeface than Prelo, for instance. In the end it's a very powerful sans family, with eleven weights with matching italics, for editorial and corporate design.

Varisse spans over two centuries of type design and draws its inspiration from well-loved classics that are as fresh today as they were when they were created. The range stretches from a quintessential 18th century transitional serif to an uncompromising 20th century sans. Think Baskerville, think Gill. The idea was to create a family that shared similar forms and the same vertical metrics, allowing them to be mixed to provide impact and readability as required. With a generous x-height and a host of options, the Varisse family is ideally suited to branding, packaging, magazines and editorial. It also provides a wealth of opportunity in website presentation. The fonts are divided into five subfamilies by degree of ‘serification’. Varisse Sans Varisse Soft Sans Varisse (normal) Varisse Soft Serif Varisse Serif Each subfamily contains six weights and accompanying italics.

Century Gothic™ is based on Monotype 20th Century, which was drawn by Sol Hess between 1936 and 1947. Century Gothic maintains the basic design of 20th Century but has an enlarged x-height and has been modified to ensure satisfactory output from modern digital systems. The design is influenced by the geometric style sans serif faces which were popular during the 1920s and 30s. The Century Gothic font family is useful for headlines and general display work and for small quantities of text, particularly in advertising. Century Gothic family has been extended to 14 weights in a Pan-European character set from Thin to Black and their corresponding Italics. The already existing 4 weights of Regular and Bold with their Italics are additionally still available in the STD character set. For international communication, the W1G versions offer the appropriate character set. They contain Latin, Greek and Cyrillic characters and thus support all languages and writing systems that are in official use in Western, Eastern and Central Europe. Century Gothic Variable is features two axes: Weight and Italic. The Weight axis has preset instances from Light to Black. The Italic axis is a switch between upright and italic. Looking for the perfect way to complete your project? Check out Aptifer™ Slab, ITC Berkeley Old Style®, FF Franziska™, Frutiger®, ITC Legacy® Square Serif or Plantin®.

Century Gothic™ is based on Monotype 20th Century, which was drawn by Sol Hess between 1936 and 1947. Century Gothic maintains the basic design of 20th Century but has an enlarged x-height and has been modified to ensure satisfactory output from modern digital systems. The design is influenced by the geometric style sans serif faces which were popular during the 1920s and 30s. The Century Gothic font family is useful for headlines and general display work and for small quantities of text, particularly in advertising. Century Gothic family has been extended to 14 weights in a Pan-European character set from Thin to Black and their corresponding Italics. The already existing 4 weights of Regular and Bold with their Italics are additionally still available in the STD character set. For international communication, the W1G versions offer the appropriate character set. They contain Latin, Greek and Cyrillic characters and thus support all languages and writing systems that are in official use in Western, Eastern and Central Europe. Century Gothic Variable is features two axes: Weight and Italic. The Weight axis has preset instances from Light to Black. The Italic axis is a switch between upright and italic. Looking for the perfect way to complete your project? Check out Aptifer™ Slab, ITC Berkeley Old Style®, FF Franziska™, Frutiger®, ITC Legacy® Square Serif or Plantin®.

TG Riota Gothic is a brand new digital sans serif typeface in geometric style with many faces and possibilities with good proportions forms. TG Riota Gothic is outstanding for use in small text or even bigger sizes with seven weights, two axes & 14 styles, including the variable font. It comes with three alternative groups (single story alternates, no tail alternates & square dot alternates), which you can combine to maximize your needs—also supplied with a bunch of ligatures (standard & discretionary ligatures), lining figures (proportional, denominators, numerators, fractions, subscript & superscript), case-sensitive forms, symbol & Each typeface contains over 674 glyphs covered more than 90 languages Latin based. Language Supports: Afrikaans, Albanian, Asu, Azerbaijani, Basque, Bemba, Bena, Bosnian, Catalan, Chiga, Colognian, Cornish, Croatian, Czech, Danish, Dutch, Embu, English, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Hungarian, Icelandic, Indonesian, Irish, Italian, Kabuverdianu, Kalaallisut, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Low German, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Maltese, Manx, Meru, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Polish, Portuguese, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Slovak, Slovenian, Soga, Somali, Spanish, Swahili, Swedish, Swiss-German, Taita, Teso, Thai, Turkish, Turkmen, Upper Sorbian, Vunjo, Walser, Welsh, Western Frisian, Zulu. Typeface Designed by Iqbal Firdaus Published by Tegamitype® Foundry Presentation Design by Eunike Agatha & Dennise Nathalie

Faber Serif is the Roman typeface which was born out of the sans serif design Faber Sans. The pro­portions are nearly identical to those of Faber Sans. In comparison, Faber Serif has heavy — although very short — serifs. The character of contrasting strokes is not very pronounced; therefore, this font is closely related to the first Roman typefaces from the 15th century. Faber Serif perfectly matches with Faber Sans!

Pure and natural hand drawn typeface, it's Holistic font! Comes with two casual yet delicate style (script and sans), then wrap in three different look (solid, textured and rough). Holistic Script includes alternative characters, you can play with it to get a bit messy but still pretty. Have fun with these fonts and make a lovely combination for logos, displays, posters and other project that needs natural handwritten work. All in one package to get an organic feeling.

The Corps 86 is a Sans military style font, first conceptualize was inspired by the classic vintage military stencil design. I wanted a typeface that could be a solid base for any military inspired project The Corps 86 Fonts can be used for wallpaper, pattern fills, web page background, surface textures. Perfect for making army posters , scrapbooking,invitation cards, label stickers, stationary, gift wrap, packaging, clothes, buttons, pendants, holiday gifts, print on fabrics and so much more

Union Force is a Stencil Display Sans Military style font, first conceptualize was inspired by the classic vintage military stencil design. I wanted a typeface that could be a solid base for any military inspired project Union Force Fonts can be used for wallpaper, pattern fills, web page background, surface textures. Perfect for making army posters , scrapbooking,invitation cards, label stickers, stationary, gift wrap, packaging, clothes, buttons, pendants, holiday gifts, print on fabrics and so much more.

Polka Collecta is a playful display font with alternate cuts. A bold and fun Sans Serif typeface, available in two styles: Regular and Playful. Using the playful version, you can create unique compositions because of the informal grid. Opentype fonts feature stylistic alternate characters to give the composition a unique personality. Suitable for display needs such as quotes, branding, logo, poster, cover design, etc Features: Uppercase Alternates & Ligatures Numerals & Punctuation Multilanguage Supports 60+ Latin based languages

Inerta is a neutral, but not flavourless, cross between a geometric sans and a neo-grotesk. It is designed to work perfectly in UI/UX applications, and to remain readable in smallest font sizes. With over 950 glyphs, the font family offers extensive language support and many typesetting options to choose from. The typeface can be customised with several sets of alternate glyphs and OpenType features. The Cyrillic part contains alternates for Bulgarian as well as alternative Ukrainian forms.

Sanshiro is a geometric sans serif font family. Contain 9 weights from Thin to Black with matching Italics. Sanshiro Normal character shapes have optimized proportions and an improved balance perfect to use for text and the heavyweight has a strong character have a unique style with a smooth shape to use for any display. Sanshiro font can improve and be used for any display media to support your visual design. Latest Update: Version 2.001 • PUA Code update • PostScript hinting

Mouzambik is a simple, condensed sans-serif font with a bold and intricate personality. It comes in three styles: regular, Inktrap, and Smooth, each with italics. Crafted with intention, it maintains its allure in both large and small point sizes. This font is ideal for headlines, billboards, magazines, websites, titles, posters, branding, and logos. With an abundance of ligatures, alternates, and other features to choose from, you can ensure your project stands out from the rest.

Kustomtype's "Romantico" font is a sans serif font family with a regular & oblique version. It contains all upper & lower cases. The "Romantico" family is coordinated into letterforms, metrics, and weights to work better together. Why still looking for old school types for your posters, advertising, text, design, artwork, headtext, editoral design, magazines, etc.? "The true genius shudders at incompleteness - imperfection - and usually prefers silence to saying the something which is not everything that should be said." Edgar Allan Poe

Brampton is a font trio package contain a monoline script, serif and sans serif which looks great to be paired especially for vintage and adventure theme! This font trio is purposely made for headline, display or logotype, and signature which need a standout appearing. This font is also suitable to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : Brampton Serif, Sans Serif and Script uppercase & lowercase numbers and punctuation multilingual alternates & ligatures PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

"Banana Moonpie" is a fresh and whimsical addition to the world of fonts. This unique sans serif handwritten font combines the casual charm of handwritten script with the clarity of a sans serif typeface, resulting in a delightful and versatile font that's as fun as its name suggests.

The Bonyad font family, designed by Naghi Naghashian, was developed considering specific research and analysis on Arabic characters and definition of their structure. Bonyad is a modern Sans Serif font family.The Bonyad innovation is a contribution to modernisation of Arabic typography; gives the Arabic font letters real typographic arrangement and provides for more typographic flexibility. Bonyad supports Arabic, Persian, and Urdu and includes proportional and tabular numerals for the supported languages. The Bonyad Font family is available in six weights; Thin, Light, Regular, Demi Bold, Bold and Heavy. Its intuitive design arrangement fulfills the following needs: It is precisely crafted for use in electronic and print media. Bonyad is not based on any pre-digital typefaces and it is not a revival. Rather, its forms were created with today’s ever-changing technology in mind. Bonyad is suitable for multiple applications, and gives the widest potential for acceptability. It is extremely legible not only in its small sizes, but also when the type is filtered or skewed, e.g., in Photoshop or Illustrator. Bonyad's simplified forms may be artificially oblique with InDesign or Illustrator, without any degradation of its quality for the effected text. Bonyad is an eye-catching and classy typographic image that developed for multiple languages and writing conventions. Bonyad uses the very highest degree of geometric clarity along with the necessary amount of calligraphic references. The Bonyad typeface is of a high vibration that is finely balance between calligraphic tradition and the contemporary sans serif aesthetic commonly seen in Latin typography.

Serifora is a versatile and elegant typeface that offers serif, sans serif, narrow, and script versions, along with italics. With support for 87 languages, it caters to a wide range of design needs. Its classic serifs, modern sans serif, condensed narrow style, and artistic script variant provide options for various design styles and projects. Serifora's italic versions add emphasis and visual interest. It is a go-to choice for both print and digital media, ensuring clear communication and captivating typography. Language Support : Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Chiga, Colognian, Cornish, Czech, Danish, Dutch, Embu, English, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, Ganda, German, Gusi,i Hungarian, Indonesian, Irish, Italian, Jola-Fonyi, Kabuverdianu, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Maltese, Manx, Meru, Morisyen, North Ndebele, Norwegian, Bokmål, Norwegian, Nynorsk, Nyankole, Oromo, Polish, Portuguese, Quechua, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish, Gaelic, Sena, Shambala, Shona, Slovak, Soga, Somali, Spanish, Swahili, Swedish, Swiss, German, Taita, Teso, Turkish, Upper, Sorbian, Uzbek (Latin), Volapük, Vunjo, Walser, Welsh, Western Frisian, Zulu Mock ups and backgrounds used are not included. Thank you! Enjoy!

Monk is a multi-language geometric harmoniously balanced font in Arabic and Latin. The font family has its origins in Benedictine and Franciscan writing. Both Arabic and Latin work seamlessly together having shared counters, stem thickness, and curved forms. Monk is a type family that seeks a balance between the openness and legibility of humanist sans serifs. Letterforms have a distinct direction of the ductus, a wide overall stance, large open counters that help in its legibility. The typeface is versatile and can be successfully used in magazines, posters, branding, websites, headlines, large-format prints, brand identities, social media, advertising, editorial design, posters. The family contains over 40 alternative glyphs and over 50 ligatures in each style and comes in 10 styles with their corespondent italics. The family Latin supports Western, Central, South Eastern, South American, Oceanian, Pan African, Vietnamese, Sámi & Arabic

Tondu is a straightforward display typeface inspired by film posters of the early 1900s. Strong upright forms combined with smooth curved details create a clear and bold font ideal for apparel, billboards, books and posters. Tondu is now available as version 2.0 (2021); the remastered version meets higher technical standards that modern-day users demand. Included in the font are over 490 characters, in one heavyweight style. Opentype features consist of digital numerals, lining figures, fractions and language support covering Western, South and Central Europe.

Linotype Facsimile is part of the Take Type Library, which features the winners of Linotype’s International Digital Type Design Contest. Designed by J. Luigs and S. Wicker, the forms were constructed for electronic readers, just as the OCR fonts were. The increasing use of computers accompanied the growing number of fonts suitable for electronic reading. The standard has long been set, but designers are always creating new interpretations and new symbols. Typefaces like Facsimile are here to stay and personify the Zeitgeist of the late 20th century.

Introducing Quinn Display new generation Typeface created for building brand identity. Quinn Typeface created with the vision of to attract the audience to your brand . The finest details of this typeface are methodically and mathematically created. Quinn is created with all the tasks of a corporate font and also for the usage in a variety of projects, including branding, logos, titles, headlines, servers, posters, screens, display, digital ads, and everything else. We are putting a lot of effort on this font as a long-term project.

The Fred family is based on the casual hand lettering of Fred G. Cooper: cover artist, cartoonist, and letterer for Life magazine in the 1920s and '30s. His relaxed style captures the flavor of the Roaring Twenties, and the digital font was developed for use in the credits and title cards for a 1920s-style silent movie, The Call of Cthulhu. In an effort to keep the hand-lettered look, the OpenType font has numerous discretionary ligatures and contextual alternates, along with fleurons and ornaments.

Belkin Display new generation Typeface. Belkin Dispaly Typeface created with the vision of attract the audience to your brand . The finest details of this typeface are methodically and mathematically created. Belkin is created with all the tasks of a corporate font and also for the usage in a variety of projects, including branding product, logos, titles, headlines, servers, posters, screens, display, digital ads, and everything else. We are putting a lot of effort on this font as a long-term project. 6 Weights Included.

Amer was originally designed for dry transfer and redrawn and digitized by Adrian Williams. Amer is a modern Arabic headline face, which includes Latin glyphs from Kabel Book, allowing users to set text in both most Western European and Arabic languages without switching between fonts. Amer includes the Basic Latin character set and the Arabic character set, which supports Arabic, Persian, and Urdu. The font also includes tabular and proportional Arabic, Persian, and Urdu numerals, as well as a set of tabular European (Latin) numerals.

Vitrines is a digital and extended version of a charming alphabet featured in a 1913 book devoted to window signs and show cards. This version was carefully developed to preserve the original hand lettered look and feel. It includes a bold weight and a set of pattern tiles to adorn your compositions. A note about the pattern font: in order to create even patterns, be sure to set the line spacing the same size as the font and set no spaces before or after paragraphs.

Introducing Moraco Display new generation Typeface created for building brand identity. Moraco Typeface created with the vision of to attract the audience to your brand. The finest details of this typeface are methodically and mathematically created. Moraco is created with all the tasks of a corporate font and also for the usage in a variety of projects, including branding, logos, titles, headlines, posters, screens, display, digital ads, and everything else. We are putting a lot of effort on this font as a long-term project.