Introducing Creative Vintage - a modern serif with vintage charm, fashion look and retro yet modern style. Work fast using integrated features. Just add PLUS (+) after any letter and get alternate instantly. This feature works on most applications (Canva, Templett, Corjl and others) Creative Vintage Regular: Opentype Serif font with clean shapes and accurate kerning. It includes ligatures and alternates with total amount 669 PUA encoded glyphs. Creative Vintage Draft: Modern Serif with chunky imperfect edges and shabby appearance. This font is a strict copy of everything from regular version including glyphs names, kerning and ligatures, so you are worry-free to change style on the go. Alternates appears automatically when you type plus after any letter or even ligature.

Handsome, adventurous, legible and elegant, this script has the feel of practical handwriting from past centuries. Aquiline is based on a cursive italic style influenced by the 16th century European writing masters. The Aquiline design team turned to Ludovico degli Arrighi, the great 16th century writing master, for period ideas on how to improve, strengthen and add grace to the font. Aquiline has strokes and gestures that seem very like the writing of Arrighi and Mercator, such as the flamboyant balloon of a flourish on the cap A; the graceful flourishes on the cap B, D, and L; and the compact lowercase with tall ascenders. Aquiline has a strong personality and is historically correct.

»Cristal True« is an elaborate matrix display font. It contains 645 letters per font style and some Open Type features: Different stylistic alternates, small caps, various font styles and different sets of numerals. It is monospaced and therefor easy to handle, if you want to simulate the look and feel of a LCD display. The basis of this font is a Union-Jack or sixteen-segment display (SISD). It is expanded by another 10 segments for a wider range of languages supported (this should cover all European regions). »Crystal True« is perfected for the quick, easy and precise use in modern graphic design applications. Try »Cristal Text« for more text-heavier usages.

Hello Everyone, introduce our new product Font Funk Fact is a Simple Graffiti Tag Typeface.This is a Textured Natural Style and classy style with a clear style and dramatic movement. This font Funk Fact is great for your next creative project such as logos, printed quotes, invitations, cards, product packaging, headers, Logotype, Letterhead, Poster, Design this font is great for your creative projects such as watermark on photography, and perfect for logos & branding, invitation,advertisements,product designs, stationery, wedding designs,label ,product packaging, special events or anything that need handwritting taste. That is has charming, authentic and relaxed characteristic more natural look to your text. You can activate Ligatures glyphs and Alternates glyphs OpenType panel.

Galfyan is Ligature Modern Serif is a well-balanced contemporary font with a fancy, unique, and versatile Luxury serif, font that you can combine to get any variations and unique shapes easily just in seconds with choose alternates of them. It is a serif display font with moderate contrast that perfect for branding projects, logo, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, invitation, stationery, and any projects, it makes with a high level of legibility. What's Included: Galfyan font ready of Alternative and Ligature Character set A-Z Numerals & Punctuation Accented Characters (West Europe) Works on PC & Mac Recommended using Adobe Illustrator or Adobe Photoshop. Wish you enjoy our font. :)

Posterman is a cool sans-serif typeface. With tall letterforms in a grotesque appearance, this legible typography is a lettering for neo-classic headline or clean logotype. The Posterman font family consists of Regular, Bold and Black, and each weight as Italic, totalling in six styles. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Here comes our new font Hipeless Brush this is a All Caps Brush Font that is written casually and quickly.Signature Style and classy style this font are made with brushes on Procreate. Then crafted carefully drawn into vector format.this font is great for your creative projects such as watermark on photography, and perfect for logos & branding, photography, invitation, watermark,advertisements,product designs, stationery, wedding designs,label ,product packaging, special events or anything that need handwritting taste. Hipeless Brush a natural handwritten feel. This handmade font will make your design has a beautiful natural touch for each details. It is perfect for any design project as Invitation,logo, book cover, craft or any design purposes.

In comparison to most of my typefaces that tend to be fairly expressive, I wanted Voice to be simple, effective and easy to use. Voice was designed to work well in a wide range of sizes, and also in narrow tight columns with a wide range of weights. Those are some criteria for a good corporate typeface that I could clearly see in all my corporate branding projects. It is not that a brand needs all the weights but some appropriate weights can be chosen from that wide range. In copy you should not use heavier than Heavy. ExtraBold and UltraBold work best in display. Recommended uses: corporate branding, magazines and other publications.

Get the handwritten, labeled look you love with MIX LABEL – the perfect font for creating clean, thick designs. Inspired by the look of school supplies labeled with a Sharpie marker, this font is ideal for replicating the handwritten style of labels and addresses on mailers. Whether you’re looking to add a personal touch to your branding or simply want a unique font, MIX LABEL has got you covered. Don’t settle for boring, generic fonts – label your designs with MIX LABEL and stand out from the crowd. Includes the following characters: ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 0123456789 !@$#%^&*()`~♥❤✿•· ÷×+−±≈=≠≥≤[]‹›:;'",.|/?{}“”‘’-–—_ …©®™«»°¹²³ªº¡¿x₱¢€£¥§№† ÁÀÂÄÃÅĂĀĄÆĆĈČÇÐĐÉÈÊËĖĒĘĜĤIÍÌÎÏĪĮĴŁŃÑŇ ÓÒÔÖÕØŌŐŒŔŘŚŜŠȘŤȚÚÙÛÜŮŰŪŲẂẀŴÝŶŸŹẐŽŻÞ áàâäãåăāąæćĉčçðđéèêëėēęĝĥıíìîïīįĵłńñň óòôöõøōőœŕřśŝšșťțúùûüůűūųẃẁŵýŷÿźẑžżþß Discretionary Ligatures: bb dd ee gg kk ll mm nn oo pp tt

This font was created to look as close to a natural handwritten script as possible by including lowercase swash, ligature and underlines. Perfect for any awesome projects that need hand writing taste. Comes with regular and italic. Built in Opentype features, this script comes to life as if you were writing it yourself. Also support multilingual. It's highly recommended to use it in opentype capable software - there are plenty out there nowadays as technology catches up with design ... Other than Photoshop, Illustrator and Indesign, many standard simple programs now come with Opentype capabilities - even the most basic ones such as Apple's Text Edit, Pages, Keynote, iBooks Author, etc. Even Word has found ways to incorporate it.

A new modern Script font, with stylish and lovely. It comes with a handy set of opentype stylistic, use the beautiful ligatures, alternates and swashes. You need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign, Microsoft Word 2010. It is perfect for logo, greetings, branding, quotes, prints, invitations and crafting. All lowercase letters include alternates, beginning & end swashes, that makes the font look fabulous! These are all coded with PUA Unicode. Mac users can use Font Book and Windows users can use Character Map to view and copy any of the extra characters to paste into your favourite text editor/app. Thanks and have a wonderful day :)

A “latin” alphabet modelled on the ethiopian Ge'ez script - an experiment that works. Amhara was created by transferring the typical forms of the Ethiopian Amharic script to the west European alphabet. Because Amharic is traditionally written with an expanded pen tip, it shows the typical ductus also characteristic of the uncial scripts of late antiquity and the early Middle Ages. So this font »Amhara« has a somewhat sacramental effect. And, although the individual forms look foreign, the overall picture is strangely familiar. The two styles of »Amhara« include a number of ligatures which dispose of many non-attractive letter combinations. Stylistic alternates are available for some letters, too. Read more about this font at ingoFonts...

You think swirls, swashes and curls are kitsch? Wait till you've seen our self-confident set of uncomplicated hand-drawn ornaments. If you're looking for the right flourish to spice up your greeting cards or prettify your wedding invitations, look no further! With LiebeOrnaments your designs will look as accurate as if you had spent three weeks in calligraphy boot camp—while maintaining an aura of softness and loveliness. This single font includes an impressive set of almost 200 variations on classical ornaments (many accessible directly with the keyboard). LiebeOrnaments is the perfect companion for our best-selling typeface LiebeErika, which has a cameo appearance on some of the samples shown above.

Aloe is a characterful and friendly display font family inspired by headlines from 1930’s newspapers and calligraphy. The family consists of 9 weights, ranging from Thin to Heavy, with matching ornament fonts. It features a variable font with weight axis. Each weight has over 900 glyphs including advanced typographic features, such as vast number of stylistic alternates, swashes, titling and terminal forms, case sensitive forms, ligatures, symbols, ornaments as well as lining and old style figures, fractions, subscripts and superscripts. This original mixture of display typeface with calligraphy gives a versatile family great for all sorts of uses - from advertising, packaging, branding, wedding invitations, menu cards and other editorial uses to screen and web projects.

aIntroducing Orange Glos - a bold classic serif with more hand-illustrated alternatives, and preserved textures, for a unique, yet modern vintage feel. Each letterform has a slightly grainy exterior that works beautifully to enhance the conventional and soft details of the Orange Glos. This versatile display typeface has enough character for logos and branding, as well as headlines, apparel, bridal and more. Keep it classic, or decorate it with ornate alternatives to uppercase and lowercase glyphs! To access the alternatives, you must have access to an older version of Photoshop to copy/paste the glyphs from the included PSD, OR the Glyphs Panel, which can be found in Photoshop CC or any Version of Adobe Illustrator. Enjoy!

Armavir by Fontazy is an uppercase type-family consisting of three gradually distressed sub-families Armavir 01, Armavir 02 and Armavir 03 (each in Regular and Bold weights) and Shadow (also in Regular and Bold). Armavir is a sans serif font with a slight touch of handmade. Each typeface contains stylistic alternate version of vowels -A, -a, -E and -e, that converting uppercase font in unicase(-ish). The Shadow style is suitable for each of three text styles. Being a duplicate of the text layer, it gives an additional decorative appearance to the text. All fonts in the family has Latin (West, Central and Baltic) and Cyrillic encoding. Armavir is perfect for logo making, print design, advertising, branding etc.

Clauques Family includes four fonts and, in addition, a very useful extra elements. 
Clauques Script and Clauques Script Light are elegant and youthful fonts with many stylistic variations, swashes and ligatures. Clauques Sans and Clauques Sans Light add a little seriousness. Both are designed to be combined but they also work great on their own. Clauques Ornaments has a lot of beautiful ornaments that work very well with the two styles of fonts. With all this, Clauques Family Font will allow you to create elegant works. 
 This family font is the great choice for any project from logos, magazines and book covers, children’s material, fashion, headlines, cards, posters, websites, packaging and, basically, anywhere you want.

Here comes a New font,Introducing SUNMORI It's Unique Display Font is a Textured Natural Style and classy style, this font is great for your creative projects such as watermark on photography, and perfect for logos & branding, invitation,advertisements,product designs, stationery, wedding designs,label ,product packaging, special events or anything that need handwritting taste. SUNMORI a natural Hand Drawn feel. This handmade font will make your design has a beautiful natural touch for each details. It is perfect for any design project as Invitation,logo, book cover, craft or any design purposes,photos, photography overlays, signs, window art, scrapbooking, tags and so much more! That is has charming, authentic and relaxed characteristic more natural look to your text.

DANGER NIGH is the horror display typeface with high contrast all caps style looks and feel nice balanced. Honestly it works perfectly for headlines, logos, posters, packaging, T-shirts and much more. Recommended to use in Adobe Illustrator or Adobe Photoshop with opentype feature. Ligatures feature is default setting in Adobe Illustrator or Adobe Photoshop in Uppercase character. So when you want not to use the ligatures. Open glyphs panel : In Adobe Photoshop choose tool Window Character and then please click fi symbol In Adobe Illustrator choose tool Window Type Open Type and then please click fi symbol If you have questions, just send me a message and I’m glad to help. Have a great day, Absonstype

This script font was inspired from a lot of manuscripts, notes and drafts, written by the famous American poet Walt Whitman. It is a very elegant type, in spite of a few curious ligatures, often concerning the r or z small letters. Notice the very characteristic “th”. It is used as variously as web-site titles, posters and fliers design or greeting cards, all various sorts of presentations, menus, certificates, letters. This font, in spite of its small size, supports very strong enlargements as well as small sizes ( the original size was about 36 to 48 pts ). When printed, it remains perfectly legible and elegant from 9/11 pts even if using an ordinary inkjet printer.

We count three inspirations for the László font family. The upper case was inspired by Yomar Augusto’s amazing font Unity, used on last year’s German World Cup Team jerseys; the lower case from a few letters a poster for a Bauhaus show. The name László is an homage to László Moholy-Nagy, peerless Bauhaus designer and teacher. The László type family is stripped down to the typographic core, lean, clean and definitely machined, at home in either a formal or casual setting, i.e. you can take László anywhere. Inspired by watching the World Cup and the German Team’s jerseys. Very clean, simple, Bauhaus-style design, European and highly legible. Usage recommendations Automobile ads, anywhere a European feel is desired.

Zibryain is a unique display font. Modern style created as a result of my experiments on letterforms, on the one hand I like the appearance of the individual curved lines, on the other hand they seem very strange, foreign and illogical. It was like looking into a microscope and seeing something strange. I wanted to develop and study these forms as something new, because I had never seen anything similar before. The result is a contrasting font that has sharp, smooth curves and lines. The Zibryain font is perfect for designing company logos, online game logos, magazine covers, biographies, business cards and all your design work of course. become more attractive in appearance.

Inspired by the « lettres bastardes », Arthas is a modern interpretation of ancient letterforms dating far back, before type even existed. It has been subtly adapted for better readability in 2020. The sharpness of the design creates an elegant contrast between old and new, ancient and futuristic, and will add an ominous, regal mood to your graphic design projects. This typeface is meant mostly for display use, but we can’t wait to receive a picture of someone using it for introductory text, at the start of a book…. Maybe that’s you? As all of our releases, it will be updated at time goes on. Those updates will always be free for people having already purchased the font(s).

Prior to 500 AD the 24-rune Elder Futhark was used in Sweden. From 500 AD until 800 AD there were many Futharks which were transitions from the 24-rune Futhark to one of the 16-rune Futharks. By the end of this period the 24-rune Futhark was completely out of use , and only 16-runes Futharks were in use. By 900 AD two different types of Shorttwigs-Futharks had been born. One was popularized in Norway and the other was used in the west (the British islands). By 1000 AD the adjustment of the runes to the Latin alphabet had begun, and several versions are found up until the Dalrunes, about 1700-1800 AD.

Belgona is Modern Retro Fancy Font is a well-balanced contemporary font with a fancy, unique, and versatile vintage serif, font that you can combine to get any variations and unique shapes easily just in seconds with choose alternates of them. It is a serif display font with moderate contrast that perfect for branding projects, logo, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, invitation, stationery, and any projects, it makes with a high level of legibility. What's Included: Character set A-Z Uppercase & Lowercase Numerals & Punctuation Accented Characters (West Europe) Stylistic alternates Works on PC & Mac Recommended using Adobe Illustrator or Adobe Photoshop. Wish you enjoy our font. :)

Elena Albertoni on Dyna: “While studying in Paris, I worked for a design studio specialized in packaging. French supermarkets are full of lettering with a handwriting flavor, which seems to go very well with a wide range of very different products. With the aim to analyze and summarize the qualities of these letterings in one typeface, I faced choices and limits similar to the ones encountered with handwriting. The letters are sloped at different angles, which gives them rhythm; their open shapes suggest movement and gesture. Letters want to dance!” Dyna Pro’s extended character set provides support for a wide range of European languages that share the Latin and Cyrillic scripts. Cyrillic characters designed by Elena Novoselova

dT Jakob started as a revival by Gustavo Soares for Paul van der Laan’s class at the Type and Media Masters, in The Hague, NL – back in 2007. There are quite a few excellent geometric sans typefaces available, but we did want to make our contribution and have a fine geometric face to offer. dT Jakob was born out of Erbar, by Jakob Erbar, one of the very first geometric sans, released in metal around 1926. Our goal was to make a versatile typeface, that handles display and text typography beautifully. To achieve that we designed a complete range of weights, matching italics and lots of OpenType Features. Hope you enjoy it :D

Clara is a set of alphabets of interconnected serif and sans serif fonts. The connection is not only in the intensity of the strokes, i.e. in the identical brightness of the typesetting, but also in the drawing principles of both alphabets. The typeface aims to offer a sense of calmness for a reader even in smaller scales of the typesetting. In large scales it builds on the purity of the image without additional decorations. The Clara system includes maximum equipment of a Latin font from Thin to Black in all versions of marking fonts, italics, capital letters and four kinds of numbers. The typeface allows typesetting of the vast majority of cultural languages of the world.

Introducing our new brush exploration, Rashavine. A freestyle brush font made with the high attention of the brush details. This font has the feel of energic, which challenges you to create a powerful design and fast! Rashavine complete with alternates characters, ligatures, and swashes which you can apply on T-shirt, label, title, books, hoodie, logos, sticker, website, and many more! Rashavine is an all-caps font that you can mix and match from different letterforms. Accented characters available for many different languages. Also, you can access the swashes with ease, by simply type 'underscore' and 1 to 0' from the middle of your word. That's all, folks! Thank you for watching and keep it up!

Dreams Note Is A Modern Family Font Serif Including 8 Font Style. Font Features : Dreams Note Thin Dreams Note Extra Light Dreams Note Light Dreams Note Regular Dreams Note Medium Dreams Note Semi Bold Dreams Note Bold Dreams Note Black SOFTWARE REQUIREMENTS : Fonts and alternate: No special software is required they may be used in any basic program /website app that allows standard fonts That's it, folks! You can go ahead and get cracking :) Follow My Shop For Upcoming Updates Including Additional Glyphs And Language Support. And Please Message Me If You Want Your Language Included or If There Are Any Features or Glyph Requests, Feel Free to Send me A Message. Have a Good Day!

You've searched for "Egyptian" but, thanks to a quirk of type jargon history, much of what you found is not what you had in mind for the voice of Thoth in your comic book, or the hints in your Mummy's Tomb game. And you don't want to fall back on You-Know-What. Fear not; now there's Walklike! Pyramids, reeds, the Eye of Horus, and other recognizable symbols inspire the letterforms of Walklike to create the feel of Ancient Egyptian hieroglyphs while remaining fully legible. The strokes are casual but careful, at home in ink or stone alike, and kept interesting and natural-looking automatically with ligatures and some contextual alternates. The air of ancient mystery is unmistakable!

Here comes a New font,Introducing Playvictim is Bad Brush Font ,This Authentic Style and classy style, Cute Cartoon Font,Bold Display , Inspired from Modern logos of brands that have very strong characteristics, this font is great for your creative projects such as watermark on photography, and perfect for logos & branding, invitation,advertisements,product designs, stationery, wedding designs,label ,product packaging, special events or anything that need handwritting taste. Playvictim a natural Hand Drawn feel. This handmade font will make your design has a beautiful natural touch for each details. It is perfect for any design project as Invitation,logo, book cover, craft or any design purposes,photos, photography overlays, signs, window art, scrapbooking, tags and so much more!

Mojito Youth is a charming display font that combines the timeless charm of a vintage aesthetic with a vibrant retro spirit. This font was carefully crafted to evoke a feeling of nostalgia while exuding a youthful energy that aligns with contemporary design trends. Equipped with a modern touch, Mojito Youth exudes a cheerful and youthful elegance. This font strikes a balance between past and present, making it versatile for a variety of applications, from branding to product packaging. Mojito Youth reflects the authenticity of handmade writing. Irregularities and imperfections in the design contribute to its authentic vintage appeal. Let your creativity flow with the perfect blend of vintage charm and contemporary style with Mojito Youth.

Botterill Signature is a beautiful signature font. It was made to meet your needs in creating elegant designs. This natural font is perfect for branding, wedding invitations, magazines, mugs, business cards, quotes, posters, and more! To enable OpenType Stylistic changes, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or newer versions. Botterill Signature is coded with Unicode PUA, which allows full access to all additional characters without having to design special software. Mac users can use the Font Book, and Windows users can use the Character Map to view and copy one of the additional characters to paste into your favorite text editor / application. Thank you

Zebrawood font is a joint work of the typeface designers K.B. Chansler, C. Crossgrove and C. Twombly, who also designed Rosewood, Ponderose and Pepperwood together. Like its relatives, Zebrawood also displays a kind of Wild West character. Its style can be traced back to the Toscanienne typefaces which appeared in advertisements and on signs at the end of the 19th century. Typical of this capital alphabet are the split serifs and robust base forms, which emphasize the typeface's decorative character. Zebrawood is, like Rosewood and Schwennel, meant as a bicolor font, meaning that the weight Zebrawood fill complements the inner spaces of Zebrawood regular. When used carefully in headlines, Zebrawood font will be sure to attract attention.

The “Ultimate Script”? Not yet, but we’re working on it! Just think: Loads of ligatures, contextual variations and stylistic alternates, coupled with easy use…Just what you’ve been looking for all this time? Well, here it is with all of its typographic power. The perfect partner for you: Technically adept, but still good-looking! What more do you want? Die „Ultimative Schreibschrift“? Noch nicht, aber wir arbeiten dran! Man denke nur an: Mengen an Ligaturen, kontextbezogenen Varianten und stilistischen Alternativen, gekoppelt mit leichter Handhabung…Genau das, was Sie die ganze Zeit gesucht haben? Na denn, hier ist es in all seiner typographischen Mächtigkeit. Die perfekte Partnerin für Sie: Technisch versiert, aber auch gut aussehend! Was wollen Sie mehr?

I wanted to design my own sans-serif typeface for my web site to complement the rest of my type library; I designed Congenial as an understated, highly legible complement to my more decorative display faces. Of course, I’m never far from my calligraphic roots, so Congenial retains some hand-drawn elements, visible particularly in the heavier weights of this generous 10-face family. As befits its name, Congenial is a friendly and inviting face with a generous x-height and highly differentiated characters. See what’s included! http://bit.ly/1Agnkio These fonts have been specially coded for access of all the swashes, alternates and ornaments without the need for professional design software! Info and instructions here: http://lauraworthingtontype.com/faqs/

RAILHAM is a slab typeface with more than 330 glyphs including uppercase, lowercase, numbers, small caps, accents, punctuation, currencies, etc. Inspired by the tracks of a railroad, with stems that narrow at the top, Railham typeface, like a train looks to the future without forgetting the fundamentals of a long road, detaining in the detail of every element to form a strong, fast and versatile family. Retaking and uniting essential concepts of typography, rounded serifs with especially wide base, forms and counterblocks that complement together, RailHam typeface neatly adapts to any topic, besides being practical and readily legible in small and large formats, joining a select list of modern slab serif fonts.

HS Gold is based on some modern lines of Naskh calligraphy which supports Arabic, Persian and Latin with a Sans Serif with subtle round on stems and corners. The typeface has been optimized for corporate identity work, editorial design and modern projects when a contemporary and simple look with a similarity between Arabic and Latin is requested. It features swash, ligatures and swash ligatures. Its proportions allow high impact on the tightly set lines of big and small text alike. This font consists of two weights (regular and bold) which can constitute a striking addition to the library of Arabic and Latin contemporary fonts models that meet the purposes of various designs for all tastes and projects.

This typeface was inspired strongly by one of Ernhardt Ratdolt’s (1442-1528?) many beautiful typefaces. Mr. Ratdolt was a printer from the city of Augsburg, who had also worked for several years as a printer in Venice. He made many advances in printing technique and technology, including the decorated title page. Early books have a mysterious rhythm to the appearance of the text, due to small variances in letters caused by casting irregularities and ink transfer from the press. This supposed defect, which is present in this typeface, gives a pleasing effect when compared to the sterile regularity of modern printing technology. This font has been released as version 2.0 with over two hundred additional characters and improved metrics.