As a font designer for films Henning Brehm delivers fonts with a whip-sharp eye for precision. His latest Vette Letters release, VLNL Agitka is a Cyrillic-inspired (and including) alphabet with both feet rooted in Soviet Union-era propaganda posters. Its design is constructivist (look Mom, no curves!) geometric and strong. Like Russian vodka. Aside from the Regular, Light, Bold and Black weights, Agitka comes in four Neon styles as well. For a dazzling design effect, layer those neons over a regular weight for a star struck embossed-letter effect. We would also like to point out the usage of VLNL Agitka in the Bourne Ultimatum movie, for which Brehm designed neon signage for a scene at a Russian supermarket. За здоровье – Za Zdarovje!

Soul Drifter is a handwritten font collection of 6 fonts that were designed to go together nicely. All six fonts were drawn using the same brush pen, so that their weight and design are consistent, and you can mix and match them easily. Soul Drifter includes: - a brush script font in regular and slant versions, with over 100 ligatures - a matching set of swashes to ornament your texts and designs - a cute sans font in two weights, regular and bold (true bold, drawn separately) - a tall serif font in all caps, with two sets of caps All you need for beautiful and easy designs with a hand-lettered feel, such as postcards and notes, creating logotypes, social media posts, branding and packaging, etc.

VTC Elmwood is a modernized blackletter font family from Vintage Type Company. What's old is new again. Elmwood comes in 4 styles, including regular, 8-bit, outline, and spurred. Drawing inspiration from calligraphic techniques of the past, Elmwood strips away any flourishes that would typically be found in a similar textura typeface, and offers a more modern, stylized old english font. The styles that come included save you a bit of time from having to stylize the regular version yourself, and allow you to tailor the font to more niche and customized projects. Saving time is good, and you're sure to love these options. VTC Elmwood makes the perfect font for branding & logo projects, package design, title design, print & e-publications, and the list goes on.

Looking for a modern and experimental font to make your designs stand out? Look no further than Banigar font family! Comes with 4 styles including regular, italic, rounded, and rounded italic. Also available in 7 Weights (Light, Regular, Medium, Semi-Bold, Bold, Extra-Bold, Black) and 3 Widths (Condensed, Normal, Expanded) on each style with total 84 fonts. Banigar is perfect for creating designs that are both modern and confident. With consistent letter width and a high contrast between thick and thin strokes, Banigar is sure to grab your audience's attention. Whether you're looking to create something fresh and bold or something experimental and daring, Banigar has got you covered. Don't settle for an ordinary font, upgrade to Banigar today! All Caps font.

King Sans is a stylish sans serif font family. The mix of modern and vintage elements results in an elegant design. The different weights offer a variety of options to help you find the best typographic color for your project. Lighter weights are ideal for body text, while heavier weights are best for high-impact headlines. The available stylistic Ligature provide a variety of different characters that give your project design or logo an unique shape. 5 Weights (Light, Regular, Semibold, Bold, Black) 2 Styles (Regular and Italic) Basic Latin A-Z and a-z Numerals & Punctuation Stylistic Ligatures Multilingual Support for ä ö ü Ä Ö Ü ... Free updates and feature additions Thanks for looking, and I hope you enjoy it.

The font collection is called "Laquile", it is a display font for logotype. These collections contain script and serif font. Every font comes with 4 style typefaces (regular, rounded, rough and stamp). Laquile give more extras 1 pack farm illustrations. This script font includes some alternates. The Laquile matches apply in some designs such as the logo, poster, label, badge, packaging, t-shirt, branding, quotes and more custom design. Laquile features : 4 style typefaces (regular, rounded, rough and stamp) Uppercase, lowercase, numeral, symbol, punctuation and alternate in script font All-caps, numeral, symbol and punctuation in serif font Multilingual PUA Encoded Laquile includes : 10 fonts (script, serif and dingbat) 24 illustrations in dingbat Thank you for your support and choosing us.

Sansmatica is a clean and modern sans serif typeface. It has 28 fonts that work as a multi-purpose design solution. It consists of regular and condensed fonts that can be used for different cases: regular fonts are perfect for copy while Sansmatica condensed fonts are more specific - they make emotional associations and are perfect when you want your headlines or advertising to be noticeable. Also suite great for greeting cards, posters, branding, name card, stationary, design title, blog header, art quote, typography. Sansmatica has 7 weights with light looking more modern, fashionable and the bold giving a more rugged impression is perfect for headlines, logos, quotes, and more! It is interesting to use bold condensed fonts – both vertical lines and weight draw attention.

Courteous is absolute elegance. It's semi-condensed serif font with straight and consistent shape in every letter that will give a taste of professional feels to any design. Adding ligature will make it more stylish and modish, very suitable for fashion or beauty projects. Courteous also have the bold version that will looks more gentle. FEATURES: Regular and Bold Version Uppercase and Lowercase are the same 35 Ligature that only works with lowercase, so you can access regular letter by using only uppercase. Ligature: od ai ad ap ed eb ab ib ob ud id ub ou rt yl al le an lu ur gn ha ri ce ho ry ev in ro um ox ve as on Numbers, symbols, and punctuation Multi language support

The British Telegraph font family was inspired by classic headers of Britain newspapers from the middle of XX century. Classic look with three width – Light, Regular and Bold. Great for headers, signs or logos. Also, working well for text blocks. - The British Telegraph Light: Use it for text blocks, or for gently light header typographic. Try to make more wide tracking with capitals, it looks good. - The British Telegraph Regular: Great for simple message, quotes, subheaders (If the header is Bold) or advert slogans. - The British Telegraph Bold: Is a killing title buddy. Massive, strong, bold and in the same time – very gentle. Perfectly for main words, headers, signs or logo's. The British Telegraph has full glyph set with standard and discretionary ligatures (Open Type Features).

Halesbridge is a soft sans serif font family consisting of 7 weights (from hairline to black), 4 widths (regular to super wide) and all styles are in italic. Many languages are supported (see the picture showing the international glyphs). It’s simple letterforms make it easy on the eyes for reading large amounts of body text and looks very modern, especially in the lighter weights. This family is perfect for editorial design, website design and general informative media. However, I can see endless possibilities for typographic logo designs because of the different widths and weights. Overall, this font family will be a great addition to your design assets, commanding the attention your creative projects deserve. For regular updates and freebies please follow me on Instagram at joannemarie_cm

Classic retro sans with some modern looks. Contrast vertical and horizontal lines in Bold style and elegant and airy Light style. This font has no lowercase letters, only the small caps which makes it very suitable for Headers, Logotypes, sub-headers, etc. This family has a French mid-century spirit with the alternate underlined O, inherent in that time, ligatures for L-pairs and T-pairs letters and some decorative alternates for A, C, H, J, O, Q, and U letters. The Le Bonjour has three widths: Bold, Regular and Light. Four styles for Bold and Regular: Clear, Offset Decor Line, Pressed and Stroke. And two styles for Light: Clear and Stroke. (the light style is too narrow for Offset decor and Press styles)

Crewekerne is a typeface family which speaks of the villages that are at the heart of English life. It is inspired by the arts and crafts movement of the early twentieth century, and is complimented by two other families, Crewekerne Magna and Crewekerne Magister. Three widths - condensed, regular and expanded and three weights - regular bold and heavy are offered. Crewekerne is especially good when combined with its two complimentary families and when used in poster and design work that needs a rustic hand crafted flair but still needs to be easily legible. Crewekene is a fun family and a serious set of faces all in one. Crewekerne, Crewekerne Magna and Crewekerne Magister can also be purchased together in the Crewekerne Value Pack.

Brosse is a family of slabserif faces which emphasise clarity and geometric cleanliness of line, in a 'Brave New World' sprit that harks back to the 1930s and possibly also to postwar rebuilding in the 1950s. Its clear legibility makes it ideal for poster work and titles, as well as for signage of any kind. Eight faces are offered, regular and italic, bold and bold italic, as well as a condensed face and a bold weight thereof. There are also two decorative forms- outline and embossed faces. All faces include a large character set and extensive Opentype features. A Demonstrater version of the regular face is also offered free of charge-this is fully licensed but has a signnificantly reduced character set.

Sagara is a beautiful, minimalist, elegant and modern vintage font with a regular and italic styles and comes with multilingual support. Sagara is perfect for branding projects, logo, wedding designs, social media posts, advertisements, quoted text, coffee shop, product packaging, product designs, label, photography, watermark, invitation, stationery, fashion, boutique, furniture, and any projects, it makes with a high level of legibility. It's also a perfect fit for a beauty-themed - or a stylish text overlay to any background image. Main Features: Uppercase & Lowercase letters Numbering and Punctuation Regular and Italic Accented characters Wish you enjoy our font and please don't hesitate to drop me a message if you have any issues or queries. Thank you for visiting our item. Hope you like it! :) Best.

The font is called “Bygonest”, it is inspired by a realistic old typewriter. The font comes with 2 styles (clean and rustic) and 3 weights (thin, regular and bold). This font includes 1 sets alternates with different stamp texture, so you can combine the same 2 letters and not be boring. The font is unique because it has splash rustic in detail of glyph characters. Bygonest matches apply in some designs such as the newspaper, magazine, quotes, logotype, poster, label, packaging, branding, and more custom design. Bygonest includes : 2 style typefaces (clean and rustic) 3 weights (thin, regular and bold) Uppercase, lowercase, numeral, symbol and punctuation Alternate feature Standard ligature Multilingual PUA Encoded Thank you for your support and choosing us.

Cilcle TwoLetter Monogram Logo Font Family with OpenType magic that can adjust to front and back letters, there are 10 frame variations that you can access at numbers 0-9 how to activate it simply by adding a number in front of your initials, typing something (0AB - 9AB) it will automatically compose . you can use it on any Logo project it is perfect to add to your collection. Cilcle TwoLetter font FAMILY – includes 9 weights (Thin, Extra light, Light, Regular, Medium, Semi Bold, Bold, Extra Bold, Black) : Cilcle TwoLetter Thin Cilcle TwoLetter Extralight Cilcle TwoLetter Light Cilcle TwoLetter Regular Cilcle TwoLetter Medium Cilcle TwoLetter Semibold Cilcle TwoLetter Bold Cilcle TwoLetter Extra Bold Cilcle TwoLetter Black Hope you enjoy. Intuisi Creative

Distopia is a contemporary type system which focus on clarity and legibility, developed in two weights with true matching italics. Distopia includes, as previously said, two contrasting versions: Light and Regular with corresponding true italics. This font family combines modernist shapes with slight grotesque touches. Each variant was designed with an attentive optical evaluation; curves, details and spaces were specifically tweaked to better suit the requirements of a highly-legible typeface. The end result is a family with full multilingual capabilities and a coverage of several languages based on the Latin alphabet; Distopia aims to become your next typographic companion. Specifications: - Files included: Distopia Light, Distopia Regular with corresponding true italics - Multi-language support (Central, Eastern, Western European languages) - OpenType features Thanks for viewing, Unio.

Crewekerne is a typeface family which speaks of the villages that are at the heart of English life. It is inspired by the arts and crafts movement of the early twentieth century, and is complimented by two other families, Crewekerne Magna and Crewekerne Magister. Three widths - condensed, regular and expanded and three weights - regular bold and heavy are offered. Crewekerne is especially good when combined with its two complimentary families and when used in poster and design work that needs a rustic hand crafted flair but still needs to be easily legible. Crewekene is a fun family and a serious set of faces all in one. Crewekerne, Crewekerne Magna and Crewekerne Magister can also be purchased together in the Crewekerne Value Pack.

Pentagram TwoLetter Monogram Logo Font Family with OpenType magic that can adjust to front and back letters, there are 10 frame variations that you can access at numbers 0-9 how to activate it simply by adding a number in front of your initials, typing something (0AB - 9AB) it will automatically compose . you can use it on any Logo project it is perfect to add to your collection. Pentagram TwoLetter font FAMILY – includes 9 weights (Thin, Extra light, Light, Regular, Medium, Semi Bold, Bold, Extra Bold, Black) : Pentagram TwoLetter Thin Pentagram TwoLetter Extralight Pentagram TwoLetter Light Pentagram TwoLetter Regular Pentagram TwoLetter Medium Pentagram TwoLetter Semibold Pentagram TwoLetter Bold Pentagram TwoLetter Extra Bold Pentagram TwoLetter Black Hope you enjoy. Intuisi Creative

The Derpache Font is inspired by authentic typefaces in old labels. This font collections contain script and serif font. Every font comes with 4 style typefaces (regular, rounded, rough and stamp). Derpache gives more extras nautical and pirate in one pack illustrations. This script font includes some alternates. The Derpache matches apply in some designs such as the logo, poster, label, badge, packaging, t-shirt, branding, quotes and more custom design. Derpache features : 4 style typefaces (regular, rounded, rough and stamp) Uppercase, lowercase, numeral, symbol, punctuation and alternate in script font All-caps, numeral, symbol and punctuation in serif font Multilingual PUA Encoded Derpache includes : 9 fonts (script, serif and dingbat) 26 hand-drawn illustrations in dingbat Check out Duhline which is a great pair for Derpache.

Noland, A new carefully crafted Variable Geometric Typeface. The Ideas of this fonts are from retro poster, music, movie poster, theater, science fiction from the 70s and early 80s. Adding the elements from the reference above to be represented as Noland. It’s Versatile, Fun, Sharp and Retro-ish feel that you get in Noland Typefaces. Noland Available with 3 Weights: Regular, Semibold and Bold. Also Available in Variable, so the weights are more flexible between Regular and Bold. Just Play with slider weight. Our creation on the display to give you a reference what it looks like on your project. such as Branding, Header, Logotype, Poster, Magazine, Packaging, and etc. It shows that Noland clearly can accommodate Retro Vintage style.

Crewekerne is a typeface family which speaks of the villages that are at the heart of English life. It is inspired by the arts and crafts movement of the early twentieth century, and is complimented by two other families, Crewekerne Magna and Crewekerne Magister. Three widths - condensed, regular and expanded and three weights - regular bold and heavy are offered. Crewekerne is especially good when combined with its two complimentary families and when used in poster and design work that needs a rustic hand crafted flair but still needs to be easily legible. Crewekene is a fun family and a serious set of faces all in one. Crewekerne, Crewekerne Magna and Crewekerne Magister can also be purchased together in the Crewekerne Value Pack.

Illuminated Initials font family has Regular and Colored styles and inspired by medieval initials. It's all you need to precisely imitate dark-ages style text. Use this font as a decorative element at the beginning of a paragraph or section, other part of the paragraph should be in regular black letter font. You’ll get Drop Caps & Numbers set. --- *You can use color fonts in PS CC 2017+, AI CC 2018+, ID CC 2019+, macOS 10.14 Mojave+ * *Please note that the Canva & Corel doesn't support color fonts!* *Please download this test file with only A letter ( https://www.dropbox.com/s/fbt3wpu2j3t0ymv/IlluminatedInitials-Test.otf?dl=0 ) to check your app & system.* --- Please feel free to request any help you need: kaer.pro@gmail.com Best, Roman.

This time I touched another classic manuscript for my font. The Lindisfarne Gospels is an illuminated manuscript probably produced around the years 715–720 in the monastery at Lindisfarne, off the coast of Northumberland. It’s the work of a monk named Eadfrith. He was a highly trained calligrapher, and he used insular majuscule script in the manuscript. I’m happy to present you the Regular and Colored styles for your design. --- You can use color fonts in PS CC 2017+, AI CC 2018+, ID CC 2019+, macOS 10.14 Mojave+ Please note that the Canva & Corel & Affinity doesn't support color fonts! --- You’ll get: * Initials & Regular styles * Uppercase and lowercase * Multilingual support * Numbers * Symbols * Punctuation * Ligatures Please feel free to request any help you need: kaer.pro@gmail.com Thank you!

Medieval Knots font family has Regular and Colored styles. It inspired by Celtic knots initials and lines. It's all you need to precisely imitate medieval style text. Use this font as a decorative element at the beginning of a paragraph or section, other part of the paragraph should be in regular black letter font. You’ll get Drop Caps & Numbers set. --- *You can use color fonts in PS CC 2017+, AI CC 2018+, ID CC 2019+, macOS 10.14 Mojave+ * *Please note that the Canva & Corel doesn't support color fonts!* *Please download this test file with only A letter ( https://www.dropbox.com/s/w6n0zmga231xng1/MedievalKnots-Test.otf?dl=0 ) to check your app & system.* --- Please feel free to request any help you need: kaer.pro@gmail.com Best, Roman. Thank you!

Austerity Retro Script font is a vintage-inspired typeface that is perfect for creating classic design projects. Its elegant and curvy handwritten style makes it ideal for conveying a sense of nostalgia and timeless sophistication. This font is available in both regular and bold weights and includes uppercase and lowercase letters, numbers and punctuation symbols. Some of its features include: -Vintage Style: Austerity Retro Script font captures the essence of the golden age of typography with its retro-style design. It is perfect for creating vintage posters, product packaging, branding, and more. -Handwritten Appearance: The font has a unique and playful handwritten appearance, with smooth curves and a natural flow. It captures the essence of calligraphy and is perfect for conveying a sense of personal touch. -Bold and Regular Weights: Austerity font is available in both bold and regular weights, giving designers flexibility to mix and match them to achieve a wide range of styles. -Uppercase and Lowercase Letters: The font includes both uppercase and lowercase letters, making it easy to create a variety of typographic combinations for your designs. -Punctuation Symbols and Numbers: Austerity font also includes a range of punctuation symbols and numbers, making it a versatile typeface for a wide range of projects. -Multilingual Support: The font supports multiple languages, including English, French, German, Portuguese, Spanish and more. Overall, Austerity font is a perfect choice for designers who want to create a vintage feel in their design projects. Its handwritten style, bold and regular weights, and range of symbols and numbers make it a versatile and reliable font for any design project.

Get ready to be transported back in time with Algol—the low-resolution display typeface that takes inspiration from classic computer pixel fonts. But don’t be fooled, Algol is not just your typical pixel typeface– it adds a touch of elegance to the digital age. By overlapping intersections with rounded corners, Algol creates a softened effect that sets it apart from other pixel fonts. Say goodbye to the sharp, precise pixel junctions and hello to a font that works perfectly for vinyl-cut signage systems and other cases where a more gentle look is desirable. With Algol, you have the choice of three members of the family—Algol Regular, Algol VII, and Algol IX. For a truly dramatic look, layer Algol Regular and Algol VII in inventive color combinations that will leave an impact on anyone who lays their eyes on it. Algol IX, on the other hand, is more relaxed in its spacing, allowing the spectator to look directly through it. But don’t be fooled by its simplicity—hidden alternate letters with closed counters open up a whole universe of design options for you to explore. So what are you waiting for? Let Algol take you on a journey to the past, all while creating stunning designs that are sure to impress. Most Latin-based European, Greek, and some Cyrillic-based writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Bulgarian, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greek, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Komi-Permyak, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Macedonian, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Russian, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Ukrainian, Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

The Typorium presents a new optimized and enriched version of ITC Ellipse which first appeared in 1996 in the International Typeface Corporation typeface library. ITC Ellipse Neo design has been lightly modified. Three weights have been added (light, Medium, Extra Bold, including Italics) to the original Regular and Bold styles. ITC Ellipse Neo is both modern and classic. Modern in the unusual shape based on the geometric ellipse form. And classic in the structure of some letters like the lower cases c, e, g, o, s. These letters alone could come from a traditional typeface, but they fit perfectly with the atypical rest of the alphabet giving it a present-day and traditional mix. Furthermore, the ellipse shape fits naturally in the italic styles, giving the font an organic and fluid feeling. ITC Ellipse Neo offers OpenType features such as alternate characters for upper and lower case, and an extended accented character set to support many languages. Five weights have been created for each style to offer a wide range of graphic possibilities in a tidy digital footprint. Designer: Jean-Renaud Cuaz Publisher: Typorium MyFonts debut: December 15, 2020 Le Typorium présente une nouvelle version optimisée et enrichie d'ITC Ellipse qui est apparue pour la première fois en 1996 dans la bibliothèque de caractères de l'International Typeface Corporation. Le design de ITC Ellipse Neo a été légèrement modifié. Trois graisses ont été ajoutées (léger, moyen, extra gras, y compris les italiques) aux styles originaux Regular et Bold. ITC Ellipse Neo est à la fois moderne et classique. Moderne dans le dessin inhabituel basé sur la forme géométrique de l’ellipse. Et classique dans la structure de certaines lettres comme les minuscules c, e, g, o, s. Ces lettres pourraient provenir d'une police de caractères traditionnelle, mais elles s'intègrent parfaitement avec le reste de l'alphabet plus insolite en lui donnant un mélange de modernité et de tradition. De plus, la forme de l'ellipse s'intègre naturellement dans les styles italiques, donnant à la police une sensation organique et fluide. ITC Ellipse Neo offre des fonctionnalités OpenType telles que des caractères alternatifs pour les capitales et les bas de casse, et un jeu de caractères accentués étendu pour prendre en charge de nombreuses langues. Cinq graisses ont été créés pour chaque style afin d'offrir un large éventail de possibilités graphiques pour une empreinte numérique rigoureuse.

K-Type’s ‘Banks & Miles’ fonts are inspired by the geometric monoline lettering created for the British Post Office in 1970 by London design company Banks & Miles, a project initiated and supervised by partner John Miles, and which included ‘Double Line’ and ‘Single Line’ alphabets. The new digital typeface is a reworking and extension of both alphabets. Banks & Miles Double Line is provided in three weights – Light, Regular and Dark – variations achieved by adjusting the width of the inline. Banks & Miles Single Line develops the less used companion sans into a three weight family – Regular, Medium and Bold – each with an optically corrected oblique. Although the ‘Banks & Miles Double Line’ and ‘Banks & Miles Single Line’ fonts are based on the original Post Office letterforms, glyphs have been drawn from scratch and include numerous adjustments and impertinent alterations, such as narrowing the overly wide Z and shortening the leg of the K. Several disparities exist between the Post Office Double and Single Line styles, and K-Type has attempted to secure greater consistency between the two. For instance, a wide apex on the Double Line’s lowercase w is made pointed to match the uppercase W and the Single Line’s W/w. Also, the gently sloping hook of Single Line’s lowercase j is adopted for both families. The original Single Line’s R and k, which were incongruously simplified, are drawn in their more remarkable Double Line forms, and whilst the new Single Line fonts are modestly condensed where appropriate, rounded letters retain the essentially circular form of the Double Line. Many characters that were not part of the original project, such as @, ß, #, and currency symbols, have been designed afresh, and a full set of Latin Extended-A characters is included. The new fonts are a celebration of distinctive features like the delightful teardrop-shaped bowl of a,b,d,g,p and q, and a general level of elegance not always achieved by inline typefaces. The Post Office Double Line alphabet was used from the early 1970s, in different colours to denote the various parts of the Post Office business which included telecommunications, counter services and the Royal Mail. Even after the Post Office was split into separate businesses in the 1980s, Post Office Counters and Royal Mail continued use of the lettering, and a version can still be seen within the Royal Mail cruciform logo.

New for 2020 Bodoni Ornamental now has two italics to choose from, one basic italic and a second which is more of a true italic with a few uppercase letters that have been stylized. Only one italic can be style linked to the regular upright version so in the second italic we've added Avanti to the name which means forward in Italian. When purchasing the regular upright and Avanti italic together they will install as two separate families. Bodoni Ornamental is a revival of a very old typeface based on the Poster Bodoni letter shape. Giambattista Bodoni passed away in 1813, this decorative version was created in the 1820’s or 1830’s which was the time period when many of these ultra bold decorated type faces began to appear, the original artist is currently unknown. The original version of this ornate classic was only available as a set of uppercase letters, today over one hundred eighty years later this font is now complete with a new lowercase, numbers and accented characters for Eastern, Central and Western European countries. Due to the ornate detail in Bodoni Ornamental when printing itís recommended to use a laser printer 600dpi or greater, a 1200dpi printer will give you the best results rendering the most detail at the smallest possible point size for this font. Small home user Ink Jet printers are not recommended for Bodoni Ornamental unless you set the font to a very large point size. With Ink Jet printers much of the detail in the letters will bleed together as the ink hits the page, commercial Ink Jet printers such as GiclÈe printers may give good results. When using Bodoni Ornamental for digital images including web site graphics it may help to add a one pixel stroke fill around the letters setting color to white or grey, this may help the web site images display better on some computer's. You will need a photo editing application such as Adobe Photoshop to create your image adding the stroke fill and save as a jpg , png or gif file. I hope you enjoy this old font as much as I did making it. Note: When previewing the Bodoni Ornamental font in the Windows font preview you may notice some letters appearing lighter and some darker, this is a problem with the preview window and some ornate fonts, Bodoni Ornamental will print normal and not with mixed light and dark letters.

Sometimes it's easy to find a name to fit a font design, other times it's a struggle because of the sheer number of digital fonts available and the number of names already taken. Classification JNL stretches a point to arrive at its name. The attractive sans design was found as a hand-lettered title on a piece of vintage sheet music called "My Hawaiian Souvenirs". During the 1940s, the popular mode of travel to other countries was by steamship. Steamship passengers were assigned their accommodations by the type of passage they booked (such as First Class and Tourist), thus they were in various levels of classification. This aside, Classification JNL is a nice alternative to "standard" condensed fonts for design projects.

Hi...Thank for your visit :) Snow White a script font is a beautiful script font with beginning and ending swash. It features White-themed characters that will take your projects to the next level! This font is PUA code which means you can easily access all the glyphs and alternates that are full of love! It also features many special features including glyphs and alternate. font designs that are made for various vector designs, printing such as digital wedding blogs, online shops, social media, while printing can be used in the field of product clothing, accessories, bags, pins, logos, business cards, watermarks and many others ... so it can make your product look cute and attractive, and also Multilingual support!!! Happy design ...

The Magnate Family began as a digitization of a film typeface from LetterGraphics known as "Wilshire". What began as a basic glyphset was fleshed out with a full character set with a smallcaps feature. We also decided to add a slightly more delicate side to Magnate, softening up the sharp flair serifs just a little. See the 5th graphic for a comprehensive character map preview. Opentype features include: - Full set of Inferiors and Superiors for limitless fractions. - SmallCaps feature. - Tabular and Proportional figure sets. - A small collection of Standard Ligatures. - A Stylistic Alternates feature for an alternate lowercase t style. Approx. 687 Character Glyph Set: Each style of Magnate comes with a glyphset that includes standard & punctuation, international language support, and additional features.

Cut as a private version for the Nonesuch Press in the early 1930s, Monotype Bulmer was first released for general use in 1939. Based on types, cut by William Martin circa 1790, used by the Printer, William Bulmer, in a number of prestigious works, including Boydell's Shakespeare. Martins types combined beauty with functionality. Narrower and with a taller appearance than Baskerville, it anticipated the modern face of Bodoni but retained vital qualities from the old face style. This new digital version of the Bulmer font family was drawn by Monotype following extensive research into the previous hot metal versions and a study of Bulmer's printed works. Additional weights have been designed together with a wide range of Expert and alternative characters.

Please welcome Palomino Clean - a carefully digitized brother (or sister?) of Palomino calligraphy font family created using amazing Palomino Blackwing 602 pencils. Palomino clean can be safely used on the web - no need to worry about file size! - as well as in all desktop applications. All features are identical to Palomino Original - the script font is loaded with initial, medial and terminal alternates and swashes. Along with a help of three other fonts - condensed sans, simple sans and design elements font - you’ll be able to create stunning designs with a click of a mouse. This versatile font family will work perfectly for fashion, e-commerce brands, wedding boutiques, photography, quotes design and a lot more. It has extensive language support and fully unicode mapped.

Pani Sans is a contemporary type family in 18 styles designed by Alessio Laiso. It takes inspiration from Italian rationalist and art deco typefaces, bringing them into the present with the mix of its reliable geometric structure and distinctive warm personality. The italics add to the unique character of the family by featuring distinguishing calligraphic touches. Pani Sans is fully equipped for intense professional use for both print and digital applications. It supports 219 languages, covering 100% of the Latin Plus character set, and it ships with powerful OpenType features including beautiful small caps, ligatures, stylistic alternates, fractions, tabular figures, old-style figures, and more. The variable fonts included in the family package allow you to pick the perfect weight, for unlimited design freedom.

Ni is a kind of typographic love letter, revealed in three distinct, yet close, type formulas. Ni Serif is a contemporary serif typeface with slight diagonal modulation, amazingly legible, and with a very steady rhythm that allows a wonderful performance, especially in long passages of text. Ni Sans closely match the design characteristics and proportions of the serif counterpart. Ni Sans undeniably shows the strong calligraphic influence that comes from Ni Serif, resulting in a very comfortable humanistic typeface, suited both for print and digital environments. Ni Slab is not a simple Sans with serifs attached. Despite the thick and strong serifs, Ni Slab is a gentle mixture of the DNA of the Serif and Sans counterpart and does not intend to reflect any mechanic approach.

Despite being drawn digitally, Angeletta is a typeface in the hand-lettering tradition. It draws on designer Rob Leuschke's three decades of experience with pen and ink, including his time creating scripts for Hallmark Cards. Spontaneous and energetic, Angeletta is satisfyingly inky – with strokes almost spilling into one another. Its quirky personality and titling version makes it a good choice for packaging and social expression, while its distinctive character could work well in branding, perhaps paired with a more sedate sans serif. The Angeletta typeface is a calligraphic script designed by Robert E. Leuschke exclusively for Monotype. It is available in OpenType OTF and TTF fonts formats. Angeletta has 900 glyphs with OpenType typographic features like contextual and stylistic alternatives, swashes, ligatures and fractions.