Marylebone is a font duo inspired by its namesake neighborhood, located in central London. Marylebone was designed to compose short text for advertisements, blackboards and shop windows in coffee shops, small bookstores, flower shops and local shops. The set is made up of a hand made brush script, composed of 519 characters including ligatures, initials and terminals; as well as a very clean, geometric unicase sans serif with some alternates and ligatures that can double as monograms, it also includes a hand-drawn floral dingbat set. Marylebone allows you to design beautiful compositions for packaging, advertising, quotes, wall art, branding, photography overlays, magazines, motion graphics, scrapbooking, planners, window art, tags, tote bags and much more, thanks to its irregular appearance that gives a unique personality to your design projects.

Organetto is a typeface, inspired by the lettering found on Art Deco posters, whose design embraces latest digital font technology. This versatile font contains multiple widths which make it an ideal solution to fit every design need. In addition to its functional geometric style and different widths, Organetto also includes alternate characters that provide even more design options. All these features make the font a great choice for graphic designers and art directors, logos, wordmarks, short text, etc. Organetto is a sans-serif typeface with modern proportions and straight-edge terminals. It comes in 7 weights, ranging from Hair to Ultrabold, and 7 widths (from Ultra Condensed to Expanded) and contains a set of 397 characters that support 180 different languages. Organetto also includes OpenType features- 3 sets of alternates, catchwords and titling.

Decoral Soft depicts the character of Art Deco period typography and reinterprets it into modern approaches. This typeface is a friendly and flexible family that is fun to use. It comes with a set of 670 characters per weight, supporting over 50 different languages using the Latin alphabet. Decoral Soft also comes with special stylistic sets and swash characters that allow the user to be creative and playful with the type, helps enhance many different possibilities that certainly will spice up your design. Decoral Soft will satisfy all your typographic needs, from book jackets to monograms to packaging, logos, and even wedding invitations—timelessly elegant, with a distinctive flair that exudes Art Deco typography in a fresh, modern way. The wide selection of titling alternates and ligatures make copyfitting a delight.

Rocket Pop Outline and Rocket Pop are influenced by product packaging and cereal box art from the 1960’s and 1970’s. The fonts will work as companions or separate. Best used over 36pt as a headline display face, these fonts will bring a bold playfulness to any project where a vintage or retro style is in the concept. The style reflects the era when things were indeed, mad, where men (and some women) did crazy art for vinyl records, food packaging and kiddie products. This outline font will bring a snap and crackle and a pop to any of your vintage design projects. Watch for the Cerealboxx Set coming soon that will include the astroluxtype fonts, Sugarbang! Koo Koo Puff and Rocket Pop together in one delicious box.

Patmos Serif is a hand drawn serif font, inspired by the art of the cyrillic calligraphy, as well as the script of the Greek Orthodox art. The font contains Latin, Greek and Cyrillic alphabets and it is delivered in Opentype and Truetype format. It supports Central, Eastern, Western European, Baltic, Turkish, Greek and Russian languages. Patmos Serif has a variety of stylistic alternates and classes, titling altrenates, discretionary and standard ligatures and it is fully unicode-mapped (PUA encoded). The standard ligatures of the font are 4 decorative ornaments, that you may add at the end of a word and they match perfectly with the titling alternates. All you have to do is to make sure that ‘standard ligatures’ are activated in your application and then type "d" and a number from 1 to 4.

The Cholla typeface family was designed by Sibylle Hagmann in 1998-99 and named after a species of cactus she encountered in the Mojave Desert. Cholla was originally developed for the Art Center College of Design in Pasadena, California. There, art director Denise Gonzales Crisp and associate designer, Carla Figueroa, collaborated with Hagmann to create a series of fonts that would offer a great deal of variation. The variety was needed to echo the school's nine different departments, yet together the fonts had to exude a unified feel. It was first used in the radically designed 1999/2000 Art Center catalog which won a honorable mention in I.D. magazine and was featured in Eye No. 31. Originally Hagmann set out to design a typeface that, as she recalls, "I could feel comfortable making, first of all, and one that would serve a purpose and had a clear idea behind it, and something that I would want to use myself." Stylistically Hagmann set out to create "12 cuts with slightly different personalities, with different ideas applied. For example the bold weight isn't simply the Regular with weight gain, but has bold letterforms with their own peculiar details. What all weights share and what is the necessary unifying detail is the tapered curve - marked out, for example, in the lowercase b's left top and bottom of the bowl." Gonzales adds: "The forms seemed classical as well. This combination could have a long life, and be timely. I also saw - at least in the beginnings of Cholla - forms that connoted hybrid, of inter-connection, of human and machine growing together. These notions seem appropriate for a school that teaches design and art." Greek version by Panos Haratzopoulos.

Westpart was born from the previous three brush fonts: 1. Northen, 2. Easttalia and 3. Southen. This font is part of the 4 directions that cannot be separated. It has a styling brush that is very different from before, because the Westpart has its own advantages. Westpart has a bonus splatter, ligature, and swash that has a very detailed brush effect. In addition, Westpart is very supportive of the use of 27 languages.

“Worst Hunter” has hard strokes and signature style that speak to instant unique sensation. Take your creative projects to the highest level with this font. “Worst Hunter” will help you to create special and touching typographical design for your characteristical and exclusively projects, for branding, food product, cafe product, restaurant product, labeling, clothing, movie title, album cover, logos and many more. It is really universal and modern font. The owner of endless possibilities!

Kiddie Love is a lovely display font that radiates charm. It features gorgeous hearts in each letter which give it an incredibly romantic feel. this font suitable for valentine day poster, logo, t shirt, event banner and etc. you can use this font for any design, apparel, kids logo, logo type, with many swash for make your design awesome. feature : Kiddie Love Uppercase Kiddie Love Number and Punctuation Kiddie Love Multilingual Kiddie Love Swash

The Vekta Type System is part of a larger, interconnected grouping of 3 families: Neo, Sans and Serif. The goal was to develop a family designed along a common skeleton and matrix that would allow for interchangeable usage along a cohesive visual system. It's About The Personality. Interchange type families to be as expressive as you want to be. Let the piece you are designing constrain your usage and not the typeface.

Nettally is a lovely signature font with a delicate and feminine vibe about it. This typeface gives off a sense of elegance, simplicity, and charm. Please feel free to use this typeface in your own project. This typeface was created with a refined natural touch of handwriting to produce parts and compositions that meet your demands. As a result, this typeface is ideal for crafts, children’s writing, adventure posters, and other similar applications.

This family of decorated initial letters was inspired from a French catalogue dedicated to engravers, embroiders and jewelers. unfortunately, we don't know the name of the illustrator, no more than the publisher, because a large part of the pages seems to have been lost or have been damaging, so, we have had to redrawn a few of figures. The font is containing standard Latin capitals without diacritics, identically repeated in lower case keys, and numerals.

One in the series of fonts called Whiz-Bang Wood Type, intended to be set large and tight. Spindletop’s ultra-condensed letterforms allow a lot of information to be packed into little horizontal space. Named for a famous East Texas oil field that made a lot of people rich in the early part of the twentieth century. Both versions of this font include the complete Unicode 1252 Latin and Unicode 1250 Central European character sets.

It’s a mixture of digital exactness and analog freedom. With over 130 Opentype features, the font can change its look from strict to charming twirly. GELI offers many different ways to highlight words, which gives the font a personal character. It is a powerfull corporate font with a wide range to play with. Tobias Gutmann designed the Font in 2009/10 in the Typoclub which is part of the Hochschule der Künste Bern.

“VOID AGE” has hard strokes and signature style that speak to instant unique sensation. Take your creative projects to the highest level with this font. “VOID AGE” will help you to create special and touching typographical design for your characteristical and exclusively projects, for branding, food product, cafe product, restaurant product, labeling, clothing, movie title, album cover, logos and many more. It is really universal and modern font. The owner of endless possibilities!

A revival of sorts, Freaky Frog BF is modeled after an 1887 design from Central Type Foundry, called Grimaldi. Much warmth and charm have been instilled into the original design through among other means, reworked contours and serifs. Contours are smoothened, liberated from its roughness, while serifs have become somewhat concave. Verticals and horizontals appear to "swell" owed in part to flared shapes. The overall effect, I believe, is one of pure typographic endearment.

Provisions is a retro sans serif display font that was inspired by classic, hard working blue collar businesses such as mechanics, delis, butchers, pubs and machine shops. This versatile typeface is perfect for capturing that same era in your own branding and logo design, while also working well in apparel designs, labels, packaging & more. The full version of Provisions includes both regular and oblique styles, each with a complete set of multilingual characters.

Umbilical Noose is a rather scary typeface. It is quite similar to an older font of mine: Nyctophobia. The name comes from a Nirvana song called Heart Shaped Box, in which Kurt Cobain sings: "throw down your umbilical noose, so I can climb right back". I have always liked that phrase a lot. Umbilical Noose is an all caps font, but upper and lower case are different and you can easily interchange the glyphs.

Diamond Jim JNL was inspired [in part] by an image of a 1970s Letraset® dry transfer typeface made entirely of small stars. By creating his own layout using tiny diamond shapes, Jeff Levine has produced a font that takes on multiple appearances. At 24 point it resembles dot matrix printing; at 48 point the diamonds are clearly visible; and overall, the design has a distinctive 70s retro feel. Limited character set.

BAR SADY is a revival of a typeface based on famous lettering from "BAR SADY". The project was implemented as part of the Warsaw Participatory Budget 2023. Mateusz Machalski & Małgorzata Bartosik were responsible for the new digital version of the typeface. In the first phase, the original lettering was lifted, then extended to a full set of characters (A-Z). Finally, the bold style was created. The whole family is available under a free license.

“Blind Justice” has hard strokes and signature style that speak to instant unique sensation. Take your creative projects to the highest level with this font. "Blind Justice” will help you to create special and touching typographical design for your projects, for every day or the happiest day in life, greeting card, headings, flyer, product packaging, book cover, printed quotes, logos, and many more. It is really universal and modern font. The owner of endless possibilities!

VEMBAZAX RM is a Display font. This font describes about strong, taft, manly, hard, power, masculine, stiff, mighty, brave, gallant, rigid. FEATURES - Support Opentype Features - Support Ligatures - Uppercase - Numbering and Punctuations - PUA Encoded Characters - Multilingual Support - Works on PC or Mac USE VEMBAZAX RM works great in any branding, logotype, magazines, poster, social media posts, clothing, advertisements, product packaging, product designs, label, company profile, quotes and any projects that need STRONG taste.

International is an homage to mid-century modernist trilines. Offering contemporary, well-balanced proportions and a lack of heavily dated styling affectations, International brings a uniquely modern sensibility to the triline style. International features OpenType standard ligatures, discretionary ligatures and stylistic alternates as well as a standard set of accents and symbols to provide a versatile end-user experience. International has played hard for Nike Women's Training, Nike Running, Nike Sportswear, Target, Showtime and more.

Trad (Träd is Swedish for tree) is inspired by viking mythology and runic alphabets. Imagine a viking warrior crudely carving a message into a tree stump with his trusty dagger, sipping on a flagon of ale and pondering a hard days slaying. Like the blade of his blood encrusted axe, Trad is ideal for projects requiring a sharp edge, such as the cover of your next thriller, zombie flick, or death metal album.

Vogue Sans is a luxurious high contrast sans serif well suited for fashion and haute couture design or glamorous headlines. Try typing any word or name with Vogue Sans and it'll look great. Vogue Sans is equipped with several interlocking ligatures - CC, CO, LA, LC, LL, LE, OO & TT. Vogue Sans also has Swash & Titling Alternates for letters A K L T X Q R and Stylistic Alternates for letters K and R. Go chic!

Linotype Boundaround is part of the Take Type Library, selected from the contestants of Linotype’s International Digital Type Design Contests from 1994 and 1997. German artist Christina Sachse gave her font a mystical feel. The vertical strokes meet the base line at a point and the strokes vary in their width. The lively Linotype Boundaround is suitable for shorter texts in point sizes 12 or larger and for headlines in larger point sizes.

Bangersfield is a four-member font family from Robby Woodard. With line treatments clearly inspired by cased meat products, these fonts function as a healtier alternative to Comic Sans. The casual hand lettering works well for light-hearted design and comic lettering. These fonts are stuffed with opentype features, extra ornaments, and a full Central European character set—over 400 characters per serving. Satisfy your hunger for a fresh take on a stale genre!

Regnante was created with all of my heart. It has a luxury style, is stylish and lovely, and has a strong personality, so it will catch your attention. This font is ideal for a wide range of tasks including branding, logos, packaging, and more. Regnante includes 12 fonts, including 4 weight variations and Italic style. Regular and Alternate are come separately. You can make your selection based on your personal preferences and requirements.

Linotype Atomatic is part of the Take Type Library, selected from the contestants of Linotype’s International Digital Type Design Contests of 1994 and 1997. German artist Johannes Plass designed his font in one strongly-crafted weight. Linotype Atomatic seems to mirror the fast pace and technology of modern times. The slight lean to the right gives an impression of speed and movement. Linotype Atomatic is intended exclusively for headlines in larger point sizes.

HU Sansans KR is a San-serif Korean fonts. It is a solid and trendy full square typeface that contains powerful and bright energy. I created a young and bright feeling by making a blank at the bottom of the first consonant of the initial letter, and the curve of the first part continued the bright feeling of the font. By configuring 4 types of font families, the usability of typefaces has been increased.

A dystopian, CAPS only, title font used primarily for big type - so headlines in magazines, newspapers and articles. Though also amazing for posters and fdlyers where you want to grab attention. Futuristic values of a sans, which incorporate cut away elements that reflect reality - nothing's perfect - or invoke shadows when reversed out. Uppercase gives you a hard-edged version, lowercase keys will give you a rounded CAPS version, softer on the eye. Enjoy!

The Vekta Type System is part of a larger, interconnected grouping of 3 families: Neo, Sans and Serif. The goal was to develop a family designed along a common skeleton and matrix that would allow for interchangeable usage along a cohesive visual system. It's About The Personality. Interchange type families to be as expressive as you want to be. Let the piece you are designing constrain your usage and not the typeface.

Geulwoll is a Korean word for letters. HU Geulwoll is a handwritten font that conveys a calm feeling by creating a lyrical and old atmosphere. In order to emphasize the feeling of writing with a marker, each end was made to fall diagonally, a characteristic of the marker. It is a highly readable font with a curve applied to the bent part to save the stroke order. There is 1 weight of HU Geulwoll : Medium

A piece of hand lettered sheet music from the era of the "Roaring Twenties" served as a model for Raccoon Coat JNL. It was a time of Prohibition, bathtub gin, flappers and college boys decked out in beanies and raccoon coats. College pennants, ukuleles and "23 Skidoo" were all part of the youth culture during this period; which gave us such dances at the Charleston, the Black Bottom and the Lindy Hop.

Cosima is a sans serif workhorse with a touch of pointy elegance, designed by Anita Jürgeleit. Launching your new brand or creating a new user interface for your mobile devices – selecting characteristic typefaces is important, whether you’re creating app design, magazine or editorial – typography is always the essential part. www.typethis.studio Thank you for checking Cosima. If you have any questions, please send an email to hello@typethis.studio - We are looking forward to hearing from you.

Linotype Seven is part of the Take Type Library, chosen from the contestants of Linotype’s International Digital Type Design Contests of 1994 and 1997. This prize-winning font was designed by the German artist Christian Vornehm. The font looks as though hastily drawn with a wide, bristly brush, as though the scribe was in a hurry. Linotype Seven is loaded with energy and spontaneity. It is intended exclusively for short headlines in larger point sizes.

Tactical is nothing more than a testosterone-laced typeface. Rigid, mechanical and unforgiving. Originally conceived in 2007 while I was working through the early sketches of Ginza, Tactical features hard 45-degree angles and the presence of a curve for curve’s sake is just not there. Complimenting the original is a Stencil variant (inspired by the military, marathon video game, explosion-influenced name) and matching Obliques—altogether creating a sharply coordinating family.

The font has a pronounced decorative effect and is suitable for the gaming, publishing and film industry. The Cyrillic alphabet conveys the spirit and atmosphere of Soviet constructivism. It is well suited for names of Soviet (or pseudo-Soviet) trademarks, large headings, signs, giant letter structures, etc. The Latin part is not tied to the Soviet period and can be applied in a wider range. Sharp angles and unnatural proportions create dynamics, strength and heaviness.

Pietra is a Baroque-inspired, all-majuscule type design, based on the massive five-foot tall mosaic lettering high above the floor in St. Peters in Rome. The font includes two sets of capitals: full sized, proportioned on the actual lettering; and small capitals, scaled vertically to capture the foreshortened effect of viewing the lettering from the floor. It was designed by Garrett Boge in 1996. Pietra is part of the LetterPerfect Baroque Set.

Rocktypes is Display Font This font describes about about strong, bold, taft, manly, hard, power, stiff, mighty, brave, gallant, rigid. FEATURES - Uppercase letters - Numbering and Punctuations - PUA Encoded Characters - Multilingual Support - Works on PC or Mac USE Rocktypes works great in any branding, logotype, magazines, poster, social media posts, clothing, advertisements, product packaging, product designs, label, company profile, quotes and any projects that need STRONG and BOLD taste. Enjoy using! Thanks. HIRO.std