At home we love bananas: the kids take them to school for ‘snack time’, they’re healthy and they look pretty as well! Republica Banana is a pun on the term Banana Republic, which was coined by American author O. Henry in 1901. In economics, a Banana Republic is a country that is run as a private commercial enterprise for the exclusive profit of the ruling class. Of course I can point out a few countries that fit this description, but let’s not get into that. Republica Banana is a very nice, hand painted brush font. It comes with double letter ligatures for the lower case and a lot of diacritics for you to play with.

With Gemsea Fonts, you open the door to a world of limitless creativity. A display theme that celebrates the power of the ocean, bringing a strong, bold, and fun touch to any of your projects. Gemsea is the perfect solution for projects that require a unique theme. From epic films to stunning games and unforgettable streaming events, this font offers durability and appeal in various languages. Stunning Features: Five different family styles: Regular, Blur, Engrave, Outline, and 3D. This gives you the flexibility to create a variety of nuances in your designs. It supports multilingual so that you can connect with a global audience without restrictions. Gemsea creates not just projects, but unforgettable works of art. Get the Gemsea Font now and bring the magic of the ocean into your designs!

Popfun is a display typeface with playful taste. It comes in two different styles, normal and extrude paired with a mono style, this font fits perfectly. Really playful font to make it easier for you creative work such as — branding, film titles, packaging, advertising, posters, and web or app.

Introducing new serif display typeface its called Limit Corner. Inspired by victorian style with classic style .OpenType features some characters that allows you to mix and match pairs of letters to fit in your designs. It’s an all caps typeface, with strong and sleek letters. It features over 50 stylised alternatives, offering an infinite opportunity to customise and create logos, headlines, titling, product packaging, labeling, logo, classic shop, badges, movie title, t-shirt, posters, label, greetingcard, letterhead, book cover, etc. To access the alternat glyphs, you need a program that supports OpenType features such as Adobe Illustrator CS and Adobe Indesign Features : Character Set A-Z Numerals & Punctuations (OpenType Standard) Accents (Multilingual characters) Thanks and enjoy designing.

Fada is a unicase geometric grotesque that was made on the basis of a logo for a bar, which we have designed. We were inspired by the license plate, in which the letters have specific heats in places conjoined. The only difference between upper or lower case characters is reduced and increased waist. This is characteristic not only for letters and digits. Fada - good for fashion, editorial, posters, logos and so on.

There really is no nonsense in this font - but the name comes from my original sketches, where I drew a lot of nonsense! Actually, I couldn't figure out what letters to use from the sketches, so I picked them all!!! That's why each letter has 10 different versions! And what is cool is that they automatically cycles as you type. All you have to do is turn on Contextual Alternates, and the rest is magic!

Here is my font with carved out letters, like a really bad stamp. Each lowercase letter has 3 different versions, and that makes your text more natural, organic and handmade. Normally I kern my fonts throughout, but this time there is no kerning at all...and that's odd, when we're not talking about monospaced fonts. Anyway, Bottle Fork has its flaws and jumpy x-height...but that's exactly the charm of it all! :)

Mithella is a sans serif family with a pleasant touch. Some letters, especially linear ones, look normative like other rounded sans serifs, but the difference can be seen clearly in curved letters so that it gives a pleasant impression for each series of words. Mithella comes with eight weights ranging from thin to black to complement your design needs be it branding, blogging, logos, advertising, games, cooking, packaging, editorial and publishing, web and screen design.

Bloque is a heavy slab font family which contains six fonts. It has three layers for both roman and italic styles, including an inline and a shadow versions to make different color combinations

Music Note is a quirky display music font that captures the fun and whimsy of musical themes. This font is a perfect blend of musical notes, instruments, scales, rhythm, and tempo, designed with a childlike spirit and a crafter’s touch. With 9 unique variations to suit different musical styles, Music Note is as versatile as it is charming. Whether you are creating a logo, branding, a children’s theme, a crafting project, an invitation card, a packaging design, a poster, a title, a business identity, a greeting card, a sticker, a children’s book, or a magazine layout, Music Note will add a touch of musical magic to your design. Each letter dances with rhythm and melody; every stroke resonates with the harmonious tunes of joy.

Alone Together Script is a tattoo style typeface created and inspired during quarantine times. It is a variable font with size-variable swashes and OpenType features such as Stylistic Alternates for lowercase letters as well as some Contextual replacements for Final Forms of a c d e f h k l m n o q r t u v w x z and entrance stroke versions for r s and z. As for extra swashes hyphen (-) and underscore (_) have also 2 alternates. There is a font presentation video on youtube OpenType guide is also available for download here This font is a contribution to Covid relief funds and individuals who are in need: 50% of sales goes to this kind of charities. There is a challenge on social media where you can submit your artwork featuring this font with a hashtag #alonetogetherfont at @alonetogetherfont on instagram or facebook! Special thanks to the Photography and Music that is exclusive to this font : Empty streets of New York by Kelly Lockett @kellylockk "Time" soundtrack by Zoltan Valter (STU Recordings) @sturecordings sturecordings.ch

Abril is an extension of the Abril typographic system that was engineered as a response to a very specific requirement from the editorial design community: a low contrast typeface for head- lines. Given its broad range of styles though, Abril deserves to be considered a separate font family on its own. Based on the original text styles of Abril, the letter shapes are sturdy, very legible, and deliver a newsy and trustworthy feel. The accented editorial style of the Scotch Roman finds continuity in this new type family, but some of the details have been ironed out for improved performance in headline, both in print and on screen. The family is conceived as four series of different widths, with four weights in each series plus matching italics, a total of 32 fonts. This wide range of styles allows for setting titles at almost any size. The wider series are aimed for smaller point sizes while the con- densed weights can deliver a striking and cohesive appearance as front cover headlines. Abril was designed as a versatile tool for those graphic and web designers looking for a workhorse with high impact. It is also an excellent companion for the rest of the Abril type family: Abril Titling and Abril Narrow.

Fonts with special characters in lowercase vowels: a, i, u, e, o Make sentences more colourful. This font is neutral for use in any product. Especially for happy things, or life motivational words. or contemporary like the teenage years, discover the beauty of harmony in your work with this font. The right choice of fonts, makes a great product.

HU Specialmovie is a retro, wide square typeface, characterized by streamlined, narrow stroke ends. The first consonants are designed to be large with full modules to improve readability. The grapheme 'O', which is the face of the font, is in the form of a square in harmony with straight lines and curves, expressing a solid and simple feeling overall.

How to use The Rorschach dingbat: q,w,e,r,t,y,u,i,o,p create the start of an inkblot a,s,d,f,g,h,j,k,l create a middle, you can use any number of middle-elements z,x,c,v,b,n,m create the ending. Your Rorschach is now finished, get analysing!

Edelgotisch is a bold Jugendstil design that shows its strong blackletter roots. This typeface, along with a set of initial letters, was released by Schelter & Giesecke of Leipzig, Germany about 1898 and is very similar to Eckmann-Schrift released by Rudhard'schen Giesserie (later Klingspor) during the same period. One suspects they may have been in direct competition. The decorative devises of the initial letters for Edelgotisch have a simpler, bolder line than for Eckmann. In the initial letter set, the ligatures aesc (AE) and ethel (OE) were generated by embedding the ‘A’ and ‘O’ respectively inside the upper left corner of the ‘E.’ The accented caps were given similar treatment, with the exception of the cedilla. Regarding the I-diaeresis, we considered rotating the accent ninety degrees to avoid and possible misconstruction. On further reflection however, we realized it was silly and unnecessary. No one would look at the accented letterform and see anything but what it is. We have also included four decorative ornaments and a frame with each font.

A type of “handwriting” discovered by chance, extremely abstract On April 8, 1948 a certain Walter Plaga wrote a crude poem about a hero on a commemorative plaque. The very poor reproduction of the handwritten original, etched into a metal sheet, produced extremely abstract forms so that — even if unintentional — a script completely void of bowls was created. That which originally was the normal clumsy handwriting of a layman thus transformed into a pseudo-modern deconstructive typeface, which in the 21st century appears contemporary. The capital letters especially reflect the original: in part they show forms labeled incorrectly ”old German“ handwriting, which is actually Latin, in the letters A D G I J K L S V W X Z , whereas C H N O P R appear very modern. Truly a form of handwriting: without joining the letters, especially between the lower case characters, a silhouette effect is formed. To a great extent Hero is impressive due to its driven-to-the-limit abstraction and to a lesser extent by retaining an antiquated and nearly illegible effect.

Ceramika is a modern tribute to Old Style typefaces. This design is inspired by the letterforms of the serif faces found in history books from the beginning of the 20th-century. Its sturdiness and generous X-Height makes it bold and compact; while the high-contrast strokes and recognisable shapes makes it extremely readable. All this makes Ceramika a really versatile font, perfect for logos, headlines and even body copy. It comes in 6 different weights and 2 styles — Standard and Italic.

The lettering style of Location JNL is based on sets of "vintage" metal house identification letters and numbers seen for sale online. As these sets are available from overseas sources, it's not clear whether those metal characters are cast from original vintage dies that have been used for years or just designed to look like a vintage style of lettering. Nonetheless, they make for a great digital interpretation and the design is available in both regular and oblique versions.

FF Bauer Grotesk is a revival of the metal type Friedrich Bauer Grotesk, released between 1933 and 1934 by the foundry Trennert & Sohn in Hamburg Altona, Germany. The geometric construction of the typeface, infused with the art deco zeitgeist of that era, is closely related to such famous German designs as Futura, Erbar, Kabel and Super Grotesk that debuted a few years earlier. However, FF Bauer Grotesk stands out for being less dogmatic with the geometry, lending the design a warmer, more homogenous feeling. The oval “O” is a good example of that, as well as characteristic shapes like the capital M or the unconventionally differing endings of “c” and “s” which make for a less constructed look. The design was started by Thomas Ackermann, and he collaborated with Felix Bonge to evolve his original ideas into this fresh, modern geometric typeface family. FF Bauer Grotesk contains 6 weights with accompanying italics, and a wide range of OpenType typographic features including small caps, figure styles, fractions and contextual alternates. NEW: the new FF Bauer Grotesk W1G versions features a pan-European character set for international communications. The W1G character set supports almost all the popular languages/writing systems in western, eastern, and central Europe based on the Latin alphabet including Vietnamese, and also several based on Cyrillic and Greek alphabets.

Many decades back, churches, schools and other buildings with a need to display an outdoor message often chose a sign making system utilizing characters silk screened onto metal pieces in a block chamfer style. Each piece had a crimp in the top of the metal which formed a hook to fit over the existing rails of a message panel. This allowed for a finished sign to be displayed within minutes, and a quick change of information was not very time-consuming. A popular version of these signs provided white letters and numbers on black backgrounds. This was the model for Announcement Board JNL, which is available in both regular and oblique versions. There are two different width blank panels on the broken and solid bars for those who wish to kern the letters tight to form a ribbon, however they were designed to have slight spacing in order to emulate the hand assembly of those vintage sign panels.

This unique set of letters designed in the style of serif. It's cutting edge and expanded looks carefully designed to feel like classic lettering. It's easy to read and cover a small area to utilize.

Ministry Script was designed to be “A time capsule that marks both the American ad art of the 1920s, and the current new-millennium acrobatics of digital type.” First letters of Ministry comes from a how-to lettering book but immediately turned on a complex and modern new digital typeface design with thousand glyphs. Ministry’s OpenType features include contextual and stylistic alternates, swash characters, and a galaxy of ligatures. A single face with over 1,000 characters to explore. The OpenType palette provides access to four different variants of each letter. For more info about the use of Ministry, its background, ligatures, alternates, please read The Ministry Script Guide in the Gallery section.

Mogena is a modern and elegant serif. It has a unique and different style and will give your design a friendly and expressive look. Mogena is perfect for many different projects such as logos and branding, invitation, stationery, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, special events or anything. We hope you enjoy the font and have fun! Thank You.

Introducing our stunning Goodfood Font Family, a versatile and delicious sans serif display typeface that is perfect for your most tasteful design projects. With a total of five different weights, this font family offers you ultimate flexibility in creating captivating and impactful designs. Whether you're working on a logo, branding materials, product packaging, or editorial projects, this font family will enhance the overall aesthetic and make your designs stand out. To further enhance creativity, Goodfood Font Family includes alternates and ligatures. These additional characters provide you with ample possibilities to customize and stylize your typography, creating unique and eye-catching designs. By utilizing alternates and ligatures, you can bring a distinctive touch to your headers, titles, headlines, and other important elements of your design. Here's what you can expect from this font family: Five Weights: The font family offers five weights, ranging from Light to Bold. This wide range allows you to experiment with different typographic hierarchies and create visually appealing compositions. Alternates: The inclusion of alternates expands the versatility of this font family. By simply swapping characters, you can create different stylistic variations, giving your designs a fresh and creative look. Ligatures: The font family also includes ligatures, which are special characters that combine two or more letters into a single unique glyph. Ligatures ensure smooth and visually pleasing connections between characters, resulting in a harmonious and cohesive typography. Superior Legibility: While the Goodfood Font Family features elegant and decorative serifs, it doesn't compromise on legibility. The carefully crafted characters and balanced letterforms ensure readability across various sizes and mediums. Extensive Language Support: This font family supports a wide range of languages, allowing you to create designs for global audiences with ease. Whether you're a professional designer looking to elevate your creative projects or an individual seeking a unique font for personal use, the Display Serif Font Family offers an impressive array of options. Add sophistication, versatility, and a touch of uniqueness to your designs with this remarkable font family.

Make your mark with Checkmark; a slick, high energy signature-style script font guaranteed to make a big impression. Digitally hand-drawn, it's super-clean smooth flow and high-intensity pen strokes make an unmistakeable impact in logo/branding projects, large header text and product packaging. Checkmark is packed full of extra features to give you plenty of customization options. This includes; a full set of upper and lowercase alternate letters, 20 ligatures (double letters) to help the script lettering flow more naturally, 26 swashes and a full set of lowercase end forms to give your text that extra flair and finesse. Here's a run through everything in more detail; Checkmark • A smooth-edged signature style font containing upper & lowercase characters, numerals, and a large range of punctuation. Checkmark Alt • This is a second version of Checkmark, with a completely new set of both upper and lowercase characters. If you wanted to avoid letters looking the same each time to recreate a custom-made style, or try a different word shape, simply switch to this font for an additional layout option. Checkmark Swash • A third font containing 26 hand drawn swashes. Simply type any a-z or A-Z character in this font to generate a swash. Perfect for underlining your Checkmark text and adding a bit of extra flair! Ligatures • 20 ligatures (double-letters) are included to help your lettering flow more naturally. Many programs will automatically have this feature switched on for you, but if you need any help accessing them, please feel free to drop me a message. End forms • Are available for all lowercase characters when using the Checkmark font. Use these characters at the end of your word to add a stylistic 'end-swash'. These are accessible via software with opentype capability, by turning on 'Stylistic Alternates', or via a Glyphs panel. Language Support • Checkmark fonts support the following languages; English, French, Italian, Spanish, Portuguese, German, Swedish, Norwegian, Danish, Dutch, Finnish, Indonesian, Malay, Hungarian, Polish, Croatian, Turkish, Romanian, Czech, Latvian, Lithuanian, Slovak, Slovenian.

This alphabet has only capital and small caps. With several alternative characters (A, R, Y) in different style groups. The capitals are even more flexible, with alternatives for Uncial inspiration. In addition to ligatures symbols and various groups of numbers. Of course we use Opentype for a expanded use in modern software for layout and graphic design. Compatible with mac and PC.

SK Boncuk is a very special font family I designed for my pet. Bead is a very smart and special rabbit. It can understand all commands and do whatever is said. It is very lively and fun in his daily life, but also monotonous. For this reason, I designed a fun font for him, with a single weight but with surprises. This font represents Boncuk's fun but monotonous life. SK Boncuk offers full support for the Latin alphabet and includes all the typographic elements you will need. This font family consists of 8 different fonts and 3288 glyphs and it supports hundreds of different languages thanks to the characters it contains.

Ralf Herrmann, the designer of Wayfinding Sans, started this project with extensive field studies, driving tens of thousands of miles to explore the legibility of road signage typefaces in dozens of countries around the world. After building his own theoretical framework of relevant legibility parameters, the design process used a unique custom real-time simulation software, which could simulate difficult reading conditions (distance, fog, halation, positive/negative contrast) while the letters were actually being designed. This process made it possible to optimize even the tiniest details of each letter for maximum legibility. Being made specifically for wayfinding purposes, this type family does not compromise on any aspect of legibility — and yet, the typeface is a beautiful, clean and modern sans serif. With its broad language support and the large number of available styles it is perfectly suitable for any possible signage project anywhere in the world. In an independent empirical study at the University of Applied Sciences “htw” in Berlin different typefaces were recently tested when used on signs and Wayfinding Sans Pro was the winner in all conducted tests, being significantly more legible and therefore superior to all other styles of the tested typefaces. Check out the PDF specimen for more information: wayfinding-sans-pro.pdf

Monoplan is a versatile monospaced sans serif typeface. Minimal shapes and straight sides are definitive features of the typeface. Tables, headers, code blocks, signages or other small informative texts are the standard places where Monoplan shines. Different alternatives such as square dots, alternate /a /y /6 /9, coverage of 94 Latin languages, various Opentype features, and 5 styles expand the usage area of ​​Monoplan.

While designing ITC Spirit, Patty King was influenced by classic typeface styles. The letter forms are clearly based on those of the Unziale, which, like ITC Spirit, is also composed of only capital letters. Hints of the Asian brush script style also show in this font. The irregular outer contours are best highlighted in larger point sizes and give the font the look of handwriting. ITC Spirit with its calligraphic style is best used for headlines and short texts in point sizes of 12 and larger.

Bestgift is a striking display font available in regular and outline styles, both featuring a very thick weight and low contrast. With its commanding presence and versatile design, this typeface is the perfect choice for a wide range of creative projects. The very thick weight of Bestgift commands attention and ensures a strong visual impact. Each character is robust and substantial, making a bold statement in any composition. The thick strokes exude confidence and stability, adding a sense of reliability to your designs. With low contrast letters, it offers a balanced and uniform appearance. The consistent stroke width throughout the font creates a cohesive and harmonious visual experience. This display font comes in both regular and outline styles, providing flexibility and versatility to suit different design needs. The regular style exudes solidity and strength, while the outline style adds a touch of modernity and sophistication. This combination allows you to create captivating designs with contrasting elements, adding depth and visual interest to your compositions. For the best legibility you can use it in the bigger text. Enjoy the available features here. Features: Ligatures Multilingual Supports PUA Encoded Numerals and Punctuations Bestgift fits in headlines, logos, attention-grabbing titles, product packaging, branding materials, editorial layouts and website headers. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Templit JNL is one of a number of fonts modeled from actual lettering stencils by Jeff Levine. This one takes its style from a set of individual letters and numbers used for marking and identifying objects. Some of the letters and numbers have solid shapes rather than traditional stencil breaks in the characters.

Wallington Pro is a decorative-serif font embodying vintage and elegant curves with functional structure. Style is adopted from Old English cultures with their descendants around mid-12th century and Art nouveau in 19th century, it was inspired by natural forms and structures and the curved lines. Crafted with love and easy-to-read letter design. Wallington Pro consists of 721 glyphs including 268 unique ligatures, 30+ catchwords and 10 stylistic sets. All glyphs are divided into several OpenType features such as Ligatures, Contextual alternates, Old Style Numeric and some astonishing special characters that allows you to mix and match pairs of letters to fit your design. This variety encourages unusual and extroverted creation in lettering design. The typeface offers numerous combination possibilities between the basic glyph set and stylistic sets.The stylistic sets are alternate alphabets that you can access by using OpenType savvy programs such as Adobe Illustrator, Adobe Photoshop CC, Affinity Designer, CorelDraw or Adobe InDesign. Wallington is an experimental and versatile font. Suitable for digital lettering, prints, logo, poster, t-shirt, packaging and applicable for some type of graphic design.

The School font family is a popular design based on a grade school alphabet. The School fonts allow teachers to create custom hand-lettered exercise sheets and classroom signage. Five variations are available. The plain style and its corresponding bold will create hand-lettered stand-alone text. The lined style and its corresponding bold superimposes a set of three guidelines on the plain style. A dashed style is also provided in case a teacher prefers the centerline to be dashed instead of solid.

Always busy is. my easy-to-read and simple kids comic font. You can tell that it is handmade, because I really didn't do much about the inkblobs and the lines that are a bit off here and there. I added 4 different versions of each lowercase letter, and they automatically cycle as you type!

Budrick BB is a slick, clean body copy font family that's just a bit rounded. It is available in four weights: Regular, Italic, Bold, and Bold Italic. (And those Italics have some slightly different letter forms than the plain versions!) To top it all off, Budrick BB has a hefty collection of European characters.

Hyggebukser are very comfortable trousers in danish. Trousers you'd wear after a long days work, when you just need to relax. The same goes for this font - it has something very comfortable to it! Also, don't forget to enjoy the 5 (!) different versions of each letter, along with the drawings, swashes and small caps!

The Ko family was developed for the text posters at the Holland Festival in 1997, based on the filling of a lettering stencil with different pen thicknesses. Ko Heavy and the Ko KAP were the first weights; the family was completed in 2002 with a Ko Light, a second Ko KAP and two italics.

The only Persian Arabic font featured on Behance [Graphic Design / Typography] Published in multiple books including New Illustration With Type and DesignAndDesign Vol. II Carefully and meticulously designed by selecting, choosing, vectorizing and editing so many different Persian and Arabic calligraphic scripts and old typefaces glyphs forms to create this one of a type [pun intended!] font. And if it's not enough, it's got patterns, textures, artistic elements, ornaments, in a grunge and dirty style. But it not over yet! Persian Grunge [Dirty] font has two styles: Dirty and Neat. Not only the Neat style is cleaner, but also a lot of same glyphs are different from the Dirty style. This Arabic grunge font is a great choice for all graphic designers, typographers and visual artists. Your posters, banners, artistic typographic projects are gonna be awesome with these fonts! Shahab Siavash, the designer has done more than 30 fonts and got featured on Behance, Microsoft, McGill University research website, Hackernoon, Fontself, FontsInUse,... Astaneh text and headline font which is one of his latest designs, already got professional typographers, lay-out and book designers' attention as well as some of the most recognizable publications in Arabic/Persian communities.