The exuberant, if somewhat unorthodox, letter stylings of British poster artist Cecil Wade inspired this offering. The font has extensive kerning to keep the letters packed tight. Both versions of the font include the 1252 Latin and 1250 CE character sets (with localization for Romanian and Moldovan).

Every day we are faced with designing on small screens and new formats; This is where condensed fonts have great potential, as they make the most of tight spaces in big headlines. Manchester Condensed is a typeface family designed by Vástago to be applied in large headlines in different formats, such as web, editorial or packaging. Just to mention a few. Different Manchester weights enhance performance at large type sizes, providing hierarchy and imposing style with its elongated shapes. Its use in capital letters is remarkable and fits perfectly into very precise diagramming spaces.

Browsing online auctions and other webs sites often unearths wonderful examples of lettering from the past. A perfect example is Ritz Stencil JNL, modeled after a page from a 1930s-era lettering book. Although this font has similar characteristics to other better-known designs, there are enough unique differences to let it stand on its own as a great example of the Art Deco era.

Syndebuk is designed with comics and print in mind. I’ve added 5 slightly different versions of each letter, which really comes in hand when you need a natural and organic handmade look. Play around with the different layers for nice effects!

Textur Gotisch is a real historic blackletter that contains a wide variety of ligatures and offers, with the Lombardic letters, a sacral style. Ideal for documents like certificates for mediaeval games.

The Zigfrid family was made after my visit to Deutschland and impression of old typography on the streets of Berlin. Zigfrid contains 5 different styles with a geometric, “trendlist” feel.

This fine lined display type face was named Allioideae because of the ascenders of the lower cases. They are rising upright with a single stroke and are ending - depending on the font style - into a spherical blossom. The name was chosen concerned to the plant allium, that forms an umbel at the top of a leafless stalk, when it is blooming. Allioideae is the name of a subfamily of monocot flowering plants in the family Amaryllidaceae. The name is derived from the generic name of the type genus, Allium. The wide and round capital letters are showing a nice contrast to the lower cases and giving the font a kind of female feeling. That provides a functional and lovely use in headlines for all beauty and cosmetics issues.The typeface appears in 4 different styles. a plain style – Allioideae, a stencil style - Allioideae Stencil, a (dotted) style for both - Allioideae Dot and Allioideae Stencil Dot. It supports multi language as it covers all the latin diacritics and a cyrillic character set. Lots of numbers as monospaced, lining figuers, old styles, sub- and superscript and many fractions in two different styles are giving a nice finish to that font. Also some matching ornaments are included.

Alleghieri was developed from several different examples of late Renaissance lettering. While it is based on a style which is clearly intended for quick, easy writing, we've preserved many of the unusual character forms and elaborations to give it a lot of personality. The result is stylish and unique, with a real feel of the Renaissance, but great readability as well. The full version includes a large selection of variant character forms and special characters.

Karlie is a neat combination of a friendly script & a modern all-caps serif in five widths. The font family is extremely versatile and is perfect for high-end logotypes and magazine headlines, let alone greeting cards, invitations, posters, book covers, ads and the various web and screen usages. The combination of two different font styles (script and serif) also performs very well on product packaging. As for the technical side, the Karlie family has extensive language support and includes a handful of ligatures, stylistic sets and swashes that add visual interest to every letter. We've also included some extras with ready-made words and symbols for more design freedom. The Karlie Font Family in a nutshell: - Karlie - a dancing baseline script with connecting letters - Karlie Alt - similar feel to Karlie, but with disconnected letters - Karlie Serif - a set of five serifs with different widths for a different impact - Karlie Extras - a set of additional designs that will add up to the family’s charm. The overall feel of the family is a combination of casual and sophisticated, thus making it perfect for modern-day applications.

Rachel is modern script font, where every single letter has been carefully crafted to make your text look beautiful. With a modern script style, this font will perfect for many different projects including: quotes, blog headers, posters, weddings, branding, logos, fashion, apparel, letters, invitations, stationery, and more. Rachel includes alternate glyphs and beautiful swirls.

Konga has gone through different changes, the first idea was born in 2014 with the help of Andrey Kudryavtsev, then some time passed and the Rough version was developed, and a long time passed and in 2022 the idea of redesigning was taken with Bruno Jara, in addition to making many styles such as Rough, Inline, Shadow, as well as dingbats which was based on Stefania Ahumada's graphics, which results in a family of 6 styles, with different Alternatives, perfect for informal titles.

To Rafaella, a menina dos cachos. We, designers, have grown accustomed to seeing that lowercase letters—not only in calligraphy but also in typography (1)—may be very playful and decorative. Almost every part of them can become a potential swash, ligature or decorative accolade (2) if the designer has some expertise regarding this matter. However, since we are living in an era that elevates the status of handcrafts, lettering has gained a lot of ground in different kinds of mediums, and with it there’s a sort of overuse of capitals. This may be due to the reason that lettering pieces need a high impact to convey their messages and many times why big capitals are the only solution. With this in mind, I started Rafaella: A font consisting entirely of capitals which go from unadorned to very decorative. Rafaella has ductus and forms vaguely based on the 1970s Bookman-like styled fonts. The presence and behaviour of serifs and ball terminals in this style were the perfect excuse to make really attractive aternates which the user can choose from the glyphs panel. The result is a font full of life. Able to be both very playful and formal due to its roman style which can be combined with (and between) a wide range of other styles of expressive scripts or geometric fonts with nice results (3). Also try Rafaella Shade Solo combined with Rafaella or Rafaella Bold for a layer effect to emphasize any given word or phrase. NOTES (1) See my fonts Erotica from 2013 or Dream from 2014. (2) Accolades is a wonderful word that refers to the ornaments made around the words in the spencerian style of calligraphy (3) Combinations often seen in different pieces of lettering were usually a contrast of style is wanted.

The copperplate or English round handwriting style has a great inclination with extensions of ascending and descenders strokes, widely ornate. Colomby is a contemporary calligraphic font with classical roots, based on an 18th-century English manuscript. It is carefully designed, with a special emphasis on the connection of the letters, with high ascenders to give rise to the ornaments of the different letters. There is a special search for high readability. In addition, a wide selection of alternates and ligatures is included, to preserve the qualities of handwriting, in order to accommodate various design aesthetics.

Bignord is a brand new font with a vintage look and style. It is inspired by vintage packaging and from typographic cover lettering. Bignord is available in up to 5 different stylistic elements for some letters so you can create a vintage feel from the swash of each letter. This font was created for designing covers, labels, posters, logos, branding, etc that need a vintage design feel. It also comes with Ornament Fonts that will support your design with a more vintage look.

Central Point is a bold script font and a combination of original handwriting styles inspired by hand lettering. This versatile script includes many different alternatives for each lowercase letter, you can see some examples of design results in the preview image. This typeface works very well for logo design, clothing, handwritten quotes, product packaging, headers, posters, merchandise, social media, greeting cards and all your artwork. Central Point is equipped with uppercase and lowercase letters, numbers, punctuation and symbols, swash and ligature. It has Multilingual support. Thank you for purchasing our products and enjoy.

Gala72 font consist of 72 calligraphic greetings letterings for different event. These letterings are original and handwritten. This font makes it possible to use high quality calligraphy in your projects - greeting cards, certificates, invitation cards, letters of commendation etc.

Congratulatory 2.0 font consist of 36 calligraphic greetings letterings for different event. Letterings are original and handwritten. This font makes it possible to use high quality calligraphy in your projects - greeting cards, certificates, invitation cards, letters of commendation etc.

introducing a new font Cithally Handwritten Font is a handwritten font with a distinctive and sharp brush texture. Cithally was handwritten on paper with a coarse type brush, resulting in a consistent texture. You can customize Cithally to create a unique style when multiple characters of the same letter meet, because Cithally has alternative lowercase letters in different styles. The Cithally handwritten font can also be used for projects such as stationery invitations, social media, logos, weddings, branding, graphic designs with the addition of some binding and strokes. and can be combined with various types of serif fonts to perfect the project you want to work on.

The Roundup family was inspired by fonts from the late 19th century, though it is not based on any one of them. Roundup-Caps was the first of the group to be constructed. It has two sets of upper-case letters that have minor differences. It has reverse contrast, that is, the verticals are thinner than the horizontals. Unlike most of the "Old-West" fonts with reverse contrast, the serifs are not square but have an odd, rounded shape. Roundup-Regular replaced the second set of caps with lower-case letters. A bold style strengthens the vertical elements so that it no longer has reverse contrast. Both the regular and bold styles have matching oblique styles. Finally, there is a hollow version with a shadow to the lower right. This shadowed style has had its inside taken out, creating RoundUp-ShadowInside. The spacing is the same as RoundUpShadowed so it can be layered over RoundUpShadowed to easily create two-colored lettering.

Emblema is an evocative font that exudes Art Deco style from early decades of the 20th Century. Its geometric shapes give a clean and modern look to any design where it is applied. Emblema was designed in 12 subtly different weights and is ideal for achieving the same weight in a single word when using different point sizes. Open Type users can access an extensive set of alternative and ornamental characters including 3 different size sets of caps, providing the utmost in versatility.

Introducing Broetown Signature, a stylish handwritten font with signature style. This beautiful script font offers a personal touch to your latest art project with an elegant, classy and modern look. Broetown Signature offers gorgeous features that will perfect for many different project such as logos, branding, invitation, stationery, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, special events or anything that needs a handwritten look.

Schuss News Poster ist the very heavy headline font (titling/display/poster) of Schuss News. (No italic, no additional figures, no tabular figures, no small Caps, slyghtly different heights as the other font of the Schuss superfamily (Sans, Slab, News and Serif). The character set is different to the other styles. It is not developed for small text sizes.)

While browsing through a sourcebook on historic calligraphy and antique type I came on an interesting sample of a gothic style attributed to the legendary artist Albrecht Durer. I had previously seen fonts based on the peculiar style of lettering Durer used on prints for his signature and some captions, but this style was radically different and much more characteristic of the lettering and early printed types of the 'Northern Renaissance' which Durer was a big part of. Whether it's authentically Durer's work or not is up in the air, but it's a very nice example of early gothic type. We've called the resulting font Albrecht Durer Gothic and it's a very striking face well suited to titles and other contemporary uses where you need something heavy and eye catching.

Salt&Spices Mono is the mono lined version of Salt & Spices Pro. Where Salt & Spices Pro has the rough contours and high contrast that is typical for dip pen calligraphy, Salt & Spices Mono has clean crisp smooth letterforms that result in a totally different look and feel. Great for creating neon effects. Fun features like connecting spaces and long swashes for customization of words and phrases are preserved in Salt & Spices Mono. This versatile 10 font family, consisting of 4 casual script styles: Regular, Bold, Shadow and Bold Shadow offers great flexibility. For instance: the appearance of initial and terminal letters can be customized using the glyph pallet. Contextual alternates, Swashes and Stylistic sets give you the ability to replace spaces by 3 alternate connecting spaces or add swashes to initial/terminal letters. Double letter ligatures help sustain the natural flow of handwriting. In addition to the 4 script styles 3 SmallCaps Sans styles and 3 SmallCaps Serif styles were added, all mono lined. They add great variation to your designs and supplement and support each other perfectly. Add exceptional language support to all that and you have the perfect ingredient to spice up even the most demanding design project. You'll need an Open Type savvy application to get the most out of Salt & Spices Mono.

S E V A S T I A N - Seven Layered Fonts Sevastian Typefaces are coming for help the artist who want to create 3D lettering without special effects. Also you can use with different color, different style, and different combinations using 7 layer I've made. Font Naming are important for you to generate where at the top and where at bottom. Sevastian made it so easy because there is a number before the name like Sevastian - 01 inner until Sevastian - 07 3D Shadow. It means, the lowest number are must on top of them. As you can see on the display image I've been made, I use random combinations. So you can experiment what do you like most.

Black Memory is a Brush-style font created with the App. The natural stroke texture makes this font look more perfect to use. Black Memory consists of capital letters and lowercase letters with different shapes so that you have a choice that fits the design you make. This font is perfect for Movie Titles, horror movie titles, action, murder, spooky, ghost, and other movie titles. You can see the sample preview above for comparison, stay the center of attention and classy!

For those ultra natural-looking handwritten, jotted down notes, say hello to Enjoy Notes! Designed to look casual and carefree, but with business to take care of :) The characters consist of uppercase letters, but they differ in style for the uppercase and lowercase keystrokes, to make the font appear more like natural handwriting. Opentype double-letter ligatures are built in for you too, just turn on your ligatures setting in your design app , to see them appear as you type

The FTMilky Serif is a lovely classic serif font family. The mix of modern and vintage elements results in an elegant design. The different weights give you a variety of options for determining the best typographic color for your project. The available Ligatures and Italic styles provide a variety of different characters that give your project design an unique shape.

A modern calligraphy typeface with a playful yet elegant style, inspired by Mozart’s “Rondo Alla Turca” and his other compositions played with allegretto tempo. The font contains more than 1000 glyphs. Each letter in the typeface has few different swashes that can be accessed via glyphs panel of your opentype-aware application such as Adobe Illustrator, Adobe InDesign, MS Word.

The Scriptuale family, which contains eight styles, is a contemporary upright calligraphic face. Designed by German designer Renate Weise in 2003, this family of typefaces speaks to the present, while at the same time reflecting on a lyrical past. The letterforms of the Scriptuale family are romanticized, they reference German calligraphic styles from the 19th and early 20th Centuries. For instance the design of Scriptuale's uppercase strays from the canon of classical proportion into romantic idealism. While the C and O are drawn according to the ancient quadratic proportions - almost twice as wide, optically, as the E or the L - the letter A is wider than would be expected, and the D narrower. These subtle differences introduce a different rhythm into text set in Scriptuale than Italic styles of calligraphy may offer. Scriptuale's Gs merit special notice: both the upper and lower case G lunge slightly forward, further enhancing the dynamic quality of the text. Also unique in Scriptuale's design is the lowercase width: the letterforms appear slightly condensed; they have large x-heights to compensate for this. In a delightful twist, the number 2's beak has been closed by drawing it full-circle, back into the stem: this references a style of letter design that was practiced, among other places, by artists from the old Klingspor foundry in Offenbach Germany. Typefaces constructed there easily captured the zeitgeist of the romantic period, but are less calligraphic than Scriptuale (e.g., Rudolf Koch's Koch Antiqua). A semi-serif face (like Prof. Hermann Zapf's Optima or Otl Aicher's Rotis Semi), some of Scriptuale's letters have serifs (D), and some do not (A). And although both the B and the E normally have the same "structure" on their left side, Weise has drawn them differently in Scriptuale. These strengthen the calligraphic-like quality of the family. Traces of the pen are easy to see in Scriptuale's design; it is a thoroughly calligraphic face. The eight typefaces in the Scriptuale family include Light, Regular, Semi Bold, and Bold weights. Each weight has a companion italic. Scriptuale is similar to one other contemporary calligraphic family in the Linotype portfolio, Anasdair , from British designer

Dalena is for those of you who are needing a touch of elegance and modernity for your designs, this font was created for you! Dalena has the added bonus of having 'multiple personalities'! It has 2 sets of extra alternate lowercase letters, which allow you to create different feels for different projects. Happy Creating!

Get ready for a modern spin on your typographic projects with the Typical Pro Sans Serif Font 9 Weight. This font offers a clean, grotesk feel that is perfect for any technical or heading design. Its contemporary design makes a perfect choice for projects with a modern flair. With clean lines, tight letter spacing, and a classic sans serif style, this font is sure to bring a unique edge to any project. Enjoy the perfect mix of texture and proportion with this modern font. Get ready to take your typography to the next level with Typical Pro Sans Serif Font 9 Weight. Typical Pro Sans Serif Font is a grotesk typeface of modern design, with technical precision and a clean finish. Its 9 weight offers clear and refined letters that provide perfect legibility for headlines and other text styles. Its line height is consistent and balanced, making it suitable for producing high-impact visual messages. Its modern, straightforward letterforms give projects an air of sophistication, while retaining a firm technical backbone. With nine different weights, it is the perfect choice for any heading or label that requires a strong, contemporary look.

The vast variety of vintage letterpress illustrations representing many different eras and art styles allows for yet another volume of cartoons, embellishments, ornaments and stock cuts contained within Print Partners JNL.

Decima Round – one more addition to the Decima fonts family. It is a new version of recently released Decima Pro fonts with new content and styles. The main difference in the new version is a visual softer impressions of letter shapes made by the rounding of all glyphs’ corners and terminals. Decima Round is released in OpenType format with some OpenType features and support of most Latin languages as well as Cyrillic.

The hand lettered words “Pere Noel” under a vintage French magazine’s photo of Santa with two bikini-clad beauties inspired the digital version of this quirky, condensed type style. Unusually Deco JNL is available in both regular and oblique versions From Wikipedia: “Père Noël “Papi Christmas”, sometimes called ‘Papa Noël’ (“Daddy Christmas”), is a legendary gift-bringer at Christmas in France and other French-speaking areas, identified with the Father Christmas and/or Santa Claus of English-speaking territories. Though they were traditionally different, all of them are now the same character, with different names, and the shared characteristics of a red outfit, workshop at the North Pole/Lapland, and a team of reindeer.”

Picaflor soft, is a continuation of "Picaflor" now in a rounded version, especially for titles, it contains different styles from Thin-Black, in addition to multiple languages

Tunning Oxide, is an alternative version of Tunning Pro, it contains different styles as alternatives, it also contains Cyrillic and Greek, It is special for stock titles

Say hello to a new Typoforge member! Nisse is a display font family that consists of 4 styles (including italics). The regular and rough versions differ in the amount of wear. It’s inspired by Rex typeface first published by „The Jan Idzikowski and Co. Foundry“ in 1930. Nisse has a high amount of detail making it ideal for large prints and poster design. It is specified by a huge amount of automatic alternates. Each basic latin letter has five versions, the numbers have thee versions and extended latin letters have two versions.

Introducing the Silver South Font Duo, a classy, contemporary pair of script and serif fonts. With a stylish didot-style serif font and a free-flowing, expressive script companion, Silver South offers beautiful typographic harmony for a diversity of design projects, including logos & branding, wedding designs, social media posts, advertisements & product designs. Silver South Script • A clean, free-flowing script font containing upper & lowercase characters, numerals and a large range of punctuation. Silver South Script Alt • This is a second version of Silver South Script, with a completely new set of upper & lowercase characters. If you wanted to avoid letters looking the same each time to recreate a custom-made style, or try a different word shape, simply switch to this font for an additional layout option. Silver South Serif • A classy serif font containing upper & lowercase characters, numerals and a large range of punctuation. Creates a perfect pairing contrast with the Silver South Script fonts. Script Ligatures • Silver South Script also includes 38 character ligatures. These double letters allow you to recreate a more natural, hand-drawn flow to your text.