Although the early 1900s through the 1920s seemed to be the "Golden Age" of ridiculously long novelty song titles, it appears that even the decade of the 1940s had its fair share as well. Song Merchant JNL was modeled from the hand lettered [but exhausting] title of the sheet music for "Princess Poo-Poo-Ly Has Plenty Pa-Pa-Ya (and she Loves to Give it Away)". Despite the obvious double-entendre inferences of the title, the square block letters with rounded corners make for a useful headline font (even if the source material it was drawn from is quite forgettable). Available in regular and oblique versions.

The character of Sopran is expressed by long serifs that replace traditional drops. Contrast is distributed from monolinear in hairline and all the way to the extreme in the black style. Symbols and punctuation are drawn with monolinear strokes to give the typeface more playful typesetting. The long serifs allow for some interesting discretionary ligatures, like “fa” or “Ta”. With two stylistic sets the typeface enables different typesetting opportunities. Its characteristics should be expressed in headlines, larger texts, show posters, displays, signage etc.

Bronzino’s roots lie in the Arts and Crafts movement, and in the traditions of letterpress printed fine quality books. It’s ideal for legible headings which have just that hint of charm and difference outside of the normal and mundane. It’s formal enough to go anywhere yet it has a spirit of fun, it brings a world of bygone care and quality to the modern age.

BLT Balfour : Art Deco Revival Font Balfour is a modern Art Deco typeface revival. Built from historic references in architecture during this time period, Balfour exudes class and elegance, yet still honors the style with unapologetic bold geometric forms. Pay close attention to the letterforms B and R, and how their extreme x-heights play off of the elongated strokes of C, D and G. Unique features throughout the character set make it less predictable and more unique than any Art Deco typeface before it. The geometry of this typeface plays from one letter to the next. Fill and Outline styles work well in headlines, logos and large type. The Line style is effective at all sizes and can be used in combination with other styles to achieve visual hierarchy.

Photography Script - a handwritten script font with a signature style. This classy font is great for your creative projects such as watermark on photography, and perfect for logos & branding, photography, invitation, advertisements, product designs, stationery, wedding designs, labels, product packaging, special events or anything that need hand-writing touch. Photography Script is here to elevate your work to the highest level. Photography Script comes in 2 styles: Regular and Slant with uppercase and lowercase letters, numbers, punctuation, ligature, alternative letters and Multi-Lingual support.

FF DIN: the famous, faithful and first revival of DIN 1451. FF DIN originates in the lettering models from the German standard DIN 1451, and is considered the perfect standard typeface due to methodical and engineered design. FF DIN Slab is a robust compliment to the FF DIN family. Designed by Antonia Cornelius and Albert-Jan Pool, it offer designers tools to create greater rhythm and design depth. FF DIN Slab’s proportions have been meticulously aligned with its Sans origins, offering the perfect balance between positive and negative space. The serifs are assertive, sturdy and balanced, they are engineered to emphasis a strong horizontal flow through text, a grounded utility and assurance in headlines. The result of this attention to detail is a typeface that harmonizes beautifully with other FF DIN styles. Pushing font technology to its limits, FF DIN Slab is also available as a Variable font. Allowing creatives to design hyper specific variations which thrive in any design space, and even seamlessly animate movement from one state to the next. FF DIN Slab distinctively carries on its parent’s DNA, speaks the same native language — but with a strong peculiar dialect. It expands the DIN family worthily — independent but integrated — and opens totally new possibilities of uses with the whole DIN family.

FF DIN: the famous, faithful and first revival of DIN 1451. FF DIN originates in the lettering models from the German standard DIN 1451, and is considered the perfect standard typeface due to methodical and engineered design. FF DIN Slab is a robust compliment to the FF DIN family. Designed by Antonia Cornelius and Albert-Jan Pool, it offer designers tools to create greater rhythm and design depth. FF DIN Slab’s proportions have been meticulously aligned with its Sans origins, offering the perfect balance between positive and negative space. The serifs are assertive, sturdy and balanced, they are engineered to emphasis a strong horizontal flow through text, a grounded utility and assurance in headlines. The result of this attention to detail is a typeface that harmonizes beautifully with other FF DIN styles. Pushing font technology to its limits, FF DIN Slab is also available as a Variable font. Allowing creatives to design hyper specific variations which thrive in any design space, and even seamlessly animate movement from one state to the next. FF DIN Slab distinctively carries on its parent’s DNA, speaks the same native language — but with a strong peculiar dialect. It expands the DIN family worthily — independent but integrated — and opens totally new possibilities of uses with the whole DIN family.

Rifton is a heavy display typeface designed for use in large sizes. It is available as a regular and italic font or as one Variable Font with an italic axis. Installing the Variable Font offers users additional benefits because, in addition to the pre-defined “upright” and “italic” instances, the interpolations between them can be used. That allows you to have slanted text – but just a little less slanted than in the italic. Rifton is an all-caps design, but the letters mapped to the lowercase keyboard do not always have the same forms as the uppercase. That is most visible when it comes to the “s”, which takes a Star-Wars-style form (think of the Star Wars logo). The Rifton fonts also include OpenType features like ligatures – including some exciting discretionary ligatures – and super-wide alternate glyphs for several letters, including “B”, “E”, “F”, “H”, “L”, “N”, “P”, “R”, “T” and “Z”. Rifton is ideal for making a bold statement in headlines, poster designs, or logos. -

Copenhagen has been in need of a typeface that unites the city’s many visual expressions. The three designers Morten Rostgaard Olsen, Henrik Birkvig and Ole Søndergaard have designed and developed the typeface FP København. Now available from MyFonts in 44 styles: Serif & sans serif, uprights & italics, small caps, pictos-characters, stencils, sprayed style, OT-features, ligatures, contextual alternates etc. The shapes of the letters are inspired by the city’s culture and the visual environment and design in Denmark in the 20th century. It is relatively low and wide as the city itself and with rounded corners that give it a warm visual mood.

Meoru Gend is a display font that presents superhero strength, courage, and modernity in every action. With a strong, bold, and futuristic style, this font is the perfect solution for creating action-packed and epic gaming experiences. In every letter, Meoru Gend brings life to your display with electrifying energy. From bold, sharply contoured typefaces to seamlessly blended modern elements, this font will bring immense visual power to your game projects. Meoru Gend offers not only impressive styles but also creative features that enrich your work. With the available ligatures and alternates, you can create unique and interesting variations of your style. Also, with multilingual support, this font can be used in multiple languages to reach a global audience. If you’re looking for a strong, bold, modern, and action-packed font for your game projects, Meoru Gend is the right choice. With benefits that include an impressive look, futuristic style, and creative features such as ligatures and alternates, this font will quickly catch the attention of your potential customers and bring you an extraordinary gaming experience in no time. What’s Included : File font All glyphs Iso Latin 1 Alternate, Ligature Simple installations We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw so that you can see and access all Glyph variations. PUA Encoded Characters – Fully accessible without additional design software. Fonts include Multilingual support

Decoral Soft depicts the character of Art Deco period typography and reinterprets it into modern approaches. This typeface is a friendly and flexible family that is fun to use. It comes with a set of 670 characters per weight, supporting over 50 different languages using the Latin alphabet. Decoral Soft also comes with special stylistic sets and swash characters that allow the user to be creative and playful with the type, helps enhance many different possibilities that certainly will spice up your design. Decoral Soft will satisfy all your typographic needs, from book jackets to monograms to packaging, logos, and even wedding invitations—timelessly elegant, with a distinctive flair that exudes Art Deco typography in a fresh, modern way. The wide selection of titling alternates and ligatures make copyfitting a delight.

Terafile, a sans serif family designed by Raúl Plancarte who was inspired by hi-tech aesthetics. It is made up of eight weight variants with their respective italic versions. Ideally it works to capture in a graphic way the universe related to technology, sci-fi, industry and similar topics. It is a mixed family, because the construction of certain letters (as in "a", "f", "z", "B", "P", among others) is enriched with different finishes in structure to gain differentiation and plasticity. In other words, it moves away from an entirely academic design. Another important line in the creative concept of this typeface is the function of its ink traps, which, in addition to fulfilling their primary function, serve to gain gestuality in its use. This font is capable of covering complex design needs by enabling association with specific themes, which makes it highly competitive in its graphic line.

Devinyl is a monolinear typeface family which mixes different styles. The typeface is entirely composed in capital. The uppercase is inspired by old grotesk from late 19th and the lowercase is a humanist-sans. This is a monoline typeface and the variety of style make it perfect for magazine and poster design. Download the PDF here. Devinyl comprises a family of 8 styles, from the art-deco inspired ‘line’ to the ‘stencil’, often used in street art. All the fonts share the same base. Devinyl family supports Latin and Cyrillic, all these languages are covered: Latin language support: Afrikaans, Albanian, Asturian, Azeri, Basque, Bosnian, Breton, Bulgarian, Catalan, Cornish, Corsican, Croatian, Czech, Danish, Dutch, English, Esperanto, Estonian, Faroese, Filipino, Finnish, Flemish, French, Frisian, Friulian, Gaelic, Galician, German, Greenlandic, Hungarian, Icelandic, Indonesian, Irish, Italian, Kurdish, Latin, Latvian, Lithuanian, Luxembourgish, Malagasy, Malay, Maltese, Maori, Moldavian, Norwegian, Occitan, Polish, Portuguese, Provençal, Romanian, Romansch, Saami, Samoan, Scots, Scottish, Serbian, Slovak, Slovenian, Spanish, Swahili, Swedish, Tagalog, Turkish, Walloon, Welsh, Wolof Cyrillic language support: Adyghe, Avar, Belarusian, Bulgarian, Buryat, Chechen, Erzya, Ingush, Kabardian, Kalmyk, Karachay-Balkar, Karakalpak, Kazakh, Komi, Kyrgyz, Lak, Macedonian, Moldovan, Mongol, Permyak, Russian, Rusyn, Serbian, Tatar, Tofa, Tuvan, Ukrainian, Uzbek

Verismo (Italian for ‘realism’, from vero, meaning ‘true’) is a genre of operas with scenarios based on contemporary everyday life. This font is inspired by old school sign painting techniques. In addition, the font has a contemporary look and can therefore be used in many different designs.

Verismo (Italian for ‘realism’, from vero, meaning ‘true’) is a genre of operas with scenarios based on contemporary everyday life. This font is inspired by old school sign painting techniques. In addition, the font has a contemporary look and can therefore be used in many different designs.

Galpon Pro, is an improved version of Galpon, this time it contains Lowercase, Signs and also is in different weights, ideal for entertaining titles!

Fleurons are embellishments and here is my seventh set. This time I give you all kind of different labels. Your labeled designer Gert Wiescher

The design for the font “sketchimpact” is based upon the typeface Impact. The font family consists of three different versions: solid, outline and lines.

In Ancient Greek, Kuma means wave. This wavy, dynamic and poetic all-caps display typeface is useful for headlines or short texts. Kuma is the result of a graphic and perceptual game that, using experimentation as a working method, explores the possibilities of writing as an image. This grid-based typeface creates different shapes and directions, never predictable. There are different types of waves created by the wind. That's why there are three different versions of Kuma: Kuma, Kuma Rounded and Kuma Square. Each version is available in seven weights which can be combined together. In their black and white rhythm, they guarantee global readability and balance. Kuma was designed by Jérémy Ruiz. Supported languages: Afrikaans, Albanian, Basque, Bosnian, Breton, Catalan, Croatian, Czech, Danish, Dutch, English, Esperanto, Estonian, Faroese, Fijian, Finnish, Flemish, French, Frisian, German, Greenlandic, Hawaiian, Hungarian, Icelandic, Indonesian, Irish, Italian, Latin, Latvian, Lithuanian, Malay, Maltese, Maori, Moldavian, Norwegian, Polish, Portuguese, Provençal, Romanian, Romany, Sámi (Inari), Sámi (Luli), Sámi (Northern), Sámi (Southern), Samoan, Scottish Gaelic, Slovak, Slovenian, Sorbian, Spanish, Swahili, Swedish, Tagalog, Turkish, Welsh.

In Ancient Greek, Kuma means wave. This wavy, dynamic and poetic all-caps display typeface is useful for headlines or short texts. Kuma is the result of a graphic and perceptual game that, using experimentation as a working method, explores the possibilities of writing as an image. This grid-based typeface creates different shapes and directions, never predictable. There are different types of waves created by the wind. That's why there are three different versions of Kuma: Kuma, Kuma Rounded and Kuma Square. Each version is available in seven weights which can be combined together. In their black and white rhythm, they guarantee global readability and balance. Kuma Square was designed by Jérémy Ruiz. Supported languages: Afrikaans, Albanian, Basque, Bosnian, Breton, Catalan, Croatian, Czech, Danish, Dutch, English, Esperanto, Estonian, Faroese, Fijian, Finnish, Flemish, French, Frisian, German, Greenlandic, Hawaiian, Hungarian, Icelandic, Indonesian, Irish, Italian, Latin, Latvian, Lithuanian, Malay, Maltese, Maori, Moldavian, Norwegian, Polish, Portuguese, Provençal, Romanian, Romany, Sámi (Inari), Sámi (Luli), Sámi (Northern), Sámi (Southern), Samoan, Scottish Gaelic, Slovak, Slovenian, Sorbian, Spanish, Swahili, Swedish, Tagalog, Turkish, Welsh.

In Ancient Greek, Kuma means wave. This wavy, dynamic and poetic all-caps display typeface is useful for headlines or short texts. Kuma is the result of a graphic and perceptual game that, using experimentation as a working method, explores the possibilities of writing as an image. This grid-based typeface creates different shapes and directions, never predictable. There are different types of waves created by the wind. That's why there are three different versions of Kuma: Kuma, Kuma Rounded and Kuma Square. Each version is available in seven weights which can be combined together. In their black and white rhythm, they guarantee global readability and balance. Kuma Rounded was designed by Jérémy Ruiz. Supported languages: Afrikaans, Albanian, Basque, Bosnian, Breton, Catalan, Croatian, Czech, Danish, Dutch, English, Esperanto, Estonian, Faroese, Fijian, Finnish, Flemish, French, Frisian, German, Greenlandic, Hawaiian, Hungarian, Icelandic, Indonesian, Irish, Italian, Latin, Latvian, Lithuanian, Malay, Maltese, Maori, Moldavian, Norwegian, Polish, Portuguese, Provençal, Romanian, Romany, Sámi (Inari), Sámi (Luli), Sámi (Northern), Sámi (Southern), Samoan, Scottish Gaelic, Slovak, Slovenian, Sorbian, Spanish, Swahili, Swedish, Tagalog, Turkish, Welsh.

Our chef Martin Lorenz likes to mix cool and fresh cocktails - shaken, not stirred! You have to taste his awesome Martini or mix it yourself! To make matters more easy, cocktail master Martin reveals his special recipe: “The TpMartini refers esthetically to typefaces drawn with a pointed nib as the Bodoni or Didot, but with the clear distinction that it is obviously constructed by modules. The visual system for the TpMartin is based on a square 5x9-unit grid and three different basic forms with which the font and other elements are designed. The basic forms consist of a straight line and circles of two different sizes. The line can be extended, but the circles retain their related proportions.” One piece of advice: Don’t drink and type!

Towards Minimalis Stencil Our latest product inspired by the famous logo is simple but classy, made with precision and measured. very good for combining your design work with a clear line and a circle with several different weights that are very comfortable in the design area you are easy to read and as a title on a blog or magazine page Towards Elegant Sans Family has symbols and punctuation and unique alternative letters perfect for logos & branding, photography, invitation, watermark, advertisements,product designs, stationery, wedding designs,label ,product packaging.

LORENZA Elegant Sans Family Our latest product inspired by the famous logo is simple but classy, made with precision and measured. very good for combining your design work with a clear line and a circle with several different weights that are very comfortable in the design area you are easy to read and as a title on a blog or magazine page LORENZA Elegant Sans Family has symbols and punctuation and unique alternative letters perfect for logos & branding, photography, invitation, watermark, advertisements,product designs, stationery, wedding designs,label , and product packaging.

Deloire Modern & Luxury Sans Family Our latest product inspired by the famous logo is simple but classy, made with precision and measured. very good for combining your design work with a clear line and a circle with several different weights that are very comfortable in the design area you are easy to read and as a title on a blog or magazine page. Deloire has symbols and punctuation and unique alternative letters perfect for logos & branding, photography, invitation, watermark, advertisements,product designs, stationery, wedding designs,label ,product packaging.

Smashing is a stout typeface, with a twist. It’s a massive all-caps font with bouncing glyphs, positively bold yet quite good-humored. Its upper and lower case slots stores different lettershapes, providing handy options to choose from. When working with OpenType savvy applications you can turn on the contextual alternates feature to instantly get alternating glyphs, which add spontaneity to your artwork and prevent neighbor double letters from using the same glyph. Also try the discretionary ligatures feature to get some cool interlocking pairs. A smashing font for truly smashing designs!

Guided tour available here. Port Vintage is a new typeface expanded upon the original Port typeface, released in 2013, and being an experimental Didone typeface with a modern twist, inspired by the well known forms of typography masters such as Bodoni and Didot and the exuberance and elegance of calligraphy typefaces. A lot of changes were made, the whole typeface is now softer and has less rough edges, the time it took to mature made it possible to achieve an entirelly new and distinct flavour from the original Port, giving away the rough edges from Port and giving place to the soft transitions and curved connections between the stems and serifs of Port Vintage. Port Vintage melts the straight lines and strong contrasts of the Didone typefaces with the elegant lines of calligraphy in a geometric way, resulting in exuberant characters with geometric swashes that can be combined in countless ways. The result of this experiment is Port Vintage, an unique and rich display typeface meant to be used on big sizes and it’s main perk is the amount of alternative characters it features. Port Vintage is Open-Type programmed and includes hundreds of alternates, from swashes to titling alternates, ligatures and stylistic sets with each character having a thin version of itself, giving complete freedom to all your creative needs. Port Vintage is available in 10 different styles: Port Vintage Regular, being the base version and featuring the whole base character set; Port Vintage Regular Decorated, featuring richer forms and containing more ornamentated and more extravagant characters; Port Vintage Medium and Port Vintage Medium Decorated, designed for the occasions you need a bit more thickness and the decoration variants: Port Vintage Ornaments, containing a wide set of elements meant for the creation of fillets, vignettes and fleurons, resulting in an almost infinite number of possible combinations to embellish your designs and Port Vintage Words, a set of some of the most common words used in English, Spanish, French, German, Italian and Portuguese. All styles, except Port Vintage Ornaments and Port Vintage Words, include italic styles. For a better understanding of all the uses of Port Vintage and the full character list the reading of the manual is recommended.

Introducing Retro Party - A Display Retro Script Font. In creating this font, I just wanted to combine classic style with modern retro style, so be this font. Hope you like it. Inspired by some retro fonts that I made before. Retro Party is perfect for vintage and retro design, badge, logos,t-shirt, poster, branding, packaging, signage, book coverand so much more! Come with Opentype feature with a lot of alternates, its help you to make great lettering. This font is also support multi language.

Introducing Anton Charlote - A Display Retro Script Font. In creating this font, I just wanted to combine classic style with modern retro style, so be this font. Hope you like it. Inspired by some retro fonts that I made before. Anton Charlote is perfect for vintage and retro design, badge, logos,t-shirt, poster, branding, packaging, signage, book coverand so much more! Come with Opentype feature with a lot of alternates, its help you to make great lettering. This font is also support multi language.

Spiralis is a font that wants to maximize the spiral by including at least one in each letter of the alphabet. It is a font that lends itself to being used for headlines or otherwise in large sizes in order to be best appreciated. It is based on the golden spiral, Archimedes' spiral, the golden rectangle and the square from which the construction grids are derived. 2 styles 179 glyphs for each style 6 ligatures Italian, english, french, spanish, german, danish https://www.behance.net/gallery/147197043/Spiralis

Introducing our newest font called Qojarun. With Arabic Style display fonts, you can easily give your designs a genuine Middle Eastern feel. This font features characters in an Arabic style, and goes well with a wide variety of design projects, from posters to logos and beyond. Elegant calligraphy Arabic letters are easy to read, just like writing in general. This download pack contains all the characters needed to translate your project into an Arabic theme, complete with the full character set, punctuation marks, and numbers.

Romantic, decorative Adios Script is one of Alejandro Paul’s most elaborate and technically refined faces to date. Inspired by designs in “how-to” commercial lettering guides of the 1940s, it has been refined and brought into the 21st century through a huge variety of ornate swash letterforms. The lowercase “h” alone offers 43 variants. Hundreds of ornamental ascenders and descenders allow a beautiful interplay of strokes and combinations, while avoiding overlaps or conflicts. Adios Script features a mind-boggling 1,470 characters in total, in OpenType format. Adios Script received a Certificate of Excellence from the Type Directors Club.

Have you ever been drawing out the letters for a font, then you start making some multi-letter ligatures? Then you think up some more to make, and you make those too? And you keep making them, until you have over a hundred of them? No? Just me? Boisterous Fun is a font that started out simple -- a nice handwriting style with a single stroke width. But add in the ligatures, plus a dozen single-letter alternates and my usual crowd of accented characters for language support, and this baby has grown to over 600 characters total. It's a great casual font for branding or packaging, but it's also smoothed so it's easy for cutting. Boisterous Fun includes: - The usual A-Z, a-z, 0-9, and lots of punctuation; - Over 300 extended Latin characters for language support; - 140 alternates and ligatures for variety, all PUA-encoded for easy use! I had a ton of fun making it, and I hope you have a ton of fun using it!

Rushmore is an authentic & organic hand-drawn script font . every single letters have been carefully crafted to make your text looks natural flow. This style is perfect for branding, photography, watermark, quotes, blog header, poster, wedding, Rushmore Featuring a tons of ligatures and alternate. Supports Western European, Central/Eastern European, Baltic, Turkish, Romanian Language.

Introducing vintage label font named Bogardus. This font family has an alternates for small letters of Eanglish alphabet, additional characters and multilungual support (check out all available characters on previews). Typeface has four styles: Regular, Inline, Italic, Aged. This font will look good on any designs like a poster, T-shirt, label, logo, etc.

Azola Cursive is an elegant connected letter cursive script arriving with a family of detailed & artistic styles. Azola Cursive features diagonal hatched texture, outline & solid variations. Azola Cursive is extended, containing West European diacritics & ligatures, making it suitable for multilingual environments & publications. This new font family pairs well with the existing Azola (noncursive) family.

A wide and thin hand lettered Art Deco design from the vintage French lettering book "L'Art du Tracé Rationnel de la Lettre" was the inspiration for French Deco JNL; available in both regular and oblique versions.

Rabenau (formerly Lucinde), the distinctly warm and legible type family For 30 years the graphic designer Axel Bertram worked at creating his typefaces: He developed complete new alphabets for magazines and typewriters as well as for the constant demand for typefaces for use by commercial artists. He has developed wall charts the size of advertising posters as teaching aids for training commercial and graphic artists to write in a clean, classic cursive script. In the eighties he used the American Chyron computer to design a screen font for television. In the mid-nineties he discovered for himself the fabulous possibilities offered by the Fontographer font software program and explored them playfully. From the results of these experiments, Axel Bertram selected a design for further development. From 2003 onwards the calligrapher and type designer Andreas Frohloff collaborated with him on the further development and production of the 16 fonts of the Rabenau™ typeface family.The Rabenau font was inspired by many factors: From the fonts used as book covers to typewriter fonts and even printed material from England dating from the beginning of the nineteenth century (e.g. those used by the skilled printer William Bulmer), Rabenau's relatively high contrast is offset by some organic tapers, subtley rounded bracketed serifs, and a fairly generous x-height. This makes for a typeface that looks especially good in print. Its broad repertoire of weights and styles - Condensed, Poster, and Shadow - give it added versatility, and make it ideal for setting both display and text in the same typeface. Throughout the heavier weights, the contrast is maintained. The Poster Italic sparkles, and will make a fine display type for dynamic headlines, or logotypes. This family of sixteen fonts works beautifully together. All Rabenau font styles have a large set of ligatures and thus cover typical letter combinations in many European languages. Besides the standard ligatures for ff, fi and fl, letter connections are also available for tt, th and fj or ffi, ffl and ffk. The range is completed with lovely arched transitions for the characters st, ck or ct. The latter gives the font that certain something, both in continuous text and above all in headlines.

HT Pasticceria is extremely eye-catching and high-contrast font. It is a chic typeface with a?sweet?and?perhaps?girly touch. HT Pasticceria is great for use in all kinds of display typography. Holiday Type Project offers retro hand drawing scripts. Inspired by retro script on shopfront lettering, wall paint advertisements in Italy around 1950s. Check out the script fonts from Holiday Type!

Waves is a sans serif typeface with pure but expressive look, which is notable even in smaller sizes. The softly decorative characters are also nicely visible in bigger sizes what makes Waves unique. A user can choose from two sets in all four weights. Each font features alternate letters, offers wide sets of characters including fractions and language support with all characters for Central European countries.