Killer Garbage is a grunge version of my Spitzenklasse font. It's worn and torn real bad - but not more than the font is still legible even at very small sizes. I don't fancy grunge fonts that only has one or two versions of each letter available. The text usually gets very static and predictable, because the same letters are repeated again and again. That's why I have included 6 different versions of each letter in this font! And the great thing about this is that the letters automatically cycles as you type! Forget everything about repeating the same letters all the time!!!

Holiday season is new season of Holiday Font. With a touch of modern and unique design, this font will make your design projects more interesting and different from the others. Holiday Season comes with uppercase letters, lowercase letters, numbers, punctuation and ligature. Contains 369 glyphs and support for 92 languages detected. we hope you enjoy this font. If you have any questions please don’t hesitate to drop me a message Thank you,

Vogan Typeface is a versatile font that comes in both regular and outline versions, both of which are in all capital letters. The regular version of the Vogan typeface features solid, bold characters that are perfect for making a statement. The letters are clean and well-defined, making them highly readable and suitable for a variety of design projects. Whether used for headings, logos, headlines, magazines, posters, or other creative applications, the regular version of Vogan Typeface commands attention with its bold and impactful appearance. In contrast, the outline version of Vogan Typeface provides a different aesthetic. The characters in this version are defined by their outer contours, creating a stylish and modern look. The outline font maintains the overall shape of the letters while allowing the background to show through the center, adding a touch of sophistication and creativity to any design. This version is particularly popular for design projects where a contemporary and edgy vibe is desired.

Chellin is a calligraphic script font that comes with exquisite character changes, a kind of classic decorative copper script with a modern twist, designed with high detail for an elegant style. Chellin is attractive because it is smooth, clean, feminine, sensual, glamorous, simple and very easy to read, because there are many fancy letter joints. I also offer a number of decent stylistic alternatives for multiple letters. Classic styles are very suitable to be applied in various formal forms such as invitations, labels, restaurant menus, logos, fashion, make up, stationery, novels, magazines, books, greeting / wedding cards, packaging, labels or all kinds of advertising purposes. . . Chellin has 380+ Glyph alternative characters, including multiple language support. With OpenType features with alternative styles and elegant binding. The OpenType feature works automatically, but you can access it manually and for the best results necessary for your creativity in combining these variations of the Glyph.

About family “Noema Pro” Steps… The name “Noema” is again borrowed from ancient Greek word, which may have different meanings depending on the phrase: meaning, logic, significance, purpose, reason, value, nod, implied. In this font i tried and here(like in “ErisPro”) to give a different illustration in letters with a reverse dial(…sloping or recline) from Italic, simply because of whims or because the monotony is tiring me… This series is composed and includes twenty-four fonts with 658 glyphs each, with true italics, true Sloping and supports of course: Latin, Greek & Cyrillic.

Schism is a modulated sans-serif, originally developed from our Alias Didot typeface, as a serif-less version of the same design. It was expanded to three sub-families, with the thin stroke getting progressively heavier from Schism One to Schism Three. The different versions explore how this change in contrast between thick and thin strokes changes the character of the letterforms. The shape is maintained, but the emphasis shifts from rounded to angular, elegant to incised. Schism One has high contrast, and the same weight of thin stroke from Light to Black. Letter endings are at horizontal or vertical, giving a pinched, constricted shape for characters such as a, c, e and s. The h, m, n and u have a sharp connection between curve and vertical, and are high shouldered, giving a slightly square shape. The r and y have a thick stress at their horizontal endings, which makes them impactful and striking at bolder weights. Though derived from an elegant, classic form, Schism feels austere rather than flowery. It doesn’t have the flourishes of other modulated sans typefaces, its aesthetic more a kind of graphic-tinged utility. While in Schism Two and Three the thin stroke gets progressively heavier, the connections between vertical and curves — in a, b, n etc — remain cut to an incised point throughout. The effect is that Schism looks chiselled and textural across all weights. Forms maintain a clear, defined shape even in Bold and Black, and don’t have the bloated, wide and heavy appearance heavy weights can have. The change in the thickness of the thin stroke in different versions of the same weight of a typeface is called grading. This is often used when the types are to used in problematic print surfaces such as newsprint, or at small sizes — where thin strokes might bleed, and counters fill in and lose clarity, or detail might be lost or be too thin to register. The different gradings are incremental and can be quite subtle. In Schism it is extreme, and used as a design device, giving three connected but separate styles, from Sans-Didot to almost-Grotesk. The name Schism suggests the differences in shape and style in Schism One, Two and Three. Three styles with distinct differences, from the same start point.

Schism is a modulated sans-serif, originally developed from our Alias Didot typeface, as a serif-less version of the same design. It was expanded to three sub-families, with the thin stroke getting progressively heavier from Schism One to Schism Three. The different versions explore how this change in contrast between thick and thin strokes changes the character of the letterforms. The shape is maintained, but the emphasis shifts from rounded to angular, elegant to incised. Schism One has high contrast, and the same weight of thin stroke from Light to Black. Letter endings are at horizontal or vertical, giving a pinched, constricted shape for characters such as a, c, e and s. The h, m, n and u have a sharp connection between curve and vertical, and are high shouldered, giving a slightly square shape. The r and y have a thick stress at their horizontal endings, which makes them impactful and striking at bolder weights. Though derived from an elegant, classic form, Schism feels austere rather than flowery. It doesn’t have the flourishes of other modulated sans typefaces, its aesthetic more a kind of graphic-tinged utility. While in Schism Two and Three the thin stroke gets progressively heavier, the connections between vertical and curves — in a, b, n etc — remain cut to an incised point throughout. The effect is that Schism looks chiselled and textural across all weights. Forms maintain a clear, defined shape even in Bold and Black, and don’t have the bloated, wide and heavy appearance heavy weights can have. The change in the thickness of the thin stroke in different versions of the same weight of a typeface is called grading. This is often used when the types are to used in problematic print surfaces such as newsprint, or at small sizes — where thin strokes might bleed, and counters fill in and lose clarity, or detail might be lost or be too thin to register. The different gradings are incremental and can be quite subtle. In Schism it is extreme, and used as a design device, giving three connected but separate styles, from Sans-Didot to almost-Grotesk. The name Schism suggests the differences in shape and style in Schism One, Two and Three. Three styles with distinct differences, from the same start point.

Schism is a modulated sans-serif, originally developed from our Alias Didot typeface, as a serif-less version of the same design. It was expanded to three sub-families, with the thin stroke getting progressively heavier from Schism One to Schism Three. The different versions explore how this change in contrast between thick and thin strokes changes the character of the letterforms. The shape is maintained, but the emphasis shifts from rounded to angular, elegant to incised. Schism One has high contrast, and the same weight of thin stroke from Light to Black. Letter endings are at horizontal or vertical, giving a pinched, constricted shape for characters such as a, c, e and s. The h, m, n and u have a sharp connection between curve and vertical, and are high shouldered, giving a slightly square shape. The r and y have a thick stress at their horizontal endings, which makes them impactful and striking at bolder weights. Though derived from an elegant, classic form, Schism feels austere rather than flowery. It doesn’t have the flourishes of other modulated sans typefaces, its aesthetic more a kind of graphic-tinged utility. While in Schism Two and Three the thin stroke gets progressively heavier, the connections between vertical and curves — in a, b, n etc — remain cut to an incised point throughout. The effect is that Schism looks chiselled and textural across all weights. Forms maintain a clear, defined shape even in Bold and Black, and don’t have the bloated, wide and heavy appearance heavy weights can have. The change in the thickness of the thin stroke in different versions of the same weight of a typeface is called grading. This is often used when the types are to used in problematic print surfaces such as newsprint, or at small sizes — where thin strokes might bleed, and counters fill in and lose clarity, or detail might be lost or be too thin to register. The different gradings are incremental and can be quite subtle. In Schism it is extreme, and used as a design device, giving three connected but separate styles, from Sans-Didot to almost-Grotesk. The name Schism suggests the differences in shape and style in Schism One, Two and Three. Three styles with distinct differences, from the same start point.

A super font family mastered to an unparalleled level of precision, Bolyar TypeCraft is a collection multiple textured styles that represent historical printing techniques. A proud member of our successful Bolyar lineage this unique type family provides unlimited options for your creativity and is quite able to satisfy every typographic taste. If you are addicted to classic vintage style, then you could easily use Bolyar TypeCraft for almost any project of desire - from letterheads, logos and catchy headlines to elegant packaging, book covers and wine labels. Alternates, Swashes and Ligatures will help you customize almost every single letter and fit perfectly to your artwork. Bolyar TypeCraft provides a broad range of advanced typographical features: Multiple subfamilies each packing the two classic Bolyar styles - Regular (N) and Ornate (O). Five weights per style ranging from thin (100) to black (900) with full multilingual support for all Latin based languages as well as Cyrillic. A 1000+ glyphs per weight including three multilingual stylistic sets, swash designs and useful discretionary ligatures. Sub- and superscript basic Latin and Cyrillic glyphs as well as figures. Two positional models for lowercase accessed as OpenType case sensitive forms - baseline (default) or vertical centering. Contextual alternates and special stylistic set with different contour roughness exclusively developed for Bolyar Rough subfamily. A multifunctional Bolyar Shadow family witch can be flawlessly paired with any of the sub-family styles provided. Check out some great examples of Bolyar TypeCraft in use by the Labelmaker

Introducing “Bandeira” , A modern vintage serif font. Bandeira is a display font. You will get 3 different styles in this font (modern, vintage & luxury) - To get Vintage style you can use Alternates / Stylistics Set. Swash / Flourish on the lowercase will add a vintage feel to your design. - To get a Modern classic style, just type regular regular. - To get Luxury style, just type Uppercase & play with letter spacing. Bandeira has Stylistic sets / Alternates. And also has 2 ligature features (Standard Ligatures & Dictionary Ligatures) - Standard Ligatures : activated automatically. - Dictionary Ligatures : you have to activate it manually. Because Dictionary Ligatures are required for optional. Bandeira is very versatile for cosmetic brand, logo, magazines, fashion, social media, poster designs, wedding invitations, branding and many more. Enjoy! Nugi Letterium Studio

Plakato, a stencil love affair Plakato is a family of display fonts, consisting of various eye-catching styles, each of them very bold. Plakato is an identity toolkit, a heavyweight building block in case you need a strong personality, a small stencil font family to cut out your best ideas and grab all the attention. But just as with many other creations, its outcome is as divers as its multiple origins. Plakato comes in 16 eye-catching styles. The default stencil style comes in Regular & Italic. They both have 2 variations: one version, named Plakato Stencil, automatically creates borders around the text, putting any text into a graphic stencil in this way. Another version, the extruded three-dimensional version, guarantees even more attention for your message. Next to this there is also the Inline version, which is an optical play with a lot of lines. Plakato Inline has a supportive background layer, a separate font in case you want to add a background in a different colour. Then there is Plakato Paper, a manually teared version of Plakato offering a more physical look. This small family of eye-catching display fonts also contains a Neon font, an independent design in Plakato style, which can actually be used for making neon signs due to its construction. Plakato Neon comes with its own Dingbat font for that extra flush-flush. Plakato has also been redrawn on a C64, and with all its accompanying limitations been ported back and turned into a font: Plakato Game. Also this font comes with its own Dingbat font, full of emoji’s and icons for oldskool pleasure. Last but not least there is Plakato Build, constructed out of blocks. As if that wasn’t enough, there are various dynamic versions in the Plakato Play package, which offer a whole new range of possibilities for typographic expression, with new animation and interaction opportunities.

Romford Stencil is a Brexit inspired typeface. It’s letterforms represent the idea of a union splitting apart and the stylistic differences between the upper and lower case symbolise the notion of being different from one another. Research for this typeface started off in Romford which is an area where the majority of UK voters wanted to leave the European Union, hence the name. Romford Stencil is designed to be readable for body copy and look impressive when used as a display typeface. However, the bigger it's size the better it looks, especially in all capitals.

Shootout - Street Typeface with sharp and beautiful letters that create fonts that are modern, trendy and elegant. Came with opentype features such stylistic alternates, stylistic sets & ligatures good for logotype, poster, badge, book cover, tshirt design, packaging and any more. Features : • Character Set A-Z • Numerals & Punctuations (OpenType Standard) • Accents (Multilingual characters) • Ligature • Alternate There it is! I really hope you enjoy it

Heares Street - Brush Font inspired by urban fonts with sharp and beautiful letters that create fonts that are modern, trendy and elegant. Heares Street came with opentype features such stylistic alternates, stylistic sets & ligatures good for logotype, poster, badge, book cover, tshirt design, packaging and any more. Features : • Character Set A-Z • Numerals & Punctuations (OpenType Standard) • Accents (Multilingual characters) • Ligature • Alternate

Shohibul - Brush Font with sharp and beautiful letters that create fonts that are modern, trendy and elegant. Came with opentype features such stylistic alternates, stylistic sets & ligatures good for logotype, poster, badge, book cover, tshirt design, packaging and any more. Features : • Character Set A-Z • Numerals & Punctuations (OpenType Standard) • Accents (Multilingual characters) • Ligature • Alternate There it is! I really hope you enjoy it

Majora Pro is a slab serif typeface which derives its name from a Portuguese historical toy manufacturer. The font comes in 8 styles, ranging from a delicate Thin to a robust Black, with matching italics and an upright version of stencil fonts, resulting in a total of 24 weights. Majora Pro is well-suited to a wide range of design projects which include packaging, editorial design, screen use, etc. Its humanistic features and moderate contrast between thick and thin strokes make it also suitable for long block of texts while having a high degree of legibility. The font includes a set of alternate glyphs which help give your compositions a different and unique look. The Stencil version was specially designed for use in signage, packaging, titles and headings. Majora Pro contains an extensive set of 750 characters (including small caps, different figure styles, etc.) that support over 200 Latin-based languages. Majora is the previous version of Majora Pro.

You might call this a Bodoni Ornate font that Bodoni never made, close examination of this old 1800s font and it's plain to see that the top half of the letters is very Bodoni in appearance. Apple Pie is a revival of and old font from the William Hagar Type Foundry, which I've been able to date back to 1850. The William Hagar type specimen book from the 1850s only shows this font as a caps only typeface plus numbers, later in 1869 MacKellar Smiths and Jordan offered this font with a lowercase. Over a two year period I was able to collect enough letters to begin production of this old decorative font, the type specimen books only showed a small line of text for this font so I would search through old documents on eBay and also shows relating to Ephemera. I could have easily developed a new font based on a very small sample of letters but I wanted to wait and find as many letters as possible, I was unable to find the Q, X, Z and ten lowercase letters so those missing letters are of my own design. New to this font is the addition of an all Caps Greek character set, accented letters for Eastern Central and Western European countries is also within this font. Fill fonts are available for the Apple Pie font, you will need an application that works in layers such as Adobe Photoshop, Adobe Illustrator or Corel Graphics in order to use the Fill fonts. Some Fill fonts may be used as stand alone fonts but the versions for Apple Pie look best when layered behind the parent or main Apple Pie fonts. Be sure to check out the left and right hands located on the Less Than and Greater Than keys.

The Orbi type system is a low contrast antiqua of elegant design with a well developed set of members. It consists of 10 roman and italic faces of different proportions and weights and 3 decorative calligraphic fonts. It also contains 3 additional fonts with various decorated initials. The roman includes small capitals. Thanks to its variety of styles the font is suitable for a wide range of applications - the basic styles are good for books and periodicals; the narrow styles work well in the columns and tables of business papers; the decorative styles are ideal for ceremonial typography where swashes, calligraphy and initials are usual. The fonts were designed by Natalia Vasilyeva. Released by ParaType in 2010.

Zenon is a compact text font in four weights. Zenon is a sum of different styles, from Francesco Griffo to Granjon, from modern typefaces to the first sketches of Times New Roman. Zenon is an apparently Renaissance revival with modernish proportions. A closer look reveals that it is a typographic potpourri. Zenon was design as part of the MATD program at the University of Reading.

I am not sure if there is such a thing as a Sunday Fish. But anyway, now you have a font with that name! My idea of a Sunday Fish is a lazy, goofy and kinda laid back one. One you'd like to play around with, and a friend for life - not that kind of fish that ends up on your plate! :) Sunday Fish has massive language support and 4 different versions of each lowercase letter, and these automatically cycle as you type! It comes in 4 different layered versions, which works well together - just play around with the layers and your favourite colours!

Online auctions offer a myriad of unique, vintage and novel lettering devices – all which are fertile ground for typographic inspiration. In this instance, a set of stamped metal letters for outdoor signage was the basis for Stamped Metal JNL. Some of the non-traditional letter weights makes these simple block letters a wonderful change of pace for bold, attention-getting headlines.

Ametis is a modern elegant serif display font. In this font you will find many ligatures and alternates that give great potential for creating logos, branding, arranging wedding invitations, business cards, packaging and much more. This font will help to realize all your ideas and will not leave indifferent even the most sophisticated. Try it, change alternates and ligatures and you will see how many options you can get by creating in a classic style or a more elegant style. Lowercase completely duplicate uppercase, they have the same alternates and ligatures, but differ in size from uppercase. This font is easy to use has OpenType features.

Chandia Elegant Script is one of the Elegant script fonts that comes with a very beautiful character change, a kind of classic copper decorative script with a modern touch, designed with high detail to present an elegant style. You will get: Chandia Files Chandia Elegant Script is interesting because the typeface is pleasing to the eye, clean, feminine, sensual, glamorous, simple and very easy to read, because of the many luxurious letter connections. I also offer a number of decent stylistic alternatives for some of the letters. The classic style is very suitable to be applied in various formal forms such as invitations, labels, restaurant menus, logos, fashion, make up, stationery, novels, magazines, books, greeting / wedding cards, packaging, labels or all kinds of advertising purposes. . . Chandia has alternate characters, including multiple language support. With OpenType features with alternative styles and elegant ligatures. If you need help or have any questions, let me know. Thanks & Happy Designing.

Cape Horn is a typeface inspired by seafarers who have perished by navigating the treacherous seas surrounding Cape Horn, which is at the southern-most tip of South America. A-Z Numbers Multi-language support Symbols Special Characters Uppercase

Is there anything more satisfying, alluring or mouth-watering than bacon? Comes with contextual alternates, which means that the font has got 8 different versions of each letter - this cycles as you type!

Ciribiribin is an Italian ballad composed by Alberto Pestalozza in 1898. Many versions with different sets of lyrics have been recorded over the years. The hand lettering on the sheet music for one such popular version of the song was comprised of bold characters with a "semi-serif" treatment; that is, characters with partial or no serifs on certain strokes of the letters. Ciribiribin JNL extends this unique design into a complete digital typeface. Available in both regular and oblique versions.

Inspired by hand lettering and vernacular typography. Its informal and friendly character allows for different creative ways of usage. It is recommended for publishing, advertising and branding to get fresh handmade feeling. First version of Saturator FA Regular was designed by Magdalena Frankowska in 2007 and used successfully by many graphic designers all over the world. New version of Saturator FA is broadened with more diacritic characters for most of Latin languages. In 2016 new styles: Italic, Serif and Serif Italic were designed to enrich the Saturator FA family.

Here is a revolution in typewriter fonts.......typrighter.......yes! typrighter V1 and typrighter V2.....We applied Contextual Substitutions feature in Fontlab with 6 different alternative of each letter (standard English alphabets). No more repeating same contours of letters which a typical typewriter fonts does......a next same letter replaces itself automatically to 6 variations to give you real typewriter text flowing out of your computer keyboard...... Please watch a short demo and enjoy the open type features in word, illustrator and Photoshop.... https://www.youtube.com/watch?v=HMM98Wmb_sg The basic version is bold version but does not have Contextual Substitutions option.

Androgino is a unique handwritten font with deconstruction concept, where each letters connected to others with different spaces and sizes and sometimes overlaps. This font has an abstract 'dual interpretation'. On the one hand, the unique design of the letters does not have a stylistic tendency. On the other hand, the letters are combined in a unique form when they become sentences. Coupled with several ligatures that add diversity and give a certain surprise and impression when typed. Unique and stand out is the right definition for Androgino. It’s another word of Androgynous, Feminism which is masculine, suitable for all types of branding.

This is your Lucky Day, and if you are really lucky...it could turn into Lucky Days! :) Just go ahead and type with Lucky Days, it has 6 different versions of each letter...and they are all handmade. The letters are super legible, and can be used for a great variety: posters, postcards, invitations, comics or crafts. I even imagined a label for a beer, using this font!!!

Nobella is a flowing, mid-century script typeface, perfect for logos and sport-style graphics. With its curly style and decorative swashes, this font could be considered a baseball classic and is guaranteed to give any logotype a creative, vivid appearance. Its thin parts and its large capital letters makes for a typeface that combines lightness with expressiveness. Use underscore _ to make a swash. Example: Yankees_ Use multiple underscores to make swashes of different lengths. Example: New York________ (Download required.) The font contains all characters you'll ever need, including all punctuation and numbers. It contains contextual and stylistic alternates and many other OpenType features. It supports all Latin based languages: North, East, West and Central European; North and South American; Southeast, North, Central Asian.

Bornholm Tejn is named after a village »Tejn« on the only rocky island in Denmark »Bornholm« Bornholm Tejn Low is the lowercase variant of Bornholm Tejn, released in 2012, the first face in a series of rough stone cut typefaces, that shares proportions, but differs in any other aspect like different pieces of rock. It is a powerful face, but still very friendly. Good for very big sizes, but can be used for small texts, movie titles, cartoons … Bornholm Tejn Low has a large x-height which supports the heavy and black look of the typeface. It contains tabular and proportional old style and lining figures.

Glenthya Habithan is a modern script font that features a classic and elegant touch. Glenthya Habithan is attractive because it is sleek, clean, feminine, sensual, glamorous, simple and very easy to read, thanks to its many beautiful letter connections. I also offer a number of decent stylistic alternatives for some of the letters. Classic style is very suitable to be applied in various formal forms such as invitations, labels, restaurant menus, logos, fashion, make up, stationery, novels, magazines, books, greeting/wedding cards, packaging, labels or all kinds of advertising purposes. . . . . . . . . Files include: Contains full set: -Uppercase -Lowercase -Alternative -Style -Ligatures -Punctuation -Number -Multilingual support. need help or have questions let me know. I'm happy to help. Thanks & Congratulations on the Design!

Melindan is a modern script font that features a classic and elegant touch. Melindan is attractive because it is sleek, clean, feminine, sensual, glamorous, simple and very easy to read, thanks to its many beautiful letter connections. I also offer a number of decent stylistic alternatives for some of the letters. Classic style is very suitable to be applied in various formal forms such as invitations, labels, restaurant menus, logos, fashion, make up, stationery, novels, magazines, books, greeting/wedding cards, packaging, labels or all kinds of advertising purposes. . . . . . . . . Files include: -4 Type Font Contains full set: -Uppercase -Lowercase -Alternative -Style -Ligatures -Punctuation -Number -Multilingual support. need help or have questions let me know. I'm happy to help. Thanks & Congratulations on the Design!

Dahgean is a modern script font that features a classic and Unique touch. Dahgean is attractive because it is sleek, clean, feminine, sensual, glamorous, simple and very easy to read, thanks to its many beautiful letter relationships. I also offer a decent number of stylistic alternatives for some of the letters. Classic style is very suitable to be applied in various formal forms such as invitations, labels, restaurant menus, logos, fashion, make up, stationery, novels, magazines, books, greeting/wedding cards, packaging, labels or all kinds of advertising purposes. . . . . . . . . . Contains full set: -4 Type Font -Uppercase -Lowercase -Alternative -Style -Ligatures -Punctuation -Number -Multilingual support. need help or have questions let me know. I'm happy to help. Thanks & Congratulations on the Design!

The font was created under the influence of German tabular inscriptions. Especially, DIN font influenced on Nomenclatur graphic. It adds clarity and conciseness in the font. Nomenclatur is intended for use in architectural and design topics. It is also intended for a set of instructions and manuals. The font has the aesthetics of the Bauhaus and other constructivist movements. Characters of font are designed with high intelligibility, which makes it well readable in a small size. The lowercase letter "l" has a tail, so as not to confuse it with the capital letter "I", which has serifs. It avoids confusion in words like "Illinois". The font is well suited for the design of signs and navigation texts. A wide selection of styles allows you to design complex typography. The font family includes 15 styles. The font family has a variable font with two axes of weight and width. The font contains a set of alternative characters that will allow you to create different moods. The font contains Western European Latin and standard Cyrillic. The font has more than 3,600 kerning pairs configured. The font contains beautiful ampersand.

This family typeface consists of three fonts which have the same weight and style, but have been designed to work best at different sizes and in slightly different contexts. It is based on handwriting and calligraphy and consists of three typefaces: Rumba Small (for texts), Rumba Large (for headlines) and Rumba Extra (for words). The family is based on the idea of fonts that are interrelated depending on the differences in contrast, expressiveness and use, not on the classic range of weights. This type has been designed specifically but not exclusively for use in the languages spoken in Spain, hence special attention has been paid to the design of accents, special characters and ligatures. In a later development it was extended to CE Character Set.

BUNK is an 11 font system that can be layered in different ways to create various classic titling effects, think Old Timey signage 'COME IN WE'RE OPEN'. It's a display font that produces the different results by mixing and matching the various fonts together. Bunk's layer combos give you the control to create brilliant bevel, convex and 3-D styles. Each font contains the same metrics, so when your title is set, copy and paste-in-place to create layers of different weights/styles to build out your desired effect. Unlike other Layered Fonts out there, BUNK has upper case and lower case as well as currency symbols and lots of foreign characters too. Over 180 glyphs!. Five of the fonts (Shades 1,2,3,4,5) are clearly dependent on each other to create a complete font, so theses are only available in the Full family pack (11 fonts) or in the Layer Kit Family pack (7 fonts).

Elemental is a font created in 1997 and launched in 2001. It is a Sans Serif of humanist type and its principal characteristic is a hybrid between different form of calligraphic outlines. In 2010 it was redesigned for Chile’s bicentenary in Opentype version and an improved italic. It is offered in eight weights: Light, Regular, Bold and Extrabold and small capitals for each one of them.

The 1938 sheet music for the official Coast Guard Marching Song "Semper Paratus" "(Always Ready)" offered up a hand lettered title in a bold block style with rounded corners and an inline. This is now available as Stationer JNL, in both regular and oblique versions.