Bennet, Richard Lipton’s spirited serif superfamily, was inspired by Moth Design’s logotype and stationery system for the North Bennet Street School in Boston. Initially modest in concept, Bennet grew to an expansive suite of 96 fonts tuned for editorial use. The three widths of Bennet’s Display and Banner sizes—Regular, Condensed, and Extra Condensed—are ideal for precise fitting of newspaper and magazine headlines. Lipton developed graded text styles for the series, offering users precise variations to help compensate for varying degrees of ink spread on different types of paper stock during the printing process. For example, because of ink absorption, the lightest grade—Bennet Text One—printed on low-quality newsprint stock will have the same gray value as the darkest grade—Bennet Text Four—on superior coated paper. (Bennet Text Two is the default grade and offered here. Additional grades are available upon request.) Bennet also provides for a stellar reading experience in digital media, its carefully considered details vibrant yet legible on-screen.

Bennet, Richard Lipton’s spirited serif superfamily, was inspired by Moth Design’s logotype and stationery system for the North Bennet Street School in Boston. Initially modest in concept, Bennet grew to an expansive suite of 96 fonts tuned for editorial use. The three widths of Bennet’s Display and Banner sizes—Regular, Condensed, and Extra Condensed—are ideal for precise fitting of newspaper and magazine headlines. Lipton developed graded text styles for the series, offering users precise variations to help compensate for varying degrees of ink spread on different types of paper stock during the printing process. For example, because of ink absorption, the lightest grade—Bennet Text One—printed on low-quality newsprint stock will have the same gray value as the darkest grade—Bennet Text Four—on superior coated paper. (Bennet Text Two is the default grade and offered here.) Bennet also provides for a stellar reading experience in digital media, its carefully considered details vibrant yet legible on-screen.

Juxta Sans Mono is an experimental monospace sans, an extension of the Juxta superfamily. During the creation of the Juxta script, I felt that the aesthetics and the main idea of the font had promising potential and I started thinking about a pair for it. So the idea of Juxta Sans Mono was formulated. Juxta has several style-forming elements: 45° beveled or cross out bowls, squared m and w arcs and other unobvious letter structures. Despite its unusual and sometimes odd (f, g, m) letterforms, Juxta Sans is fairly easy to read due to its monospace font nature and wide spacing. Juxta Sans Mono offers great customization potential. It has two sets of stylistic alternates — [salt] makes a letter underscored, but keep it in line, [ss01] replaces some of the glyphs with different letterforms. The [case] function automatically adjusts the height of the punctuation marks to the neighbor letter and [onum] is a set of old style numbers. Juxta Sans Mono also has subscript and superscript features, but they are utilized a bit unconventionally — if you want to customize your logo or headline, you can make a glyph superscript and the one next to it subscript and they automatically kern into one letter width. You can see examples of using these features in the presentation. Juxta Sans Mono is available in 8 weights, including Thin, Light, Regular, Medium, SemiBold, Bold, ExtraBold and Black. It extends multilingual support to Basic Latin, Western European, Euro, Catalan, Baltic, Turkish, Central European, Pan African Latin, Afrikaans, and Basic Cyrillic.

Writeback Bring a touch of unique character to your designs with this simple style script brush font. The font features a mix of clean and simple brush strokes, with a touch of texture added to enhance its natural look. The casual script style and mixed textures make this font versatile, allowing it to be used for a wide range of projects. Give your designs a touch of creativity and personality with this simple style script brush font. Writeback also have 2 different style, so you can easily combine and adjust the design theme with it Its perfect for casual and fun designs, this font is great for adding a personal touch to t-shirt designs, logos, posters, and more.

The extensive Wolverton family was inspired by a turn of the 20th century luggage label designed by the London and North Western railway. The Wolverton family combines period flair and charm with respect for the modern need for legibility and purposefulness. The family has at its heart four Body text faces (regular, italic, bold and bold italic). These are complimented by three display text faces, offering upper and lower case letter forms, all offered in regular, oblique, bold and bold oblique forms. Four all-capital based display design are also included if offered in the same four style, making an extensive and flexible family suitable for a wide range of uses; everything from setting large amounts of text to large scale signage and poster work. Wolverton offers a unique blend of charm an modern flexibility, why not give it a try today? All faces include lining and old style numerals and are extensively kerned. Individual faces are all economically priced and substantial discounts offered for the purchase of larger sets of typefaces.

Bornholm Tejn is named after a village »Tejn« on the only rocky island in Denmark »Bornholm« Bornholm Tejn Low is the lowercase variant of Bornholm Tejn, released in 2012, the first face in a series of rough stone cut typefaces, that shares proportions, but differs in any other aspect like different pieces of rock. It is a powerful face, but still very friendly. Good for very big sizes, but can be used for small texts, movie titles, cartoons … Bornholm Tejn Low has a large x-height which supports the heavy and black look of the typeface. It contains tabular and proportional old style and lining figures.

Gerhard is an early 1900’s Victorian style typeface that has been carefully refined for today. It was inspired from delicately hand painted lettering on a century-old vintage piano. This typeface has an bold and elegant natural aesthetic that can work for eye-catching headlines yet work gracefully enough for wedding invitations. Small caps have been designed for sub headings and allow a visual difference. Put it to use on your next branding, signage or publication project. A number of glyphs and diacritics included make this typeface usable for a wide number of languages. Alternate letters and forms have been included to create some versatility with your design.

Introducing our latest creation, Maretha Font Duo, a set of two fonts designed for good combinations. Script and Sans, 2 different styles that allows you to make a great custom combination of lettering designs. These fonts include some features such like alternates, swashes and ligatures to give you more options accessible in Adobe Photoshop, Illustrator, CorelDraw, etc. Maretha Script also has individual swashes you can apply in any lowercase-letters by pressing 'underscore' and 'number 0-9'. These vintage minimalism fonts are great for any design project such as vintage logos, store fonts, clothing brand, label design, wedding invitations, quotes, craft and much more.

Alfarn is based on capital letters that Bauhaus student Alfred Arndt (1898?1976) drew for a poster in 1923, designed to advertise a bakery in Jena, Thuringia. The poster is an example for what we call today ?Bauhaus features?: yellow circle, red square, black bars and an indication of geometric lettering that became so popular in the following years. C�line Hurka carefully analysed Arndt?s lettering and derived two weights in different widths: wide and condensed. She took on the characteristic bars and transformed them into an underlined weight of its own. Hurka also drew perfectly balanced small caps, which make up for a missing lower case. Alfarn captures the spirit of 1920s Bauhaus-influenced posters ? a timeless style quite suitable for contemporary designs.

Sorvettero is a sans, layered and unicase typeface inspired by some wood signs at Descansópolis, a neighborhood on Campos do Jordão, a city of Brazil. A fun and cute display project with different use purposes, like packaging, logos, signs, and whatever your creativity brings on. Designed by Diego Maldonado, with contribution of Tony de Marco on the Diamond style.

Dragons, pirates, magic, and all that is gothic was the inspiration for this design. Blackstone was one of ten winners in The 1988 Chartpak Typeface Design Competition and is now available in two styles with additional characters, alternates and dingbats. Several alternate caps can be found using alt keystrokes, so try using different combinations of all caps.

Cartographer Carl Beckman was appalled by the low standard of lettering in Sweden during the 18th century. He published an instruction and pattern book with four different letter forms in Stockholm 1794. The Carl Beck font is based on his Cursiv Skriften no. 1.

Say hello to my handy font! Use it whenever you need something handmade, vibrant and lively. I've added 6 different versions of each letter - just fo ahead and type and watch the letters automatically cycle - or choose the ones you prefer from the glyphs menu

Kaytek™ Rounded completes the Kaytek typeface family with seven carefully rounded weights. Every style of the typeface takes up exactly the same amount of space, thanks to the careful creation by Radek Łukasiewicz. This means designers can switch between styles without the text being reflowed, making it particularly useful in magazines, where space might be limited, and also on the internet, where hover links appear in a different style. Kaytek Rounded comes in seven weights, from Thin to Black. It pairs also with Kaytek Sans, Kaytek Slab, and Kaytek Headline.

“Scratch That” is a decorative font available in 16 different styles. All subfamilies are consistent in width, position and spacing, so multiple fonts can be layered to create even more variety - have a look at our Family Pack offers! We designed “Scratch That” with layered design in mind and for both good legibility at smaller sizes and perfect look at large dimensions. This allows widespread use: for fashion, headlines, flyers, food, packaging, posters, souvenirs, web design, invitations and many more...

Positive Feature is a handmade, layered font. All layers come with contextual alternates, which means you have 4 different versions of each lowercase letter to play around with. What's cool about the two layer versions is that they mix in a lovely way! Try typing your text with layer 1, copy/paste layer 2 on top in a different color - perhaps even alter the transparency a bit...and all of a sudden a nice effect sees the light of day!

The movie poster for the 1937 film “Cafe Metropole” served as the basis for Outdoor Cafe JNL, which is available in both regular and oblique versions. The extra bold, stylized letter forms with their rounded corners typify the wide variety of typographic styles the Art Deco period offered.

Nadsat is a unicase display typefaces with a condensed, art deco styling. Best suited for short texts or display settings, the lowercase and capital letters can be combined to offer more layout possibilities. The typeface also includes a series of ligatures and alternate characters for even more layout options.

Amonos Display Font Family aims for a modern and simple lifestyle. Sleek and stylish skeletons boast a unique style from thin to black weights. Regardless of weights, 18 styles have special talents related to headings, subtitles and logos. The understated metaphor and sense of stability is the best alternatives for creative typography. Therefore, it supports stable dynamics beyond the biased simplicity of geometric fonts. And some different Glyphs of oblique typefaces add to the delightful fun. Enclosed Glyphs and Symbols will be so useful for editorial design.

Alfabet is the result of over 3 years of work on a typeface inspired by Swiss and German designers & researchers. The main idea was to create a sans-serif with geometric and strong feeling. Whole family will work wherever we want to emphasize modernity and a rational way of visual thinking. Alfabet will be perfect choice for multiscript branding purposes, all styles support Latin (+Vietnamese), Greek and Cyrillic scripts (with Ukrainian,Bulgarian and Serbian forms). The whole family consists of 20 styles – 10 weights and matching italics. In addition to the rich set of characters, Alfabet includes Alternates, Superscript, Subscript, Ligatures, Arrows set and 7 different styles of digits.

Schuss Sans CG Poster 1 upright OTF Font Latin extended, Cyrillic and Greek. Specially developed for headline poster display sizes. A Sans Black Headline-Font in addition to the Schuss superfamily. The heights are optimized for big sizes, different to the text fonts of the Superfamily Schuss. The character set is slightly different to the non poster styles too. No italic, no additional figures, no tabular figures, no small Caps. But with maximum manual kerning. Ligatures: fi, fl, ff, ffi, ffl. No special OpenType features.

A Lost Art Deco Style Reborn and Multiplied Rhumba began as a digitization of a film typeface from LetterGraphics in the early 70's known as "Barrio Lined". Originally only a single typeface, represented by our Rhumba Lined style, it was fun and offered more diversity to expand out the styles of this gem. Playing off the stylings of fonts like Prisma, Rhumba fills in gaps between the various lines of the original to offer 3 alternate looks. The Rhumba family contains 382 characters per font. A comprehensive character map preview is at the end of the poster graphics collection.

Mensrea is a versatile display and text superfamily combining 32 different styles into a urban, street, themed design bundle. Based on a functional and condensed sans serif, Mensrea equally includes a large range of complimentary weights that can either be used as stand alone styles or then combined with other weights to create layered design. Two Graffiti styles add a further style contrast with a handwritten and fluid dynamic to contrast the main weights, the Bubble style equally features three extra layers for styling. And lastly, a small set of pictograms have equally been included and feature symbols from office icons to themed police iconography in relation to the overall Mensrea theme.

Streeters is a hand brush typeface, created for a specific project, where one of the assumptions in creating it was to combine the appearance of a manual brush, liquid paint but also a spatial effect. Uppercase and lowercase letters create a slightly different effect with the same character height. They are created in such a way that, in addition to writing with one letter case, it is also possible to mix and create many different combinations of uppercase and lowercase characters, for example, a unique look for the same repetitive words. The font is best for works where a non-standard, strong and distinctive form of communication is needed.

Marche Script is a bold and expressive brush font that exhibits high-quality and genuine craftsmanship. Its thick strokes and playful curves make it perfect for creating impressive logos. Designed with a focus on brush lettering, Marche Script offers a retro and rustic vibe that is sure to make your designs stand out. This font is perfect for logotypes, headlines, and other creative projects that require a touch of authenticity. Marche Script comes in four styles: Regular, Italic, Bold, and Bold Italic. Each style offers its own unique character, and all are equipped with ligatures to add even more flair to your designs. Use this font to add a touch of handmade charm to your next project, and watch it come to life with the high-quality and expressive strokes of Marche Script. Use underscore _ anywhere in a word to make a swash. Example: World_score Use multiple underscores to make swashes of different lengths. Example: Brand_____Genie The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

A tessellation is a shape that can be used to completely fill the plane—simple examples are isosceles triangles, squares, and hexagons. Tessellation patterns are eye-catching and visually appealing, which is the reason that they have long been popular in a variety of decorative situations. These Tessie fonts have two family members, a solid style that must have different colors when used and an outline style. They can be used separately or they can be used in layers with the outline style on top of the solid style. For rows to align properly, leading must be the same as point size. To see how patterns can be constructed, see the “Samples” file here. TessieOddsNEnds contains shapes that did not fit into the other Tessie fonts: TessieStandingBirds, TessieFlyingBirds, TessieMoreBirds, TessieXtraBirds, TessieSpinners, TessiePuzzlePieces, TessieAnimals, TessieBugs, TessieMiscellaneous, and TessieMoreStuff. (Earlier tessellation fonts from IngrimayneType, the TessieDingies fonts, lack a black or filled version so cannot do colored patterns. The addition of a solid style that must be colored makes these new fonts a bit more difficult to use but offers far greater possibilities in getting visually interesting results.)

The Joseph Struhl Company of Long Island, NY pioneered the use of cling vinyl in the field of reusable signs. Along with sets of die-cut letters and numbers, one of their main products for many years was a set of letters and numbers silk screened onto vinyl panels for larger window displays. Cling Vinyl JNL is Jeff Levine's tribute to this sign kit and its innovative contribution to retail marketing. The font comes in two styles: Cling Vinyl JNL has white characters on a black background and Cling Vinyl Clear JNL has black characters on an open (clear) background. For those wanting a "panel" space between words, there are two different width ones on the < and > keys. Please note: limited character set.

WyomingStrudel takes a bold version of WyomingSpaghetti and adds an internal decoration that resembles an exaggerated split serif. The WyomingStrudelInsert style contains only the ornament. It is intended to be used in layers with WyomingStrudel, either covering up the ornament or giving it a different color than the background color.

Energetics is a symbol font that includes 98 different pictograms, each showing figures engaged in athletic pursuit. The characters are drawn with a strong black & white drawing style, which helps stress the dynamic quality of the images. The details in Energetics' symbols come out best when they are used big.

Here are 29 hearts to say "I love you" through out the year. Some are stand-alone hearts and others have matching hearts for creating all-over heart patterns or a series of similar but slightly different hearts. Created in the same style as Outside the Line's other Doodle fonts.

Hoosier Daddy is based on Foundry Type samples from various mid-19th century specimen books. This shaded slab serif was made by conforming several different cuts of the styles, filling out the character set, and adding a few contemporary touches for freshness. This is a display face. Use it big.

Edigna is a clean, rounded sans-serif with a tall x-height. It contains five different weights and a matching inline style. The font family supports a variety of languages, including Western, Southern, Northern and Central European as well as Eastern European. It's good for headlines, posters, brands, and magazines.

This typeface was inspired by the popular typeface Machine but is not intended to be a copy of that font. It uses straight lines with circles converted to octagons. The Masheen family offers a variety of overlay possibilities to produced multicolored lettering. MasheenConvicted and MasheenFlag can be layered over MasheenBold to produce letters with two colors. The two overlay styles can be placed over MasheenCollege to produce bi or tricolored lettering. Examples are given in one of the font posters.

Glyphic Neue was inspired by the Op Art style of lettering in the United States that ran rampant in many photo type houses in the 1960's and 1970's. The Glyphic Series from the Franklin Photolettering group was an influence and spring board for this family of fonts, hence it's name. But Glyphic Neue departs from its unicase Franklin influence in several ways. Firstly the designer created both upper and lower case forms. The lowercase has been designed with barley protruding ascenders and descenders and with an x-height equivalent to the cap height, so that upper and lower can be exchanged indiscriminately for a quirky effect. Some of the letters take a cue from the original Glyphic series but many have been redesigned entirely to fit the designers vision. The italic forms differ enough from the upright version making it almost an entirely different display alphabet. Glyphic Neue is a versatile family of 6 fonts -- 3 widths, each with an accompanying italic that look equally at home when used on a party flier or a sports team visual identity.

Elemental is a font created in 1997 and launched in 2001. It is a Sans Serif of humanist type and its principal characteristic is a hybrid between different form of calligraphic outlines. In 2010 it was redesigned for Chile’s bicentenary in Opentype version and an improved italic. It is offered in eight weights: Light, Regular, Bold and Extrabold and small capitals for each one of them.

Bilestha is a modern script font that features a classic and elegant touch. Bilestha is attractive because it is sleek, clean, feminine, sensual, glamorous, simple and very easy to read, thanks to its many beautiful letter relationships. I also offer a decent number of stylistic alternatives for some of the letters. Classic style is very suitable to be applied in various formal forms such as invitations, labels, restaurant menus, logos, fashion, make up, stationery, novels, magazines, books, greeting/wedding cards, packaging, labels or all kinds of advertising purposes. Contains full set: -Uppercase -Lowercase -Alternative -Style -Ligatures -Punctuation -Number -Multilingual support.

Winterday Elegant Calligraphy font that comes with exquisite character changes, a kind of classic decorative copper script with a modern twist, designed with high detail for an elegant style. Winterday Elegant Calligraphy font attractive because it is subtle, clean, feminine, sensual, glamorous, simple and very readable, because it has many fancy letter joints. I also offer a number of decent stylistic alternatives for multiple letters. Classic styles are very suitable to be applied in various formal forms such as invitations, labels, restaurant menus, logos, fashion, make up, stationery, novels, magazines, books, greeting / wedding cards, packaging, labels or all kinds of advertising purposes

A scribbled kids handwriting kinda font without overdoing it, which makes it super legible, even at very small sizes. I have added 5 different versions of each letter, and they automatically changes as you type!

Espíritu is the first font illustrated and designed by talented Graphic Designer, lettering artist, illustrator and musician Agustín Pizarro Maire. For this entirely made-by-hand project, Agustín pushed his limits forward, significantly improving his notions in the type field, by applying his expertise and experience as an illustrator and letterer. With Type Direction and design assist by Guille Vizzari, both joined forces to face this voyage together. The result is a peculiar font family that seeks for a free spirit, one that is imperfect and unpretentious. With its soul deeply rooted in wanderlust, just enjoying the journey, like an endless road trip. Espíritu is a type family guided by the impulse of the hand, getting lost in the details of infinite drawn letters and icons, that perfectly fit meticulous designs, achieving also great impact when needed. Espíritu consists of five styles that complement each other to get different voice tones for each kind of design piece. Espíritu Regular, the heaviest one and most versatile; Espíritu Condensed, for tall and compact compositions; Espíritu Expanded, a wide serif style that’s great for billboards and short messages; Espíritu Script, a mono-weight cursive to add softness to the family; and finally a huge set of illustrations, symbols, badges and more in Espíritu Dingbats. Each of the alphabetical fonts offer an overflowing amount of alternates, swashes, and ligatures to maximize their capabilities. To all the wild spirits out there, meet Espíritu, join the ride.

The vast resource of hand lettered vintage sheet music titles offers many interesting and unique variations on even the simplest styles of lettering. A simple thick-and-thin serif design circa the 1920s-1930s evokes a reminiscence of the Art Nouveau period combined with a touch of what was to come during the Art Deco era. Most charming is the fact this lettering is free of the formal rules and constraints of metal type, where designers are generally forced into conformity with uniform stroke widths, serif placements and character shapes.