The idea started with the 1934 sheet music of “Mazurka Amabile”. Its hand drawn title had most of the letters rendered in a rectangular shape [‘square’ in the sign trade] that featured rounded corners and terminals made by the shape of the lettering pen nib. A few letters were rounder in design than others, so those were scrapped in favor of a more consistent character shape throughout the font. Pen Nib Square JNL is available in both regular and oblique versions.

Alinea is a typeface in 3 styles (Sans, Incise, and Serif) conceived for being mixed in the same document. Alinea incise is a flare serif (incise in French). It finds its origin in the roman letters carved in stone. The great advantage of such a style is that it can be associated to any other style of typeface. The most famous flare serifs are: Optima of Hermann Zapf, Pascal of José Mendoza, Amerigo of Gerard Unger and Alinea Incise of course!

The typeface was designed at the Polygraphmash type design bureau in 1940-56 (project headed by Anatoly Shchukin) based on Erbar-Grotesk typeface of Ludwig & Mayer company, 1929 by Jakob Erbar, and on Metro typeface of Mergenthaler Linotype, 1929 by William A. Dwiggins. A sans serif of geometric style. For use for text and display typography. In 2014 designer Olexa Volochay made some corrections in original digital data and extended character set. The family was rereleased in ParaType in 2014.

Decima Mono Pro is an upgrade of the well received Decima Mono typeface, released back in 2009 and quite successful ever since. This is a modern monospaced condensed sans serif family with classic geometric design, built in three weights and six styles. The letterforms in roman style are techno (engineered) in appearance, while italics remind one of elegant handwriting balanced with Roman geometry.\ The typeface is released in OpenType format with extended support for most Latin languages, as well as Greek and Cyrillic.

Zagolovochnaya was based on the letterforms of Zagolovochnaya gazetnaya (Newspaper Display) type family of Polygraphmash in 1962 by Iraida Chepil et al. The face was a revival of Cyrillic version of Caslon designed in the late 1930s. The artworks of Zagolovochnaya gazetnaya were redrawn by Isay Slutsker (1924-2002) in the late 1990s. In spite of its name the font is useful both for display and text matter. The digital version was developed for ParaType in 2002 by Manvel Shmavonyan.

Samuel Welo was a sign painter who had published in the 1920s and again in 1960 editions of his “Studio Handbook – Letter and Design for Artists and Advertisers”. In-between, in 1930 Welo also published “Lettering - Practical and Foreign”. Within the pages is an Art Deco outline slab serif design using multiple thin lines to create an “incised” or “engraved” look within the characters. This intriguing type style is now available as Guest Invitation JNL, in both regular and oblique versions.

Comicraft first created this font, based on the unique European lettering style of Ladronn, for the Marvel X-book CABLE in 1998. It was later upgraded for THE INHUMANS mini-series, and modified again for the HIP FLASK mini-series in 2002. In 2018, we Remastered it for the new LOST IN SPACE series from Legendary, with improved spacing and kerning, an additional Bold weight, and our patented Crossbar I Technology to automatically place the crossbar I in the right spots.

Achispado which means tipsy or slightly drunk in Spanish is the name of a crazy funk font that was designed by Richard Yeend in 2003. Full of comic almost architectural elements bit and pieces of the entire history of lettering come together to create the letterforms of this typeface. Text set in Achispado will look just plain fun if a little tipsy at the same time! Achispado could be used in large display settings, in fashion or on jewelry items.

Sopi is a typography of ornaments, borders and combined frames. It was inspired by the design of limestone tile floors, located in different places in Buenos Aires. All characters have the same measure, which enables the possibility of any desired combination. In the case of edges or combined frames, the typography was programmed in a way that is possible to generate textures with 2 or more colors, attempting to rescue the colorful designs that were original thought in the limetone tile floor.

Evocativa has a perfect combination of roman bodonian inspired ornamented caps with a well crafted blackletter set, in a balanced typeface suit to use in your headings text projects and in jobs with a classit and yet antique feeling.

Radian is a modern geometric sans serif typeface that comes in 16 weights: 8 upright fonts and their matching italics. Radian works well in any graphic design project and purpose, both as a display typeface and in smaller sizes.

This stylish lightface was designed by Bernd Nadall for Barnhart Bros. & Spindler as a caps-only font in 1895. The lowercase was added at Solotype a hundred years later, resulting in a font quite at home in modern advertising.

The December, 1935 movie poster for James Cagney in “Public Enemy” has its title hand lettered in a bold, squared, slab serif type style. Now digitally recreated as Lawbreaker JNL, it is available in both regular and oblique versions.

Colmena (means Beehive in Spanish) features soft viscous shapes and high contrast that resemble bees and honey. The font was entered into TypeArt Contest in 2005 under the name "FD_Harvey". Suitable for display purposes especially in books for children.

Cordel Interior family draws inspiration from covers of 'cordel literature’, - small booklets of popular story-poems that played an essential role on the folk-popular cultural life of Brazil. Printed in coarse paper, usually with an woodcut illustration and lettering in the front, these booklets were sold on the streets, in marketplaces and town squares, hung in a cord - therefore the name ‘cordel’.

Stefan Claudius developed this font while he was sitting in a small chalet in Denmark with a hot wood-oven and nothing but snow outside. Probably the amount of white led him to make it so thin and to have as much space between the lines as possible. If you have that in mind, it looks best in large sizes.

Centima – a geometric sans serif typeface family, built in six styles. The typeface is intended for use in display sizes, but also is quite legible in text and is well suited for editorial and brand design. Centima is released in OpenType format with support for most European languages and includes some OpenType features – proportional/tabular, lining/oldstyle figures, slashed zero, ligatures, fractions.

This revival of Harry is based on the original design by Marty Goldstein (and C.B. Smith). Goldstein, born in Chicago in 1939, was the co-founder of the groundbreaking Creative Black Book. He graduated from the Pratt Institute in 1960. Harry, first published by VGC in 1966, was named for his father. ITF has added four new weights to the original six.

Paquita was my first foray into the turbulent world of typography. Created in full in about three hours drawing directly into the program, technically speaking was a disaster. Once achieved the highest levels of misery I decided to get serious and after a lot of studies and tweaks, is now in its Pro version on sale in this prestigious store.

Demotte is a display face constructed from triangular blocks (wedges) and some circles. It comes in two styles. In one style the triangular blocks point up so that the letters are bottom heavy, and in the other the blocks point down so that the letters are top heavy. Also included in the family is a distorted version of the design.

Cirth was invented by J.R.R. Tolkien for use in his novels. It is modelled on the Anglo-Saxon Runic alphabet, and is used to write the language of the Dwarves (Khuzdul) in The Hobbit and The Lord of the Rings in inscriptions in wood and stone. It is also used as a alternative alphabet for English. This font is english version.

This font is a slightly calligraphic roman font with one major difference. In place of the upper case characters, there are decorative lower case “Drop Caps” accentuated by a decorative rendering of the alphabet in script form. As enlarged decorative caps—great for beginning paragraphs set in any number of fonts including the lower case included in the font itself.

This is a second edition of Deedee type family, originally designed in 2011. Deedee is a geometric sans serif typeface family of ten styles with extended support for most Latin languages plus Cyrillic. Revisions in this edition included minor adjustments to glyph shapes and improved kerning tables. The typeface is ideal for use in display sizes and is quite legible in the text.

Have you ever wanted a pattern in your font?, so it will look unique and attractive?. We present to you the Alexenia font. Murisa Alexenia is a font inspired by fallen leaves in winter. A font full of aesthetics in it. A font that will take you into a calming atmosphere. Use this font in your best design, and feel the sensation..

The Diamond Negative and Diamond Positive fonts feature sans serif capitals and figures in a diamond shaped background, in positive and negative form. Diamond Negative and Diamond Positive are useful in labelling, on invitations and certificates and for short headlines and intros in advertising. Diamond Bodoni features condensed Bodoni-style capitals and figures reversed on to a diamond shaped background.

Precious Serif is a distinctive, modern slab serif typeface, first released in 2003 and now refreshed in 2017. This contemporary, chunky gem is the sister typeface to our Precious Sans family, both sets designed with similar metrics and characteristics to ensure they pair together seamlessly in print & digital applications. Mix Precious Sans & Serif together in a block of text to wonderful effect!

Side A – Bauhaus-inspired Experimental and spiky type in 3 sizes (1 - 1/2 - 1/3), designed by Benoît Bodhuin (An ideal use could be: Side A unit in 48 pt, half in 24 pt and A third in 16 pt, then bars would have the same width and spaces between the forms would be equal, but it’s just an ideal use)

Castillian is the family of modern serif style with Uppercase and Lowercase feel nice balanced. Provide alternates font in uppercase and lowercase variant style make the design letter looks incredible. Honestly it works perfectly for headlines, logos, posters, packaging, T-shirts and much more. Recommended to use in Adobe Illustrator or Adobe Photoshop with opentype feature. Ligatures feature is default setting in Adobe Illustrator or Adobe Photoshop in Uppercase character. So when you want not to use the ligatures. Open glyphs panel : In Adobe Photoshop choose tool Window Character and then please klick fi symbol In Adobe Illustrator choose tool Window Type Open Type and then please klick fi symbol How to access Alternates Character? Open glyphs panel : In Adobe Photoshop choose tool Window glyphs In Adobe Illustrator choose tool Type glyphs If you have questions, just send me a message and I’m glad to help. Have a great day, Haksen

ALTERON is the classic display serif style with uppercase and lowercase look feel nice balanced. Provide alternates and ligatures font in variant style make the design letter looks nice. Honestly it works perfectly for headlines, logos, posters, packaging, T-shirts and much more. Recommended to use in Adobe Illustrator or Adobe Photoshop with opentype feature. Ligatures feature is default setting in Adobe Illustrator or Adobe Photoshop in Uppercase character. So when you want not to use the ligatures. Open glyphs panel : In Adobe Photoshop choose tool Window Character and then please click fi symbol In Adobe Illustrator choose tool Window Type Open Type and then please click fi symbol How to access Alternates Character? Open glyphs panel : In Adobe Photoshop choose tool Window glyphs In Adobe Illustrator choose tool Type glyphs If you have questions, just send me a message and I’m glad to help. Have a great day, Absonstype

Beillone is the display typeface with combine uppercase and lowercase looks and feel nice balanced. Provide with alternates and ligatures font in variant style make the design letter looks nice. Honestly it works perfectly for headlines, logos, posters, packaging, T-shirts and much more. Recommended to use in Adobe Illustrator or Adobe Photoshop with opentype feature. Ligatures feature is default setting in Adobe Illustrator or Adobe Photoshop in Uppercase character. So when you want not to use the ligatures. Open glyphs panel : In Adobe Photoshop choose tool Window Character and then please click fi symbol In Adobe Illustrator choose tool Window Type Open Type and then please click fi symbol How to access Alternates Character? Open glyphs panel : In Adobe Photoshop choose tool Window glyphs In Adobe Illustrator choose tool Type glyphs If you have questions, just send me a message and I’m glad to help. Have a great day, Absonstype

Kagestone is the classic display serif style with Uppercase and Lowercase feel nice balanced. Provide alternates font in lowercase variant style make the design letter looks nice. Honestly it works perfectly for headlines, logos, posters, packaging, T-shirts and much more. Recommended to use in Adobe Illustrator or Adobe Photoshop with opentype feature. Ligatures feature is default setting in Adobe Illustrator or Adobe Photoshop in Uppercase character. So when you want not to use the ligatures. Open glyphs panel : In Adobe Photoshop choose tool Window Character and then please click fi symbol In Adobe Illustrator choose tool Window Type Open Type and then please click fi symbol How to access Alternates Character? Open glyphs panel : In Adobe Photoshop choose tool Window glyphs In Adobe Illustrator choose tool Type glyphs If you have questions, just send me a message and I’m glad to help. Have a great day, Absonstype

Terafile, a sans serif family designed by Raúl Plancarte who was inspired by hi-tech aesthetics. It is made up of eight weight variants with their respective italic versions. Ideally it works to capture in a graphic way the universe related to technology, sci-fi, industry and similar topics. It is a mixed family, because the construction of certain letters (as in "a", "f", "z", "B", "P", among others) is enriched with different finishes in structure to gain differentiation and plasticity. In other words, it moves away from an entirely academic design. Another important line in the creative concept of this typeface is the function of its ink traps, which, in addition to fulfilling their primary function, serve to gain gestuality in its use. This font is capable of covering complex design needs by enabling association with specific themes, which makes it highly competitive in its graphic line.

AVEMON is the elegant classic serif style with uppercase and lowercase feel nice balanced. Provide alternates and ligatures font in variant style make the design letter looks nice. Honestly it works perfectly for headlines, logos, posters, packaging, T-shirts and much more. Recommended to use in Adobe Illustrator or Adobe Photoshop with opentype feature. Ligatures feature is default setting in Adobe Illustrator or Adobe Photoshop in Uppercase character. So when you want not to use the ligatures. Open glyphs panel : In Adobe Photoshop choose tool Window Character and then please click fi symbol In Adobe Illustrator choose tool Window Type Open Type and then please click fi symbol How to access Alternates Character? Open glyphs panel : In Adobe Photoshop choose tool Window glyphs In Adobe Illustrator choose tool Type glyphs If you have questions, just send me a message and I’m glad to help. Have a great day, Absonstype

Rottering is the elegant modern serif style with uppercase and lowercase feel nice balanced. Provide alternates and ligatures font in variant style make the design letter looks nice. Honestly it works perfectly for headlines, logos, posters, packaging, T-shirts and much more. Recommended to use in Adobe Illustrator or Adobe Photoshop with Open Type feature. Ligatures feature is default setting in Adobe Illustrator or Adobe Photoshop in Uppercase character. So when you want not to use the ligatures. Open glyphs panel : In Adobe Photoshop choose tool Window Character and then please click fi symbol In Adobe Illustrator choose tool Window Type Open Type and then please click fi symbol How to access Alternates Character? Open glyphs panel : In Adobe Photoshop choose tool Window glyphs In Adobe Illustrator choose tool Type glyphs If you have questions, just send me a message and I’m glad to help. Have a great day, Absonstype

Rectoba is the sporty sans style with uppercase and lowercase looks and feel nice balanced. Provide alternates and ligatures font in variant style make the design letter looks nice. Honestly it works perfectly for headlines, logos, posters, packaging, T-shirts and much more. Recommended to use in Adobe Illustrator or Adobe Photoshop with Open Type feature. Ligatures feature is default setting in Adobe Illustrator or Adobe Photoshop in Uppercase character. So when you want not to use the ligatures. Open glyphs panel : In Adobe Photoshop choose tool Window Character and then please click fi symbol In Adobe Illustrator choose tool Window Type Open Type and then please click fi symbol How to access Alternates Character? Open glyphs panel : In Adobe Photoshop choose tool Window glyphs In Adobe Illustrator choose tool Type glyphs If you have questions, just send me a message and I’m glad to help. Have a great day, Absonstype

The Schneidler Latein is a sharp and elegant Antiqua based on the ductus of the broad edged pen with a strong character. Running perfectly in paragraph text giving it something quite special and being effortlessly legible at the same time, Schneidler Latein works great in headings as well. Each glyph is a piece of art ready to be used in branding and blowup combining beauty and personality in a kick-ass blend. It is absolutely new to the digital world as it never has been digitized before. This new version digitized, further developed and extended by artist and graphic designer Lena Schmidt comes in nine styles from which there are four application-related ones like Subtext and Display and five weight-related ones like Bold and Heavy. Each style contains 948 glyphs, variations of numbers, three stylistic sets one preserving the historic forms of changed characters, small caps, open type features and superior and inferior characters. Designed by F. H. Ernst Schneidler the Schneidler Latein was released in 1916, the bold version in 1920 and the italics in 1921. Schneidler was born in 1882 in Berlin. He studied at the school for applied arts in Düsseldorf with professor F. H. Ehmcke and P. Behrens. He was as a painter, graphic designer and illustrator. In 1920 he was appointed as teacher in the school for applied arts Stuttgart. His students were Albert Kapr, Imre Reiner and Lilo Rasch-Naegele among others. Further well-known fonts from his hands are for example Legende, Amalthea, Schneidler Mediävel and Schneidler Antiqua. Lena Schmidt was born 1981 in Bremen. She is a german painter, graphic designer and illustrator mostly known for her huge wood carving paintings. From 2003 to 2011 she studied Fine Arts in Hamburg with professor Matt Mullican. From 2015 to 2019 she studied graphic design with a focus on type design at HAW Hamburg Department Design with professor Jovica Veljović. She lives and works in Hamburg, Germany.

Designed at Polygraphmash in 1953 by Igor Zhikharev, based on his handwriting. The digital version was developed in 1989 by Gennady Baryshnikov, with the assistance of Vladimir Yefimov. An informal monoline script. For use in both text and display matter.