**Khian shantang Font** This pair was inspired by the vintage motorbike poster design that i saw on some coffee shop, It was crafted by hand specially to add natural handmade feeling in its brand identity than i make it clean with pentool. **Opentype features** Khian shantang font has 238 character set included Khian shantang Font is very good looking in logo, labels, t-shirt prints, product packaging, invitations, advertising and others. **What includes** * Multilingual support (Western European characters). This fonts works with folowing languages: Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Chiga, Cornish, Danish, English, Estonian, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kinyarwanda, Low German, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Vunjo, Zulu.

Honey Splash is a stylish display font to express unique, fun impressions focusing on various line style combinations in friendly curves. Furthermore, the different shapes and heights makes the font visually unique. In addition, Honey Splash gives you a special bonus called the clipart. Use this font for big text sizes for a legibility reason and make use of the available interesting features to beautify your designs as well. Features: Multilingual Supports PUA Encoded Numerals and Punctuations Honey Splash fits for various design projects, such as posters, banners, logos, magazine covers, quotes, headings, printed products, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great experience using our font. Feel free to contact us for further information when you have a problem using the font. Thank you. Happy designing.

The distinctive design of the "Diagram Display" comes from the Venn diagram. It is a common statement and it is a spatial illusion. The delicately differentiated curves balance the technical, geometrically constructed shaping. The graceful character comes with All caps or Small caps typesetting in lighter weights when the font takes on a classicist character due to its proportions. It appears best in headlines and larger sizes, in all applications and themes where its elemental design resonates. Each of the six weights contains an extensive character set, including small caps, uppercase, lowercase and tabular numbers, mathematical symbols, standard and discretionary ligatures, or arrows and other special characters. The stylistic set SS01 contains alternations (a, g, t, u, y) that support its geometrically constructed appearance.

Sans serif fonts, hundreds, or maybe thousands. There have been a lot of sans serif fonts that have been created and circulated on the internet. This font is here to increase the number of sans serif fonts circulating on the internet to be even more. Fatimurgeno comes with variable font. You can adjust the size of the weight which is suitable for the needs you want. Fatimurgeno is a various sized, clean and modern looking sans serif font. Whether you’re using it for crafting, digital designing, presentations or greeting cards making, it’s perfect! The Thick version will be perfect for a clean and strong look, and the slim version will be perfect for a soft and seductive look.

Introducing Pronave – Display with strong and challenging nuances. very suitable for the title, logo, typography, clothes, magazines, brochures, packaging and much more for your design needs, making your designs more modern and professional. Caps Only Fonts. What’s Included : Standard glyphs Web Font Works on PC & Mac Simple installations Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. PUA Encoded Characters – Fully accessible without additional design software. Fonts include multilingual support Image used : All photographs/pictures/vector used in the preview are not included, they are intended for illustration purpose only. Cheers! Thank You

Letro’s sturdy, slab serif form and sleek alternates make it perfect for any sort of display, whether it’s professional or personal, casual or serious, big, small, on a computer screen or on paper. Letro does everything: elegant while slightly blocky, stylised while legible, solid but full of finesse, this font isn’t the jack of all trades, it comes close to being the master. Letro comes in two weights, light and regular, with support for a multitude of languages. When you need a font with serifs to get the job done, Letro is your go to type.

Paula Matilda is an elegant and flowing script font. It is PUA encoded which means you can access all of the glyphs and swashes with ease! It features a varying baseline, smooth lines, gorgeous glyphs and stunning alternates. It maintains its classy calligraphic influences while feeling contemporary and fresh. Fall in love with this script font and bring your projects to the highest levels! Feature : - A lot of Alternates ( With a Total of 480+ Glyphs ) - Multilingual Language - Works on PC & Mac - Simple installations - Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even works on Microsoft Word.

Hello Introducing, Voguella - Luxurious Serif Display is elegant, inspired by the famous Elegant logo, perfect for the purposes of designing templates, brochures, videos, advertising branding, logos, and more. Perfect for adding a unique twist to word-mark logos, monograms, or pull quotes. What's Included: Standard glyphs Web Font International Accent Works on PC & Mac Simple installations Accessible in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. PUA Encoded Characters - Fully accessible without additional design software. Fonts include multilingual support Image used: All photographs/pictures/vectors used in the preview are not included, they are intended for illustration purposes only.

Jantar Sharp is a text family with flared terminals that eludes the catego­ries of serif or sans. Its most recognisable features are taken from both styles to achieve proper design and high legibility standards. Jantar Sharp performs especially well when used for continuous reading including texts on web platforms. Its personality lies in the flared stroke endings and certain details which make its shapes neither sans nor serifs. Rather than following any particular historical model, it picks up elements from various periods to achieve an organically dynamic look which is entirely compatible with the reading process. Jantar Sharp Italic makes a nice contrast, though the pace and proportions are not drastically different from the upright. This allows for effortless reading of longer passages of italicised text. Jantar Sharp – as well as its teammate Jantar Flow – has been designed in seven weights from ExtraLight to Heavy, all with accompanying italics; it has a tabular and proportional set of figures in both old style and lining options are included together with a special set of hybrid figures sitting between x-height and capitals. Superscripts and subscripts are provided together with a vast collection of diacritics covering all European language and a set of case-sensitive characters.

Ico Phone is a set of 115 symbols depicting anything that happens on the screen of a regular mobile phone. To name a few, there are Bluetooth and sync icons, signal bars, battery statuses, media playback icons, USB symbol, lock icon as well as a wifi signal strength indicator. The style of Ico is inspired by the look of symbols used on the classic monochrome LCD displays. The symbols are monolinear with rounded corners, composed of a smallest possible number of elements. In addition, the rounded style is accompanied by a second style with sharp corners and more detailed drawing. All symbols of Ico share the same width, making the font compatible with the LCD typeface ION. Together, they are the perfect sollution for LCD style typography. Ico Phone is a part of a larger set. Have a look at the other available Ico fonts and don't forget to check back soon for even more additions.

The Colville fonts began their existence in 2015 as a project-specific typeface, made to be used on a custom-made headstone commemorating Canadian artist Alex Colville (1920-2013) and his wife Rhoda Wright. For that purpose, some initial shapes were modelled after letters Colville himself had used on a Governor General gold medal he designed in the mid-1970s. From there started a year-long project that culminated in a set of four comprehensive fonts ranging in weight from Light to Bold, each containing over 750 glyphs to cover Pan European language support, stylistic alternates, five sets of figures, automatic fractions, and some ornaments rooted in Alex Colville’s art. These fonts exhibit a strong art deco aesthetic that has always been a favourite of architects, metal casters, and sign makers. This is a very humanist geometry alternating from the precisely calculated to the curvy and lithe, subtle contrast, flat stroke stops, and airy proportions that make for a counterspace built for accommodation and comfort. The breadth and timeless humanism of the Colville set makes fit in a variety of applications, from straightforward headlines, titles, and emphasis captions, to branding and packaging.

Smooth with the roughness and made from scratch, Miser sans serif font family was designed by Mislav Serdarušić and it's name is derived from designers name. Miser typeface blueprints were somewhere in the subconsciousness of the designer but have seen first light of the day in September, 2021. during the Covid pandemic. Inspiration comes from handwritten technical letters of designers parents and graffiti explorations. It comes in 12 styles (6 weights with pairing Italics) with all Latin European language characters which are in daily use(without Greek or Cyrillic). Designed in contemporary appearance with innovations on some letters. Basic ligature set is included. It is suitable for magazines, books and websites, various graphics and paragraphs. Miser has a taste of science, technology, design & architecture, sports and more, yet contemporary boldness but distinctive to regular and oval modern typeface shapes. A must have on your system.

North American version for teaching children’s first letterforms With dots and arrows these print script fonts have no ‘exit stroke’ found in the European version. An upright typeface family developed to meet the demand for letters to produce pupil material for handwriting as well as for reading. Upright letters with extended ascenders and descenders are ideal on screen. They facilitate word recognition. Teachers can print desk strips, charts of letter families and alphabet friezes, as well as consistent material across the curriculum. Together these typefaces provide a valuable resource for special needs teachers. Free to download resources How to access Stylistic Sets of alternative letters in these fonts

Robotechnica is my first ever pixel font, I was experimenting with pixel fonts for a while and I’m happy with the result.

Deckissa is a reverse contrast serif font that is suitable for headlines and logos. Deckissa is built with a light stem, simple design, and nice curve that makes this font look elegant and luxurious. This font includes some ligature that you can combine to create a Headline, poster, or logo. Works on PC & Mac, simple installations, accessible in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, and even works on Microsoft Word. PUA Encoded Characters - Fully accessible without additional design software. Fonts include multilingual support Image used: All photographs/pictures/vectors used in the preview are not included, they are intended for illustration only. Thank You

While I was developing this font, my mother kept feeding me something she calls "Dream Cake". This indescribably delicious confection fueled my inspiration (there's nothing like a constant sugar-high to keep you going!) and the result is this cute little font. Dream Cake is casual in nature and as with all of my fonts, you'll find some quirky little twists to make your type projects interesting.

This antique-aged version of Monkton can be used to imitate old letterpress printed documents such as old English text. The rough edges resemble ink spread on paper to give an old look. The inspiration for this typeface family came from my childhood experiences at Monkton, amidst an historic part of the South West of England. Studies of the original incised capitals of the Trajan column in Rome were analysed and polished for this modern version. The lower case letterforms and numerals were then created in sympathy, taking their proportions from the incised letters of local gravestones. Its name honours not only the area where the original alphabet was conceived and drawn, but also the people responsible for fostering my initial interest in letters.

Ankormati Is a font with a touch of classic Victorian era style with bold letters wrapped in small ornaments that add to the feel of the Victorian era, but here it makes the look of this font with a colorful retro feel, not really like the old Victorian era design. But this can be tailored to the desires of your design needs, This font fits perfectly with the retro vintage style which will add classic value to your designs. What's Included : Standard glyphs Ligature Works on PC & Mac Simple installations Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. PUA Encoded Characters - Fully accessible without additional design software. Fonts include multilingual support for; ä ö ü Ä Ö Ü ß ¿ ¡ Hope you enjoy with our font! Taznix

Open Case JNL is the distant cousin to the 2009 release by Jeff Levine Fonts called Cold Case JNL, as both were based on sets of lettering stencils designed and manufactured by the Huntington Oil Cured Stencil Company (originally of Huntington, New York and later of Delray Beach, Florida). While sharing similar design traits, there are enough differences to have both type designs work well together in a complimentary setting. Open Case JNL is available in regular and oblique styles.

Milady script font was inspired by romance, lightness and modern calligraphy. It will not leave indifferent those who are looking for a font in an elegant and modern handwritten style. This font fits perfectly into your project, with it you can easily give your design a more classic look or make it more elegant and romantic. All this can be done thanks to alternates. In this font I prepared many alternates so that you could make your project unique and choose what suits you! All characters of this font are PUA encoded.

The Joanna® Nova design, by Monotype Studio designer Ben Jones, is an extensive update to Eric Gill’s original Joanna typefaces and brings this much admired – but underused – slab serif typeface into the 21st century. Joanna Nova features 18 fonts – more than twice as many as the original Joanna – with a wide range of weights including thin and ultra black, which were not available in the original design. Every glyph has been redrawn using a variety of reference sources, including Gill’s original sketches and the copper patterns used in Joanna’s initial production. When Jones set out to design Joanna Nova, he saw that the ‘real Joanna’ was not immediately evident. “Some of Gill’s original drawings have a sloped ‘M’; there is also a ‘K’ and ‘R’ with a curled leg and a letter ‘d’ without the flat bottom,” he explained. “Is this Joanna? Or is it the version used to print Gill’s Essay on Typography? Or is it the digital version with which most people are surely more familiar than any other version? Ultimately, I think, none of these and all of these were ‘Joanna’ because, as with any typeface, it is more the idea or concept behind the typeface that makes it what it is. My approach was to create a version of Joanna that appears in your mind when you think of Joanna.” Jones noted that one of the most distinguishing aspects of Joanna is the italics; and that, for reasons unknown, many of the characters in the current versions are much more condensed than those in the hand-set fonts of metal type., The newer designs being almost unusable at small sizes. The italics in Joanna Nova have been reworked to be more legible and closer to their original widths. Joanna Nova expands the original Joanna in several ways that open up new typographic possibilities, These additions include several new weights, support for Greek and Cyrillic scripts, small caps for all scripts in both upright and italic styles, several numeral options and a host of context-sensitive ligatures. The Joanna Nova typeface family is part of the new Eric Gill Series, drawing on Monotype's heritage to remaster and expand and revitalize Eric Gill’s body of work, with more weights, more characters and more languages to meet a wide range of design requirements. The series also brings to life new elements inspired by some of Gill’s unreleased work, discovered in Monotype’s archive of original typeface drawings and materials of the last century.

The Handasi type family follows the guidelines of the Mutamathil Taqlidi type style. It has one glyph for every basic Arabic Unicode character or letter and one additional, final-position, glyph for each Arabic letter that is normally connected with other letters from both sides in traditional cursive Arabic strings. Handasi employs variable x-height values. Its design uses straight lines only but with variable distributed weight. Handasi fonts include all required Lam-Alif ligatures and use ligature substitutions and selected marks positioning but they do not use any other glyph substitutions or forming. Text strings composed using types of this family are non-cursive with stand-alone isolated glyphs. It employs our "natural Arabic input" method where first glyph is displayed in its non-isolated form. Tatweel (or Kashida) glyph is a zero width space. Keying it before any glyph will display that glyph isolated form. Keying it before Alif Lam Lam Ha will display the Allah ligature. Handasi family includes both Arabic and Arabic-Indic numerals, all required diacritic marks, Allah ligature, in addition to all standard English keyboard punctuations and major currency symbols. The fonts in this family support the following scripts: Arabic, Persian, Urdu, Pashtu, Kurdish, Baluchi, Kashmiri, Kazakh, Sindhi, Uyghur, Turkic, and all extended Arabic scripts.

Maghrib Calligraphy typeface is the new font in our collection. This font contains two versions, one clean and textured style and is having a lot of additional swashes. Maghrib is ideal for logos, badges, clothing, product packaging, headlines, T-shirt/apparel, posters, or anything which needs a calligraphic touch. If you have any questions, don't hesitate to contact us.

Noctis was originally born as a single weight display typeface, designed by Luca Terzo who took inspiration by the unusual wedge serifs of Aldo Novarese's 1972 typeface for H. Berthold A.G., Primate. The design was developed by the Italian Type team into a full family of five weights from thin, each with its own true italic, and with a complementary set of decorative patterns. The strong Didonesque contrasts make this typeface both impressive at display sizes and easily readable in text size, while the sharp shapes of the triangular serifs and the distinctive letter shapes show their strength in logo design and impressive editorial use. Inspired by the elegant, self conscious and over-the-top aesthetics of Italian fashion scene of the eighties and nineties, Noctis finds its strength in its strong textural nature, that is explored in the Noctis Texturae subfamily, where each letter is used as a tile to produce seamless patterns that can be used to extend the branding capabilities of Noctis. Noctis features an extended latin character set of 481 glyphs covering over 190 languages, and includes advanced open type features like standard and discretionary ligatures, positional numerals, stylistic alternates and case sensitive brackets. Mixing versatility and personality, Noctis is ready to be like a top model on the design catwalk, making your projects looking classic but contemporary, finely tuned but assertive, and elegant as the best Italian luxury fashion.

Magistech is a display font inspired by technology and future design. Designed with modern sensibility build based on slab serif with square letterform, consist in any character either uppercase or lowercase. This font is fit for any design like headline, video, or social media, particularly for future or modern nuances design. What's you get : Standard glyphs Ligatures (Opentype features) Web Font International Accent Works on PC & Mac Simple installations Accessible in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, and even work on Microsoft Word. PUA Encoded Characters - Fully accessible without additional design software. Fonts include multilingual support Image used: All photographs/pictures/vectors used in the preview are not included, they are intended for illustration only. Thank You

Textworthy Serif is a simple serif typeface with a human character. It is based on writing with a classic pen. Serif form we know as the trustworthy type style. Similar shapes we’ve been reading about since the 15th century when letterpress began. And antique can be developed after blackletter type. Textworthy Serif was created because we still believe in serif type for over 500 years. And we still need to use serif types in today’s world for comfortable and rational acceptance of text information. Italic styles are in production. We wanted to offer these 5 styles for those purposes where the number of styles is enough.

Coben is a modern and futuristic san-serif font family. Simple and modern shapes with a tall x-height make the text legible and the spaces between individual letter forms are precisely adjusted to create the perfect typesetting. Coben Family consists of 2 widths (Condensed, Normal), 4 weights (Light, Regular, Medium, Bold), and Italics for each format. Coben provides a Central European character set. Each font includes support for Tabular numbers, Old-style Figures and Opentype Features such as Proportional Figures, Numerators, Denominators, Superscript, Scientific Inferiors, Subscript, Fractions and Standard Ligatures. We highly recommend it for use in books, web pages, screen displays, and so on.

Step into a world of bold sophistication with Serath, a remarkable blackletter font that exudes power and elegance. Its distinct and imposing design showcases uniquely shaped letters, making it the perfect choice for creations that demand a touch of distinction. Whether you're working on product packaging, branding, or any project that requires bold and daring typography, Serath will effortlessly make a statement. Unlock its full potential with its PUA encoding, granting you easy access to a wide array of glyphs and swashes. Embrace the confidence that comes with incorporating Serath into your projects, and prepare to be amazed by the remarkable results it delivers.

Carnegie Classic differs from Carnegie 1 & 2 in that the capital letters are larger in height; several connecting strokes and letter shapes have also been refined. Classic also has many more ligatures and is only available in Open Type. Like Carnegie 1 & 2, Classic is a based on my own functional hand lettered calligraphy. Characters are disciplined yet fluid and spontaneous, creating a unique overall texture that is visually very pleasing. Carnegie Classic is ideally suited for wedding and event invitations, certificates, maps, menus, place cards, announcements, memorial documents, titles, testimonials, birth and death certificates, etc. In the gallery is a an image with all the ligatures available in Open Type.

The idea of the font Black Sirkka was, to develop a modern interpretation out of the general blackletter typefaces. Black Sirkka is a bastard with the typical characteristics of the blackletters, mixed up with modern, simple shapes from grotesk typefaces. The whole typeface was built up in a modular construction system.

Made with a cute shape, making this font suitable for use in graphic designs related to unique things. This font is available in 2 styles namely bold and black.

Aquawax FX was developed by Francesco Canovaro as a new variant of the Aquawax family, one of the most beloved Zetafonts classics. This new typefamily is characterised by a contemporary and elegant design, that revisits the original design of 2008 with new geometric inventions, twisted with the current fluid zeitgeist. Aquawax FX builds on the original Aquawax family by adding counter-inktraps to the letterforms and emphasizing the inner contrast of curves and corners creating a smoother, flowing and dynamic look. While inktraps are a design feature that prevents ink from bleeding or filling small spaces in letterforms to achieve a cleaner, more readable look, anti-inktraps characterize the design with a distinctive watery appearance, suitable for logo design and titles. This watery effect is possible through a slight rounding of the inner and outer corners, keeping the original cuts at the letter terminals. A Space variant pushes FX experimentation furthermore, providing an alternate stencil-like style that takes legibility to the extreme, ready for logos and sci-fi headings. This does not limit the usability of Aquawax FX to mere display intent. The Aquawax FX font family includes two versions (Roman and Space), each with nine weights, ranging from Thin to Heavy, and matching italics. With a total of 36 variants plus one variable version, Aquawax FX is a versatile type family that can be used for a variety of design projects, from branding and packaging to editorial design and advertising. Aquawax FX offers a fresh re-interpretation of the original Aquawax letterforms and proportions, with a dynamic and flowing look that is sure to make your projects stand out.

Inspired by the old Stephenson Blake Caps only font Algerian from 1908, this version, named Algerian Mesa, has been freshened up with a new matching lowercase. The original Algerian, on page 142 of the 1908 Stephenson Blake specimen book, was a small caps to a more decorative lining caps and the plain black version, without the shadow line, was named Gloria. Also on page 142 of the 1908 Stephenson Blake specimen book is a shaded Latin font that gave me the idea for the Alt version of Algerian Mesa. The Alt version works well at smaller point sizes combined with the regular Algerian Mesa font on the same page. New for 2016 were Opentype features including original alternates, oldstyle numerals and case sensitive forms, also new is a fully usable Alt version. New for 2022 are the higher x-height, 90% small caps, 80% small caps and all new italic versions. Also new for 2022 are straight sided accent marks replacing the flared or curved accents. While Algerian Mesa includes some alternates our related Tavern font will still remain the version with more alternates and more weights.

Flagtail Display combines the familiar feeling of classic typeface with the modernish touch to suit the nowadays trend. With its semi-bold and sharp type of shape, it can easily catch and engage the reader's attention in an instant. The excellent readability of Flagtail Display will put any of the messages being delivered to be the limelight. This typeface suits for you who aim to catch attention through headlines, rebrand your products, and beyond.

SCR fonts are screen optimized (also called 'pixel fonts'). Unlike standard fonts (and like the few well-hinted fonts like Verdana or Arial), they give a crisp look on screen at very small sizes, thus increasing legibility. The perfect applications for those fonts are web pages and software user interfaces (computer, cellular phones, console games and any other system that uses a screen interface). Unlike most pixel fonts, SCR fonts contain kerning information. Kerning is the adjustment of space between certain pairs of characters (like 'AV') to make text look more fluid, thus increasing legibility and appeal. To benefit from this feature, auto-kerning must be activated in the application. In Photoshop, kerning must be set to 'Metrics'. Although SCR fonts are optimized for screen, they can be used for print (in Illustrator or Indesign for example) for a decorative 'computer text' effect. In this case, there is no constraint: they can be used as any other font. For screen use (in Photoshop, Fireworks, Flash... ), they have to keep aligned with the screen pixel grid not to look blurred or distorted. To achieve this, here are the guidelines to follow: RESOLUTION If the application permits it (Photoshop, Fireworks), document resolution must be set to 72 pixels per inch. SIZE The font size must be set to 10 (or multiples of 10) points. POSITIONING & ALIGNMENT The reference points of text fields and text blocks (upper left corner for left aligned text, upper right for right aligned text) must be positioned at integer values of pixels. In Photoshop, text can be precisely moved with [Edit Free Transform]. In Flash, movie clips containing text fields must also be positioned at integer values on the stage. Text must be aligned to the left or right only. Center alignment can be simulated with left alignment by adding spaces at the begin of each line. To dispense with the positioning and alignment constraints, text anti-aliasing can be turned off if the application permits it (Photoshop, Flash MX 2004). OTHER SETTINGS Leading (line spacing), tracking (letter spacing), manual kerning and baseline shift must be set either to integer values of points or to multiples of 100 units (depending on the application). Vertical and horizontal scaling must be set to 100%. Faux bold or Faux italic must not be used. The document must neither be resized on export, nor allow resizing (Flash Movies).

Simple and charming, Soundtrack is a lively all-caps font that brings two versions for each letter. Make your choices by simply typing the upper or lower case keys or switch on the Contextual Alternates feature on any OpenType savvy program to instantly alternate between lettershapes. Versatile, Soundtrack comes in two weights and is suited for a wide range of display applications, doing great also for small chunks of text. Handy dingbats are included in both versions. Pick them using a glyphs palette or character map or just turn on the OpenType ornaments feature for accessing them directly from your keyboard. Let music sound!

Boundar is a sans serif font with a Geometric style, this font consists of 6 Weights and 208 Glyph. Boundar is taken from the Indonesian word "Bundar" which means circle because in this font there are so many circle elements in the manufacturing process. And I (Grapya) as the designer in this font hope, Boundar Typeface can be useful for you. If there is an error or anything that is less pleasing, you can contact us via our email, we will be happy to receive a review from you so that my team and I can be better in the future. and please note that every font that we upload in front of your monitor screen must have been tested by the curator of MyFonts. Thank You, Grapya & Suratoria Team

"Qualta" was initially designed in 2017 as a submission for a type design assignment while at typography school, originally launched under Alt-A Foundry, "PGF Qualta" was developed specially for Publishing Agency under the supervision of Peggo Fonts Foundry, now with a complete Small Caps set, classic and old style numeric figures, lining and tabular forms, scientific and fractional notation set, arrows set, light parenthesis set. Set on producing a geometric sans, it started with the circular form drawn from a 50s television screen. The bloated shape gave an illusion of protrusion and so much open space to the rounded letters. A broken stem was then added to the lowercase to provide a notch that allowed the typeface legibility in smaller sizes. The typeface was then developed into eight cuts with their corresponding italics. The lower case g includes a variation with a transitional link derived from the upper case Q’s tangent tail. Qualta’s original concept was designed by Isabel Gatuslao and was developed by Pedro Gonzalez.

This font I had, had only to wake up, sit down and draw it.