Araboto is a simple geometric Arabic typeface, with six weights. You can use it in a variety of uses from printings to web and mobile.

This Dingbat font is designed to work well with the Van Condensed family. The dingbats in it have the same round treatment like the typeface.

SwirlityText is a fussy, over-the-top calligraphic typeface with lots of curves and wiggles. It comes in two weights, each with an oblique style.

Gusto comes in three related variants that go from hot-dog to melted chocolate, a gastronomic combination not to be passed up (or thrown up).

Very decorative script inspired by old lettering in Eastern Europe. Eye-catching for picture books, toys for children. There is another font which called Garash.

Aeroblades is futuristic display typeface inspired by aerodynamic designs. Fall in love with its incredibly distinct and timeless style and use it to create spectacular designs!

This font is an experiment in building dynamics into a typeface. Explosion has two variants to be put on top of each other for more dimension.

The eText fonts from the Monotype Baskerville have been specially tuned by our type design experts for a better on screen readability for instance in PDFs.

Take a classic hand lettered Art Deco alphabet, add in a treatment of dual straight vertical lines and the resulting typeface is Double Line Deco JNL.

Motherboard JNL is a retro throwback to the technology boom of the 1980s and simulates an LED readout display panel. Available in regular and oblique styles.

Note: Only the regular style in font family is currently available due the complexity and the resulting memory and performance issues associated with the other styles.

This is what my good friend and painter Vincent’s handwriting looks like. I have put in a couple of ligatures and I hope you like it.

Just in time for the Holiday Season, here's a FREE font with word art, clip art and border elements to dress up your next project. Enjoy!

Very decorative script inspired by old lettering in Eastern Europe. Eye-catching for picture books, toys for children. There is another font which called Garash Script.

Rosie is a chunky but elegant pen script with useful OpenType features. In non OpenType-savvy applications it still works beautifully as a fully joined script.

Phyllis was designed by Heinrich Wieynck in 1904. The Phyllis font has a suite of alternative initials that provide a flourish to an otherwise modest script.

All-caps script with swashes in upper case, and ligatures. And outline with same metrics, so the oulines fit snuggly on top of the book-variant.

Pareson is stylish and beautiful sans serif font. It will look perfect in photography designs, watermarks, social media posts, advertisements, logos, branding, and various other projects.

Windstone is a Black Ultra Condensed display sans font published by Variatype, available in regular and italic. FONT FEATURES Additional Accents 66 Languages Kerning Alternates Ligatures

The charm of wood type -- especially in reproductions from worn specimens -- is the combination of hand-crafted letters and numbers and a connection with the past.

This typeface was developed by Roland John Goulsbra in 1995. Almost like the printing of a child, the irregular forms of Agrafie make a unique impression.

Stop using Times new Roman in children's books! BrunoBook is here to stay. A complete character set with numbers and most (but not all) special signs.

Raffish is a display typeface with its formal base in Dutch type designer Henk Krijger's seminal typeface Raffia - the most decorative and handsome of script typefaces.

Named for Antoine Augereau, teacher of Claude Garamond, this much admired rendition of the classic Garamond typeface was created by George Abrams and released in 1997.

Based on Art Nouveau models, Greeting Monotype was created by M.F. Benton in 1927. The Greeting Monotone font works well for titling, packaging and greeting cards.

Each font contains 101 decorative ampersands. These fonts include ampersands from various display fonts in the CastleType Library as well as antique, ornate and calligraphic ampersands.

The words “Benny Goodman & His Orchestra” on an appearance poster for the band from 1936 were rendered in a beautiful semi-script style of hand lettering.

This font contains a selection of typographical symbols, covering mainly Astrology, Biology (Botany), Meteorology and Mathematics. Its glyphs are in a sensibly adjusted light monoline style.

A typeface with characteristics of roman and italic, fat face and stencil, modern and script. It was designed by Hans Bohn for Ludwig & Mayer in 1936.

A family with retro feel in four weights, Roman and Italic, all with Old Style Numerals and Small Caps, for both headlines and body text use.

A font based on the Germanic rune divination system dating back to medieval times NOTE: this font comes with a comprehensive interpretation guide in pdf format.

An expanded caps-only cross-stitch font, based on a mid-20th century embroidery pattern. Use it in large sizes for advertising, posters, greeting cards, etc.

Display Engraved JNL was inspired by the bold, engraved Sphinx Blanc from the Deberney & Peignot circa 1925, and is available in both regular and oblique versions.

Green Grove is a display typeface with low contrast and compressed proportions. It works good in headlines for posters, key visuals, corporate identity and package design.

The inspiration for the designing of the font Skuul was Letraset in 1981. Font Skuul, for each character has three alternative characters with their automatic replacement.

Alien Segment has got rounded corners and even though being built up upon geometry, it deserves rich text - and works well in both upper- and lowercase.

Windlesham is a more traditional sans serif version of our Guildford typeface. Windlesham contains all the high-end features expected in a quality OpenType Pro font.