Raljon is a display typeface created by designer and lettering artist Mark Robinson. It is a collaboration between the Mmarkk and Teen-Beat Graphica visual design studios. This single font was created over a period of five years. Mark took great care in finessing each character and making sure that each character would stand on its own and yet simultaneously, be an integral part of the whole. The typeface is inspired by Gothic letterforms, horror novels, speed metal bands of the 1980s, techno and electronic music of the 1990s, and Washington, DC football teams whose stadiums lie in the Maryland suburbs. While it doesn’t have multiple weights, Raljon does have a deep depth and breadth. It has a seemingly endless amount of alternate characters and ligatures. There are nine letter Ms, eight letter As and Fs, seven Rs and Ts, and the list goes on. Even the figures have alternates.

The M XiangHe Hei Traditional Chinese typeface merges traditional brush strokes with modern letterforms to carefully balance traditional calligraphy with humanist design. Named for the smooth movements of a flying crane, the M XiangHe Hei typeface is designed to glide across the page, and features strokes that are partly derived from the Kaishu calligraphic style – an everyday script which dates back hundreds of years. M XiangHe Hei TC features Neue Frutiger for its Latin glyphs, and works harmoniously Neue Frutiger World and Monotype’s CJK typefaces: Tazugane Gothic (Japanese) and Seol Sans (Korean). M XiangHe Hei TC is a great choice for global brands using sans serif Latin typefaces looking to maintain their visual identity, and communicate with a consistent tone of voice with Traditional Chinese. The M XiangHe Hei TC fonts have over 19,000 glyphs, and support the BIG5/HKHCS and CP950 character sets for Traditional Chinese.

Font designed from that used in Bamberg by Albrecht Pfister, in early years of printing, exactly for a book titled "Ackermann Von Böhmen" writen in old German by Johannes Von Tepl, and decorated by a lot of splendid colored carved woods. This font include "long s", naturelly, as typically medieval, but any abbreviated characters, and, curiously no german "ß", no more than "W". (The only one I did found where a hand drawn one.) In addition, the "k" have not a German gothic form. Added, the accented characters, no longer existing on this time, and capitals when was a lack. A render sheet, in the font file, makes all easy to identify on a keyboard. This font is used as variously as web-site titles, posters and fliers design, editing ancient texts... This font supports as easily enlargement as small size, remaining readable, original and beautiful, especially in capitals.

Introducing Romanist - a modern twist on the classic textura/blackletter style font that brings a bold and contemporary edge to your designs. This versatile typeface combines the rich heritage of traditional blackletter with sleek, clean lines and a touch of modern sophistication. With its distinctive Gothic-inspired letterforms, Romanist adds a touch of elegance and intrigue to any design project. Whether you're creating stunning t-shirt designs, captivating magazine covers, or eye-catching posters, this font is sure to make a statement. Whether you're a professional graphic designer, a clothing brand, or a magazine publisher, Romanist is your go-to font for adding a touch of sophistication and originality to your designs. Elevate your creative projects to new heights with the timeless allure of Romanist. Experience the power of Romanist and let your imagination run wild as you create captivating designs that leave a lasting impression.

The best way to radicalize your typographic expression is to use Blackletter! Gothic calligraphy had been used throughout all historical periods without much of the principal development the Latin typefaces underwent. However, since the invention of movable type, even now its slight variations over time can be seen. Blackletters are always used where emotions are required, be it spiritual literature, romantic novels, decadent poetry or extreme music. Dracula is a typeface dedicated to classical horror. I started to draw its letters along with my illustrations for Argo publishers in spring 2017. I needed a specific typeface for book cover and chapter titles to emphasize the mysterious atmosphere of the text. Sharp teeth and claws on a thin blackletter skeleton shall remind of the early vampirism in literature. Its slightly narrowed face enhances a thrilling feel of anguish and despair, whereas the darkest cut may work well on funeral announcements.

A straightforward sanserif in 20 fonts, 4 widths Ardoise met the needs of publications. By extension, it met the needs of a newpapers typeface featuring a low contrast, straightforward forms, as Franklin Gothic. The verticals metrics and proportions of Ardoise are calibrated to match perfectly others Typofonderie families. Four widths to answer all situations Ardoise, inspired by the needs of today’s fine newspapers offers simple and tense shapes designed to renew and revitalize. Ardoise could be considered as an homage to Antique Olive, but quite indirectly and as an organic result of the designer’s longstanding admiration of the work of Roger Excoffon. Ardoise shares a purity and dynamics with Excoffon’s designs giving it a unique elegance and excellent readability. Its sturdiness means it is virtually immune it to distortion. In addition, a few alternates glyphs (a, c, g) can be used to alter the overall tone of a text setting.

Aptifer Sans and Aptifer Slab are two 21st century typeface families created by Mårten Thavenius. Each family has seven weights, in roman and italic respectively, making 28 font styles in total. A heritage from two design traditions can be seen in Aptifer. One is the robust American gothic typefaces, like M. F. Benton’s, from around 1900. This is combined with the openness and legibility that comes from the humanist tradition. The sans serif part of the family, Aptifer Sans, is designed without excessive details disturbing the reading. Its sibling, Aptifer Slab, with its wedge slab serifs is more eye-catching but still suited for text settings. The italics fit well into the text flow of the roman. They are a bit narrower than the roman and have cursive characteristics. Both Aptifer Sans and Aptifer Slab are highly legible typefaces and can be used both in print and on screen.

Between twilight and daybreak it is said that the dark side of the human psyche eclipses the sun that shines from the depths of our souls. Certainty turns to doubt, clarity becomes confusion, man turns into wolf, the dead wake, vampires seduce the young are restless and milk boils over on the stove. Those that seek only to bathe in the light of a romantic new moon often end their tragic lives soaked in nothing other than their own blood, and the milk spilt on the stovetop has no one left to cry over it. There are fifty shades of grey during those hours after sunset and I think just as many in my porridge this morning. Yes, okay, I admit it, I spoiled the milk! This porridge tastes like it was left in a graveyard overnight. Death warmed over. Gothic and lumpy. Just like the Buried weights of this font.

Philip Bouwsma returns with yet another great manifestation of historical calligraphy. Luminari is an amalgam of High Middle Ages writing, a blend that combines the ornate Church hands with the simple Carolingian from the ninth to the fifteenth centuries. Its majuscules are particularly influenced by the versals found in the famous Monmouth psalters, as well as those done by the Ramsey Abbey abbots in the twelfth century. The minuscules also exhibit some influence from the book hand of prolific humanist Poggio Bracciolini from the early fifteenth century. Italian and essentially romanesque in style, Luminari exercises a slight tension between the round forms and the angular “gothic” styling. Luminari was updated with plenty of alternates and expanded language support in 2012. It now supports a very wide range of codepages, including Cyrillic, Greek, Central and Eastern European, Turkish, Baltic, Vietnamese, and of course Celtic/Welsh.

CA Oskar came into being as a custom typeface for the international Traumzeit music festival. As a substantial part of the new corporate identity, it had to be characteristic, but also flexible in use. Starting with the design of compressed caps for headlines, the typeface was soon expanded by a condensed weight for setting of text and further developed into a fully functional font with two widths and two weights. Both weights are very space-efficient, which was -- apart from aesthetic considerations -- an important issue in the process of the design. CA Oskar is a mixture of industrial harshness and friendly round forms, reflecting the spirit of fusion, which is basically what the whole festival is about. Its very slim proportions in two widths make it an attractive alternative to fonts like Alternate Gothic, but CA Oskar adds an extra portion of personality and a coherent choice of weights.

Scripta is a family of typefaces that leads "Scripta Pro", a commercial script writing similar to those used in ads advertising the decades 40 and 50, with fine lettering combinations of that time, Scripta Pro is ideal for composing headlines and subheads and this is supplied in two weights. This system is complemented by a Roman Sans "Scripta Gothic" an artdeco style typeface to harmonize with the style of that fonts. To add style to set fonts, created "Scripta Icons", one dingbats font based on a series of graphs that help recreate the ornamental fantasies of a postwar generation, a society in transition between the classical world and ornament and promises of a cosmic and atomic world. For those wishing to use words made was created "Scripta Catchwords". "Scripta Pro" is a script typeface inspired by the style works of the american typeface designer LH Copeland.

The M XiangHe Hei Simplified Chinese typeface merges traditional brush strokes with modern letterforms to carefully balance traditional calligraphy with humanist design. Named for the smooth movements of a flying crane, the M XiangHe Hei typeface is designed to glide across the page, and features strokes that are partly derived from the Kaishu calligraphic style – an everyday script which dates back hundreds of years. M XiangHe Hei SC features Neue Frutiger for its Latin glyphs, and works harmoniously Neue Frutiger World and Monotype’s CJK typefaces: Tazugane Gothic (Japanese) and Seol Sans (Korean). M XiangHe Hei SC is a great choice for global brands using sans serif Latin typefaces looking to maintain their visual identity, and communicate with a consistent tone of voice with Simplified Chinese. The M XiangHe Hei SC Std fonts have over 8,000 glyphs, and support the GB2312 character set for Simplified Chinese.

The Metalista font was created as a sign of undying admiration for the persistence of heavy metal culture. The angled font of almost fixed width proportions combines capitals with small letters for more variety and better definition of individual letters. Stressing the horizontal strokes subdued the historical Gothic character and emphasized a more modern signature, which is far different from the majority of current attempts at a modern adaptation of Fraktur fonts. We offer Metalista in three styles, or rather widths to be exact: Speed is inspired by the whiplash pace of 70s and 80s speed metal, and can tell and perform a lot even in a very small space; uncompromising Death balances on the fine line between expression and readability; and Metalista Black is the universal go-to, whether as megalomaniacal titles sprawled across the entire LP cover or as tiny texts for glam rock CD booklets.

Bo Berndal, the master Swedish typographer, is the eponymous designer of Berndal, a contemporary text family with five different styles. This family represents a new achievement for Bo Berndal, who has spent many years working to optimize text legibility in the printed media. Several small tricks make the Berndal family an interesting milestone in legibility. Berndal's letterforms contain large x-heights. Large x-heights open up the counterforms of letters, making text appear lighter on a page, but their correspondingly shorter ascenders and descenders can hinder legibility. This does not occur in Berndal at all! Coupled with this experiment, Berndal's various font weights display a certain softness and roundness. The letterforms themselves are relatively wide, with an overall consistency in width. The calligraphic nature of the strokes has been minimized, yet a contrast stroke-thickness is still to be noticed within the alphabet. Berndal's five styles offer almost everything that one could want from a good text family. The Regular weight may be paired with Small Caps, Italic, Bold, and Bold Italic. All styles ship in the OpenType format, and include tabular and old style figures. The two italic weights are made up of true italics, not obliques. The Berndal family is a part of the Take Type 5 collection from Linotype GmbH."

Cargo TRF is a revision of existing Cargo typeface dated 2001. The new version of Cargo consists of three styles—A (plain), B (punch-out holes) and C (screw heads). Cargo TRF is recommended for use in big sizes as a display typeface. It is available in OpenType format with Western CP1252 character set.

Doblo is a colorful and slightly retro layered type family designed by Joël Carrouché. Consisting of one master character, 8 different layers and a collection of extra ornaments, this fancy family allows several creative combinations and produces unique results. The fonts are delivered in OpenType format and include diacritics for most western & central European languages.

When a formation of jets flies over the top of a stadium before a big game, there is an unparalleled sense of excitement in the crowd. Flyover, a display typeface, captures that moment with an italic base, left-facing serifs, hollowed notches and a change in angle representing the instant the jets pass overhead.

Big Deal is a display San serif font with a strong character. A beautifully handcrafted modern typeface that helps you to create remarkable logos, headings, advertisements, and more. With 235 glyphs and files in OTF format. If you want to make your project to a whole new level, you are going to love this font.

Here comes a New font, Lonesome is a All Caps Brush Font that is written casually and quickly. Letters are made with brushes on Procreate. Then crafted carefully drawn into vector format. That is why Lonesome has Stylish and strong characteristic more natural look to your text with a more modern look to your text.

Buratino font got its name from a title character of Russian fairy tale — a clone of Pinocchio. Initially font was cut from a log and then scanned and converted into outline format. The font contains just upper case characters. Can be used in advertising and display typography. Designer — Gennady Fridman. Released by ParaType in 2009.

Atyp Kido with softened stem ends is a great alternative if you are creating branding or logotype with a feeling of warmth, love and playfulness. Atyp Kido comes in six weights with a rich language palette of expanded Latin, Cyrillic and Greek. The available variable format is a clear benefit for creating quality responsive design.

Farmer's Market PW is suitable for display use for titles, as well as paragraphs of text. This font contains tons of characters. Uppercase, lowercase, numerals, foreign characters, fractions, lots of alternates and ligatures as well as punctuation. Farmer's Market PW is available in OpenType and TrueType format which are both included in the same package.

“MEME” Regular is a work in progress designed in a square format. It is all Caps with small caps in the lower case. With over 80 design glyphs for you to use creatively. “MEME” is also a great font to add to your futuristic headline fonts, I am adding new characters all the time.

Mansel – an exquisite sans serif font that takes inspiration from retro design. Boasting an impressive range of weights, widths, and italic angles in both classic and variable formats, Mansel offers unparalleled flexibility for creating stunning visual compositions. With support for most Latin-based languages, this versatile font is perfect for professional projects with global reach.

Tiranti Solid is based on the original textured Tiranti created by English designer Tony Forster. This typeface lends itself more easily for use in digital formats while still maintaining the free-flowing calligraphy of the earlier design. Tiranti Solid consists of initial swash capitals complemented by a more reserved lowercase with many alternate letters.

OMG it's got a smiley face underscoring the exclamation point! What a sweet, charming handwriting font from the wrist of an 18-year-old Norwegian girl. A sassy skip and a flowery flair lift this particular marker font up a notch above the rest. Now available in OpenType format for your Personal or Commercial Use.

Here comes our new font Unranked this is a sans handwritten that is written casually and quickly. this font are made with brushes on Procreate. Then crafted carefully drawn into vector format. That is why Unranked has Rough and strong characteristic more natural look to your text with a more modern look to your text.

Shield 2 Letters Monogram Font is a perfect shield shaped monogram font consisting of 52 letters and 1 basic frame. With just a single font file you will be able to create beautiful monograms in just a matter of minutes after the purchase! Shield 2 Letters Monogram Font comes with font file in OTF format.

Benoa is a versatile font family for your design, consist of 6 weights from thin to black with dozens of alternates. Benoa works well with any style of design concept, from branding to a nice bold modern look! Benoa also available in Variable format, multilingual support, numbers, and currency symbols, and dozens of alternates.

Sharper than a cactus patch, the thorny Prick is perfect for the Goth or Heavy Metal fan that lies dormant in us all.

Wappenbee is a 28 pixel bitmapped dingbat system for building crests for the modern, noble life. The dingbat allows you to build memorable crests like the skatepark crest, the smelly sock crest, the mixtape crest and many more. Vowels are mythical shield-holding creatures (upper- and lowercase are right- and leftfacing beasts), consonants are the various shields and numerals are 'crowns' above the crests.

This bouncy beauty was inspired by Walnetto Casual, designed by Dave West for Photo-Lettering, Inc. in the 1970s, and takes its name from a mythical West Texas beastie. This version has been thoughtfully designed to use Contextual Alternates to avoid unsightly serif collisions for best possible visual effect. Both versions of this font include the complete Latin 1252 and Central European 1250 character sets.

Jourba is my quick scribbled serif font. Here and there you can notice inkblobs and obvious clumbsy lines. Comes with alternate upper- and lowercase along with a lot of ligatures of the most used typical letter combinations! You will need to use OpenType supporting applications to use the ligatures.

Habone is a modern, sans serif font. It can easily be matched to an incredibly large set of projects, so add it to your creative ideas and notice how it makes them stand out! Features: Multilingual Ligatures Alternates PUA encoded Files Included: Habone Regular TTF Habone Italic TTF