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  1. Peppermill JNL by Jeff Levine, $29.00
    A bold sans serif with occasional rule-breaking vertical serifs on some characters was found within page examples from the book "100 Alphabets Publicitaires" ("100 Advertising Alphabets"). Although a few of those vertical serifs extended above the cap height in the hand lettering, they were made more uniform to keep a consistency in the digital version known as Peppermill JNL. Available in both regular and oblique versions.
  2. Display Digits Three by Gerald Gallo, $20.00
    Display Digits Three is a display number font with eight sets of variations of the same digits. The digits 0 through 9, with period and comma in appropriate variations, are prepared as (1) solid, (2) outline, (3) solid with contour outline, (4) outline with 3-D shadow, (5) 3-D shadow only, (6) outline with drop shadow, (7) positive in circle, (8) negative in circle.
  3. Galerie 2 by ArtyType, $29.00
    Galerie 2 has a narrower styling and less contrast than its sister family but incorporates the same unique characteristics as Galerie within its elegant proportions. The close genetic proximity to Galerie enables dual deployment in text and artwork, each family complimenting the other in combinations of headings and copy. Galerie 2, like the full width Galerie volume, comes in 4 weights from Thin to Bold.
  4. Boscribe by Monotype, $29.99
    Bo Berndal's handwriting was terrible in his younger days, and he could not even read his own notes. When he started out as an apprentice in a printing shop, he started to copy Garamond italic and formed his own style of writing. Later he was inspired by both Alfred Fairbanks and his reform-writing and by Paul Standard in the U.S.A and created the Boscribe font.
  5. Sea of Japan JNL by Jeff Levine, $29.00
    A 1922 piece of sheet music entitled “Japanese Sailor” had its title hand lettered in a Far Eastern motif. This design is now available as Sea of Japan JNL, in both regular and oblique versions.
  6. Bronzen Abundance by Kaer, $14.00
    Vintage font with premium decoration. Classic line serif font. Bronzen Abundance is perfect to use in any alcohol labels, glamour posters, luxury identity, and more. Comes in four font styles: pattern, filled, line and colored.
  7. Silver Screen Deco JNL by Jeff Levine, $29.00
    A 1963 image of the New View Theater in Los Angeles with its marquee’s Art Deco neon lettering was the inspiration for Silver Screen Deco JNL, which is available in both regular and oblique versions.
  8. Poster Slabserif JNL by Jeff Levine, $29.00
    Based on one of the many hand lettered typefaces found with in the 1960 edition of Sam Welo’s “Studio Handbook for Artists and Advertisers”, Poster Slabserif JNL is available in both regular and oblique versions.
  9. Chip Tunes by Pisto Casero, $14.00
    Chip Tunes font family is a geometric 3d pixel display typeface. It was inspired by–and designed while–listening to the chip tunes and 8bit styles of music. Designed in the UCLM, Cuenca in 2011.
  10. Maya Day Names by Deniart Systems, $15.00
    Contains the 20 day names of the Maya calendar as well as (in outline and silhouette mode) as well as the 19 Maya numerals. NOTE: this font comes with an interpretation guide in pdf format.
  11. Eckhardt Centerline JNL by Jeff Levine, $29.00
    This typeface is one of a number of sign painter-oriented fonts named in honor of Jeff Levine's good friend Albert Eckhardt, Jr. (who ran Allied Signs in Miami Florida from 1959 until his passing).
  12. Merina by ActiveSphere, $30.00
    Merina is a fat slab typeface, and works best in text and display applications, such as headline, posters, signage, magazine, product branding, corporate branding, logos and titles. Several alternate characters are included in this typeface.
  13. Bookvarium Roman by Letterhead Studio-VV, $19.99
    A unique display font based on the research in vintage and old fonts from the beginning of the 20th century. Perfectly work for headlines in print or can be a spice to any other design.
  14. Subzoete by Subtitude, $25.00
    Subzoete is a gathering of icons used in a cultural agenda for the city of Montreal in Quebec. They are unique and original. Great for simple indications such as tickets, free admission, outdoor events, etc.
  15. ATC Oneshot by Avondale Type Co., $20.00
    ATC Oneshot, is a handwritten script font based on neighborhood bodega signage. Contains 160+ glyphs, full alphabet, ligatures, numberals, accents and punctuation. File type included in download is .otf. ATC Oneshot was released in 2019.
  16. SolKing by Fo Da, $15.00
    Solking is an Arabic typeface of a three weights : Sharp, Curved and Rounded . the main focus is on blending traditional and modern rules in the formulation and design of the Kufi type in new style .
  17. Portculliard Engraved by Greater Albion Typefounders, $20.00
    Portculliard is in the finest traditions of 19th century blackletter revival. It's a lively mock medieval face, engraved in the manner of many a 19th century printer's plate ideal for recreating traditional certificates and invitations.
  18. BD LoFi by Typedifferent, $30.00
    The BD LoFi typeface was originally designed on an Amiga 1200 with TypeSmith in 1997. In 2023 BD LoFi received an update with a wider language support and a variable version with a bolder look.
  19. Cooper Poster by GroupType, $15.00
    Cooper Poster was inspired by showcard lettering samples featured in the book, Commercial Art Of Show Card Lettering, published in 1945. Although named ""Western"", the design was modeled after Ozwald Cooper's 1921 original Cooper Black.
  20. Ambrosine by Hanoded, $15.00
    Ambrosine is a female name, which comes from the Greek. It means ‘immortal’. This handmade didone-ish font may not be immortal, but it is quite divine in appearance. Comes in regular and italic styles.
  21. Bases Loaded JNL by Jeff Levine, $29.00
    Bases Loaded JNL is a contour outline variant of Ebbets JNL, which was in turn a stylized variant of the retro-inspired Base Runner JNL. The design is available in both regular and oblique versions.
  22. Volianchy by MJType, $25.00
    Introducing Volianchy is a modern sans serif font designed for the discerning user in mind. This typeface draws inspiration from contemporary design trends, while retaining a timeless essence that ensures its relevance in any era.
  23. GHEA Tamara by Edik Ghabuzyan, $30.00
    This SemiBold Italic original Display font GHEA Tamara includes Basic Latin, Latin 1 Supplement, Latin extended A, Cyrillic, Armenian. May be used in titles, posters, labels, etc. The font looks very nice in large sizes.
  24. Mossimo by ActiveSphere, $30.00
    Mossimo is a fat slab typeface, and works best in text and display applications, such as headline, posters, signage, magazine, product branding, corporate branding, logos and titles. Several alternate characters are included in this typeface.
  25. Silent Comedy JNL by Jeff Levine, $29.00
    A poster for the 1917 Charlie Chaplin comedy “Easy Street” had Chaplin’s name hand lettered in thick, round cornered block characters. This inspired Silent Comedy JNL, which is available in both regular and oblique versions.
  26. Tacky Song by Bogstav, $17.00
    To be honest - there is nothing tacky about this font! The font has its origins in both comic and graffiti, but can be used in a great variety where something handmade/comic/unusual is needed!
  27. Summer Holiday JNL by Jeff Levine, $29.00
    Hand lettered production credits for the1930 film “Holiday” inspired the digital type revival Summer Holiday JNL; available in both regular and oblique versions. An Art Nouveau influence is reflected in this pleasant, casual serif typeface.
  28. Text Book by ParaType, $30.00
    Designed at Polygraphmash in 1958 by Elena Tsaregorodtseva; Latin characters and italic were added in 1987 by Emma Zakharova. An early sans serif ('Grotesque'), it was developed for primers and the first level school textbooks.
  29. Mercadillo by Monotype, $16.99
    Mercadillo is a casual script typeface based on the hand painted signs you can see in markets, shops and bars. Comes in 4 different weights (Black, Bold, Regular and Light) and it has OpenType features.
  30. Theatrics JNL by Jeff Levine, $29.00
    Theatrics JNL gives a rounded corner treatment to Prismatiq JNL; which in turn was modeled from lettering found in an early 1900s French lettering book displayed at an online image sharing site. Limited character set.
  31. Sailfin by ActiveSphere, $30.00
    Sailfin is a condensed geometric typeface, and works best in text and display applications, such as headline, posters, signage, magazine, product branding, corporate branding, logos and titles. Several alternate characters are included in this typeface.
  32. Metrolite by Jonahfonts, $39.00
    A slab font in 6 styles.
  33. Charbonne by TypeArt Foundry, $45.00
    Decorative type in style of 1930s.
  34. Whimsy by Image Club, $29.99
    Featured in: Best Fonts for Logos
  35. Eucaliptus by TypeArt Foundry, $45.00
    Decorative type in style of 1930s.
  36. Blossomy by kapitza, $99.00
    Blossomy is a pictographic font consisting of 72 plant and flower illustrations, designed by kapitza. The font explores the beauty of shapes and structures in nature. The illustrations are based on photographs which have been traced by hand and are the result of a long term interest in the organic and erratic lines of naturally growing plants. The idea for Blossomy originated several years ago via a series of paintings exploring forms and structures in nature. The outlines for those paintings were traced in Illustrator and then transferred onto canvas. The outcome was so simple and beautiful that the designers decided to keep working on new illustrations and combine them in a font. Blossomy can be used as individual illustrations or to create patterns. The font covers a wide variety of flora and fauna, including pot flowers, a bonsai trees, leaves, blooms and grasses, and gives creatives a wide variety of shapes to get inspired by and use in their work.
  37. Leidener by Talavera, $40.00
    This font family is inspired by printed work made by the Elzevir family back in the XVIIth century at Leiden (NL). They worked with material from several type designers, but further investigations sends us to the tracks of one in particular: Robert Granjon. Granjon italics were way ahead of his time, making some really beautiful signs like swashy ampersands and minuscule v letters. This font also contains old style figures in the same fashion as they were printed, like the flipped number 8 and open forms in 6 and 9. This is as much a revival as an original design, because of their weights bold and heavy (both with italics) that were inspired on some titles. In this font you can also find a lot of ligatures, small caps, diacritics and even a fleuron for each weight and variation. Leidener came up from two books: Constantini Imperiatoris (1611) and Exercitationum Mathematicarum (1657), printed by Louis and John Elzevir on their Leiden Workshop, back in the day.
  38. Arkham Land by Artisticandunique, $15.00
    Arkham Land - Sans Serif Font Family - Multilingual - 12 Style Arkham Land Sans serif font family helps you create many alternatives in your creative projects with its 12 styles.With its elegant and strong structure, different weights, it is also assertive about being a highly readable font. It provides flexibility in the width of usage areas in your projects, from thin styles to Black styles. It is a timeless font family with is rich styles, multilingual supports and modern structure. You can use Thin styles in elegant and stylish projects, and Black styles in strong titles. This font comes with uppercase, lowercase, punctuation, symbols and numbers, ligatures and multilingual options. Great for books and magazines, editorials, headlines, websites, logos, branding, advertising and more. This font family can meet your needs in all creative projects, modern and classic. With this font you can create your unique designs. If you have a question, please contact me. Have a good time.
  39. ITC Officina Display by ITC, $29.99
    When ITC Officina was first released in 1990, as a paired family of serif and sans serif faces in two weights with italics, it was intended as a workhorse typeface for business correspondence. But the typeface proved popular in many more areas than correspondence. Erik Spiekermann, ITC Officina's designer: Once ITC Officina got picked up by the trendsetters to denote 'coolness,' it had lost its innocence. No pretending anymore that it only needed two weights for office correspondence. As a face used in magazines and advertising, it needed proper headline weights and one more weight in between the original Book and Bold."" To add the new weights and small caps, Spiekermann collaborated with Ole Schaefer, director of typography and type design at MetaDesign. The extended ITC Officina family now includes Medium, Extra Bold, and Black weights with matching italics-all in both Sans and Serif -- as well as new small caps fonts for the original Book and Bold weights.
  40. The Best We Could Do by Chank, $39.00
    The new font “The Best We Could Do” was created by artist and author Thi Bui who used the font in the graphic novel by the same name. The font is brush-script handwriting font which displays human personality rendered with bold confident strokes full of passion and expression. Chank’s work on this font captured Bui’s distinctive textual style and also saved her a ton of headache and time in inking. A debut memoir that tells the story of one family’s journey from their war-torn home in Vietnam in the 1970s to their new lives in America, the autobiographical book is lauded for its heart-breaking exploration of identity, family, and home. Bui ties her modern life with the multi-generational experiences of her family, weaving together the emotional threads of their relationships to find clarity in her current day. “The Best We Could Do” graphic novel is published by Abrams ComicArts and is available wherever fine books are sold.
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